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So....I like a challenge and this was the only time I was outside in direct light with a zoom lens. I was lazy and didn't take my mono pod, so I was resting my elbows on my knees. I have a series of #7 coming in for a shot but this was my favorite (my kid is the goalie and I always love a good save). Focus was on the ball, I was using sports mode and this was at 150 (on a 300mm lens). Auto focus, auto ISO (I think, unless I was lazy and didn't change from the night before.)
WELLINGTON, NEW ZEALAND - August 27:Gala Dinner at Scots College August 27, 2016 in Wellington, New Zealand. (Photo by Mark Tantrum/ www.scotscollege.school.nz/)
Active Assignment Weekly: Stairs.
The assignment is to capture stairs.
Dare: try to capture feet as they travel on the stairs.
Don't: no folding stairs
Most residential buildings here (Lusaka, Zambia) are single-storey, so no stairs there. But there are lots of unfinished commercial buildings like this one that are started and then grind to a halt. I wondered why the second step was so large?
WIT: asking the guard to let me take the picture, persuading the foreman a few minutes later that I had permission from the guard; straight from camera, no crop or PP
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essay....essay.... According to these books, can you guess which topic i need write?............................................."team and teamwork"
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For your assignment, I would like you to make your own photo collage through Flickr for one of the following Hispanic artists/architects:
Diego Rivera
Fernando Botero
Antoni Gaudí
Pablo Picasso
Francisco de Goya
Joan Miró
Salvador Dalí
The paintings must be appropriate. Please include at least five photos/paintings with descriptions. Tell us about the artist's life and influence on art. Post the links to your Flickr page on our class blog: www.profesoraweber.blogspot.com so that the whole class can view it.
Assignment 52 -- Freeze action
(I think the blur of gun & shell is blurred focus, rather than motion blur. Such an unexpected sort of shot, I'm going with it.)
Assignments from an online class - Gesture Drawing at Schoolism - taught by Pixar Story Artist, Alex Woo.
Active Assignment Weekly 19-26 Feb 2018: Doors and Windows
Spec: capture a window and/or a door (or a part of a window and/or door). Restriction: Avoid getting yourself in the reflection, if there is one. Dare: Submit two photos this week--one of a window and one of a door, or submit a photo that has both.
This is my not quite so glamorous security door (cf Peter's Dutch photo) taken early evening as the sun is going down.
WIT: straightened verticals, cropped to focus on the door and it's shadow, played with contrast and saturation in Colour Efex Pro.
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When they started rehearsing for the production 'Familiar Strangers', Chua Yu Xuan, 22 (left) and Dorothy Chong, 20 (right) were strangers themselves. They hardly talked in school and their conversations were just simple greetings. The script involved intimate scenes, forcing them to push aside their awkwardness and get (physically) close to one another.
It was through rehearsing though that the pair got more familiar with each other. The more they exchanged lines, the closer they got. Conversation eventually went beyond the stage – they started to update each other about their daily lives and even made inside jokes about the production. // Chua Yu Xuan 22, (left) and Dorothy Chong, 20 (right) play a married couple in the production of 'Familiar Strangers'.
I still had a problem with the light, even if I changed the ISO-value. Also because I hadn't a tripod, the picture isn't sharp enough. Next time I surely will use one.
First attempt at the Film Noir assignment from the Lighting 102 series.
YN-565EX at 1/16 power, slightly camera left, fired up and through the blinds.
SB-600 at 1/4 power with a homemade grid spot up 8+ ft high, camera right, angled down at faces.
On camera flash used as fill (1/8 power) and used to trigger both slaves.
February 10-17 - Textures
The topic for this week to capture an image that conveys a texture. By this I mean something that would ideally require touch to fully appreciate. You could go with smooth or rough, patterned or random, natural or man made. You know you succeeded when the view reaches for the monitor.
No restrictions but I'd like to see some creativity and a big splash of uniqueness.
No cropping done. Light was on in kitchen (we use the white energy saving kind). Did sharpen a tad.
Delicious assignment today photographing a birthday composition of home made design sweets from Cuppcake. Yum!
Strobist: below ambient, 580EXII triggered by Elinchrom Skyport camera right, bounced from ceiling.
these are photos from my daughter's $20 disney princess camera that I took at the "assignment houston" meetup at the Houston Museum of Natural Science on Jul. 13
Just a couple of squidlike cephalopods, drawn up for class. The assignment is:
"Take one creature, Fantasy, Sci fi, whatever. Show five versions of it ranging from technical illustration to abstraction. (Tech. illus., realism, basic shape, return to line, abstract. ) Then arrenge them in a pleasing composition that would be suitible for a magasine article or storybook."
"Once completed the planning stage, submit it for reveiw" ...blah blah blah... " you are free to use mixed media, including limited 3D composition materials."
Err, yeah, this is only sketchbook stuff. It'll get better as it goes.
Active Assignment Weekly: Liquid in Motion
The Assignment:
For those of you who don’t like set-up, this will challenge you a bit, but I promise it’ll be fun and hopefully a good learning experience that will stretch your photography journey. I first learned about the relationship between lighting conditions, flash, aperture, and shutter speed when trying to shoot my son’s baseball games. Those learnings then extended to shooting water movement whether it was a water fight or shooting one of those cool water splash shots.
The Assignment : Shoot a picture that captures liquid of any type frozen in motion. It can be taken indoors or outdoors. The liquid amount can be a drop or a wave-full and the movement can be accompanied by any object or living being. Depending on the speed of your lens (i.e. shutter speed at a given aperture or vice versa) and availability of flash, you may consider taking the shot in outdoor lighting. Using a tripod will help immensely.
Restrictions: None, except no fabrication of liquid movement in post processing.
Dare: If you have not tried a water splash type shot before, I dare you to get that under your belt.
WIT: After a week of failed contemplating on what the hell to do for this shot.. it rained today.. possibly snow by tonight, so we acted quickly. Decided to do this and searched for some puddle out of the way of main traffic.. Why can't you find that when you want to?? Anyway, Cliff dropped me off in the rain and turned around to barrel toward the puddle (and me). Had the camera set on burst, Shutter Priority at 1/800 sec to stop the action, upped the ISO to 800 so I could have enough light at F/2.8. CS4 adjustments included a good crop (hey, I really wasn't standing this close), desature, curves, sharpen, resize.
I asked people to tell me what to take pictures of. This is the closest you're going to get. It's actually an ape. Sorry.
This is the first of a series of 20 images I am required to capture for my Photography class at IADT as part of an assignment this week. The first photo is supposed to involve something diagonal. I decided to apply some selective color to make it more interesting.
Strobist - Lighting 102: 4.3 -- Assignment: Cross, Balance and Sculpt.
Enjoyed the assignment and the though process involved in getting the final picture. I uploaded 3 pictures showing the 3 steps in my thought process, but I took many more at each step to optimize the position of the light I was adding to the ambient.
1. Ambient light provided by two headboard lamps and a small window to the right.
2. Added a flash bounced in the ceiling bounce to provide fill. It is placed on a stand next to me pointing at the ceiling. That placement gave me uniform light over the opposite wall. Aperture and Speed set to balance ambient and fill.
3. Added a 3rd light to the right at the edge of the bed, low and zoomed at 105mm to reveal some details in the brown bedding. Used a gobo to prevent the light from that flash to spill on the wall and produce shadows of the pillows.