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Wandered around downtown Fort Lauderdale with a new lens (and my first prime). I'm enjoying the 33mm 1.4 but it'll take some time to get used to..
Assignment 52 -- My own favorite shots from 2013
(A shot which combines several techniques I've explored this year-- light painting, black backgrounds, & HDR. Different parts of vase & flowers & surface were illuminated in various shots & combined after experimenting with combinations.)
My work for Strobist Lighting102 assignment "cooking".
Picture top right (knife with tomato and cucumber) was my first attempt. One light, off camera, bounced off the ceiling. However, I felt that I was not capturing the highlight well on the knife.
Next two attempts (knife and fork; and knife with mushrooms) were shot with a single light though a white umbrella placed behind and slightly to the left of the camera. Here I captured the highlights much better.
Assignment: Take a photograph capturing "preparation"
Restrictions: Must include a person or persons (may be just a hand or other small part)
Dare: Use either low key or high key to bump up the mood
This is a photo of my husband spicing up our ribs for dinner. He watched a show on using spices and learned that Allspice was good on meats. Converted to b/w in LR and added clarity, contrast and grain
Assignment Karachi, by Edward S. Aarons
Gold Medal R2331, undated reprint
Cover art uncredited
#16 in the Sam Durell "Assignment" series
Swarali Photo Assignment (November, 2015)
Title:
People:
Place:Redmond
Date:2015:11:15 11:49:59
File:DSC_7085.jpg
Assignment Peking, by Edward S. Aarons
Fawcett Gold Medal R2145, 1969 PBO
Cover art by Robert McGinnis
#28 in the Sam Durell "Assignment" series
The cover art was not credited anywhere in this book; confirmed as McGinnis in "The Paperback Covers of Robert McGinnis" by Art Scott & Dr. Wallace Maynard.
Assignment - Angelina, by Edward S. Aarons
Gold Medal 749, 1958 PBO
Cover art by Gerry Powell
#6 in the Sam Durell "Assignment" series
Class assignment - egg. The color contrast of the orange wall and colors in the placemat made the white stand out
WELLINGTON, NEW ZEALAND - August 10: Prep School Dress up Day August 10, 2016 in Wellington, New Zealand. (Photo by Mark Tantrum/ www.scotscollege.school.nz/)
Gottlieb, William P., 1917-, photographer.
[Portrait of Dizzy Gillespie, New York, N.Y., ca. May 1947]
1 negative : b&w ; 3 1/4 x 4 1/4 in.
Notes:
Gottlieb Collection Assignment No. 524
Purchase William P. Gottlieb
Forms part of: William P. Gottlieb Collection (Library of Congress).
Subjects:
Gillespie, Dizzy, 1917-
Jazz musicians--1940-1950.
Trumpet players--1940-1950.
Format: Portrait photographs--1940-1950.
Film negatives--1940-1950.
Rights Info: Mr. Gottlieb has dedicated these works to the public domain, but rights of privacy and publicity may apply. lcweb2.loc.gov/diglib/ihas/html/gottlieb/gottlieb-copyrig...
Repository: (negative) Library of Congress, Prints & Photographs Division, Washington D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: William P. Gottlieb Collection (DLC) 99-401005
General information about the Gottlieb Collection is available at lcweb2.loc.gov/diglib/ihas/html/gottlieb/gottlieb-home.html
Persistent URL: hdl.loc.gov/loc.music/gottlieb.11891
Call Number: LC-GLB23- 1189
Assignment for "Using the MacIntosh in the Entertainment Industry." Done on a Mac with iMovie. Full upload failed. There This is approximately 5 minutes long.
Assignment Lili Lamaris, by Edward S. Aarons
Fawcett Gold Medal R2209, undated reprint
Cover art by Baryé Phillips
#10 in the Sam Durell "Assignment" series
Strobist Lighting102 Assignment: Cooking. With a chrome nutcracker, I placed on a pink plastic cutting board, and then used a green plastic cuttingboard as a reflector.
1 Flash, bounced off white ceiling, 1/2 power, radio trigger on a stand, camera right. 1/250 @ f/5.6
Sorry about the poor quality, it's a screenshot from a webcam. This is from one of my university assignments dealing with augmented reality. The program we are using tracks markers and places an object on them in 3D space, so in reality we can't see those objects on the markers, but they are displayed on the screen exactly how it is presented in this photo. These objects are part of a demo, we didn't make them ourselves.
Assignment - Helene, by Edward S. Aarons
Gold Medal d1660, 1966
Cover art uncredited
#9 in the Sam Durell "Assignment" series
Active Assignment Weekly: June 27 - July 4: Body Parts
Your assignment is to photograph body parts. Keep the props, or clothing to a minimum and really focus in on a body part. With that said PLEASE remember the group rules and keep it clean.
Dare: Make it abstract or hard to tell what part of the body you have chosen (please refrain from the cliche arm or leg crack made to look like a butt)
Restriction: No full face or full body shots, and as stated before no naughty areas.
WIT: Struggled with this one really. Finally lassoed a willing model, and as I was taking photos of the back of his neck, I saw this shot. We were both amazed at how freckled his fingers are as shown in the shot. Taken outside in evening cloudy light. Desaturated reds and added an inverted highpass filter with soft light blending after contrast and brightness adjustments. No cropping. I know it's grainy, but so is the owner of this fist.
This week's assignment: "Film Noir", French for "black film". This will probably be a more difficult assignment that will require much more preparation because mood as well as lighting are important aspects as well as creating a story.
Here is Wikipedia's definition:
"Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. Hollywood's classic film noir period is generally regarded as stretching from the early 1940s to the late 1950s. Film noir of this era is associated with a low-key black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Depression."
Think of old movies, such as The Maltese Falcon" or relatively new ones like "Sin City".
Chico State’s #10 Jiana Creswell fires a three pointer during the Wildcats’ game against Cal State Dominguez Hills on Thursday, January 5, 2023 in Chico, Calif.
(Matt Bates/University Photographer/Chico State)
Chico State’s bench celebrates a score during the Wildcats’ game against Cal State East Bay on Saturday, January 7, 2023 in Chico, Calif.
(Matt Bates/University Photographer/Chico State)
July 2009 - The third of six writing assignments this month.
I comment about my life and opinions in my eJournal and images every single day.
The setup on this shot is as follows:
A single flash, to camera right from a distance of about 15 inches from the egg separator. Shot through a "gel" (Ok not really a gel, but a bottle of Dawn dish detergent about 1 inch off the flash face) on each side of the utensil, and just over are sheets of white copy paper (so, three in all) to catch the white light that escaped around the "gel" and reflect back on the separator.
I tried to give the illusion of a multi-light setup using a single flash.
Assignment: PCA03 - Isolated Subject
Deadline: October 1st, 2007
Mission:
Show us an isolated subject. Razor sharp focus on the subject, and completely blurred to annihilation backgrounds. This can be accomplished by using a wide aperture and having a distant background. If using a less sophisticated camera, try using the portrait mode or macro mode. If you cannot get the background out of focus, then choose a featureless background.
I took a lot of pictures for this assignment and I think I liked the ones of this fence the least, but it is the only one where one subject is in razor sharp focus. All my others ones suffer from soft or blurry edges on the main subject. I did some post-processing work on this photo: cropping and trying to dodge out the bright white spot in the middle of the photo. It sort of worked. I still think it is too bright in comparison to the rest of the background, but any darker and it started to look strange.
Strobist Lighting102 Assignment: Cooking. With a silver nutcracker, I placed on a pink plastic cutting board, and then used a green plastic cuttingboard as a reflector.
1 Flash, bounced off white ceiling, 1/2 power, radio trigger on a stand, camera right.
Assignment - Sulu Sea, by Edward S. Aarons
Gold Medal d1654, 1966 reprint
Cover art uncredited
#20 in the Sam Durell "Assignment" series
Assignment trial shot for Light 102 Umbrella Specular.
I was surprised at the difficulty in the set up. Small changes made a big difference when I was trying to get a halo on old St Nick. This is a 30 inch Santa with a hand carved wood face.
Single white shoot thru umbrella with two SB800's paired into it. Camera D70 with 17-55 lens. CLS used to fire speedlights set on manual 1/8 power. Camera at 1/60 f5.6. White wall about 5 feet to camera left gave slight fill with the shadows.