View allAll Photos Tagged assemblage

assemblage,

modify with the soft horn

A friend just sent me this photograph of an assemblage I made over 40 years ago when I was channeling some kind of Joseph Cornell vibe

assemblage

paper,doll mask, wax

 

for Our Daily Challenge topic - 'All Together Now. An assemblage I made several years ago using a letterpress type drawer..

On display at St Paul's in Worthing

assemblage

45×37㎝

 

Mixed media collage/assemblage with found objects and oil paint.

...with string and pebbles- and a splash of paint

38 × 28㎝

assembrage

 

Taking unrelated bits and pieces and putting them together as an assemblage which makes sense.

analog photo on film dating from about 2003. Developed March 2023.

Assemblage resembles microscope

(c) Drager Meurtant

 

more at: www.youtube.com/watch?v=PK4ja3Y-F54

“U of U” (Uranium of Utah) 2024, Found object assemblage: WW2 B-29 Oxygen tank, antique baby carriage, geiger counter, electric motor, fan blade, pressure gauge, signal light, headphones, vintage operator mic, Model -T battery, fan blade, fire place screen parts, distressed American flag. 18” x 36” x 31” By bringing these disparate elements together, I hope to spark a dialogue about our responsibility towards the land and its resources.

 

“U of U” (Uranium of Utah) confronts the complex legacy of uranium mining in Utah. The raw materials, scavenged from various sources, embody the state's rich history and the environmental consequences we grapple with today.

 

Uranium fueled the American dream during the Cold War. It also left behind a radioactive scar across the Colorado Plateau and displaced many native American communities. Today the resurgence of Uranium mining in Utah is due a bill passed that limits the importation of uranium from Russia. Other than the use in nuclear weapons it is now required as clean energy alternative. My aim is not to glorify or demonize this history, but to present a tangible reminder of its enduring impact.

 

It compels us to consider the ethical implications of resource extraction and the lasting environmental scars we leave behind. As we move forward, let us remember the stories etched within these unearthed relics, and strive for a future where progress and sustainability coexist.

  

Monroe, Louisiana, 1988

Making the camera roll i deleted the first one by mistake.

So the second upload hear, sorry.

No long faces: curved wood / cut by belt-saw / united by scarf-laths / finds its place / in front of the mesh / of the first cadre / before the second cadre / before the wall

37x23x10 cm www.meurtant.exto.org

40× 20㎝

wire, thread,paper,crayon,wa

x,bond

  

Rome, 2021

Sculpture by Giuseppe Gallo

 

Canon A620

Digital

Title: "Traitor"

Medium: Assemblage

Size: 36" x 10" x 40"

Date: 2019

Statement: A commentary on contemporary human trafficking that hearkens back to the slave trade but goes unfortunately even further back to the origin of mankind.

collage/assemblage; 22x15in, assorted materials, mounted on a box stretcher, Mar-24

 

This is my first physical art piece of 2024 which is about to be exhibited at a group show (Juxtapose) in Sechelt, BC.

 

Object and Image

 

Perhaps the act of seeing an object as an image or an image as an object is almost pre-verbal, relying on instinct and a way of noticing. I often explore the use of commonly found household materials like building paper or plastic nets in the process of creating shape and mark making. The materiality of these objects brings its own character to the image and transforms their companion parts, capturing an expression of feeling. Sometimes a story is born; sometimes a new perspective is revealed. For the Juxtaposed collage event, I have selected pieces that explore this relationship between image and object in a way that may stretch the boundaries of what is familiar to viewers.

  

Half of my type case assemblage. For Our Daily Challenge topic - 'Corners'

There's 196 corners here.

Please see Album "Thank You, Beth."

"Two and four:

 

Two elemental figures / or are these figural elements.//

Become two only when placed together.//

Which defines space. // Space captures the elements //

 

The elements format space. // Space dictates the artist.

Which makes four:

elements, space and artist

 

(Yes, this might be called a 'Combine')"

 

assemblage - installation, earlier posting end of August 2016

assemblage piece in the works

seen in Ayase, Tokyo

Phiméanakas entrée (après Baphuon)

The nibbling of mice / caught in 3-D / with elements / that were at hand.

Assemblage with collage elements (40x30x8 cm, wood, hardboard, vinyl leather carton, lead, glass, paint) More at www.meurtant.exto.org

www.saatchiart.com/art/Collage-The-nibbling-of-mice/70626...

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