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Statuette of an eagle on pedestal, Bronze, Roman, 1st - 3rd Century A.D, 60 mm x 20 mm x 20 mm
In the Roman period, bronze statuettes of eagles held significant cultural and symbolic importance. The eagle was a powerful and revered symbol in Roman society, representing strength, courage, and military prowess. As the national emblem of Rome, the eagle was associated with the Roman legions and the divine authority of the Roman state. Consequently, bronze statuettes of eagles were commonly used as military standards, known as “aquilae,” carried by Roman legions as symbols of honor and allegiance to the empire.
These bronze eagle statuettes were meticulously crafted, showcasing the artistic skill and attention to detail characteristic of Roman artistry. Typically small in size, these statuettes featured finely rendered feathers, outstretched wings, and sharp talons, capturing the majestic and imposing nature of the bird of prey. The craftsmanship of these statuettes reflected the Romans’ appreciation for realism and their ability to infuse lifelike qualities into their art.
Beyond their military significance, bronze eagle statuettes also found a place in various aspects of Roman life, including as decorative elements in homes, public spaces, and temples. The eagle’s association with Jupiter, the king of the gods in Roman mythology, further elevated its status as a symbol of divine protection and authority.
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Unguentarium, Glass, Roman, 2nd - 4th Century A.D, 100 mm x 40 mm
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Jar, Pottery, Roman, 1st - 3rd Century A.D, 130 mm x 110 mm
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©Lie Fhung
Freedom is A Hard Work
Various Copper Sheets and Wire
Sincere Subjects Exhibition,
SIGIarts Gallery, Jakarta
Jul-Aug 2008
Unguentarium, Glass, Roman, 1st - 3rd Century A.D, 70 mm x 35 mm
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Oil lamp with an antelope, Terracotta, Roman, 2nd - 3rd Century A.D, 105 mm x 80 mm
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Statuette of a standing goddess wearing a red polos, Pottery, Greek, Hellenistic, 3rd - 1st Century B.C, 105 mm x 32 mm
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Figure of a river god (probably Tiber) with she-wolf, Marble, Roman, 1st – 2nd Century A.D, 175 mm x 278 mm x 155 mm.
The pairing of the Roman river god Tiberinus (Father Tiber) with the she-wolf and the twins Romulus and Remus is a key motif illustrating the foundation myth of Rome. According to the legend, the twins were abandoned on the banks of the Tiber River by order of a wicked king. It was the river god, Tiberinus, who ensured their survival. The water god helped to save the infants when the basket they were placed in got stuck on the riverbank, and some sources explicitly state he saved them before they were found by the she-wolf. This association links the divine power of the river, which provided safety and nourishment, directly to the miraculous preservation of the city’s future founders.
The she-wolf, or Lupa, is one of the most famous symbols of Rome, representing the animal that ultimately nursed the abandoned twins in a cave known as the Lupercal until they were found by a shepherd. This moment, often represented in art by the Capitoline Wolf sculpture, is intrinsically connected to the river god Tiber because their abandonment in the river is the crucial step that leads to the wolf’s discovery and subsequent nurturing. The combined iconography of the river god, the she-wolf, and the twins tells a complete narrative of abandonment, divine rescue, and eventual foundation, emphasizing that Rome’s origins were protected by both the martial god Mars (the twins’ divine father) and the local genius of the land and water.
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Hollow-form hoop earrings with twited wire closure, Gold, Roman, 1st - 3rd Century A.D, 13 mm diameter
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Plate with vegetal decoration, Terra Sigillata, Roman, 4th Century A.D, 200 mm diameter
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Handle with tragic mask, Bronze, Roman, 1st - 2nd Century A.D, 195 mm x 95 mm
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Unguentarium, Glass, Roman, 1st - 3rd Century A.D, 123 mm x 25 mm
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