View allAll Photos Tagged artinprogress
The blue block ~ for a 3 color poster (18" x 24") we're making for The Decemberists.
See the key block: www.flickr.com/photos/tugboatprintshop/5613419869/in/phot...
And the yellow block: www.flickr.com/photos/tugboatprintshop/5613419603/in/phot...
Taken using a Canon EOS 60D and M42 fit Helios 44M 2/58 lens.
I had read good things about the Helios but TBH, it is NOT my favourite lens... i think it is probably capable of good things but i'm finding it just so panickty to use.
Voor een kunstenaarsdoosje was ik op zoek naar gezichtjes, ik heb er meer dan ik dacht, kiezen is moeilijk.
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or an artist box I was looking for faces, I got more than I thought, choosing is difficult.
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Pour un boite d'artiste dans la fabrication, je cherchais des visages, je trouvais plus que je pensais, choix est difficile.
Voor een kunstenaarsdoosje was ik op zoek naar gezichtjes, ik heb er meer dan ik dacht, kiezen is moeilijk.
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or an artist box I was looking for faces, I got more than I thought, choosing is difficult.
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Pour un boite d'artiste dans la fabrication, je cherchais des visages, je trouvais plus que je pensais, choix est difficile.
A sign said, "Art in Progress"
Queens Museum's south parking lot
Flushing Meadows Park
Trish Mayo, our NYC arts expert, tells us, "It's a portrait of an immigrant doctor who died of the corona virus by artist Jorge Rodriguez Gerada."
We've almost finished with the carving of the key block for "COMMUNITY"! This means that we'll be able to roll it up with ink & transfer to color blocks really soon! Which means that the pre-order is shorter and shorter lived…but there's still a little time!www.tugboatprintshop.com/woodcut_community.htm
I adapted the design from a 12-inch star my mother gave me when she dropped off her old basket-weaving materials. But this version was too big (6 inches) and too complicated (20 pieces of reed total), so I simplified the design significantly.
Once again I've been working on this one, trying to finally bring it to a conclusion. Trust me on this!... I have had not one single idea about where it's going... I just paint stuff and see what happens. It's called the "Phrenquelle" method. I DO NOT RECOMMEND IT! This is an acrylic painting. The canvas is 18 inches square (approx. 46 cm square).
Here's me, looking rather tight-lipped, checking out what I've been able to accomplish in a few hours in the studio today. Guess what? I'm wearing something you can't see. Hearing aids. I think that I'll call them "my hearings" or possibly just "my accessories!"
This is an approximately 4 inch (10.25 cm) square section of the painting I am
working on. There are 16 squares in total in this artwork. This was a very quick
hand held shot. Fixed the color etc. in Picnik, but it's just close, not perfect.
I just came across this old 3½ x 5 inch photo and decided to scan it for my flickr friends. Here I am working on my little Mac SE, trying to do something in a very simple b+w paint program. In the far right background is the 1988 calendar I designed for Sloan Paper Company. Just under my closed typewriter I can see the calendar sheet reads "November." Just behind my Mac you can see my old Apple Imagewriter, dot matrix, printer. I still had a lot of hair back then, but it was beginning to thin. I was forty-six years of age when I made this self-timed shot.
I've been working on this 18 inch (46 cm) square painting just off and on since May. Between my muse running away and a couple of health issues, my studio time has been limited. Well, that and the new iPad 2 which has occupied a fair amount of time.
Anyway, thirteen of the sixteen sections are now complete and a fourteenth is progressing. I hope to soon make shots of the seven panels completed since I last posted. Note: iPhoto was used to correct the exposure and add definition and sharpness. I corrected the vertical perspective in Arcsoft's PhotoStudio Darkroom.
I've continued working on the three little 8 inch square paintings that are to be gifts for the children of a friend. Each one features the initial of the child's first name.
Poppengezichtje uit de vijftiger jaren gemaakt van textiel
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Dolls face from the fifties made of textile
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Visage de poupée des années cinquante en textile.
This is the painting area as I used it most of that year. Art-wise it was a very good year for selling work. On the personal front, my identical twin brother had terminal cancer up in Michigan and I spent a lot of time burning up I-75 to spend as much time with him as I could afford. This photo is a scan from an APS print.
All the squares are now underway. There are six that need a lot of work and one that needs a bit less.
I'm thinking about the area at the bottom. Should I paint in a fringe for this "quilt?" Your ideas will be gratefully pondered!
Met de huidige zonnestand een van de betere invalshoeken. Op de achtergrond Nijmegen, de Waalkade.
De focus ligt nu meer op de hand, het penseel en het doek. Wat in dit geval ook wel wat grappigs heeft: het schilderij sluit aan op wat je net niet meer in de foto ziet.
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Painter
Given the current position of the sun, this is one of the better angles. In the background: Nijmegen and the Waalkade.
The focus here is more on the hand, the brush, and the canvas — which is a bit amusing in this case: the painting continues just beyond what you can see in the photo.