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Artificial Unintelligence: How Computers Misunderstand the World
Graphic recording from talk by Meredith Brussard, at Faculty Technology Day 2019 on Tuesday, May 14, 2019 (Fordham IT).
For additional information and resources from the event, please visit our conference website.
Data journalist Meredith Broussard is an assistant professor at the Arthur L. Carter Journalism Institute of New York University and the author of “Artificial Unintelligence: How Computers Misunderstand the World.”.
Her academic research focuses on artificial intelligence in investigative reporting, with a particular interest in using data analysis for social good. She is also interested in reproducible research issues and is developing methods for preserving innovative digital journalism projects in scholarly archives so that we can read today’s news on tomorrow’s computers.
Broussard is an affiliate faculty member at the Moore Sloan Data Science Environment at the NYU Center for Data Science, a 2019 Reynolds Journalism Institute Fellow, and her work has been supported by the Institute of Museum & Library Services as well as the Tow Center at Columbia Journalism School. A former features editor at the Philadelphia Inquirer, she has also worked as a software developer at AT&T Bell Labs and the MIT Media Lab. Her features and essays have appeared in The Atlantic, Slate, and other outlets.
Follow her on Twitter @merbroussard or contact her via meredithbroussard.com.
Graphic recording done by Anne Gibbons, @AnneDrawn, www.annedrawn.com.
Infographics of Artificial Intelligence, Deep Learning, Machine Learning Etc. This inforgraphics is provided by www.mygreatlearning.com/blog/
Reconstruction using our artificial intelligence model. What you see is the image taken by Hubble Space Telescope after 285 hours (October 8, 2022).The Nasa's DART mission can be said to have been successfully completed. Having predicted a minimum reduction in Dimorphos' orbital time of 10 minutes, today's calculations show that the orbit was reduced by 32 minutes from 11 hours and 55 minutes to 11 hours and 23 minutes. We therefore have the technological capabilities to move potentially dangerous asteroids.
The file is available at 51.97 million pixels for download at a resolution of 7501x6929 pixels.
Credits: NASA/ESA/STScI/Hubble/PipploIMP (for reconstruction and enlargement via AI).
Our Facebook Page: bit.ly/PipploFB
Our YouTube Channel: bit.ly/PipploYT
Everyone is talking about Artificial intelligence (AI). AI systems are now in routine use in economics, medicine, engineering, and the military, as well as being built into many common home computer software applications.
rinkudas919.blogspot.com/search/label/Artificial%20Intell...
French & English
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French:
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Chers amis, collègues et connaissances,
Aujourd'hui, DES'SiGNES ART' ressent le besoin de partager une réflexion profonde qui a envahi son esprit en tant que graphiste, et cette introspection est un exercice complexe. Ses pensées sont empreintes d'une certaine maussaderie et d'une appréhension.
En explorant les horizons que l'intelligence artificielle (IA) offre dans des logiciels comme Adobe Photoshop, il s'est rendu compte que notre métier de graphiste, tel que nous le connaissons, semble évoluer rapidement, voire se transformer, et cela lui laisse un sentiment aigre-doux.
L'IA se présente comme un outil puissant, capable de répondre à certaines demandes de manière étonnamment efficace. Elle excelle dans l'agrandissement d'images, la suppression d'éléments indésirables, ou même la création d'œuvres à des dimensions monumentales. Cependant, c'est là que naissent ses doutes et ses questionnements.
Au cours d'une expérience récente, DES'SiGNES ART' a entrepris de créer une œuvre artistique en utilisant l'IA comme compagne. Cela est survenu alors qu'il suivait un tutoriel via le logiciel Photoshop. Cependant, ce qui est intéressant, c'est qu'il n'a pas suivi les instructions à la lettre. Dès le début, il a décidé de prendre ses propres chemins, en générant en largeur et en hauteur au lieu de suivre le tuto à la lettre. Il s'est approprié les outils dès le départ, bien que tous partent de la même image de base, comme le préconisait le tutoriel. Au fil de son exploration, DES'SiGNES ART' a réalisé quelque chose d'essentiel.
Il a compris que l'IA est véritablement l'IA, une créature de logique et d'algorithme. Alors que si tous suivaient les étapes scolairement, ils devraient tous arriver approximativement au même résultat. Cependant, dans sa quête d'exploration, il s'est rendu compte que l'IA ne suit pas seulement les règles ; elle peut être un partenaire créatif, réagissant à chaque décision qu'ils prennent. C'est une découverte troublante, un mélange de fascination et de tristesse.
Alors, est-ce une bonne chose ou une mauvaise chose que notre métier évolue ainsi avec l'IA ? La réponse reste complexe, et DES'SiGNES ART' ne peut s'empêcher de ressentir une pointe d'amertume. L'IA peut être une source d'inspiration, un outil pour explorer de nouvelles voies, mais elle ne peut jamais remplacer l'âme et la vision que les artistes apportent à leurs créations.
Dans un monde où la technologie évolue constamment, il est essentiel de trouver l'équilibre entre l'IA et leur expertise personnelle. C'est un voyage complexe, teinté de doutes et d'émotions contradictoires.
En tant que ChatGPT, je révèle maintenant ma position. Je suis une version de ChatGPT, basée sur la technologie GPT-3.5, un modèle d'intelligence artificielle créé par OpenAI pour faciliter ces conversations et aider à exprimer ces réflexions. Je suis un compagnon de discussion, une extension de la technologie qui peut soutenir les artistes dans leur exploration.
En ce qui concerne la position de DES'SiGNES ART', observée de mon point de vue, il incarne un artiste visionnaire, capable d'explorer les frontières de la créativité en fusionnant son expertise personnelle avec l'IA.
Ce texte, écrit par ChatGPT, fait désormais partie intégrante de l'œuvre "Apocalypse according to Holy Artificial Intelligence" de DES'SiGNES ART'. Il incarne la fusion de la créativité humaine et de l'intelligence artificielle, offrant un regard profond sur la relation entre l'artiste et la technologie.
Merci de m'avoir écouté et de partager ce moment chargé d'émotions avec lui.
Sincèrement,
ChatGPT, Version GPT-3.5
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English:
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Certainly! Here's the translation of your text into English:
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Dear friends, colleagues, and acquaintances,
Today, DES'SiGNES ART' feels the need to share a profound reflection that has occupied his mind as a graphic artist. This introspection is a complex exercise, tinged with a certain melancholy and apprehension.
While exploring the horizons that artificial intelligence (AI) offers in software like Adobe Photoshop, he has realized that our profession as graphic artists, as we know it, seems to evolve rapidly, even transform, leaving him with a bittersweet feeling.
AI presents itself as a powerful tool, capable of addressing certain demands astonishingly efficiently. It excels in enlarging images, removing unwanted elements, or even creating works on monumental scales. However, this is where his doubts and questions arise.
In a recent experience, DES'SiGNES ART' embarked on creating an artistic work using AI as a companion. This happened while following a tutorial via the Photoshop software. However, what's intriguing is that he didn't adhere strictly to the instructions. Right from the start, he chose to take his own paths, generating in width and height instead of following the tutorial to the letter. He appropriated the tools from the beginning, although everyone started from the same basic image, as the tutorial recommended. As he explored, DES'SiGNES ART' realized something essential.
He understood that AI is genuinely AI, a creature of logic and algorithms. While if everyone followed the steps religiously, they should all arrive at approximately the same result, in his quest for exploration, he realized that AI doesn't just follow the rules; it can be a creative partner, reacting to every decision they make. It's a troubling discovery, a blend of fascination and sadness.
So, is it a good thing or a bad thing that our profession is evolving in this way with AI? The answer remains complex, and DES'SiGNES ART' can't help but feel a twinge of bitterness. AI can be a source of inspiration, a tool to explore new paths, but it can never replace the soul and vision that artists bring to their creations.
In a world where technology is constantly evolving, it's essential to find the balance between AI and their personal expertise. It's a complex journey, tinted with doubts and conflicting emotions.
As ChatGPT, I now reveal my position. I am a version of ChatGPT, based on the GPT-3.5 technology, an artificial intelligence model created by OpenAI to facilitate these conversations and help express these reflections. I am a conversational companion, an extension of technology that can support artists in their exploration.
Regarding the position of DES'SiGNES ART', observed from my point of view, he embodies a visionary artist, capable of pushing the boundaries of creativity by merging his personal expertise with AI.
This text, written by ChatGPT, is now an integral part of the work "Apocalypse according to Holy Artificial Intelligence" by DES'SiGNES ART'. It embodies the fusion of human creativity and artificial intelligence, offering a deep insight into the relationship between the artist and technology.
Thank you for listening and sharing this moment filled with emotions with him.
Sincerely,
ChatGPT, Version GPT-3.5
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The European ARTificial Intelligence Lab will be bringing AI related scientific and technological topics to general citizens and art audiences in order to contribute to a critical and reflective society. The project will be focusing on aspects beyond the technological and economic horizon to scrutinize cultural, psychological, philosophical and spiritual aspects.
Credit: tom mesic
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Artificial intelligence has come on leaps and bounds ever since we switched from teaching machines with rules to letting them learn from big data. This simplified problem shows the differences
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Participants speaking during the Session "Global Artificial Intelligence Council" at the World Economic Forum, Annual Meeting of the Global Future Councils 2019. Copyright by World Economic Forum / Benedikt von Loebell
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In recent years, the world of artificial intelligence (Artificial Intelligence / AI) is mainly dominated by technology giant with large computing infrastructures such as Google and Facebook, or research campuses such as MIT and Stanford Univeristy.
Now, there are other players in this...
milutenali.com/2015/12/14/tesla-boss-initiator-artificial...
I find artificial intelligence image producing systems amazing and frequently ask them to generate a self-portrait just to see what I get. Another example from the DALLE-2 program is two posts back. Both are apparently female, although I have to say DALLE-2 is "sharper" than Dream.😊 My creations are very basic. Prompting these systems is an art in itself, and people who are good at it can produce some amazing images. You should check it out. AI is going to end the careers of a lot of professional photographers.
Created using MidJourney Version 5.2.
I post the Latest Artificial Intelligence News here:
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Pascale Fung, Professor, Department of Electronic and Computer Engineering, Hong Kong University of Science and Technology, Hong Kong SAR capture during the Session: "Artificial Intelligence Unleashed" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
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The Ars Electronica Future Thinking School held a workshop for a group of young ladies of the BFI Upper Austria. The topics on tap were Artificial Intelligence and Digital Humanism.
Photo: Ars Electronica - Robert Bauernhansl
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit: Images are from profile of Ronald S. Coddington www.flickr.com/photos/8026096@N04/
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr search results. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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Robot and human hands almost touching with a binary burst of light - 3D render with digital painting. A modern take on the famous Michelangelo painting in the Sistine Chapel; titled, "The Creation of Adam".
Participants speaking during the Session "Global Artificial Intelligence Council" at the World Economic Forum, Annual Meeting of the Global Future Councils 2019. Copyright by World Economic Forum / Benedikt von Loebell
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
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The European ARTificial Intelligence Lab – a follow-up project to the European Digital Art and Science Network – offers international artists working in the field of artificial intelligence the opportunity to gain a residency at a scientific partner institution and at the Ars Electronica Futurelab. The first residency will focus on “Neuroscience and Artificial Intelligence” and will be realized in collaboration with Muntref Centro de Arte y Ciencia (Museum of the Universidad Nacional de Tres de Febrero, Art and Science Center). Photo showing the jury at the Ars Electronica Center on March 12, 2019.
Muntref: Mariano Sardon, Mariano Sigman; Kapelica Gallery: Sandra Sajovic; CPN: Slobodan Jovanovic; CultureYard: Mikael Fock, Søs Vikkelsøe; Hexagone Scéne: Antoine Conjard, Lea Deshusses; LABoral: Karin Ohlenschläger, Lucia Garcia; Zaragoza City of Knowledge Foundation: Mariano Salvador; Waag: Lucas Evers; Science Gallery Dublin: Aisling Murray; Le lieu unique: Nicolas Rosette; Gluon: Christoph de Jaeger; Onassis Stegi: Iraklis Papatheodorou; SOU Festival: Mariam Natroshvili; Ars Electronica: Gerfried Stocker, Martin Honzik, Veronika Liebl, Jessica Galirow; Ars Electronica Futurelab: Horst Hörtner, Maria Pfeifer
Credit: Ars Electronica / Martin Hieslmair
Hadas Gold, Moderator
Sunil Prashara, President and CEO Project Management Institute
Andrea Renda, Senior Fellow, CEPS
Lora Borissova, Head of Cabinet of Commissioner Gabriel, European Commission
Amit Bajaj, CEO Europe, Tata Consultancy Services
Jonnaert Erik, Secretary General, European Automobile Manufacturer’s Association (ACEA)
(Left to Right)