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death in the afternoon
Last Friday, scrolling through my feed on Facebook, I saw some artwork by a fellow photographic artist I follow, Rebecca Tolk, and was intrigued by it. Especially when she mentioned the work was created using artificial intelligence.
Although the work looked amazing, my initial thinking was similar to what I soon found out was Rebecca's initial question: "How is this her art?"
Wanting to understand more, I watched the replay of a Facebook Live video she made. Rebecca explains how she sees this tool fitting into her practice and how she has seen others use it in their practice.
If you have the time, it's well worth a watch to understand the 'why', and it gives a sense of how I could potentially see it fitting into my practice too.
For example:
- To create elements for inclusion in mixed media artworks without having to go out and photograph each of them (especially if they're not easily accessible for me).
- To create elements for my digital collages.
- To inspire and draft out ideas for photographs or collages.
- To storyboard potential short films I'd like to make, especially to give a sense of mood and atmosphere. This would be particularly helpful as my illustration skills are still quite rudimentary.
And, obviously, there's the option to use it in the most straightforward way to create art in and of itself. Though I think I would have to become more familiar with how it works and how to "work it" to consider it more "my artwork" than the AI's.
So, I took some time that afternoon to experiment with a free trial of Midjourney AI to see what I thought.
As Rebecca points out in her video, your free trial images and variations don't take long to exhaust. And working in a massive group chat with so many other people can be overwhelming. Though also inspiring to see what other people are using as prompts and how they are using Midjourney.
It can be hard to track your results, and I'm not entirely sure I found all my variations as I was still learning to use the tools. If I decide to sign up for a limited subscription, I believe you get your own workspace. That will make it easier and cleaner to focus on what I'm doing and learn more about how to use it.
But these are two variations from the prompt 'death in the afternoon' that I created last Saturday.
The first image (above) was actually my second option and variation, but it was the one I liked more. The branch coming out of nowhere is the sort of thing I would edit out as it's obviously a bit of a glitch in the AI. In the preview, it looked like it might be the blade of a sickle.
(The second image i refer to.)
The third image shows (from left to right):
- The initial selection of four AI-rendered images Midjourney presented me with, of which I selected the top left.
- The variations it created from that image when I triggered it, of which I selected the bottom right.
- An alternative set of four AI-rendered images Midjourney presented when I requested a redo. I didn't get to work with these as I didn't see them initially, and I used up the rest of my free trial working on two other prompts.
I definitely don't see AI art replacing my existing practice. But I can see how it might enhance my work and/or be another tool or medium for me to create art.
I'll share the other two images I created later in the day, but I'd be curious to know your thoughts.
I posted this early access for my Patreon patrons a week ago.
I dreamed about a human being is is part of a project exploring the use of artificial intelligence as applied to photography by using online open source code and data.
More information at fransimo.info/?p=1100
ID:481e5fbb96778335db8a7ff354d5a5a6
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Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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Participants speaking during the Session "Global Artificial Intelligence Council" at the World Economic Forum, Annual Meeting of the Global Future Councils 2019. Copyright by World Economic Forum / Benedikt von Loebell
Paste-up street art in New York, New York, which says "His Intelligence is Artificial" in the form of an eye chart.
How to start learning Artificial Intelligence? This is a comprehensive guide that is the ideal starting point on how to start learning AI.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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In Greek mythology, Cassandra was a Trojan priestess dedicated to the god Apollo and fated by him to utter true propheciesbut never to be believed
at the World Economic Forum - Annual Meeting of the New Champions in Tianjin, People's Republic of China 2016. Copyright by World Economic Forum / Jakob Polacsek
Gretings, @robotants readers!
Pictures of Kismet: Nikon #1, Nikon #2, iPhone #1, iPhone #2.
The caption under the Fox Trot cartoon reads:
[quote]
Here you can get a first-hand look at one of the world's most famous robots. There are 7 DC motors, 14 servo motors, 4 cameras and 2 microphones as well as jacks for audio, video, computers and power. Can you find them? These are things that connected Kismet to its computers and software and helped it interact with human beings in a natural way.
MIT Museum Collections
Transferred from MIT Artificial Intelligence Laboratory"
[/quote]
Quoting Wikipedia's Kismet article:
[quote]
Kismet is a robot made in the late 1990s at Massachusetts Institute of Technology with auditory, visual and expressive systems intended to participate in human social interaction and to demonstrate simulated human emotion and appearance. The name Kismet comes from the Arabic, Turkish, Urdu, Hindi and Punjabi word meaning "fate" or sometimes "luck".[1]
Design and construction
In order for Kismet to properly interact with human beings, it contains input devices that give it auditory, visual, and proprioception abilities. Kismet simulates emotion through various facial expressions, vocalizations, and movement. Facial expressions are created through movements of the ears, eyebrows, eyelids, lips, jaw, and head. The cost of physical materials is an estimated US$25,000.[1]
Four color CCD cameras mounted on a stereo active vision head and two wide field of view cameras allow Kismet to decide what to pay attention to and to estimate distances. A .5 inch CCD foveal camera with an 8 mm focal length lens is used for higher resolution post-attentional processing, such as eye detection.
By wearing a small microphone, a user can influence Kismet's behaviour. An auditory signal is carried into a 500 MHz PC running Linux, using software developed at MIT by the Spoken Language Systems Group that can process real-time, low-level speech patterns. A 450 MHz PC running NT processes these features in real-time to recognize the spoken affective intent of the caregiver.
In addition to the computers mentioned above, there are four Motorola 68332s, nine 400 MHz PCs, and another 500 MHz PC.[1]
Maxon DC servo motors with high resolution optical encoders are positioned to give Kismet three degrees of eye movement, which allow it to control gaze direction and gives Kismet the ability to move and orient its eyes like a human. This allows Kismet to simulate human visual behaviors. It also allows humans to assign a communicative value to eye movements and to allow Kismet to focus on what it deems important in its field of vision.
Kismet shows a strong resemblance to Gizmo, a creature from the 1984 movie Gremlins.
In the media
Kismet has been featured on NBC as well as Discover magazine and is the project of Cynthia Breazeal. It also played a small role in the Steve Reich opera Three Tales, as a symbol of the development of artificial intelligence, and also a voice of traditional ethics.
[/quote]
Pascale Fung, Professor, Department of Electronic and Computer Engineering, Hong Kong University of Science and Technology, Hong Kong SAR capture during the Session: "Artificial Intelligence Unleashed" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
DAVOS/SWITZERLAND, 21JAN15 - Participants captured during the session Human vs Artificial Intelligence in the congress centre at the Annual Meeting 2015 of the World Economic Forum in Davos, January 21, 2015.
WORLD ECONOMIC FORUM/Benedikt von Loebell
Image ©Philip Krayna, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments.
No AI Training: Without in any way limiting the artist’s exclusive rights under copyright, any use of this photograph to “train” generative artificial intelligence (AI) technologies to produce images is expressly prohibited.
My loyalty remains with Flickr, however you can also see me more often on Instagram. Follow me: @dyslexsyk
InnovationXLab: Artificial Intelligence, hosted by Argonne National Laboratory, is the fourth in DOE’s InnovationXLab series: a showcase of the remarkable assets and capabilities of the Department’s National Laboratories. These summits facilitate a two-way exchange of information and ideas between industry, universities, investors, and end-use customers with Lab innovators and experts.
The Summit convenes industry leaders at The Drake Hotel in Chicago from the energy, transportation, manufacturing, and health care sectors, public officials, and researchers from the Department of Energy’s National Laboratories, to discuss how advanced artificial intelligence tools and techniques can support business transformation and drive economic growth.
For more information please visit: the AI XLab website »
DAVOS/SWITZERLAND, 21JAN15 - Stuart Russell , Professor, University of California, Berkeley, USA, Ken Goldberg , Professor, University of California, Berkeley, USA, Alison Gopnik , Professor of Psychology, University of California, Berkeley, USA and Robert Thomas Knight , Professor of Psychology and Neuroscience; Director, Knight Cognitive Neuroscience Lab, University of California, Berkeley, USA captured during the session Human vs Artificial Intelligence in the congress centre at the Annual Meeting 2015 of the World Economic Forum in Davos, January 21, 2015.
WORLD ECONOMIC FORUM/Benedikt von Loebell
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
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FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
DAVOS/SWITZERLAND, 21JAN15 - Participant captured during the session Human vs Artificial Intelligence in the congress centre at the Annual Meeting 2015 of the World Economic Forum in Davos, January 21, 2015.
WORLD ECONOMIC FORUM/Benedikt von Loebell
DAVOS/SWITZERLAND, 21JAN15 - Stuart Russell , Professor, University of California, Berkeley, USA, Ken Goldberg , Professor, University of California, Berkeley, USA, Alison Gopnik , Professor of Psychology, University of California, Berkeley, USA and Robert Thomas Knight , Professor of Psychology and Neuroscience; Director, Knight Cognitive Neuroscience Lab, University of California, Berkeley, USA captured during the session Human vs Artificial Intelligence in the congress centre at the Annual Meeting 2015 of the World Economic Forum in Davos, January 21, 2015.
WORLD ECONOMIC FORUM/Benedikt von Loebell
Join AI and Machine Learning course and build your own Machine Learning & Neural Network powered applied AI applications. This is the one of the best AI and Machine Learning courses for you. Join us today visit www.analytixlabs.co.in/applied-ai-and-machine-learning-co...
DAVOS/SWITZERLAND, 21JAN15 - Ken Goldberg , Professor, University of California, Berkeley, USA captured during the session Human vs Artificial Intelligence in the congress centre at the Annual Meeting 2015 of the World Economic Forum in Davos, January 21, 2015.
WORLD ECONOMIC FORUM/Benedikt von Loebell