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The Springfield Art Association will host an opening reception for a nationally juried ceramic exhibition entitled Shapes of Influence on Friday evening, August 3rd, from 5:30-7:30 PM. Awards and a gallery talk by juror Simon Levin will occur at 6:45 PM.
The show will be on display in the SAA's M.G. Nelson Family Gallery from August 3-September 1 and features work from over two dozen states and Canada.
Juried artists include Morgan Barton, Kenneth Baskin, Casey Beck, Irina Bondarenko, Robert Bruch, Danielle Callahan, Michelle Coakes, John Cohorst, Louis Colomarini, John Costanza, Paula Diaz-Sylvester, Auguste Elder, Karen Ellis-Phillips, Curtis and Karen Frederick, Verne Funk, John Gargano, Kaitlyn Getz, Sarah Gross, Lois Harbaugh, Ian Hazard-Bill, Jason Hess, Jennifer Holt, Drew Ippoliti, Iskra Ivanova, Anna Kats, Patty Kochaver, Robert Kokenyesi, Lucien Koonce, Joe Kraft, Annie Lee, Andrew Mcintyre, Jessie Martin, Paul McCoy, Avra Messe, Molly Morning-glory, Matthew Patton, Sara Prigodich, Jenny Reed, Masa Sasaki, Jessica Sallay-Carrington, Kourtney Stone, Suzanne Storer, Sam Thompson, Austin Wieland, Nicole Winning, Matthew Wright, Kensuke Yamada, Lisa York, and David Zahn.
Invited artists include Dan Anderson, Kahil Irving, Peter Pincus, and Kelsie Rudolph.
The M.G. Nelson Gallery is open to the public M-F from 9 AM-5 PM and Saturdays from 10 AM-3 PM.
The Currier Museum Art Center, 180 Pearl Street, in Manchester, NH, offers Art Camps, and Teen Intensives each February and April School Vacation week. These pictures are from former camps and intensives. To learn more about current or upcoming camps, classes, workshops or intensives, visit www.currier.org/ac/programs.aspx, or call 603.669.6144 x122.
My second grade students created these waterlilies after learning all about Claude Monet...you can read more here, if you like:
cassiestephens.blogspot.com/2012/04/in-artroom-monets-wat...
Over the past few weeks, we've hosted elementary and middle school students through our Art-in-Ed program, Hands-on Art. It's been loud and crazy in here (and we're loving it)!
In April 2015, the program culminates with "Creating Self and Place," an exhibition of handmade paper, dry point etchings, linoleum cut prints, and screen-printed art made by the ninety students. Find all the event details at: www.facebook.com/events/743457499107655/
Read our latest blog post to find out more about the program and what these young artists are working on: bit.ly/AIEspring.
2002
35’ H x 50’ W x 100’ L
Steel, painted steel, acrylic, Lexan, corrugated steel
Bus Home is a shelter.
The work depicts the metamorphosis of a bus becoming a house.
This frozen animation of one image into another takes the form of a looping corkscrew entering the ground and coming up again.
It slowly transforms from a bus to a house...
For the tired and often alienated traveler the experience of waiting wished to be intervened by the realization that the transaction will be complete.
The passengers will arrive at their destination.
They will arrive home.
Pacific View Mall, Buenaventura, California
Photo: Focus on the Masters
By June Stube'Kashnig
Located in the dental clinic lobby HS202
The artist visited Egypt and was inspired by the art and history of the country. Multi-media (acrylics, oils and other)
2009 20’ x 9.5’ x 9.5’
Stormy Plaza, North Richland Hills, Texas USA
Laminated Architectural Grade Art Glass / Aluminum
Fourteen identical sculptures emanate computer synchronized kinetic light. They are sited on the second story of the El Paso Civic Center to create an elevated pedestrian promenade, which circles the civic center. The circa 1964 building becomes the canvas for a subtly shifting display of brilliant colored light.
Commissioned by City of El Paso Museums & Cultural Affairs Dept. Public Art Program
By Scott Hill
Located on the SC 3rd Floor Atrium
Inspired by the artist's belief that all of life is related, and needs to be expressed by maintaining a spiritual relationship with nature. Here he is showing experiences through life. Acrylic
By Mary Ann Huguet
Located near DO301
The artist was inspired by the ethnic flare of the papers used. "It's not what you say, but how you say it" recognizes the differences in the ethnic groups in our area. Paper Collage
The Currier Museum Art Center, 180 Pearl Street, in Manchester, NH, offers Art Camps, and Teen Intensives each February and April School Vacation week. These pictures are from former camps and intensives. To learn more about current or upcoming camps, classes, workshops or intensives, visit www.currier.org/ac/programs.aspx, or call 603.669.6144 x122.
These Currier Museum Art Center students enjoy a creative clay project. The Currier Museum Art Center, Manchester, NH uses the collections of the Currier Museum of Art as foundation for all their classes, which they offer to all ages and skill levels.
Over the past few weeks, we've hosted elementary and middle school students through our Art-in-Ed program, Hands-on Art. It's been loud and crazy in here (and we're loving it)!
In April 2015, the program culminates with "Creating Self and Place," an exhibition of handmade paper, dry point etchings, linoleum cut prints, and screen-printed art made by the ninety students. Find all the event details at: www.facebook.com/events/743457499107655/
Read our latest blog post to find out more about the program and what these young artists are working on: bit.ly/AIEspring.
By Sharon Delvoye
Located near HS218
The artist and her daughter took an African dance class. This piece captures her emotional response to the constant movement of the native dancers. Oils.
joannesharpe.typepad.com/artandsoulfairport/
NEW! TECHNIQUE TUESDAYS
* "TT MINIS" at Art & Soul
Beginning in June, every Tuesday, in our Packetts Landing Studio we will offering mini workshops and demos showcasing hot new creative products. $15 per person
joannesharpe.typepad.com/artandsoulfairport/
ADULT CLASSES
* CREATIVE GATHERINGS ADULT ARTY PARTIES
Now taking reservations for "Girls Night Out" classes at the studio. Bring your own "refreshments" for an evening of unbridled creativity, laughs and memories. The refreshements help! Call the studio for date availability. 585-223-4560
*
"INKY, ARTSY, SCRAPPY, STAMPY" THEMES
Book your own art event! Choose from: "TAGNIQUES" learn innovative ink and stamping techniques to create a manilla tag art technique journal. Use these really cool skills for cardmaking, scrapbooking, journaling, etc. 3 hours $28 per person
SUMMER ART CAMP FOR KIDS
Registration starting now!
Over the past few weeks, we've hosted elementary and middle school students through our Art-in-Ed program, Hands-on Art. It's been loud and crazy in here (and we're loving it)!
In April 2015, the program culminates with "Creating Self and Place," an exhibition of handmade paper, dry point etchings, linoleum cut prints, and screen-printed art made by the ninety students. Find all the event details at: www.facebook.com/events/743457499107655/
Read our latest blog post to find out more about the program and what these young artists are working on: bit.ly/AIEspring.
9' high 5' wide 16' deep
material: found objects used in measuring time and space,
stainless steel cable, steel, wood
site: McColl Center for Visual Art, Charlotte, NC
temporary installation
Over the course of a three-month residency at the McColl Center for Visual Art the artist created an unconventional portrait of Werner Heisenberg (1901-1976), the physicist best known for his Uncertainty Principle.
The sculpture's components are instruments used in the measurement of time and space, albeit on levels wholly inadequate to Heisenberg's field of quantum mechanics.
While the composition appears to be random, the suspended elements coalesce into a likeness of the scientist when viewed from a single, unique perspective (the anamorphic phenomenon).
Biographical subtext aside, Disorders of Magnitude is a metaphor for the elusiveness of knowing oneself or others.
Over the past few weeks, we've hosted elementary and middle school students through our Art-in-Ed program, Hands-on Art. It's been loud and crazy in here (and we're loving it)!
In April 2015, the program culminates with "Creating Self and Place," an exhibition of handmade paper, dry point etchings, linoleum cut prints, and screen-printed art made by the ninety students. Find all the event details at: www.facebook.com/events/743457499107655/
Read our latest blog post to find out more about the program and what these young artists are working on: bit.ly/AIEspring.
By Kim Wozniak
Located near SC226
The concept behind the Emerging Spirits totems conveys that through life and education, we are constantly growing and emerging. Mixed media mosaic sculptures.
Dallas, Texas, 2003. Aluminum, anodized aluminum, motorized parts,
light sensitive electronics, water, pool equipment; "sunflower" clock:
25" high, pool: 16' diameter.
Fabricator: Perfection Electricks and Tallix
Art Classes were offered to the public after the Depot Museum's opening in 1976. This woman is participating in a Painting Class held in the museum's Freight Room.
The Freight Room was a community meeting facility for many years. Classes and meetings were held in this large open room.
Photo by Ruth Gilman.
From the Lake Wales News - Owen and LaVerne Brice Archives held at the Lake Wales Public Library.
The same clay-like material in "Five Stone Drawings" appears again at monumental scale in "Clay Wall." The material is here applied about a foot deep across an entire 15' by 30' wall of a gallery. When the clay was fresh, Goldsworthy cut a large circle deep into its surface. Over the course of the exhibition; as the material dries, shrivels, and generally succumbs to the processes the artist expects of it; the circle becomes ever more apparent within its increasingly tormented surround. "Clay Wall" is a synthetic, museum adapted version of a type of work he's been doing in natural settings for a number of years -- incising geometric and biomorphic shapes into the mud of drying ponds then returning to photograph the expression of the shapes in the parched, cracked surface at the end of the dry season. That the works in nature exist horizontally on the ground and the effort in the museum exists vertically on the wall seems odd when you think of it, but this paradox doesn't make the work any less visually dramatic.