View allAll Photos Tagged arnold
This is Arnold, he is a hoverfly. We met on a nearby leaf and he let me take his photo, when I asked nicely.
Hey! if you like my photos you can now check out my website/blog - www.mojo-photography.com/ - it would be awesome if you let me know what you think!
This Arnold Mac 700 was inspired by the post war BMW flat twin motorcycle type R 67. Made in the US zone of Germany in the late 1940's. Length 20 cm. This wind up toy has a very complicated mechanism: the rider goes, stops, dismounts, remounts and rides again. And yes, it is the handlebar that lifts the rider and the pivot on the left foot that makes him turn.
PP Arnold Talks About Being A Soul Survivor For Over 50 Years | Studio 10
PP Arnold talks about working with people like Tina Turner and Roger Waters, performing for 50 years and her Australian tour.
www.youtube.com/watch?v=blnnxUMrQaA
PP Arnold -Talks about T.Turner,M.Jagger,B.Gibb,Clapton,A.Franklin & more -Radio Broadcast 14/07/19
www.youtube.com/watch?v=Md79n6bKBgY
PP Arnold’s ‘lost’ album finally released – BBC London News
www.youtube.com/watch?v=dDmnRyI3_Ik
P.P. Arnold - The First Cut Is The Deepest (live 1967)
www.youtube.com/watch?v=oo__EIXzAco
P.P ARNOLD - TO LOVE SOMEBODY (LIVE FRENCH TV 1968)
www.youtube.com/watch?v=UEthggztoUY
P.P. Arnold - As Tears Go By
www.youtube.com/watch?v=GxKtJuYcNdI
PP Arnold - Angel Of The Morning
www.youtube.com/watch?v=4tXaCq5lXgY&list=PLr8-F8oU0Iy...
Is PP Arnold the most overlooked soul singer of all time?
By Henry Yates (Classic Rock) August 15, 2017
For a shining example of record industry idiocy, look no further than the curious case of PP Arnold. The soul singer looks back at a career that took her to the edge of madness
Now 70 years of age, PP Arnold has spent most of her life chasing her past. For more than four decades, the US soul singer reminds me, she has been knocking on doors, calling in favours and rifling industry vaults, always hunting for tapes of the aborted sessions that she recorded with Barry Gibb and Eric Clapton back in the early 70s.
“It was so frustrating,” she sighs. “That music has been sitting on shelves, in England, Germany, LA. You keep starting from scratch. You keep paying solicitors. I started thinking, ‘I’ll be an old lady soon. I want my music!’”
Inspect the sleeve of this year’s The Turning Tide – a storming soul-blues collection which finally gathers those 13 lost songs – and you’ll see its author pictured as she was then. Arriving in London as a backing singer with Ike and Tina Turner, Arnold caught the beady eye of Mick Jagger, who eased her onto Andrew Loog Oldham’s Immediate label.
“Mick and I,” she breathes, “we were an item. But I didn’t stay in the UK to be Mick Jagger’s girlfriend. Even though I was one of them. Mick was a busy boy. I recently found out that the catalyst was Ian Stewart. He apparently said, ‘You got to come and hear this girl sing’.”
For a kid nudging twenty, Arnold had – and has – a thrilling call-to-arms of a voice. It drove hit 60s covers such as The First Cut Is The Deepest and Angel Of The Morning, saw her backed by label-mates the Small Faces and duetting with Rod Stewart on Come Home Baby. “Andrew had this vision for me, bringing in all these great writers, producers and arrangers. Y’know, the whole scene was blowing up. It was before the drugs and the rip-offs, before all the jet-setting and gigantic egos took over.”
Post-Immediate, Robert Stigwood brought in Barry Gibb to produce Arnold’s first album for the RSO label. Her explosion seemed a done deal. “But it was a tough time for Barry, because the Bee Gees had split up. So Eric Clapton took over as producer. I was just loving that stuff. That’s some down-home, funky, having-a-good-time music. As we say back home, it’s the shit. But Stigwood didn’t like the tracks. He didn’t think they were commercial. So he just stopped the recording.
“Nobody knew what to do with me,” Arnold reflects. “I got dropped. I was lost. The seventies are the lost years. We went to America and my daughter was killed in a car accident in 1977, when we were in LA. I went to Miami to work with Barry again, but once again, he had other commitments. By that time, I was old news. Stigwood wanted him to work with Dionne Warwick and Barbra Streisand.”
Arnold, to be clear, is no victim, subsequently forging a long and varied career in everything from Roger Waters’ Dark Side Of The Moon Live to Starlight Express. Yet you sense that nothing has topped the thrill of that fateful day last October, when she finally clawed back her sunken treasure.
“I’d been waiting and waiting,” she recalls, “and one afternoon, I thought, ‘I’m gonna call Universal and have a go at whoever’s taking their time with this’. I went online and there was an email saying I could have it. They were giving me everything. The digital rights. The licence. It felt incredible. Especially because it was my 70th birthday.”
Arnold allows herself a victorious smile. “It’s been such a long fight. I tell you, there’s a lot of excitement going on right now for a young girl like me. It’s never too late!”
Arnold Palmer Crazy Golf, bit dated now but its a bit nostalgic to me as a family we used play here with my grandparents too, sometimes with the lights on.
Karl Arnold - 1932-33 - 127 film
Haven't posted any photography photos in a long time as I just haven't been out with the camera much.
But I figure I'd start uploading some photos of a hobby I've started up this past year. Camera collecting. I've really taken a liking to a lot of the antique and vintage cameras out there and have acquired quite a few of them.
The first one I'm uploading here is one of my favorites, and from what I've learned is somewhat uncommon to come across. It's an Arnold Linco-Flex (aka. Karma-Flex 4x4 model ll). A small German pseudo TLR camera made by a guy named Karl Arnold in 1932-33. It comes from a series of cameras called Karma-Flex and it took 127 film.
Should I mention that I picked this up for $29 at a local antique store...haha.
The following is from Wikipedia: -
Enoch Arnold Bennett (27 May 1867 – 27 March 1931) was an English author, best known as a novelist. He was a prolific writer: between the start of his career in 1898 and his death he completed 34 novels, seven volumes of short stories, 13 plays (some in collaboration with other writers), and a daily journal totalling more than a million words. He wrote articles and stories for more than 100 different newspapers and periodicals, worked in and briefly ran the Ministry of Information in the First World War, and wrote for the cinema in the 1920s. The sales of his books were substantial, and he was the most financially successful British author of his day.
Born into a modest but upwardly-mobile family in Hanley, in the Staffordshire Potteries, Bennett was intended by his father, a solicitor, to follow him into the legal profession. Bennett worked for his father, before moving to another law firm in London as a clerk, aged 21. He became assistant editor and then editor of a women's magazine, before becoming a full-time author in 1900. Always a devotee of French culture in general and French literature in particular, he moved to Paris in 1902, where the relaxed milieu helped him overcome his intense shyness, particularly with women. He spent ten years in France, marrying a Frenchwoman in 1907. In 1912 he moved back to England. He and his wife separated in 1921 and he spent the last years of his life with a new partner, an English actress. He died in 1931 of typhoid fever, having unwisely drunk tap water in France.
Bennett is best known for his novels and short stories, many of which are set in a fictionalised version of the Potteries, which he called The Five Towns. He strongly believed that literature should be accessible to ordinary people, and he deplored literary cliques and élites. His books appealed to a wide public and sold in large numbers. For this reason writers and supporters of the modernist school belittled him, and his work became neglected after his death. Bennett was also a playwright; he did less well in the theatre than with novels, but achieved two considerable successes with Milestones (1912) and The Great Adventure (1913).
Studies by Margaret Drabble (1974), John Carey (1992) and others have led to a re-evaluation of Bennett's work. His finest novels, including Anna of the Five Towns (1902), The Old Wives' Tale (1908), Clayhanger (1910) and Riceyman Steps (1923), are now widely recognised as major works.
One of the best known C19 symbolist painters was the Swiss artist Arnold Böcklin. His Iconic "Isle of the dead" is his best known work, and its haunting image certainly influenced later Metaphysical paintings and the Surrealists. His style is thoroughly competent and betrays his Academic training.
He was born in Basel. Arnold studied at the Düsseldorf academy under Schirmer, and became a friend of Anselm Feuerbach. He is associated with the Düsseldorf school of painting. Schirmer, who recognized in him a student of exceptional promise, sent him to Antwerp and Brussels, where he copied the works of Flemish and Dutch masters. Böcklin then went to Paris, worked at the Louvre, and painted several landscapes.
After serving his time in the army, Böcklin set out for Rome in March 1850. In Rome, he married Angela Rosa Lorenza Pascucci in 1853. The many sights of Rome were a fresh stimulus to his mind. These new influences brought allegorical and mythological figures into his compositions. In 1856 he returned to Munich, and remained there for four years.
Since September 2017, I have been posting images that were taken in Art Galleries. Right now I’m building up some new works of my own , but I’m not posting these until I’m ready. In the meantime I hope that you enjoy these images that I find so inspiring.
Casa Arnold.
Don Fred Arnold, Mrs. Hunrek, Señor Gasser, Señor Furrer and Señor Haase.
Señor Gasser is probably the holder of "Gasser & Schweitzer" a foreign trading company (Casa Comercial) in Bolivia.
Rio Madeira, Bolivia/Brazil.
Date: 1908 - 1911.
Photographer: Probably Dr. Bauler, Switzerland.
Units 933 and 934 located outside of the Arnold Police Department. These two Chevy Caprices both have roughly 30,000 miles. Both of the units were extra cars ordered by a department that were never actually purshaced. They sat for a year or two until APD picked them up. Unit #933 and #934 are both 2014 Chevrolet Caprices. Interesting to see the older style Municipal plate on the left with the MG in the back, white the MG on the new plates is in the front.
British postcard. American Pathé Freres.
Arnold Daly was born on October 4, 1875 in Brooklyn, New York, USA as Peter Christopher Arnold. Starting out as an office boy for theater producer Charles Frohman, Daly became a stage actor and theatrical manager, being a popular Broadway actor between 1899 and 1909, and introducing the early George Bernard Shaw plays to American audiences. He debuted and starred as film actor in 1914 in the Famous Players film The Port of Missing Men by Frank Powers. Afterward, he acted as detective Craig Kennedy in the Pathé crime serials The Exploits of Elaine (1914), The New Exploits of Elaine (1915) and the The Romance of Elaine, all starring Pearl White. Afterward, he had the lead himself as Detective Ashton Kirk in The Menace of the Mute and The House of Fear (both Pathé, 1915). He also acted as four generations of Philip Nolan in the propaganda film My Own United States (1918). In the 1920s Daly's career dropped down and he acted only in three more films, the last one being In Borrowed Plumes (1926) by Arrow Pictures, starring Marjorie Daw.
Daly was married to Mary Blythe (remarried) and Mary Blythe (actress). He died in an apartment fire on January 13, 1927 in New York City, New York.
One of the best known C19 symbolist painters was the Swiss artist Arnold Böcklin. His Iconic "Isle of the dead" is his best known work, and its haunting image certainly influenced later Metaphysical paintings and the Surrealists. His style is thoroughly competent and betrays his Academic training.
He was born in Basel. Arnold studied at the Düsseldorf academy under Schirmer, and became a friend of Anselm Feuerbach. He is associated with the Düsseldorf school of painting. Schirmer, who recognized in him a student of exceptional promise, sent him to Antwerp and Brussels, where he copied the works of Flemish and Dutch masters. Böcklin then went to Paris, worked at the Louvre, and painted several landscapes.
After serving his time in the army, Böcklin set out for Rome in March 1850. In Rome, he married Angela Rosa Lorenza Pascucci in 1853. The many sights of Rome were a fresh stimulus to his mind. These new influences brought allegorical and mythological figures into his compositions. In 1856 he returned to Munich, and remained there for four years.
Since September 2017, I have been posting images that were taken in Art Galleries. Right now I’m building up some new works of my own , but I’m not posting these until I’m ready. In the meantime I hope that you enjoy these images that I find so inspiring.
One of the best known C19 symbolist painters was the Swiss artist Arnold Böcklin. His Iconic "Isle of the dead" is his best known work, and its haunting image certainly influenced later Metaphysical paintings and the Surrealists. His style is thoroughly competent and betrays his Academic training.
He was born in Basel. Arnold studied at the Düsseldorf academy under Schirmer, and became a friend of Anselm Feuerbach. He is associated with the Düsseldorf school of painting. Schirmer, who recognized in him a student of exceptional promise, sent him to Antwerp and Brussels, where he copied the works of Flemish and Dutch masters. Böcklin then went to Paris, worked at the Louvre, and painted several landscapes.
After serving his time in the army, Böcklin set out for Rome in March 1850. In Rome, he married Angela Rosa Lorenza Pascucci in 1853. The many sights of Rome were a fresh stimulus to his mind. These new influences brought allegorical and mythological figures into his compositions. In 1856 he returned to Munich, and remained there for four years.
Since September 2017, I have been posting images that were taken in Art Galleries. Right now I’m building up some new works of my own , but I’m not posting these until I’m ready. In the meantime I hope that you enjoy these images that I find so inspiring.
Between the Berlin grey and grey you’ll sometimes find some fresh colors. A red bike, a girl with an unique style, in front of a wooden door. She opens it and shows you her home, her life, her studio.
Britta Arnold is a child of Berlin.
When you hear creeping high hats, hypnotic beats and a pop of acid, chances are you‘re hearing Britta Arnold from the console of her musical spaceship. Straightforward and distinctively poised, her unique blend of beats makes for a milkshake of cosmic potency. For this elegant fire red, her pledge to break norms and find the hottest music on the block has gained her quite the following and opened up a fantastic world of people, places and special moments. Since co-founding the Bar25 label in 2006, her nights are spent playing gigs anywhere between Asia, America and Europe, while many of her days are spent in the studio where she dreams up new music. She has released on Katermukke and Heinz, remixed tracks by ‘It boys’ Satori and Stavroz, and been remixed by the likes of Claude VonStroke and Ruede Hagelstein. Aside from this, her new musical project ‘Britta Unders’ with Amsterdam based Unders, is adding even more magic to her minutes. They are playing sets from sundown to sunrise together all over the world but also started a new label Happy Camper, this will be launched November 2017 with artists as Mira, Be Svendsen, dOP and Noraj Cue. When not doing these things, she’s probably planning her GRRR Mit BRRR party — a celebrated event at the Berlin club, Kater Blau.
A born and bred Berliner who never had to learn how to be one, Britta reflects the city in which she still calls home: a little edgy, a little down to earth and always filled with artistic ambition. Having once lived in a caravan with her cat ‘katuscha’ on the grounds of the Bar25, she takes this Happy Camper vibe with her into every space she enters, whether the club, the festival, the studio or a walk through her home town. With the support from her global electronic family pushing her in the right direction and a naughty box of tunes on her back, the future of this lady from outer space only goes from strength to strength. So get your space suit on and go intergalactic roaming with your best friends and lovers. Do it to the hypnotic and wired sound of Britta Arnold.
1938 Trabajando en informes de la Expedición alemana a Chile vía Valparaiso: Arnold Fanck, Albert Benitz y Rolf Meyer trabajando en la isla Robinson Crusoe, este Informe nunca se ha encontrado.
Aparentó ser la filmación de exteriores para un film Un Robinson Crusoe Alemán (finalmente su nombre en alemán: Ein Robinson) fue una película dramática alemana rodada en 1938 y posteriormente estrenada en 1940, dirigida por Arnold Fanck y protagonizada por Herbert AE Böhme, Marieluise Claudius y Claus Clausen.
Escrita por Arnold Fanck y Rolf Meyer (el hijo Arnold es el rubio que sujeta la lámina) la película es una historia moderna de Robinson Crusoe sobre un hombre tan enojado por las condiciones posteriores a la Primera Guerra Mundial en la Alemania de Weimar que voluntariamente se va a vivir a una isla desierta.
Los exteriores de la película se rodaron en locaciones de Chile, en los canales más australes de América del Sur.
Robert Gerstmann fue un fotógrafo alemán que entre 1930 y 1950 recorrió sudamérica fotografiando y filmando su gente, sus paisajes y su naturaleza. De estos trabajos existe una colección de 29 latas de películas filmadas en 16 mm, que fueron donadas por su autor al Instituto de Investigaciones Arqueológicas R.P. Gustavo Le Paige, de San Pedro de Atacama. Claudio Mercado supo de la existencia de este material, que no había sido inventariado, es decir, no se sabía que había en las películas, y las pidió en préstamo para investigarlas. Al revisarlas junto a Carmen Brito, restauradora de material cinematográfico, se vio que contenían la serie “Chile, visión en colores”, además de filmaciones en Bolivia y Colombia. Claudio Mercado realizó entonces un proyecto con la Fundación Andes y Chilefilms, en el que participó Carmen Brito como restauradora, y se traspasaron a formato dvcam 12 películas. De ellas, podemos apreciar aquí un momento de la filmacion en las islas de Chiloe asumiendo que representaban la isla de Juan Fernandez, en una quizas operacion encubierta para cartografiar los canales australes de Chile ante la proximidad de la Guerra.
Tagesnachrichten: Albert Benitz schreibt am Expeditionsbericht. Leider wurde der Bericht bisher nicht gefunden.