View allAll Photos Tagged army
For the 66th anniversary of the D-Day invasion, while deployed in support of Operation Enduring Freedom X-XI, the Pathfinders of F Company, Task Force Eagle Assault at Forward Operating Base Wolverine, Afghanistan paid special tribute to those original World War II Pathfinders of the 101st Airborne Division by giving each other Mohawk haircuts and painting their faces much like their forerunners had for a combat patching ceremony June 6.
This was taken four months back...
I had been sick that is why I don't have new photos.
Anyways, it still looks fresh... :)
German Bundeswehr army soldiers of the Delta platoon, 4th company, 391 mechanised infantry battalion part of the International Security Assistance Force (ISAF) monitor the area during a mine sweeping operation in Chahar Dara in the outskirts of Kunduz, December 13 , 2009.
Soldiers of the 2nd Battalion, 4th Brigade, 10th Division of the new Iraqi army. This particular squad is tasked with looking after their divisonal commander, General Hamadi. Basrah, September 2006.
(l-r) Australian Army soldiers Corporal Issac Morgan and Lance Corporal Sam Newton from the 2nd Battalion (Amphibious), Royal Australian Regiment, prepare to conduct a sniper stalk at Pohakuloa Training Area as part of Exercise Rim of the Pacific 18 (RIMPAC 18).
Instructors from the Chemistry Department demonstrated the science of Army Spirit Dec.10 for a crowd of cheering West Point cadets. The Army officers launched a "Go Army" rocket, firing a direct hit on the "Beat Navy" boat. Photo by Mike Strasser, West Point Public Affairs
The Norfolk Regiment
Mentoring Task Force soldiers fire on their targets during Rapid Aim Fire, range practise at the new range facility at Al Minhad Airbase in the United Arab Emirates.
Mid caption: Reception, Staging, Onward Movement and Integration (RSO&I) activities for all deployed Australian Defence Force (ADF) personnel are conducted at Al Minhad Airbase in the United Arab Emirates.
RSO&I activities include a familiarisation briefing, issue of equipment and range practises to ensure that all ADF personnel moving into Iraq and Afghanistan are acclimatised and ready to complete their missions.
Private Julian Lim from the Other Government Agency Platoon provides security near the Sajawul Crossing in Uruzgan.
Image by Corporal Mark Doran
Mid Caption: The Other Government Agency Platoon is part of the Provincial Reconstruction Team based at Multi National Base Tarin Kot. Its main role is to provide security to civilian contractors and other government agencies such as the Australian Agency for International Development (AusAID) and members of the Department of Foreign Affairs and Trade. This enables personnel from different agencies to go outside the wire in order to accomplish their missions without added security concerns.
U.S. Army active duty and veterans get in the ready position to sprint at Soto track at Fort Bliss, Texas, March 3, 2016. More than 100 wounded, ill and injured Soldiers and veterans are at Fort Bliss to train and compete in a series of athletic events including archery, cycling, shooting, sitting volleyball, swimming, track and field, and wheelchair basketball. Army Trails, March 6-10, are conducted by the Department of Defense Warrior Games 2016 Army Team. Approximately 250 athletes, representing teams from the Army, Marine Corps, Navy, Air Force, Special Operations Command and the British Armed Forces will compete in the DoD Warrior Games June 14-22 at the U.S. Military Academy, West Point, N.Y. (U.S. Army photo by Spc. Audrequez Evans/Released)
KABUL -- (Nov. 8, 2011) Task Force Spartan 3 Soldier Army Specialist Daniel Fowler provides security for his team while Afghan National Police (ANP) officers conduct routine vehicle inspections at Freedom Circle in the heart of downtown Kabul.
Spartan 3 is a 15-person team who serve as combat advisors to ANP officers at more than 50 different checkpoints within 5 Kabul police districts throughout the densely populated city.
U.S. Navy photo by Mass Communication Specialist (SW/AW) Chris Fahey, NATO Training Mission - Afghanistan Public Affairs Leading Petty Officer.
Camp Butner, N.C. -- SGT Chavis Avery of HHC 105th Military Police Battalion is exposed to Oleoresin Capsicum (OC) familiarization training during the unit training at Camp Butner, N.C. Photo by Tech. Sgt. Brian E. Christiansen
Gatun Locks; looking out towards the Atlantic Side.
A friend and I were driving to the Atlantic Side and drove across the lock of the Panama Canal.
4 Rifles (B Company) Battle Camp
B Company 4 Rifles conduct a battle camp in Sennybridge training area from 7th October- 14th October 2011. The battle camp covered live fire tactical training and dry training to develop the Platoons skills and drills in a realistic progressive set of ranges, including a support weapon and attached arms element.
During the week period, B Company covered many training objectives from transition to live firing tactical training, individual lane with grenade, pairs lane with sword dummy, navigation exercise, GMG/HMG training, medic training and finished off with a Platton final attack.
All images remain Crown Copyright.
Photo credit to read - Corporal Kellie Williams RLC
U.S. Army Spc. Randall McKinley, from Dallas, assigned to 3rd Platoon, B Company, 141st Infantry, 3rd Infantry Combat Brigade, 1st Armored Division, provides security through a hole of an abandoned mud house wall in Baraki Barak district, Logar province, Afghanistan, April 4, 2012.
A soldier from the 3rd Royal Australian Regiment Battalion Group stands guard outside a building at a village near Gleno.
Deep Caption:
Operation Astute is the Australian Government's response to assist the Government of Timor Leste. The Joint Task Force aims to stabilise the security situation, facilitate the evacuation of Australian and other approved foreign nationals and create a secure environment for the conduct of a successful dialogue to resolve the current crisis.
Approximately 2000 Australian Defence Force personnel are directly supporting the Australian Defence Force Response to the situation in Dili.
The Operation includes components from the Royal Australian Navy, Australian Army and Royal Australian Air Force, working with other Australian Government agencies to assist the Government of Timor Leste to restore peace to the nation.
Coldstream Guards get ready to deploy in Jackals
A Guardsman puts on his body armour. Photographer Sgt Andy Reddy; Crown copyright.
Coldstream Guards get ready to deploy on a recent Afghan National Security Force-led operation in their Jackal vehicles. Far removed from their ceremonial role and bearskins, the Guards put on body armour and helmets before heading out.
Army vs. Liberty football game. West Point, NY. September 8, 2018. (US Army photo by Cadet Angeline Tritschler)
Cold Weather Orientation Course
Maj. Gen. Michael X. Garrett and Command Sgt. Maj. Bernie Knight, the command team of U.S. Army Alaska, invited every field grade commander and command sergeant major in USARAK and other Army commands in Alaska to attend the three day Cold Weather Orientation Course at the U.S. Army Northern Warfare Training Center near Delta Junction, Alaska. Arctic Tough Leaders from all over USARAK learned to survive, fight and win in cold weather conditions so they could effectively lead their formations in Arctic training and combat. 12th December 2012
Today marked the beginning of the 2021 U.S. Army Small Arms Championships. After getting assigned to squads, competitors spent the day zeroing their rifles and pistols with both optics and iron sights at USAMU’s McAndrew and Parks ranges.
Mr. Dale Ormond, Research, Development and Engineering Command (RDECOM), and Major General Allen Batschelet, U.S. Army Recruiting Command (USAREC)
(John Harrington Photography for US Army)
The Journey so far.
New Model Army played their first gig in Bradford on October 23rd 1980. Its founding members were Justin Sullivan, Stuart Morrow and Phil Tompkins. The threesome had already been together for a couple of years in a number of Bradford bands with other musicians and singers but in the Autumn of 1980, they decided to form a stripped-down three-piece, their music drawing on a wide collection of influences and fuelled by their passions for Punk Rock and Northern Soul. Within a few months drummer Phil Tomkins had left to be replaced by Rob Waddington. The band slowly built up a local following and created a unique style based on Justin's song-writing and Stuart's virtuosity on lead-bass.
In Summer 1982, whispers about this band reached London and they were invited to perform at a couple of showcases. But in a scene hungry for "the next big thing" (the coming "New Romantics"), NMA's fearsome music and northern style did not win over the Major Record Companies and they returned to Bradford empty-handed. Rob Waddington left to be replaced by Robert Heaton, who had been working as a drum tech and occasional drummer for the band ‘Hawkwind‘. Undeterred by the indifference of the Music Business, NMA began to perform more and more around the country and frequently featured as opening act on a series of all-day concerts at the London Lyceum which heralded many of the "Post-Punk" bands. Although this meant traveling for several hours to play a twenty-five minute set for no money, the band embraced the opportunity and their reputation as a live act grew. A first small-label independent single "Bittersweet" was released in the summer of 1983, followed by "Great Expectations" on Abstract Records that autumn, both played frequently on late night radio by John Peel. Suddenly the band had a "Following", people who would travel to every concert around the country to see them.
Early in 1984, the producer of "The Tube", the most important live music show on TV, had seen NMA in concert and invited them to fill the ‘unknown' slot on the programme. Having originally asked the band to perform their provocative anti-anthem, "Vengeance", the TV Company suddenly got cold feet about the song's lyrics minutes before broadcast and asked the band to change songs. It made no difference. Somehow twenty to thirty followers had managed to get into the TV studio and when NMA began with "Christian Militia" the crowd went wild and an electric atmosphere was transmitted around the country. Suddenly NMA were underground news. Their first mini-album, "Vengeance" knocked "The Smiths" from the top of the Independent Charts and the major record companies, who had rejected them less than two years earlier, were now begging to sign the band.
The autumn of 1984 was a time of political turmoil in Britain. After five years of Mrs Thatcher's right-wing government, which had already fuelled so much of NMA's early fury, a final showdown with the National Union of Mineworkers (the strike that had begun in March and had split the country), entered a critical phase and much of Northern England began to resemble a Police State. NMA's last Independent EP "The Price" also featured "1984" a song written directly about the strike and, with their declared left-wing views, NMA's concerts became increasingly intense.
At the end of the year, NMA signed a contract of "complete artist control" with EMI (which included EMI giving a donation to a miners fund). The move surprised many people but the band were already looking beyond the confines of Britain and considered the deal to be the right one. In the Spring of 1985 the album "No Rest For The Wicked" and the single "No Rest" both reached the national top 40, but this success and now relative financial security had done little to soften NMA's confrontational attitude. They appeared on Top Of The Pops wearing T-shirts with a motif reading "Only Stupid Bastards Use Heroin" (a reaction against the fashionable drug of the time).
Then, halfway through the "No Rest" tour, the day after their hometown gig, Stuart Morrow decided to leave the band for personal reasons. Frantic negotiations were made (by a strange unhappy co-incidence, on the very same day as the Bradford City fire disaster killed 56 people at a football match), but to no avail. As a result, Justin and Robert decided to follow up the success of "No Rest" with an acoustic song from the album "Better Than Them" which had not involved Stuart and accompanied it with three specially recorded acoustic tracks, a move of principle which dumbfounded EMI. By the summer, Stuart had been replaced by 17 year-old Jason 'Moose' Harris, whose first gig was at a benefit for the families of the fire tragedy, and the "No Rest" tour continued.
Thatcher's victory over the miners, and by extension over all organised opposition, marked a new political reality. This, coupled with the shock of Stuarts's departure and increasing media hostility, resulted in the band taking an ever more defiant posture, exemplified by a typically fiery performance at the Glastonbury Festival. Then, despite being signed to Capitol Records in North America, all attempts to tour there were prevented when the band were refused visas. Many people, on both sides of the Atlantic, believed that this was for political reasons although this was never possible to prove. Instead, that autumn NMA set out on their first long tour of the European mainland, which unlike many UK acts, they found much to their liking, and later a trip to Japan. The year ended with yet another UK tour in support of a newly recorded EP: "Brave New World", a savage portrait of the Thatcher's Britain and "RIP", an equally furious study of the band's history thus far.
If 1985 had been a traumatic year, then 1986 saw one of the band's many resurrections, with the legendary Glyn Johns agreeing to produce their third album. Though relations between band and producer were often difficult, Justin recalls the sessions as "the biggest musical learning curve of my life". "The Ghost Of Cain" was well received by the critics and audience and many people began to see a band that were capable of developing and changing and adjusting to new realities while still staying true to their own principles; this was a band that were now pursuing their own musical agenda, completely unmoved by the whims of the music industry or the expectations of fans. Outside Britain, their name was slowly becoming known and in December of 1986, they finally made a first short tour of America.
1987 was a year of full bloom. In January, Justin and Robert recorded an album with the poet Joolz Denby. Joolz had been the band's first manager and has remained as a driving force and responsible for all of the band's artwork from the beginning to the present day. She had previously made spoken word albums and a series of EPs with Jah Wobble but it was inevitable that she would collaborate with NMA. The album "Hex" was recorded at the very special Sawmills Studio, a unique place in Cornwall, only reachable at high tide by boat. Although the studio is now well known, at that time it was infrequently used and accommodation was in primitive cabins deep in the woods. From this new setting, and freed from the pressures of "being New Model Army", Justin and Robert were able to explore all kinds of ideas and musical avenues that their experience with Glyn Johns had opened up. Later, they both considered "Hex" to have been one of the creative highlights of their musical partnership, with its strong, romantic soundscapes acting as the perfect accompaniment to Joolz' poetry.
Much of the writing of "Hex" had been done using samplers and the use of this new tool continued to take the band in unexpected directions. That summer they recorded the "Whitecoats" EP with its ecological lyric and mystical atmosphere. An interest in mysticism and spirituality had been becoming more and more apparent in Justin's lyrics (though this was no surprise to those who knew of his family's Quaker roots). The same summer, Red Sky Coven was born out of a group of friends who shared these interests and ideas. It included Justin, Joolz, singer-songwriter and storyteller Rev Hammer and musician Brett Selby. Together, the foursome decided to create a performance based on this friendship, a unique show which continues to tour on an occasional basis.
1987 also saw plenty more NMA concerts, including Reading Festival, a gig with David Bowie in front of the Reichstag in Berlin and a show-stopping performance at the Bizarre Festival at Lorelei in Germany. From time to time, the band added their friend Ricky Warwick as a second guitarist and also enlisted Mark Feltham, the legendary harmonica player who had graced "The Ghost Of Cain" and "Hex" to join them. At the very end of the year and the beginning of 1988, they returned to the Sawmills for two more inspired writing sessions, which laid the foundations for "Thunder and Consolation".
The following months, though, were far more difficult, while NMA chose a producer, another music legend - Tom Dowd - and set about recording the album. It was a long drawn-out process and relationships between band members became increasingly strained, only really maintained by the knowledge that they were making something truly special. "Thunder and Consolation" was finally released early in 1989, striking a perfect balance between the band's fascinations with rock, folk and soul music and Justin's lyrical interest in spirituality, politics and family relationships. The album brought critical praise and new levels of commercial success and the band toured Europe and North America, joined by Ed Alleyne Johnson playing electric violin and keyboards and Chris Mclaughlin on guitar. However, despite the success, relationships at the heart of the band had not really mended and even after Jason Harris left that summer, stresses remained.
By autumn Justin and Robert were back in the Sawmills working towards another album and, in the new year, they were joined by a new (and still current) bass player, Nelson, previously of a number of East Anglian cult bands, and a new second guitarist, Adrian Portas from Sheffield. The new musicians brought a stronger atmosphere to the touring band while, in the studio, Justin and Robert continued to explore different musical ideas. Partly self-produced, "Impurity" was finally finished and mixed by Pat Collier in the summer of 1990. Still featuring Ed Alleyne Johnson' violin, the album was more eclectic than "Thunder" but continued to win new fans and the world-wide tour that followed its release lasted the best part of a year, culminating in a rolling Festival in Germany involving David Bowie, Midnight Oil, The Pixies and NMA.
In mid-1991, "Raw Melody Men", a live album from the tour, was put together and released. It was to be NMA's last album for EMI. Unusually, given the history of the music business, the relationship between band and record company had always remained cordial but had now simply grown stale. There were minor dissatisfactions on both sides and, after lengthy negotiations, it was agreed to simply terminate the contract. NMA's own Management Company also imploded at this time and new management was drawn up. The band was not short of new record company offers and eventually chose Epic, for reasons to do with support in the US.
Although Mrs Thatcher had been ousted by her own Party in 1990 (a memorable night coinciding with NMA's first visit to Rome), the Conservative monolith that had ruled the country for so long remained in power and, against all expectations, won a further election in 1992. Outside Britain though, much was changed: there was recession and instability and a so-called "New World Order" in the wake of the collapse of Soviet Communism and the 1st Gulf War. Already the band was embarked upon a very dark album, driven equally by personal traumas, including Justin's near-death electrocution on stage in Switzerland and the changes in the world around them. Produced by Niko Bolas and mixed by Bob Clearmountain, "The Love Of Hopeless Causes" was not what anyone was expecting. Just as folk-rock, pioneered and inspired in part by NMA, became a fashionable and commercial sound, the band made a deliberate move away from it and straight and into guitar-driven rock music.
Replacing Adrian with Dave Blomberg on guitar, they embarked on the album tour and the European section featured their most successful concerts yet. However NMA's relationship with their new record company quickly deteriorated. Worse still, they found themselves caught in corporate dispute between London and New York, which was in no way related to them. By June, the band found themselves on an exhaustive US tour, in which they had invested much of their own money, with no support of any kind from Epic or any other source. The tour featured many outstanding concerts but it was a bittersweet experience. By the end of the summer, it had been agreed that there should be a year off for everyone to rest and consider the future, while the contract with Epic was quickly terminated.
Justin used 1993-4 to produce other artists (a second collaboration with Joolz entitled "Weird Sister", Rev Hammer's "Bishop Of Buffalo" album and also the unusual Berlin combo, The Inchtabokatables), tour with Red Sky Coven and create another way of performing NMA songs - in a duo with new guitarist Dave Blomberg. Together they went back to Justin's first love - small club touring - and eventually released an album of the live show entitled "Big Guitars in Little Europe", an album, which has proved enduringly popular. Robert's main wish was to spend more time at home with his family, which he was now able to do and Nelson formed a new band "Nelson's Column" which toured England. Ed Alleyne Johnson followed up his first solo album "The Purple Electric Violin Concerto" which had been so successful with a second entitled "Ultraviolet".
After the year was up, Justin and Robert tentatively began work on a new project and in December 1994, the band (with Dean White on keyboards replacing Ed Alleyne Johnson) reassembled to play a short series of concerts. However, the next two years were lost while Justin and Robert, plagued by ill health and personal-life distractions tried unsuccessfully to pin down hundreds of new musical ideas into an album. It became increasingly obvious to both of them (and everyone else in and around the band) that they were now on very different musical paths. In 1997, Tommy Tee who had been the band's Tour Manager in the 1980s returned to take control of the band's drifting affairs. He enlisted producer Simon Dawson to help finish the project and by the autumn "Strange Brotherhood" was completed. Unsurprisingly, it's an album full to the brim with different and contrasting musical ideas while the lyrics range from the politics of the British Road Protest movement (in which Sullivan had been actively involved during 1996) to the deeply personal and sometimes unusually obscure. During the mixing, it was agreed that Justin and Robert would go their separate ways after the tour.
Then, suddenly Robert was diagnosed as having a brain tumour, and though the operation to remove it was successful, any prospect of touring was impossible. So he suggested that his place be taken by Michael Dean, a young drummer who had been working as his technician since 1993. Having watched Robert for some years, Michael was immediately comfortable with the role of drummer and with all other aspects of the band. The "Strange Brotherhood" tour began in the spring of 1998 and, happy to be back on the road at last, for the first couple of months, the band embarked on an ambitious programme of doing two sets each night, a 50 minute acoustic set followed by a full 90 minute rock. The tour continued on and off through to the end of the year.
By now Justin and Tommy Tee had restructured New Model Army's set-up to take account of the changes that the Internet was bringing to the whole music industry. This included making sure that the band owned every aspect of their work, and included their own record label (Attack Attack) to be distributed by different companies in different territories. 1999 began with a review of live shows recorded the previous year and their amalgamation into a live double album entitled "New Model Army and Nobody Else". After this Justin (assisted by Michael) began to write new songs for the next album. This was done quickly and easily for the first time since "Thunder", with Justin claiming to be "reborn as a song-writer." To keep up the momentum, it was decided to self-produce and to record the album in the band's own studio. Again this was done quickly with mostly Justin, Michael and Dean at the controls. (Living 250 and 300 miles from Bradford meant that Nelson and Dave were more occasional contributors for purely geographical reasons). The whole process was very much a reaction to the slow progress of "Strange Brotherhood", with the album given the simple name "Eight" to go with its whole stripped-down approach. It was released in the Spring of 2000 and was followed by more touring.
On October 23rd 2000, the band celebrated their 20th anniversary by playing another two set marathon at Rock City in Nottingham and then three months later, further special concerts in London and Koln which featured four completely different sets spread over two nights - a 57 song marathon in each city attended by over 7000 people.
One of the legacies of the lost years of the mid 1990s was a lot of unfinished material and next, Justin, Michael and Dean worked to finish and assemble this into accessible form, a double album "Lost Songs" released in 2002. Another ‘unfinished' project was Justin's long promised solo album and it was at this moment that he decided to pursue it. Meant to take just a few weeks to record and tour, "Navigating By The Stars" became another marathon. Hooking up with film and TV music producer, Ty Unwin, the first week of working coincided with ‘9/11'. Rather than making a political or angry response to unfolding events, the album's purpose was to ‘make something beautiful in an increasingly ugly World'. The album came out in 2003 to surprised and favourable reaction. At first touring alone with Dean (including a long awaited return to America), Justin was then joined by Michael playing percussion and the threesome bought a large mobile home and set off across Europe. The live album "Tales of the Road", released in 2004 captures their unique sound and stripped-down rearrangements of some of NMA's lesser known songs.
In 2004, an exhibition of all Joolz' artwork for the band plus collected memorabilia was assembled for a touring exhibition. Entitled ‘One Family, One Tribe' it has been on display in art galleries in Otley, York, Bradford and Hamm in Germany and there are plans for more future showings. Meanwhile, the band work began work on a new NMA album, at first focused around Michael's increasing creativity as a drummer. "Carnival" was recorded with producer Chris Tsangerides and mixed by Nat Chan. It's lyrical subjects and musical roots were as usual very eclectic but included many people's favourite NMA track, "Fireworks Night", Justin's emotional response to the sudden and unexpected death of Robert that Autumn. "Carnival" was released in September 2005, but when it came to the tour, Dave Blomberg was unable to participate for family reasons and his place was taken by Marshall Gill, a blues guitarist from Ashton Under Lyne, completing the band's current line-up in what Sullivan calls “the best version of NMA since 1985”.
The Carnival Tour marked another dynamic new beginning for the band, with Nelson sometimes playing as a second drummer, Dean sometimes as third guitarist and Michael and Marshall's energy much in evidence. Such was the sense of momentum and togetherness that for the first time in years, NMA moved quickly on to making another album with major contributions from all members. "High" was written and recorded in five months at the beginning of 2007, produced by old friend (and another production star, Chris Kimsey) and was ‘angrier' than any releases for a while and lyrically very much in tune with current realities.
The "High" tour rolled through 4 continents with the new line up now firmly in tune with itself and Marshall bringing a tougher edge to the band's sound - even managing to re-arrange the classic violin led anthem "Vagabonds" into a guitar led version. This and 16 other songs were released on a new live album, "Fuck Texas, Sing For Us", in November 2008 (the title taken from a chant at the band's New Orleans show that serves as the intro to the album).
The year ended with tours in Scandinavia, Eastern Europe and the customary December run of London, Paris, Amsterdam, and Koln with the band playing a fiery set of recent material. Remarkably, the band’s main 17 song set featured only two pre-2000 songs, as well as brand new material, a sure sign of the band’s forward momentum - and with their ticket sales up everywhere. Then, at Christmas, manager Tommy Tee died suddenly and unexpectedly. This was a major shock to everyone in and around the band, not only because as he ran all aspects of the band's affairs but also as a major part of the NMA family and history since 1982.
It took a while before the band could refocus but by Spring 2009, they were back in the studio working on their eleventh studio album, “Today Is A Good Day”. Mostly written in the wake of the 2008 Wall Street Collapse (an event celebrated in the white-hot opening title track), it was recorded in the band’s own studio in Bradford with Chris Kimsey once more at the controls. Chris wrote “the NMA 'family business' is back in full swing. The boys sound brave & united.” The album was hailed as one of their very best and the album tour began with a month in North America and went on for a further six months ending with a triumphant return to Glastonbury and other Festivals in the summer.
In the Autumn of 2010, the band celebrated their 30th Anniversary with the release of boxsets, books, DVDs and a full set of retrospective material and set out on the curious and challenging schedule. Promising to play a minimum of four songs from each of their 13 albums (including the two B-sides compilations) over two nights, they performed this marathon in different cities on four continents every weekend from September until Christmas. The final weekend in London was recorded and released in full as a five hour DVD.
After such a hectic year, 2011 was always going to be relatively quiet with the band concentrating on writing material for their next project. Consciously looking for something new after two convincing great rock band recorded live in a studio albums. this is a work in progress interrupted only by a handful of full band shows and rather more of the semi-acoustic Justin and Dean duo concerts. But then, as the year ended, disaster once again struck with a fire, started in the next door furniture outlet, raging through the band's Bradford base destroying pretty their whole studio set-up. No one was injured and the band have remarkably been able to salvage some of their touring gear from inside flight-cases. However, while remaining characteristically upbeat about the future, the band acknowledge that the loss of so much gear and a place to work will delay their plans for 2012. Meanwhile, in the background, BBC/Channel Four diector, Matt Reid, has been putting together a documentary film about the group for release sometime this year.
This is a remarkable band - as hungry and focused as ever, with a continually regenerating audience and insatiable creative ambition.
army heritage trail ahec.armywarcollege.edu/ anyone driving on 81 around carlisle pa see's this off the highway. but it is a great place to walk,take photos. ice cube
Army Chief of Staff GEN George W. Casey, Jr., speaks at the "Army Wives" Screening
© U.S. Army Photo by Janet L. Davis
These are a few photos I'm doing for my army fan website www.armytoysoldiers.com about army toys. I've always been a bit of an army man, liking all things army such as toy soldiers, model kits, playing army, toy guns and war movies and now I'm a big boy I like airsoft guns and paintball too.
Trooper Eamon Hale in the back of the Landcruiser.
Mid Caption: Located at the Australian Embassy in Baghdad, SECDET personnel went out on another mission escorting Australian dilpomatic staff in their Up-Armoured Landcruisers.
Deep Caption: Working under Operation Kruger, approximately 100 personnel – mainly Army and some private security contractors - make up SECDET. SECDET’s role is to provide close personal protection, static security, quality assurance and security advice to the Australian Embassy and its staff in Baghdad, Iraq.
Colombian Army Professional Soldier Orlando Moreno Suarez from the Demining Battalion #6 in Bogotá verifies coordinates and azimuth to establish a benchmark. This is the entry point to a minefield, which is cleared 10 inches at the time on May 19, 2010. The rest of the team composed by one commander, one medic one driver and another deminer waits 25 meters away from the area for safety reasons. This humanitarian demining training is a train the trainer course conducted by ARSOUTH in Bogotá, Colombia, as part of the professional development exchange program and sponsored by USSOUTHCOM, which provided equipment to the Colombian Army to facilitate their mission.
Turning this knob turns the tank's turret!
I got four copies of the official set. Then I built them a lot of extra stuff. It's an army!!!
Item no.: 1988-0010/ph3602
The memorial service for President Franklin Delano Roosevelt was held on the steps of Wilbur Cross, then the Library, and was attended by the campus community, including the army unit stationed on campus. The program included the playing of taps while the audience faced the flag at half staff.
Source: Archives & Special Collections at the Thomas J. Dodd Research Center, University of Connecticut
Information about reproduction is available at doddcenter.uconn.edu/research/reproduction.htm.
Explore other digital collections at the University of Connecticut.