View allAll Photos Tagged arguments
Shopkeepers at old Rethymnon expressing their feelings about one another
Note: Press F11 and L to enjoy a full screen preview.
F11 again & Esc to return to normal
These are some of my friends. I bet they were having one of those endless Nikon/Canon discussions. While an obviously brave, fantastic, tremendously good and amazig Olympus was watching them... :-))
6 photos
Con i miei cani Gioia Kitty e Kelly ci riuniamo mensilmente per parlare di libri.... a volte gli argomenti mancano, e semplicemente parliamo del tempo! :-)
With my dogs Gioia Kitty and Kelly we meet every month to talk about books .... sometimes the arguments are lacking, and we just talk about the weather! :-)
A rare day. Hillbilly actually asked me if I could take a picture of him in his cubby. I was not going to argue.
I gave him his breakfast (carefully, with gloves and mask on, because i really AM trying to be responsible), got my camera, and he moved where he wanted to be. No arguments, no cajoling.
He also asked that I please post the picture on Facebook and Instagram, because, crazy enough, his nephew had seen one of my pictures of Hillbilly and reached out to me. I do BOT get involved in family matters, so if Hillbilly says "Please do this", I oblige if I can.
Duisburg-Bruckhausen, 30. April 2024: Stahlarbeiterinnen und -arbeiter von thyssenKruppSteel in Duisburg kämpfen um ihre Arbeitsplätze. ThyssenKrupp sieht keine Chance mehr, in der Stahlproduktion eine Weltmarkt beherrschende Stellung zu erreichen. Bis zu 50 Prozent der Anteile werden an einen tschechischen "Finanzinvestor" verkauft. Das würde die Vernichtung tausender Arbeitsplätze in der Region bedeuten. In den Belegschaften entbrennt die Auseinandersetzung, was zu tun ist: erstmal abwarten? Auf Verständnis hoffen? Einen Streik um jeden Arbeitstag- und Ausbildungsplatz vorbereiten? Es kommen spannende Wochen.
Duisburg-Bruckhausen, April 30, 2024: Steel workers at ThyssenKruppSteel in Duisburg are fighting for their jobs. ThyssenKrupp no longer sees any chance of achieving a dominant position on the world market in steel production. Up to 50 percent of the shares will be sold to a Czech “financial investor”. That would mean the destruction of thousands of jobs in the region. The argument breaks out among the workforce as to what should be done: wait and see first? Hoping for understanding? Prepare a strike for every work and training place? There are exciting weeks ahead.
Freestyle off of some ideas that I had been working on in my head and a little on paper. I'm not really sure but I think that this was from 2007. It is actually unfinished. This was a bad day for myself and my crew. I actually walked from this piece due to an argument that I had got into with some crew members over some bullshit crew politics. The wall was put on by some toy ass writer that wanted to use the crew to make himself look good. I had made it clear to the crew that I didn't want to paint the wall and I didn't think that the crew should unless this toy had come up with paint and some money for the crew. Some of the guys weren't really cool with that because they had worked with the guy in the past and were friends of his for many years. I stood firm on it until the day of. I had some guys on my side but they just wanted to paint and this wall is one of the best walls in the city. So, some of the members called me up and asked if I would come out. I agreed and came with my own paint only because I wanted to rock with my boys. Unbeknownst to me, this guy had showed up and was aware of my position and instead of stepping to me like a man, he stepped to some of my crew members and was like "why is EROS on the wall?". I was completely unaware of the issue and just kept painting until I was finally approached by one of the crew. I just kept painting. Finally, it came to a head because this dude just kept pestering the crew members that were his friends and they approached me to see what was up. It got kind of heated when I was arguing my point and felt that some of the crew members were siding with this toy. I really never wanted to paint the wall to begin with and in order to prevent the situation from escalating, said fine, "y'all can have the wall" and went to the bar to get to a beer. All in all, later that day, I spoke to the toy running the wall and broke it down for him. We parted ways with the understanding that if he ever puts the crew and myself in a situation like that again, it was on and that I wasn't going to work with him unless we got paid. He agreed and asked me to finish the piece but I thought it better to just leave it unfinished to always remind myself of the days events. It's always amazing to me how easy some writers will just give up their power and the ability to make some money, for paint and a good location to paint. I know I've been guilty of it in the past and have always felt bad about it afterwards. Nowadays, I find it real easy to say "No" to things to save myself feeling that emptyness in my gut, from the feeling of being taken advantage of. It's one of those things that until we see our art-form as a real commodity in todays modern society, I think it will never get the respect it deserves. On that note, Fuck 'em, WE'LL get it one way or another!
Number: CT-1807
Rank: ARC Lieutenant Grade I
Nickname: Scout
3rd Regiment of the 253rd Legion
///Log Entry\\\
" Shortly after we left the war torn planet of Atraken and returned to the Republic cruiser Endurance, I received my platoon's... or rather my next assignment. My orders were to select three troopers from my platoon and then report to the Internal Security Bureau on Coruscant. There we would be briefed on an under cover mission with the objective of infiltrating the bounty hunter guild which appeared to be thriving within Coruscant's lower levels. This mission would be dangerous probably the most dangerous one the Republic has thrown at the 253rd, we weren't going up against battle droids this time instead we would be going up against ruthless and trained killers. Originally I planned on going solo on this one, but I eventually agreeded to let Lucky tag along. After a quick visit to the Endurance's armory Lucky and I no longer looked like the disciplined faceless soldiers we were meant to be. Instead of our standard shiny white armor we wore a mix of cloth and steel.
It was here in the armory where an angry Rook confronted me about me decision to bench the rest of the platoon. Though no matter how compelling his argument was my decision stayed the same. We had just barley made it off Atraken without a signal casualtie and there was no way in hell that I was going to risk loosing anyone on the Republic's homeworld..."
inspired by Ordo
Thanks for viewing and have a great day!
C&C appreciated
Entertaining and easy to understand: "Crash Course Philosophy Part 2: How to Argue - Philosophical Reasoning" (youtube 9:42)
Maybe you also take a look at part 3, that is about further kinds of arguments, namely: induction and abduction
Not NLP or some other kind of manipulative rhetoric, but rational arguing.
Fabio Keiner accuses me (without giving any proof!), to have deletet his comment. Therefore this demonstration to show that I did not delete the comments.
A sincere exchange of views, opinions, ideas, thoughts is only possible when having arguments based on evidence and when the drawn conclusions are logical consistent. Defamation, abusive language, false accusations, illogical conclusions, flawed reasoning are thwarting communication.
1. Screenshot flickr Zeitangabe: 1 Tg. aufgenommen als ich die Antwort an Fabio Keiner schrieb, daß ich keinen seiner Kommentare gelöscht habe, der zweite am Tag darauf, der dritte (flickr Zeitangabe 4 Tg.) heute, Sonntag 23.4.2017. Alle 3 Google Chrome Browser. Zu sehen ist das Ende meines Eingangskommentares zu dem Bild (Zitiat aus Russell: "Is there a God?), darauf folgend die zwei Kommentare von Fabio Keiner und danach der Kommentar von Marjan)
Ὅπερ ἔδει δεῖξαι Quod Erat Demonstrandum Q.E.D.
Denkanstoß: Derjenige, der jemanden beschuldigt hat Beweise zu bringen.
Part of: "res noscenda note notiz sketch skizze material sammlung collection entwurf überlegung gedanke brainstorming musterbogen schnittmuster zwischenbilanz bestandsaufnahme rückschau vorschau" Sonntag. Nicht grimmig, und auch nicht screaming, schon gar nicht a "sceraming hand" // (Fußnote an jene, die glauben, daß es ohne Kimono-Triptych quasi wertlos ist: hier gehts um Leute, die nicht antworten, wenn man sie nach Fakten für ihre Behauptungen fragt, Leute, die nicht bereit sind ihren Standpunkt, ihre Meinung zu erklären und zu erläutern, sondern einfach Behauptungen aufstellen ohne jeglichen Beweis und Behauptungen auch noch aufrecht erhalten, wenn sie jeglicher Grundlage entbehren, selbst noch wenn sie bewiesenermaßen falsch sind. Hier gehts um Leute, wie euch, die nicht bereit sind auf Gegenargumente einzugehen.... Es geht um das Verweigern von lauterer Diskussion (mit Argumenten und validen logischen Schlußfolgerungen), lauterer Debatte, lauterem Dialog, lauterem Streitgespräch, - Ich reagiere nur darauf, daß lauterer Dialog, lauteres Gespräch von euch verweigert wird)
Merge photos and screenshots #spaghettimonster #beweis #beweisführung #dialog #debate #kommunikation #gespräch #qed #argument #deduction #triptych #quadriptych #triptychon #quadriptychon #polyptych #polyptychon #red #rot #weiß #white #black #schwarz #schrift #letter #typography #grey #grau #grautöne #grauverlauf #farbverlauf #portrait #porträt #flickr #sessel #chair #stuhl #keramik #schale #hand #gesicht #face #blume #flower #blühen #verblühen #trockenblume #ikebana #symmetry #symmetrie #asymmetry #assymetrie #aussage #inhalt #form #spiegel #mirror #spiegelung #reflection
“the fact that the most powerful and significant connections in our lives are (at the time) invisible to us seems to me a compelling argument for religious reverence rather than skeptical empiricism as a response to life’s meaning.”
-David Foster Wallace, “Good Old Neon,” in Oblivion: Stories (Boston: Little, Brown, 2004),
A conceptual shot asking the simple question. Are we what we are born or how we are raised. The old "Nature Nurture" argument!
Fun shot to do!
Explored!
Some people have a scientific mindset. Many more have made science their religion. Usually the same kind to whom you have to be either or - scientific or religious.
Religion is not the same as the belief in a form of higher power, e.g. God, not the same as being spiritual. These things can be a religion, but so can many other things - pretty much anything, really. The word religion has the same root as ligature or ligament, it's something that connects, something intended to keep you stable and upright and strong. That can just as well be a sports, a specific sports team, a hobby, a political view, or indeed science, or a particular view within the vast umbrella term of "science". It's not that there is consensus among every last scientist after all, but neither is there among all the various denominations of the faiths, of course. Props to scientists for not going at each other's throats over this at least.
My point is, I don't know if God exists in any way shape or form. I have my views and beliefs, but no way to prove any of them. That's why they are "beliefs". However, the same applies to most higher scientific concepts. I, as an ordinary person, can prove them neither true nor false. I don't have a space station at my disposal, nor a hadron collider, nor an electron microscope. I've never seen an atom or a DNA helix, I've never witnessed a photon transition from wave into particle state. Those animations you can see in every other documentary of how celestial bodies exert gravity in accordance with their mass, by warping the space time continuum - for all I know they might as well be a video game. Movie magic. All I'm left to do is choose to believe or not to believe what people who claim to know better tell me they've found out. Same with the words of preachers and whatever scripture someone might come up with.
Something else I noticed a few times: The harshest critics and most hardcore followers of (for example) the Bible, both tend to look at it the same way: They take it strictly literally. I once posted that point on Reddit, and sure enough some smartass came up, saying like "according to book and chapter so and so, Jesus did this and that (I've forgot what it was, let's say walk over water), which you hopefully agree is nonsense." Yes. It is nonsense, we were in perfect agreement there. Only, his statement was meant to prove wrong my point about people taking it literally.
And don't even get me started about Dunning Kruger. It's true more likely than not, and it's absolutely fabulous. I noticed that a lot when talking to head-heavy people about astrology. Always triggers them. "Star signs? Yeah of course, because there are only precisely twelve types of people and personalities. Don't be ridiculous!" No. The first rule about astrology, without which nothing else works: The whole chart matters. Every human being has every star sign (or archetype, technically) in some place of their horoscope, interacting with the others in several different ways, through planets, houses, the four corners of the chart, aspects, nodes, what there all is. There aren't just twelve horoscopes. There are, at this point in time, about 8 billion, and hardly two of them are exactly the same.
None of that is to say that astrology is above all criticism or leaves no questions unanswered. Or that Darwin, Lesch and Hawking are out of the window. But that right there, is how Dunning Kruger is so fabulous: When two sides of an argument disagree, it must invariably be the other who has fallen victim to oversimplification. It can't possibly be your own. Even if the discussion is about a topic you never looked into for even a few minutes.
But at least you've found an academic sounding way to call someone an idiot, so I guess there's that.
Día 6 de Abril de 2013... Dos años ya!!!
Y de nuevo parece ser que esta primavera, la floración de los cerezos en el Valle del Jerte está siendo una explosión blanca, pacífica y de una sobrenatural belleza.
Y de nuevo me la estoy perdiendo... De nuevo.
Por razonables que sean los motivos, por serios que sean los imponderables, por evidentes que sean los argumentos...
Qué mal se tolera perder cosas!!!
Música recomendada: "Éblouie par la nuit". Zaz.
I have been doing Cuckoos every single day they are in the UK for 6 years now and today was the day that topped them all. A brutal fight between a Robin and the Cuckoo provided me with some extraordinary images.
An unbelievable encounter that took my breath away and I feel so privelllaged to have witnessed this spectacular fight.
The Robin has been there every day for the last 2 weeks and never bothered him, however I think the Robins eggs might have hatched triggering it into violent mode now it has babies to look after. There is a good chance this will happen for the next few days.
Email me at alanmcfadyen@ymail.com to book the last few days (open until the end of the month) this hide isnt available again until May 2020.
If there was any argument to what is the UKs best Cuckoo hide there isnt anymore. Consistently producing action packed images day after day.
Jeffrey Smart
Australia
1921 – 2013
The argument, Prenestina
1982
synthetic polymer paint, oil, pencil on canvas
“Humour is that which most efficiently recognizes that we are living in an imperfect world, with imperfect arguments and things that are insane, illogical, and irrational. And the only way we can live with that fact is to laugh.” ... Unknown
The New York Times Ethicist recently published a "ruling" on the ethics of AI generative art. He was responding to a person who wanted to use an Etsy image but was concerned the seller was profiting off the work of artists used to train generative AI. The Ethicist pointed out that artists have always stood on the shoulders of other artists, an argument that resonates with me. The image you see here is not simply the result of prompting an image in Midjourney because I made quite a few changes to it in Kira, using the Stable Diffusion plugin and using my digital painting skills and tools (like rearranging the chickens, recreating the woman in the distance, giving the man a hat etc.). But my influence on the image goes deeper. I used Midjourney's personalize parameter to generate images that reflect my aesthetic, color choices, brush work, level of detail and so on. The training was simple. I was given four thousand sets of widely diverse images and told to choose one of them. In other words, this is my unconscious "style." Unconscious because I did not deliberately tell Midjourney everything I prefer when I am painting. And in the act of grabbing from the gush of images this personalization parameter produced, I chose this image. Probably because I have re-discovered NC Wyeth who is famous for his illustrations of the old childhood novel "Treasure Island." He influences how I use illustration to tell stories. And Edward Hopper influences the mood of my work. And Norman Rockwell. Did Rockwell absorb NC Wyeth? I think so. Caravaggio gives my work its lighting. And perhaps NC Wyeth's son Andrew suffused my work. He taught me how to pay attention to the world immediately around me. And perhaps to some degree hundreds of more artists famous and obscure seen in museums, art workshops, videos and Internet images. In fact I have produced over 800 images of the Ravensway world using this amazing productive power of AI. A world that has storytelling power.
The debate/arguments continue as to the decision to place this attraction/eyesore at the edge of the Recreation Grounds in Stratford-upon-Avon. The latest objections are to the light show emitted by the wheel.
I had a little argument with my parrot last night... too many "strange birds" and no Okki for a long long time! I really hope he's happy with seeing his face on Flickr now!
I may sound a bit weird, but he really does recognize his own face on a photo!
After all, parrots are the most intelligent birds.
I had no idea about that until I met this guy!
Textures: skeletalmess, Advanced Photoshop cd 21
Don't use this image on websites, blogs or other media
without my explicit permission.
© All rights reserved
© Álbum 0493
By Catedrales e Iglesias
Arquidiócesis de México
Sitio Oficial de la Arquidiócesis de México
www.arquidiocesismexico.org.mx/
San Bernardino de Siena
Av. Nuevo León 24 Bis
Col. Barrio Santa Crucita C.P. 16070
Del. Xochimilco
Tel. 5676-0148
Tel. 5676-8646
Tomado del libro: Xochimilco y sus monumentos Históricos.
De Araceli Peralta Flores y Jorge Rojas Ramírez,
Departamento del Distrito Federal Instituto Nacional de Antropología e Historia, 1992, México.
Situado en el centro de Xochimilco ya que en torno a el ha girado una buena parte de la historia de pueblo. "Tanto a los conquistadores como a los evangelios, la construcción de esta iglesia les sirvió como punto de cohesión e identidad social, en cuanto que le permitió una armonía entre el indígena, el español y los primeros mestizos.
Xochimilco hacia 1524. George Kubler, en su libro: Arquitectura Mexicana del siglo XVI señala, que la iglesia y en convento tuvieron varias etapas constructivas que abarcaron desde 1530 hasta el año 1600. Para 1538 San Bernardino contaba ya con convento; hacia 1546 fray Francisco de Soto, uno de los once compañeros de fray Martín de Valencia, tomo la dirección y la supervisión de la obra; en 1585 se terminaron los dormitorios, la iglesia, las celdas, las viviendas y las dependencias. Para 1609 funcionó el colegio conventual de Xochimilco en donde se dieron clases de retórica, teología, artes y oficios.
Gran parte del dinero que se requirió para llevar a cabo la obra fue aportado por los indios principales de Xochimilco, siendo Martín Cerón de Álvaro uno de los más generosos .
Ante la escasez de frailes, en 1538, los franciscanos decidieron retirar los que habían en Xochimilco, dejando el convento como visita del grande de México. Los indios se opusieron con ruegos y llantos a esta determinación, logrando que se quedaran dos frailes para su convento.
En 1569 moraban en el convento cuatro religiosos que tenían a su cargo el adoctrinamiento de cinco mil indios. Cuando Fray Jerónimo de Mendieta fue guardián del convento, los indios del pueblo se agruparon por barrios en el atrio para adoctrinarse y contarse. Hacia 1585 el número de evangelizadores aumentó a seis.
La iglesia y el convento de San Bernardino tuvo trece pueblos de visita: Santiago Tepalcatlalpan, San Lucas Xochimanca, San Mateo Pochtla, San Miguel Topilejo, San Francisco Tlalnepantla, San Salvador Cuautenco, Santa Cecilia Ahuautla, San Andrés Ocoyoacac, San Lorenzo Tlatecpan, San Martín Tiatilpan, Santa Maria Nativitas Zacapan y Santa Cruz Acalpixcan.
Otro suceso importante de índole religioso se dio en el siglo XVII. En este siglo había fuertes diferencias entre los frailes peninsulares y criollos por querer ocupar los cargos mas altos, por lo que los criollos de la Provincia del Santo Evangelio, escribieron a Paulo V desde Xochimilco -en enero de 1614- solicitándole que los favoreciera con estos cargos. Lograron obtener un orden a través de la cual tanto criollos como peninsulares podían turnarse cada tres años en el provincialato y otras jerarquías.
En cuanto a los bienes muebles de San Bernardino destaca el retablo mayor de Xochimilco, que data del siglo XVI solo comparable en calidad con el de Huejotzingo, Puebla y del que se han hecho estudios muy detallados de su composición, y es considerado como una obra de gran valor artístico e iconográfico.
Por lo que toca a los retablos laterales tenemos el de Cristo, ubicado en el segundo tramo del lado norte. Data del siglo XVI; esta incompleto en su base y en sus calles laterales. El de la Sagrada Familia localizado en el segundo tramo del lado sur, corresponde a los siglos XVII-XVIII. El de la Virgen Purísima ubicada en el tercer tramo del lado sur, es del siglo XII-XVIII (no se encuentra en el lugar original y esta incompleto en su base). El de Cristo situado en el cuarto tramo del lado sur, data del siglo XVI - XVII. Otro de Cristo localizado en el quinto tramo del lado sur, corresponde a finales del siglo XVII (esta incompleto en su base). El de la Virgen del Carmen con las ánimas del purgatorio ubicado en el quinto tramo del lado norte, es del siglo XVII. El del Martirio de San Pedro situado en el sexto tramo del lado sur, data del siglo XVII-XVIII, este retablo fue hecho sin tener un diseño arquitectónico y no tiene columnas, arquitrabes ni frasos. El de la pasión de Cristo situado en el sexto tramo del lado norte corresponde al siglo XVII (esta incompleto y se encuentra en malas condiciones de estabilidad): El de San Sebastián Mártir ubicado en el séptimo tramo del lado, es del siglo XVIII. Sobre la historia de este ultimo retablo García Granados dice que en 1576 la población de Xochimilco fue afectada seriamente por el cocolixtle, por lo que Fray Jerónimo de Mendieta echó suerte para saber a que santo debían encomendarse, saliendo agraciado el Apóstol Santiago. Pasado un año y en vista que la peste no disminuía decidió encomendarlos a San Sebastián, con lo que el cocolixtle desapareció. En agradecimiento a estos santos les mandó construir sus retablos a ambos lados del altar mayor.
Tanto en el templo como en el convento existen pinturas, esculturas y tallas de gran calidad realizadas por grandes artistas. De las pinturas destacan las de Echave Orio, padre e hijo probablemente Simón Pereyns, Sánchez Salmerón Caravaggio y Francisco Martínez. Sobresalen las culturas de Luis Arciniegas y Juan Martínez Montañés.
La fina silleria tallada en cedro rojo, compuesta por seis sítiales divididos por brazos, así como los dos púlpitos que se encuentran en el templo, fueron hechos por el ebanista Juan Rojas en el siglo XVIII.
A finales del siglo XIX, el arquitecto Mariano Lezano construyó un ciprés de estilo neoclásico que cubría buena parte del retablo mayor. Años más tarde el arquitecto Roberto Álvarez Espinoza realizó unos estudios y elaboró unos planos con objeto de retirar el ciprés argumentando que éste tapaba el retablo del siglo XVI.
La década de los sesentas fue una de las más difíciles en lo que corresponde a la restauración del templo y del convento, ya que se realizaron en ellos intervenciones que afectaron tanto elementos arquitectónicos como a los retablos, pinturas y esculturas. Dicho trabajos se hicieron sin contar con un proyecto de restauración que científicamente apoyará los criterios de conservación y tampoco se consideró aplicar la tecnología más apropiada para cada caso.
Cabe señalar que en los años sesenta el atrio de la iglesia suscitó conflictos al quererse utilizar este espacio para otros fines. De hecho la esquina suroeste se encontraba ocupada por las escuelas primarias Vicente Riva Palacio y la Ignacio Ramírez, lo que dio pauta para que surgieran solicitudes en las que se pedía construir en lo quedaba del atrio un deportivo, y poder utilizar ese espacio para llevar acabo exposiciones ganaderas. De los dos últimos proyectos ninguno fue aprobado y hasta los años setenta. Las primeras fueron reubicadas quedando de ese modo el atrio libre de construcciones ajenas a su uso original.
... Complementar el exconvento franciscano de Xochimilco es situarse en la mística del encuentro del hombre consigo mismo, con el universo y con lo sobrenatural. ... Los alarifes lograron con su modestia una obra sobria realizada con ayuda indígena en sus acabados, fundiéndose el arte indígena y la cultura occidental, reafirmando así el nuevo pensamiento español. ... El conjunto guarda los cánones y la organización especial clásica de los conventos de la Nueva España: El Templo tiene vista al oriente y el claustro al costado sur, que lo protege de los vientos dominantes. ... El atrio es una típica solución americana .
Servia como espacio intermedio entre el interior y el exterior, para llevar acabo en el ceremonias que permitieran una gran concentración de gente. ... El espacio interior... Originalmente tenía techumbre y alfarje de madera, que fueron posteriormente sustituidos por bóvedas. Esto hizo necesario un nuevo entendimiento en el acomodado de su necesario un nuevo entendimiento acomodado geometría integrado estribos y botares a la estructura, destacando una cuyo forma de arco llamarían los estudios de "por tranquil o rampante", el cual sigue en empuje natural de la bóveda como si fuera caída de agua .
... cabe señalar que este tipo de solución estructural fue típica de Xochimilco, con la idea de reforzar las capillas y los templos, contra el hundimiento y desplome, ya que el suelo es altamente compresible y débil. ...El templo cuenta con una fachada en la que destaca la portada... un arco de medio punto, pilastras empotradas y enjutas, rematando a las pilastras una ventana coral de perfil mixtilínea. La fachada culmina con un almenado que la asemeja a una construcción militar; de ahí la idea equivocada de haber sido este tipo de conventos mal llamados conventos fortaleza. Casi al nivel del almenado se encuentra un reloj que muestra el aporte del siglo XIX. ...Hay que destacar los contrafuertes y arbotantes que flanquean la construcción porque representan el avance tecnológico de la época y el perfecto conocimiento de los materiales utilizados. La cúpula del templo, se terminó er. 1700... El doctor Atl nos dice "es probable que (sea) la cúpula más antigua de México y por una rara coincidencia la que parece derivarse más directamente del gran domo de Bruneleschi". ...Cada espacio al interior de las crujías es necesario imaginarlo con su humilde mobiliario de madera aparente o acabado con aceite de linaza, compuesto por una lámpara de aceite para iluminar el recinto, una cama de tablas y una especie de cómoda o ropero.
En la parte exterior encontramos la capilla de la Tercera Orden, compuesta por una sola nave de cuatro tramos que corresponden a finales del siglo XVII, cuya portada en cierta forma nos recuerda la porciúncula puerta de acceso lateral a la nave del templo principal, misma que guarda un significado especial para la orden franciscana.
El convento de San Bernardino muestra en su conjunto, con orgullo, la mano de obra de quienes lo pensaron y lo hicieron, convirtiendo en poemas sintetizados en su arquitectura.
Investigación
Mara González Guine