View allAll Photos Tagged architecture_minimal

An abstract perspective where architecture meets atmosphere. The building’s sharp lines and dark reflections contrast with the softness of the cloudy sky, creating a quiet dialogue between geometry and nature.

W99, under construction. Residential, commercial. (built 1897, restored, extended 2016, see tags for further known data). Op dit werk is een Creative Commons Licentie van toepassing.

uno degli ultimi giorni prima di trasferirmi, nessuna monetina lanciata perché non volevo che fosse un addio. Io torno sempre a casa.

museum remodeling by eduardo souto de moura, architect

 

as de chirico

 

viseu, portugal

Building in Amsterdam

Kunsthaus Bregenz

architect: Peter Zumthor, 1997

Bregenz, Austria

pentax k1000

Nakano, Tokyo, June 2017

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Architecture, buildings in Cologne, Germany

NO|BE Italia | Pendolo Chair “Pantelleria Limited Edition”

Arch. Dario Cipelletti

www.nobeitalia.it

Ph. GAZ BLANCO | All rights are reserved | www.gazblanco.com/portfolio_page/selected_works/ | www.instagram.com/gazblanco/

OLYMPUS DIGITAL CAMERA

The new Bournville College - now based on the Longbridge Campus.

 

Makes for some good photography, but I can't say I particularly like this kind of architecture. When it's viewed as a whole, the building just seems an incoherent mishmash of shapes, textures and colours. Just not easy on the eye somehow - not pleasing. I think all architecture should be pleasing to view - this isn't.

A dove resting in a wall opening, Marrakech.

The new Hall of Justice building in Tel-Aviv

Processed with VSCO with c1 preset

Back when my kids were in elementary school, they would get excited by the pencil toppers their teachers gave out as prizes. Pencil toppers are kind of interesting as they serve no useful purpose, other than being cute. It occured to me lately that there are the equivalent of pencil toppers in architecture; little things sitting on top of buildings that serve no useful purpose other than being interesting to look at.

 

© All Rights Reserved. Please do not use this image on websites, blogs or other media without my prior permission.

 

The house is mainly open plan with a double height living space that opens up to the sun.

 

The house is defined by private internal and external spaces + courtyards.

amager koblingsstation (facility for the distribution of electricity), irlandsvej 95, copenhagen 1966-1968.

architect: hans chr. hansen, 1901-1978, working for the copenhagen municipal architects department under f.c.lund, 1896-1984.

 

detail.

 

the hans chr. hansen set.

 

the comments I have added to some of my photos can be read together as a kind of mangled, yet surprisingly brief essay on hansen. repetitious and opinionated, it reflects the writer above his subject, but until someone does some serious research on hansen, a complete lack of competition makes me immune to criticism. enjoy :)

 

01. introduction, amager 1966.

02. the engineer as ideal, hansen's pre-war architecture, sundholm 1939.

03. the church he didn't build. war and the return to tradition, 1942-1944.

04. following fisker. wartime housing, hulgårds plads 1943.

05. the architect finding himself in kindergarten, skydebanen 1948.

06. developing the restless section. hanssted school 1954.

07. early industrial. nyborggade transformer 1958.

08. the brutalist, bellahøj 1961.

09. perfect self-confidence, ringbo nursing home 1961.

10. perfect idiosyncrasy. ringbo bell tower 1961.

11. the masterpiece, bremerholm 1962.

12. on the fine art of knowing when to be a backdrop. svanemølle 1966.

13. industrialized construction, a first response. svanemølle 1966.

14. concrete charm, bellahøj gas regulator 1967.

15. late irreverence. gasværksvejen school 1969.

 

Nope, commercial planes don't flight that low above Lausanne...

Foro Internacional de Tokio, Japan / Japón・日本・東京都

tokyo international forum / people / architecture / minimalism

 

Pulsa L para verla más grande sobre negro / Hit L to see big on black

Pulsa F para marcar como favorita / Hit F to fave

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