View allAll Photos Tagged architecture--the
Windsor Castle is a royal residence at Windsor in the English county of Berkshire. The castle is notable for its long association with the English and later British royal family and also for its architecture. The original castle was built in the 11th century after the Norman invasion by William the Conqueror. Since the time of Henry I, it has been used by succeeding monarchs and is the longest-occupied palace in Europe. The castle's lavish, early 19th-century State Apartments are architecturally significant, described by art historian Hugh Roberts as "a superb and unrivalled sequence of rooms widely regarded as the finest and most complete expression of later Georgian taste". The castle includes the 15th-century St George's Chapel, considered by historian John Martin Robinson to be "one of the supreme achievements of English Perpendicular Gothic" design. More than five hundred people live and work in Windsor Castle.
Originally designed to protect Norman dominance around the outskirts of London, and to oversee a strategically important part of the River Thames, Windsor Castle was built as a motte and bailey, with three wards surrounding a central mound. Gradually replaced with stone fortifications, the castle withstood a prolonged siege during the First Barons' War at the start of the 13th century. Henry III built a luxurious royal palace within the castle during the middle of the century, and Edward III went further, rebuilding the palace to produce an even grander set of buildings in what would become "the most expensive secular building project of the entire Middle Ages in England". Edward's core design lasted through the Tudor period, during which Henry VIII and Elizabeth I made increasing use of the castle as a royal court and centre for diplomatic entertainment.
Windsor Castle survived the tumultuous period of the English Civil War, when it was used as a military headquarters for Parliamentary forces and a prison for Charles I. During the Restoration, Charles II rebuilt much of Windsor Castle with the help of architect Hugh May, creating a set of extravagant, Baroque interiors that are still admired. After a period of neglect during the 18th century, George III and George IV renovated and rebuilt Charles II's palace at colossal expense, producing the current design of the State Apartments, full of Rococo, Gothic and Baroque furnishings. Victoria made minor changes to the castle, which became the centre for royal entertainment for much of her reign. Windsor Castle was used as a refuge for the royal family during the bombing campaigns of the Second World War and survived a fire in 1992. It is a popular tourist attraction, a venue for hosting state visits, and Elizabeth II's preferred weekend home.
The River Thames flows through southern England. It is the longest river entirely in England and the second longest in the United Kingdom, after the River Severn. While it is best known for flowing through London, the river also flows alongside other towns and cities, including Oxford, Reading, Henley-on-Thames, and here at Windsor.
The river gives its name to three informal areas: the Thames Valley, a region of England around the river between Oxford and west London; the Thames Gateway; and the greatly overlapping Thames Estuary around the tidal Thames to the east of London and including the waterway itself. Thames Valley Police is a formal body that takes its name from the river, covering three counties.
In an alternative name, derived from its long tidal reach up to Teddington Lock in south west London, the lower reaches of the river are called the Tideway.
The administrative powers of the Thames Conservancy have been taken on with modifications by the Environment Agency and, in respect of the Tideway part of the river, such powers are split between the agency and the Port of London Authority.
In non-administrative use, stemming directly from the river and its name are Thames Valley University, Thames Water, Thames Television productions, Thames & Hudson publishing, Thameslink (north-south railways passing through central London), and South Thames College. Historic entities include the Thames Ironworks and Shipbuilding Company.
Two canals link the river to other river basins: the Kennet and Avon Canal and the Grand Union Canal, westward and northward respectively. Two further cross-basin canals are disused but are under reconstruction: the Thames and Severn Canal (via Stroud), which operated until 1927 (to the west coast of England), and the Wey and Arun Canal to Littlehampton, which operated until 1871 (to the south coast).
Rowing and sailing clubs are common along the Thames, which is navigable to such vessels. Kayaking and canoeing also take place. Major annual events include the Henley Royal Regatta and The Boat Race, while the Thames has been used during two Summer Olympic Games: 1908 (rowing);1948 (rowing and canoeing). Safe headwaters and reaches are a summer venue for organised swimming, which is prohibited on safety grounds in a stretch centred on Central London. Non-Olympic watersports with a lesser presence include skiffing and punting.
The church of Providence is a Protestant church on the main street in the old town of Heidelberg. Until the Church Union of 1821 it was the Church of the Lutheran congregation while the Reformed congregation gathered in the Holy Ghost Church.
History
The church of Providence was built from 1659 to 1661 according to plans by Theodor Reber. It stands on the site of the former electoral Garden of the Lords. Since the church was built on the initiative of the Elector Karl Ludwig, whose motto was Dominus providebit (lat. The Lord will provide), it was named church of Providence. In the big city fire in the mainframe of the Palatine War of Succession in 1693 it was destroyed but rebuilt from 1715 to 1721 under the supervision of Johann Jakob Rischer. From 1878 to 1885, the interior by Hermann Behaghel was completely rebuilt arising a bright church hall in Neo-Renaissance style.
Architecture
The church of providence was built as a one-naved hall church with ridge turret. After reconstruction it obtained 1717-1721 on the north side a tower. Above three storeys with white plaster surfaces and a cornice rises the octagonal provided with ornaments belfry of red sandstone with an encircling balustrade. The slate roofing of the bell house and the lying above lantern are designed as Welsian hood. On top of the tower is a ball with a cross and cock.
The white plastered outer walls with arched windows and lying below transverse oval openings have the destruction of 1693 as well survived as the gable wall of the north side. Originally all the windows were executed in post-Gothic tracery, still preserved is the tracery only on the northern gable wall. Also preserved have been the keystones with angel face at the nave windows. The church roof was designed 1698 as slate-covered mansard roof newly.
The interior has been completely redesigned in the 19th century in two phases. After the choir loft in 1852 was dismantled and the Baroque organ was moved to the north gallery, emerged on the site of the organ in the choir a new central window with a blessing Christ figure in the style of the Nazarenes, probably from the workshop of Heinrich Beiler the Elder, the leading Heidelberg glass painter of Historicism. In a second renovation phase 1878-1885 the architect and church building inspector Hermann Behaghel created the in much existing still today spatial impression of neo-Renaissance. Behaghel the old galleries had dismantled and built symmetrically to the axis of the church one-storied galleries on three sides. The choir with altar and pulpit is put down by steps and balustrade. The stucco ceiling is also a re-creation of Behaghel. The two lateral choir windows show Grand Duke Karl Friedrich (left) and Elector Ottheinrich (right) and in 1886 donated of the University of Heidelberg on the occasion of five hundred years of existence.
Organ
In the church of Providence stands Heidelberg's oldest preserved organ. It goes back to an instrument from the workshop of the organ builder Matthias Burkard from the year 1885.
Die Providenzkirche ist eine protestantische Kirche an der Hauptstraße in der Altstadt von Heidelberg. Bis zur Kirchenunion von 1821 war sie die Kirche der lutherischen Gemeinde, während die reformierte Gemeinde sich in der Heiliggeistkirche versammelte.
Geschichte
Die Providenzkirche wurde 1659 bis 1661 nach Plänen von Theodor Reber erbaut. Sie steht auf dem Gelände des einstigen kurfürstlichen Herrengartens. Da die Kirche auf Initiative von Kurfürst Karl Ludwig entstand, dessen Leitspruch Dominus providebit (lat. der Herr wird sorgen) lautete, erhielt sie den Namen Providenzkirche. Beim großen Stadtbrand im Rahmen des Pfälzer Erbfolgekriegs 1693 wurde sie zerstört, von 1715–1721 unter der Bauleitung von Johann Jakob Rischer aber wieder aufgebaut. Von 1878 bis 1885 wurde der Innenraum durch Hermann Behaghel völlig umgebaut, es entstand ein heller Kirchensaal im Stil der Neorenaissance.
Architektur
Die Providenzkirche wurde als einschiffige Saalkirche mit Dachreiter erbaut. Nach dem Wiederaufbau erhielt sie 1717–1721 an der Nordseite einen Turm. Über drei Geschossen mit weißen Putzflächen und einem Kranzgesims erhebt sich das achteckige mit Ornamenten versehene Glockenhaus aus Buntsandstein mit einer umlaufenden Balustrade. Die Schieferbedachung des Glockenhauses und der darüber liegenden Laterne sind als Welsche Haube ausgeführt. Auf der Turmspitze befindet sich eine Kugel mit Kreuz und Hahn.
Die weiß verputzten Umfassungsmauern mit Rundbogenfenstern und darunter liegenden querovalen Öffnungen haben die Zerstörung von 1693 ebenso überstanden wie die Giebelwand der Nordseite. Ursprünglich wurden alle Fenster in nachgotischem Maßwerk ausgeführt, erhalten ist das Maßwerk nur noch an der nördlichen Giebelwand. Ebenfalls erhalten geblieben sind die Schlusssteine mit Engelsgesicht an den Langhausfenstern. Das Kirchendach wurde 1698 als schiefergedecktes Mansarddach neu ausgeführt.
Der Innenraum wurde im 19. Jahrhundert in zwei Phasen völlig umgestaltet. Nachdem die Chorempore 1852 abgebrochen wurde und die Barockorgel auf die Nordempore versetzt wurde, entstand an der Stelle der Orgel im Chor ein neues zentrales Fenster mit einer segnenden Christusfigur im Stil der Nazarener, vermutlich aus der Werkstatt von Heinrich Beiler d. Ä., dem führenden Heidelberger Glasmaler des Historismus. In einer zweiten Umbauphase 1878–1885 schuf der Architekt und Kirchenbauinspektor Hermann Behaghel den im wesentlich noch heute vorhandenen Raumeindruck im Stil der Neorenaissance. Behaghel ließ die alten Emporen abbrechen und symmetrisch zur Achse der Kirche eingeschossige Emporen auf drei Seiten errichten. Der Chor mit Altar und Kanzel ist durch Stufen und Balustrade abgesetzt. Die Stuckdecke ist ebenfalls eine Neuschöpfung Behaghels. Die beiden seitlichen Chorfenster zeigen Großherzog Karl Friedrich (links) und Kurfürst Ottheinrich (rechts) und 1886 von der Universität Heidelberg zu ihrem fünfhundertjährigen Bestehen gestiftet.
Orgel
In der Providenzkirche steht Heidelbergs älteste erhaltene Orgel. Sie geht zurück auf ein Instrument aus der Werkstatt des Orgelbaumeisters Matthias Burkard aus dem Jahr 1885.
de.wikipedia.org/wiki/Providenzkirche_(Heidelberg)
"The Church of St. John Baptist, Cirencester is a parish church in the Church of England in Cirencester. The church is medieval. It is renowned for its perpendicular porch, fan vaults and merchants' tombs.
The chancel is the oldest part of the church. Construction started around 1115. It was widened in about 1180. The east window dates from around 1300. The original stained glass of the east window has long since disappeared and it is now filled with fifteenth century glass from other parts of the church.
To the north of the chancel is St. Catherine's Chapel which dates from around 1150. It contains a wall painting of St. Christopher carrying the Christ Child, and vaulting given by Abbot John Hakebourne in 1508.
To the north of St. Catherine's Chapel is the Lady Chapel, first built in 1240 and extended in the 15th century.
The Trinity Chapel dates from 1430–1460 and was endowed for a priest of the nearby Abbey to say masses for the souls of Kings and Queens. It contains a squint which enabled the priest to synchronise the celebration of mass with that at the high altar.
The nave was completely rebuilt between 1515 and 1530 and is a remarkable example of late perpendicular gothic architecture.
The tower is fifteenth century and remarkable for the large buttresses which shore it up at its junction with the nave.
The great south porch which adjoins the market place was built around 1500 at the expense of Alice Avening." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
Masterpiece of Romanesque architecture.
The Basilica of Notre-Dame du Port is a Romanesque basilica, formerly a collegiate church, in the Port quarter of Clermont-Ferrand, between Place Delille and the cathedral. From the 10th century to the French Revolution it was served by a community of canons, regular until the 13th century, and thereafter secular.
"King's College Chapel is the chapel at King's College in the University of Cambridge. It is considered one of the finest examples of late Perpendicular Gothic English architecture. The chapel was built in phases by a succession of kings of England from 1446 to 1515, a period which spanned the Wars of the Roses. The chapel's large stained glass windows were not completed until 1531, and its early Renaissance rood screen was erected in 1532–36. The chapel is an active house of worship, and home of the King's College Choir. The chapel is a significant tourist site and a commonly used symbol of the city of Cambridge.
Cambridge is a university city and the county town of Cambridgeshire, England, on the River Cam approximately 50 miles (80 km) north of London. At the United Kingdom Census 2011, its population was 123,867 including 24,506 students. Cambridge became an important trading centre during the Roman and Viking ages, and there is archaeological evidence of settlement in the area as early as the Bronze Age. The first town charters were granted in the 12th century, although modern city status was not officially conferred until 1951.
The University of Cambridge was founded in 1209. The buildings of the university include King's College Chapel, Cavendish Laboratory, and the Cambridge University Library, one of the largest legal deposit libraries in the world. The city's skyline is dominated by several college buildings, along with the spire of the Our Lady and the English Martyrs Church, and the chimney of Addenbrooke's Hospital. Anglia Ruskin University, which evolved from the Cambridge School of Art and the Cambridgeshire College of Arts and Technology, also has its main campus in the city.
Cambridge is at the heart of the high-technology Silicon Fen with industries such as software and bioscience and many start-up companies born out of the university. Over 40 per cent of the workforce have a higher education qualification, more than twice the national average. The Cambridge Biomedical Campus, one of the largest biomedical research clusters in the world, is soon to house premises of AstraZeneca, a hotel, and the relocated Papworth Hospital.
The first game of association football took place at Parker's Piece. The Strawberry Fair music and arts festival and Midsummer Fair are held on Midsummer Common, and the annual Cambridge Beer Festival takes place on Jesus Green. The city is adjacent to the M11 and A14 roads. Cambridge station is less than an hour from London King's Cross railway station." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
Angkor Wat (/ˌæŋkɔːr ˈwɒt/; Khmer: អង្គរវត្ត, "City/Capital of Temples") is a Hindu-Buddhist temple complex in Cambodia, located on a site measuring 162.6 hectares (1,626,000 m2; 402 acres). It resides within the ancient Khmer capital city of Angkor. The Guinness World Records considers it as the largest religious structure in the world. Originally constructed as a Hindu temple dedicated to the god Vishnu for the Khmer Empire by King Suryavarman II during the 12th century, it was gradually transformed into a Buddhist temple towards the end of the century; as such, it is also described as a "Hindu-Buddhist" temple.
Angkor Wat was built at the behest of the Khmer King Suryavarman II in the early 12th century in Yaśodharapura (Khmer: យសោធរបុរៈ, present-day Angkor), the capital of the Khmer Empire, as his state temple and eventual mausoleum. Angkor Wat combines two basic plans of Khmer temple architecture: the temple-mountain and the later galleried temple. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat more than 5 kilometres (3 mi) long and an outer wall 3.6 kilometres (2.2 mi) long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west; scholars are divided as to the significance of this. The temple is admired for the grandeur and harmony of the architecture, its extensive bas-reliefs, and for the numerous devatas adorning its walls. The modern name Angkor Wat, alternatively Nokor Wat, means "Temple City" or "City of Temples" in Khmer. Angkor (អង្គរ ângkôr), meaning "city" or "capital city", is a vernacular form of the word nokor (នគរ nôkôr), which comes from the Sanskrit/Pali word nagara (Devanāgarī: नगर). Wat (វត្ត vôtt) is the word for "temple grounds", also derived from Sanskrit/Pali vāṭa (Devanāgarī: वाट), meaning "enclosure"
The original name of the temple was Vrah Viṣṇuloka or Parama Viṣṇuloka meaning "the sacred dwelling of Vishnu".
History
Angkor Wat lies 5.5 kilometres (3+1⁄2 mi) north of the modern town of Siem Reap, and a short distance south and slightly east of the previous capital, which was centred at Baphuon. In an area of Cambodia where there is an essential group of ancient structures, it is the southernmost of Angkor's main sites.
The construction of Angkor Wat took place over 28 years from 1122 to 1150 CE during the reign of King Suryavarman II (ruled 1113–c. 1150).[1] A brahmin by the name of Divākarapaṇḍita (1040–c. 1120) was responsible for urging Suryavarman II to construct the temple. All of the original religious motifs at Angkor Wat derived from Hinduism. Breaking from the Shaiva tradition of previous kings, Angkor Wat was instead dedicated to Vishnu. It was built as the king's state temple and capital city. As neither the foundation stela nor any contemporary inscriptions referring to the temple have been found, its original name is unknown, but it may have been known as Vrah Viṣṇuloka after the presiding deity. Work seems to have ended shortly after the king's death, leaving some of the bas-relief decoration unfinished. The term Vrah Viṣṇuloka or Parama Viṣṇuloka literally means "The king who has gone to the supreme world of Vishnu", which refer to Suryavarman II posthumously and intend to venerate his glory and memory.
In 1177, approximately 27 years after the death of Suryavarman II, Angkor was sacked by the Chams, the traditional enemies of the Khmer. Thereafter the empire was restored by a new king, Jayavarman VII, who established a new capital and state temple (Angkor Thom and the Bayon, respectively), a few kilometers north, dedicated to Buddhism, because the king's new wife, Indratevi, a devout Mahayana Buddhist, encouraged him to convert. Angkor Wat was therefore also gradually converted into a Buddhist site, and many Hindu sculptures were replaced by Buddhist art.
Towards the end of the 12th century, Angkor Wat gradually transformed from a Hindu centre of worship to Buddhism, which continues to the present day. Angkor Wat is unusual among the Angkor temples in that although it was largely neglected after the 16th century, it was never completely abandoned. Fourteen inscriptions dated from the 17th century, discovered in the Angkor area, testify to Japanese Buddhist pilgrims that had established small settlements alongside Khmer locals. At that time, the temple was thought by the Japanese visitors to be the famed Jetavana garden of the Buddha, which was originally located in the kingdom of Magadha, India. The best-known inscription tells of Ukondayu Kazufusa, who celebrated the Khmer New Year at Angkor Wat in 1632.
The first Western visitor to the temple was António da Madalena, a Portuguese friar who visited in 1586 and said that it "is of such extraordinary construction that it is not possible to describe it with a pen, particularly since it is like no other building in the world. It has towers and decoration and all the refinements which the human genius can conceive of."
In 1622, The Poem of Angkor Wat composed in Khmer verse describes the beauty of Angkor Wat and creates a legend around the construction of the complex, supposedly a divine castle built for legendary Khmer king Preah Ket Mealea by Hindu god Preah Pisnukar (or Braḥ Bisṇukār, Vishvakarman), as Suryavarman II had already vanished from people's minds.
In 1860, with the help of French missionary Father Charles-Émile Bouillevaux, the temple was effectively rediscovered by the French naturalist and explorer Henri Mouhot, who popularised the site in the West through the publication of travel notes, in which he wrote:
One of these temples, a rival to that of Solomon, and erected by some ancient Michelangelo, might take an honorable place beside our most beautiful buildings. It is grander than anything left to us by Greece or Rome, and presents a sad contrast to the state of barbarism in which the nation is now plunged.
In 1861 German anthropologist Adolf Bastian undertook a four-year trip to Southeast Asia. His account of this trip, The People of East Asia, ran to six volumes. When Bastian finally published the studies and observations during his Journey through Cambodia to Cochinchina in Germany in 1868 – told in detail but uninspiredly, above all without a single one of his drawings of the Angkorian sites – this work hardly made an impression, while everyone was talking about Henri Mouhot's posthumous work with vivid descriptions of Angkor, Travels in the Central Parts of Indo-China, Siam, Cambodia and Laos, published in 1864 through the Royal Geographical Society.
There were no ordinary dwellings or houses or other signs of settlement, including cooking utensils, weapons, or items of clothing usually found at ancient sites.
The artistic legacy of Angkor Wat and other Khmer monuments in the Angkor region led directly to France adopting Cambodia as a protectorate on 11 August 1863 and invading Siam to take control of the ruins. This quickly led to Cambodia reclaiming lands in the northwestern corner of the country such as the areas of Siem Reap, Battambang, and Sisophon which were under Siamese rule from 1795 to 1907.
Angkor Wat's aesthetics were on display in the plaster cast museum of Louis Delaporte called musée Indo-chinois which existed in the Parisian Trocadero Palace from c.1880 to the mid-1920s.
The 20th century saw a considerable restoration of Angkor Wat. Gradually teams of laborers and archeologists pushed back the jungle and exposed the expanses of stone, permitting the sun to once again illuminate the dark corners of the temple. Angkor Wat caught the attention and imagination of a wider audience in Europe when the pavilion of French protectorate of Cambodia, as part of French Indochina, recreated the life-size replica of Angkor Wat during Paris Colonial Exposition in 1931.
Cambodia gained independence from France on 9 November 1953 and has controlled Angkor Wat since then. From the colonial period onwards, until the site was nominated a UNESCO World Heritage in 1992, the temple of Angkor Wat was instrumental in the formation of the modern and gradually globalised concept of built cultural heritage.
Restoration work was interrupted by the Cambodian Civil War and Khmer Rouge control of the country during the 1970s and 1980s, but relatively little damage was done during this period. Camping Khmer Rouge forces used whatever wood remained in the building structures for firewood, and a shoot-out between Khmer Rouge and Vietnamese forces put a few bullet holes in a basrelief. Far more damage was done after the wars, by art thieves working out of Thailand, which, in the late 1980s and early 1990s, claimed almost every head that could be lopped off the structures, including reconstructions.
The temple is a symbol of Cambodia and is a source of national pride that has factored into Cambodia's diplomatic relations with France, the United States, and its neighbour Thailand. A depiction of Angkor Wat has been a part of Cambodian national flags since the introduction of the first version circa 1863. From a larger historical and transcultural perspective, however, the temple of Angkor Wat did not become a symbol of national pride sui generis but had been inscribed into a larger politico-cultural process of French-colonial heritage production in which the original temple site was presented in French colonial and universal exhibitions in Paris and Marseille between 1889 and 1937.
In December 2015, it was announced that a research team from the University of Sydney had found a previously unseen ensemble of buried towers built and demolished during the construction of Angkor Wat, as well as a massive structure of unknown purpose on its south side and wooden fortifications. The findings include evidence of low-density residential occupation in the region, with a road grid, ponds, and mounds. These indicate that the temple precinct, bounded by a moat and wall, may not have been used exclusively by the priestly elite, as was previously thought. The team used LiDAR, ground-penetrating radar and targeted excavation to map Angkor Wat.
According to a myth, the construction of Angkor Wat was ordered by Indra to serve as a palace for his son Precha Ket Mealea. According to the 13th-century Chinese traveller Zhou Daguan, some believed that the temple was constructed in a single night by a divine architect.
Architecture
Angkor Wat is a unique combination of the temple mountain (the standard design for the empire's state temples) and the later plan of concentric galleries, most of which were originally derived from religious beliefs of Hinduism. The construction of Angkor Wat suggests that there was a celestial significance with certain features of the temple. This is observed in the temple's east–west orientation, and lines of sight from terraces within the temple that show specific towers to be at the precise location of the solstice at sunrise. The temple is a representation of Mount Meru, the home of the gods according to Hindu mythology: the central quincunx of towers symbolise the five peaks of the mountain, and the walls and moat symbolise the surrounding mountain ranges and ocean. Access to the upper areas of the temple was progressively more exclusive, with the laity being admitted only to the lowest level.
The Angkor Wat temple's main tower aligns with the morning sun of the spring equinox. Unlike most Khmer temples, Angkor Wat is oriented to the west rather than the east. This has led many (including Maurice Glaize and George Coedès) to conclude that Suryavarman intended it to serve as his funerary temple. Further evidence for this view is provided by the bas-reliefs, which proceed in a counter-clockwise direction—prasavya in Hindu terminology—as this is the reverse of the normal order. Rituals take place in reverse order during Brahminic funeral services.
Archaeologist Charles Higham also describes a container that may have been a funerary jar that was recovered from the central tower. It has been nominated by some as the greatest expenditure of energy on the disposal of a corpse. Freeman and Jacques, however, note that several other temples of Angkor depart from the typical eastern orientation, and suggest that Angkor Wat's alignment was due to its dedication to Vishnu, who was associated with the west.
Drawing on the temple's alignment and dimensions, and on the content and arrangement of the bas-reliefs, researcher Eleanor Mannikka argues that the structure represents a claimed new era of peace under King Suryavarman II: "as the measurements of solar and lunar time cycles were built into the sacred space of Angkor Wat, this divine mandate to rule was anchored to consecrated chambers and corridors meant to perpetuate the king's power and to honour and placate the deities manifest in the heavens above." Mannikka's suggestions have been received with a mixture of interest and scepticism in academic circles. She distances herself from the speculations of others, such as Graham Hancock, that Angkor Wat is part of a representation of the constellation Draco.
The oldest surviving plan of Angkor Wat dates to 1715 and is credited to Fujiwara Tadayoshi. The plan is stored in the Suifu Meitoku-kai Shokokan Museum in Mito, Japan.
Style
Angkor Wat is the prime example of the classical style of
Khmer architecture—the Angkor Wat style—to which it has given its name. By the 12th century, Khmer architects had become skilled and confident in the use of sandstone (rather than brick or laterite) as the main building material. Most of the visible areas are sandstone blocks, while laterite was used for the outer wall and hidden structural parts. The binding agent used to join the blocks is yet to be identified, although natural resins or slaked lime has been suggested.
The temple has drawn praise above all for the harmony of its design. According to Maurice Glaize, a mid-20th-century conservator of Angkor, the temple "attains a classic perfection by the restrained monumentality of its finely balanced elements and the precise arrangement of its proportions. It is a work of power, unity, and style."
Architecturally, the elements characteristic of the style include the ogival, redented towers shaped like lotus buds; half-galleries to broaden passageways; axial galleries connecting enclosures; and the cruciform terraces which appear along the main axis of the temple. Typical decorative elements are devatas (or apsaras), bas-reliefs, pediments, extensive garlands and narrative scenes. The statuary of Angkor Wat is considered conservative, being more static and less graceful than earlier work. Other elements of the design have been destroyed by looting and the passage of time, including gilded stucco on the towers, gilding on some figures on the bas-reliefs, and wooden ceiling panels and doors.
Architect Jacques Dumarçay believes the layout of Angkor Wat borrows Chinese influence in its system of galleries which join at right angles to form courtyards. However, the axial pattern embedded in the plan of Angkor Wat may be derived from Southeast Asian cosmology in combination with the mandala represented by the main temple.
Features
The outer wall, 1,024 m (3,360 ft) by 802 m (2,631 ft) and 4.5 m (15 ft) high, is surrounded by a 30 m (98 ft) apron of open ground and a moat 190 m (620 ft) wide and over 5 kilometres (3 mi) in perimeter. The moat extends 1.5 kilometres from east to west and 1.3 kilometres from north to south. Access to the temple is by an earth bank to the east and a sandstone causeway to the west; the latter, the main entrance, is a later addition, possibly replacing a wooden bridge. There are gopuras at each of the cardinal points; the western is by far the largest and has three ruined towers. Glaize notes that this gopura both hides and echoes the form of the temple proper.
Under the southern tower is a statue known as Ta Reach, originally an eight-armed statue of Vishnu that may have occupied the temple's central shrine. Galleries run between the towers and as far as two further entrances on either side of the gopura often referred to as "elephant gates", as they are large enough to admit those animals. These galleries have square pillars on the outer (west) side and a closed wall on the inner (east) side. The ceiling between the pillars is decorated with lotus rosettes; the west face of the wall with dancing figures; and the east face of the wall with balustered windows, dancing male figures on prancing animals, and devatas, including (south of the entrance) the only one in the temple to be showing her teeth.
The outer wall encloses a space of 820,000 square metres (203 acres), which besides the temple proper was originally occupied by the city and, to the north of the temple, the royal palace. Like all secular buildings of Angkor, these were built of perishable materials rather than of stone, so nothing remains of them except the outlines of some of the streets. Most of the area is now covered by forest. A 350 m (1,150 ft) causeway connects the western gopura to the temple proper, with naga balustrades and six sets of steps leading down to the city on either side. Each side also features a library with entrances at each cardinal point, in front of the third set of stairs from the entrance, and a pond between the library and the temple itself. The ponds are later additions to the design, as is the cruciform terrace guarded by lions connecting the causeway to the central structure.
Central structure
The temple stands on a terrace raised higher than the city. It is made of three rectangular galleries rising to a central tower, each level higher than the last. The two inner galleries each have four large towers at their ordinal corners (that is, NW, NE, SE, and SW) surrounding a higher fifth tower. This pattern is sometimes called a quincunx and represents the mountains of Meru. Because the temple faces west, the features are set back towards the east, leaving more space to be filled in each enclosure and gallery on the west side; for the same reason, the west-facing steps are shallower than those on the other sides.
Mannikka interprets the galleries as being dedicated to the king, Brahma, the moon, and Vishnu. Each gallery has a gopura at each of the points. The outer gallery measures 187 m (614 ft) by 215 m (705 ft), with pavilions rather than towers at the corners. The gallery is open to the outside of the temple, with columned half-galleries extending and buttressing the structure. Connecting the outer gallery to the second enclosure on the west side is a cruciform cloister called Preah Poan (meaning "The Thousand Buddhas" Gallery). Buddha images were left in the cloister by pilgrims over the centuries, although most have now been removed. This area has many inscriptions relating to the good deeds of pilgrims, most written in Khmer but others in Burmese and Japanese. The four small courtyards marked out by the cloister may originally have been filled with water. North and south of the cloister are libraries.
Beyond, the second and inner galleries are connected to two flanking libraries by another cruciform terrace, again a later addition. From the second level upwards, devatas abound on the walls, singly or in groups of up to four. The second-level enclosure is 100 m (330 ft) by 115 m (377 ft), and may originally have been flooded to represent the ocean around Mount Meru. Three sets of steps on each side lead up to the corner towers and gopuras of the inner gallery. The steep stairways may represent the difficulty of ascending to the kingdom of the gods. This inner gallery, called the Bakan, is a 60 m (200 ft) square with axial galleries connecting each gopura with the central shrine and subsidiary shrines located below the corner towers.
The roofings of the galleries are decorated with the motif of the body of a snake ending in the heads of lions or garudas. Carved lintels and pediments decorate the entrances to the galleries and the shrines. The tower above the central shrine rises 43 m (141 ft) to a height of 65 m (213 ft) above the ground; unlike those of previous temple mountains, the central tower is raised above the surrounding four. The shrine itself, originally occupied by a statue of Vishnu and open on each side, was walled in when the temple was converted to Theravada Buddhism, the new walls featuring standing Buddhas. In 1934, the conservator George Trouvé excavated the pit beneath the central shrine: filled with sand and water it had already been robbed of its treasure, but he did find a sacred foundation deposit of gold leaf two metres above ground level.
Decoration
Integrated with the architecture of the building, one of the causes for its fame is Angkor Wat's extensive decoration, which predominantly takes the form of bas-relief friezes. The inner walls of the outer gallery bear a series of large-scale scenes mainly depicting episodes from the Hindu epics the Ramayana and the Mahabharata. Higham has called these "the greatest known linear arrangement of stone carving". From the north-west corner anti-clockwise, the western gallery shows the Battle of Lanka (from the Ramayana, in which Rama defeats Ravana) and the Battle of Kurukshetra (from the Mahabharata, showing the mutual annihilation of the Kaurava and Pandava clans). On the southern gallery follow the only historical scene, a procession of Suryavarman II, then the 32 hells and 37 heavens of Hinduism.
On the eastern gallery is one of the most celebrated scenes, the Churning of the Sea of Milk, showing 92 asuras and 88 devas using the serpent Vasuki to churn the sea under Vishnu's direction (Mannikka counts only 91 asuras and explains the asymmetrical numbers as representing the number of days from the winter solstice to the spring equinox, and from the equinox to the summer solstice). It is followed by Vishnu defeating asuras (a 16th-century addition). The northern gallery shows Krishna's victory over Bana (where according to Glaize, "The workmanship is at its worst").
Angkor Wat is decorated with depictions of apsaras and devata; there are more than 1,796 depictions of devata in the present research inventory. Angkor Wat architects employed small apsara images (30–40 cm or 12–16 in) as decorative motifs on pillars and walls. They incorporated larger devata images (all full-body portraits measuring approximately 95–110 cm or 37–43 in) more prominently at every level of the temple from the entry pavilion to the tops of the high towers. In 1927, Sappho Marchal published a study cataloging the remarkable diversity of their hair, headdresses, garments, stance, jewellery, and decorative flowers, which Marchal concluded were based on actual practices of the Angkor period.
Construction techniques
The monument was made of five to ten million sandstone blocks with a maximum weight of 1.5 tons each. The entire city of Angkor used far greater amounts of stone than all the Egyptian pyramids combined and occupied an area significantly greater than modern-day Paris. Moreover, unlike the Egyptian pyramids, which use limestone quarried 0.5 km (1⁄4 mi) away, the entire city of Angkor was built with sandstone quarried 40 km (25 mi) (or more) away. This sandstone was transported from Mount Kulen, a quarry approximately 40 kilometres (25 mi) northeast.
The route has been suggested to span 35 kilometres (22 mi) along a canal towards Tonlé Sap lake, another 35 kilometres (22 mi) crossing the lake, and finally 15 kilometres (9 mi) against the current along Siem Reap River, making a total journey of 90 kilometres (55 mi). However, Etsuo Uchida and Ichita Shimoda of Waseda University in Tokyo, Japan have discovered in 2011 a shorter 35-kilometre (22 mi) canal connecting Mount Kulen and Angkor Wat using satellite imagery. The two believe that the Khmer used this route instead.
Virtually all of its surfaces, columns, lintels and even roofs are carved. There are kilometres of reliefs illustrating scenes from Indian literature including unicorns, griffins, winged dragons pulling chariots, as well as warriors following an elephant-mounted leader, and celestial dancing girls with elaborate hairstyles. The gallery wall alone is decorated with almost 1,000 m2 (11,000 sq ft) of bas reliefs. Holes on some of the Angkor walls indicate that they may have been decorated with bronze sheets. These were highly prized in ancient times and were prime targets for robbers.
While excavating Khajuraho, Alex Evans, a stonemason, and sculptor recreated a stone sculpture under 1.2 metres (4 ft), this took about 60 days to carve. Roger Hopkins and Mark Lehner also conducted experiments to quarry limestone which took 12 quarrymen 22 days to quarry about 400 tons of stone. The labour force to quarry, transport, carve and install so much sandstone probably ran into the thousands including many highly skilled artisans. The skills required to carve these sculptures were developed hundreds of years earlier, as demonstrated by some artefacts that have been dated to the seventh century, before the Khmer came to power.
Restoration and conservation
The contrast between restored and unrestored figures is deliberate. The major restoration of the causeway was first initiated in the 1960s by the French.
As with most other ancient temples in Cambodia, Angkor Wat has faced extensive damage and deterioration by a combination of plant overgrowth, fungi, ground movements, war damage, and theft. The war damage to Angkor Wat's temples however has been very limited, compared to the rest of Cambodia's temple ruins, and it has also received the most attentive restoration.
The restoration of Angkor Wat in the modern era began with the establishment of the Conservation d'Angkor (Angkor Conservancy) by the École française d'Extrême-Orient (EFEO) in 1908; before that date, activities at the site were primarily concerned with exploration. The Conservation d'Angkor was responsible for the research, conservation, and restoration activities carried out at Angkor until the early 1970s, and a major restoration of Angkor was undertaken in the 1960s.
Work on Angkor was abandoned during the Khmer Rouge era and the Conservation d'Angkor was disbanded in 1975. Between 1986 and 1992, the Archaeological Survey of India carried out restoration work on the temple, as France did not recognise the Cambodian government at the time. Criticisms have been raised about both the early French restoration attempts and the later Indian work, with concerns over the damage done to the stone surface by the use of chemicals and cement.
In 1992, following an appeal for help by Norodom Sihanouk, Angkor Wat was listed in UNESCO's World Heritage in Danger (later removed in 2004) and as a World Heritage Site together with an appeal by UNESCO to the international community to save Angkor. Zoning of the area was designated to protect the Angkor site in 1994, APSARA was established in 1995 to protect and manage the area, and a law to protect Cambodian heritage was passed in 1996.
Several countries such as France, Japan, and China are now involved in Angkor Wat conservation projects. The German Apsara Conservation Project (GACP) is working to protect the devatas, and other bas-reliefs that decorate the temple, from damage. The organisation's survey found that around 20% of the devatas were in very poor condition, mainly because of natural erosion and deterioration of the stone but in part also due to earlier restoration efforts. Other work involves the repair of collapsed sections of the structure, and prevention of further collapse: the west facade of the upper level, for example, has been buttressed by scaffolding since 2002, while a Japanese team completed the restoration of the north library of the outer enclosure in 2005.
Microbial biofilms have been found degrading sandstone at Angkor Wat, Preah Khan, and the Bayon and West Prasat in Angkor. The dehydration- and radiation-resistant filamentous cyanobacteria produce organic acids that degrade the stone. A dark filamentous fungus was found in internal and external Preah Khan samples, while the alga Trentepohlia was found only in samples taken from external, pink-stained stone at Preah Khan. Replicas have been made to replace some of the lost or damaged sculptures.
Tourism
Since the 1990s, Angkor Wat has become a major tourist destination. In 1993, there were only 7,650 visitors to the site; by 2004, government figures show that 561,000 foreign visitors had arrived in Siem Reap province that year, approximately 50% of all foreign tourists in Cambodia. The number reached over a million in 2007, and over two million by 2012. Most visited Angkor Wat, which received over two million foreign tourists in 2013, and 2.6 million by 2018.
The site was managed by the private SOKIMEX group between 1990 and 2016, which rented it from the Cambodian government. The influx of tourists has so far caused relatively little damage, other than some graffiti. Ropes and wooden steps have been introduced to protect the bas-reliefs and floors, respectively. Tourism has also provided some additional funds for maintenance—as of 2000 approximately 28% of ticket revenues across the entire Angkor site was spent on the temples—although most work is carried out by teams sponsored by foreign governments rather than by the Cambodian authorities.
Since Angkor Wat has seen significant growth in tourism throughout the years, UNESCO and its International Co-ordinating Committee for the Safeguarding and Development of the Historic Site of Angkor (ICC), in association with representatives from the Royal Government and APSARA, organised seminars to discuss the concept of "cultural tourism". Wanting to avoid commercial and mass tourism, the seminars emphasised the importance of providing high-quality accommodation and services for the Cambodian government to benefit economically, while also incorporating the richness of Cambodian culture. In 2001, this incentive resulted in the concept of the "Angkor Tourist City" which would be developed about traditional Khmer architecture, contain leisure and tourist facilities, and provide luxurious hotels capable of accommodating large numbers of tourists.
The prospect of developing such large tourist accommodations has encountered concerns from both APSARA and the ICC, claiming that previous tourism developments in the area have neglected construction regulations and that more of these projects have the potential to damage landscape features. Also, the large scale of these projects have begun to threaten the quality of the nearby town's water, sewage, and electricity systems. It has been noted that such high frequency of tourism and growing demand for quality accommodations in the area, such as the development of a large highway, has had a direct effect on the underground water table, subsequently straining the structural stability of the temples at Angkor Wat.
Locals of Siem Reap have also voiced concern that the charm and atmosphere of their town have been compromised to entertain tourism.[103] Since this local atmosphere is the key component to projects like Angkor Tourist City, the local officials continue to discuss how to successfully incorporate future tourism without sacrificing local values and culture.
At the ASEAN Tourism Forum 2012, it was agreed that Borobudur and Angkor Wat would become sister sites and the provinces sister provinces.
In 2020, the COVID-19 pandemic led to travel restrictions being introduced across the world, which had a severe impact on Cambodia's tourism sector. As a result, visitors to Angkor Wat plummeted, leaving the usually crowded complex almost deserted. Cambodia, including Angkor Wat, reopened to international visitors in late 2021, but as of the end of 2022 had only received a fraction of its pre-pandemic traffic: a total of 280,000 tourists visited the complex in 2022, versus 2.6 million in 2018. In 2023, the temple is seeing an increase in numbers over the previous year, having over 400,000 tourists by late July.
"St Michael is a Jesuit church in Munich, southern Germany, the largest Renaissance church north of the Alps. The style of the building had an enormous influence on Southern German early Baroque architecture.
The church was built by William V, Duke of Bavaria between 1583 and 1597 as a spiritual center for the Counter Reformation.[1] The foundation stone was laid in 1585.[2]
In order to realise his ambitious plans for the church and the adjoining college, Duke William had 87 houses in the best location pulled down, ignoring the protests of the citizens.[3] The church was erected in two stages. In the first stage (1583-88), the church was built by the model of Il Gesù in Rome and given a barrel-vaulted roof by an unknown architect, the vault being the largest in the world apart from that of St Peter's in Rome, spanning freely more than 20 meters. When the church was built, there were doubts about the stability of the vaulting. But it was the tower that collapsed in 1590, destroying the just completed quire. [4] Duke William V took it as a bad omen and so planned to build a much larger church. The second phase of construction continued until the consecration of the church in 1597.[5] Friedrich Sustris built on to the undamaged nave a new quire and a transept and a magnificent facade.[6] The church is 78.2 meters long, 20.3 meters wide and 28.2 meters high.
The facade is impressive and contains standing statues of Duke Wilhelm and earlier rulers of the Bavarian Wittelsbach dynasty, cast in bronze, in the form of a family tree.[7] Hubert Gerhard's large bronze statue between the two entrances shows the Archangel Michael fighting for the Faith and killing the Evil in the shape of a humanoid demon.
The interior is a representation of the triumph of Catholicism as true Christianity during the Counter-Reformation. The heavily indented chancel arch as well as the short side aisles and even the side chapels are designed as a triumphal arch to ancient model. A very deep choir room adjoins the mighty nave. The stucco decoration of the nave represents the life of Jesus Christ. The altarpiece "Annunciation" was created by Peter Candid (1587). The sculpture of the holy angel in the nave from Hubert Gerhard (1595) was originally intended for the tomb of William V, which was not completed.
Having suffered severe damage during the Second World War, the church was restored in 1946-48. Finally, between 1980 and 1983, the stucco-work was restored."
Source: en.wikipedia.org/wiki/Ludwigsburg
Ludwigsburg is a city in Baden-Württemberg, Germany, about 12 kilometres (7.5 mi) north of Stuttgart city centre, near the river Neckar. It is the largest and primary city of the Ludwigsburg district with about 88,000 inhabitants. It is situated within the Stuttgart Region, and the district is part of the administrative region (Regierungsbezirk) of Stuttgart.
Source: en.wikipedia.org/wiki/Ludwigsburg_Palace
Ludwigsburg Palace (Residenzschloss Ludwigsburg), also known as the "Versailles of Swabia", is a 452-room palace complex of 18 buildings located in Ludwigsburg, Baden-Württemberg, Germany. Its total area, including the gardens, is 32 ha (79 acres)—the largest palatial estate in the country. The palace has four wings: the northern wing, the Alter Hauptbau, is the oldest and was used as a ducal residence; the east and west wings were used for court purposes and housing guests and courtiers; the southern wing, the Neuer Hauptbau, was built to house more court functions and was later used as a residence.
Eberhard Louis, Duke of Württemberg, appointed Philipp Joseph Jenisch to direct the work and construction began in 1704. In 1707, Jenisch was replaced with Johann Friedrich Nette, who completed the majority of the palace and surrounding gardens. Nette died in 1714, and Donato Giuseppe Frisoni finished much of the palace facades. In the final year of construction, Eberhard Louis died and the Neue Hauptbau's interiors were left incomplete. Charles Eugene's court architect, Philippe de La Guêpière, completed and refurbished parts of the New Hauptbau in the Rococo style, especially the palace theatre. Charles Eugene abandoned the palace for Stuttgart in 1775. Duke Frederick II, later King Frederick I, began using Ludwigsburg as his summer residence in the last years of Charles Eugene's reign. Frederick and his wife Charlotte, Princess Royal, resided at Ludwigsburg and employed Nikolaus Friedrich von Thouret to renovate the palace in the Neoclassical style. Thouret converted much of Ludwigsburg's interiors over the reign of Frederick and later life of Charlotte. As a result of each architect's work, Ludwigsburg is a combination of Baroque, Rococo, Neoclassical, and Empire style architecture.
The constitutions of the Free People's State and Kingdom of Württemberg were ratified at Ludwigsburg Palace in 1919 and 1819, respectively. It was the residence for four of Württemberg's monarchs and some other members of the House of Württemberg and their families. The palace was opened to the public in 1918 and then survived World War II intact. It later underwent periods of restoration in the 1950s, 1960s, and 1990s and again for the palace's 300th anniversary in 2004. The palace had more than 350,000 visitors in 2017 and has hosted the Ludwigsburg Festival every year since 1947.
Surrounding the palace are the Blooming Baroque (Blühendes Barock) gardens, arranged in 1954 as they might have appeared in 1800. Nearby is Schloss Favorite, a hunting lodge built in 1717 by Frisoni. Within the palace are two museums operated by the Landesmuseum Württemberg dedicated to fashion and porcelain respectively.
Source: traveltips.usatoday.com/worlds-largest-pumpkin-festival-g...
The German city of Ludwigsburg hosts the largest pumpkin festival in the world, held annually from early September to November. Bringing in more than 400,000 pumpkins grown in southwest Germany, the city arranges them based on a theme that varies year by year. The festival includes more than 450 species of pumpkins, some of which are edible and others that are solely used for display purposes.
Themed Displays
The annual Ludwigsburg Pumpkin Festival has a different theme each year, with pumpkins stacked together to create shapes unique to a subject. In 2011, the pumpkin garden was transformed into a "Jurassic Park," with pumpkins arranged in the shape of dinosaurs. The 2010 festival was island-themed, featuring pumpkins arranged as an octopus, a mermaid, a lighthouse and other sea creatures. In 2012, the festival was Switzerland-themed, with pumpkins displayed to resemble the Swiss flag, livestock and the Alps. Thousands of pumpkins are stacked together to build each year's unique creations.
Food and Drink
The German festival offers an array of pumpkin-flavored dishes, including pumpkin soups, "maultaschen" (ravioli), risotto, strudel and spaghetti. Visitors can also order pumpkin-flavored sparkling wine. Previous festivals have offered various types of the gourd-like squash, including the "Blue Banana," the "Speckled Hound," the "Little Blue Hungarian" and the "Japanese Microwave Pumpkin," all of which can be used for cooking. For those interested in making their own dishes, the festival shop also sells pumpkin seed oil, marmalade, chutney, seeds and cookbooks.
Activities
The Ludwigsburg Pumpkin Festival features various autumn-themed activities. Using a spoon and a carving instrument, visitors can choose to carve their own pumpkins or watch sculptors transform them into artwork. On Saturdays, you can listen to live music while drinking pumpkin-flavored sparkling wine. Families with kids can let their children roll around in the "playground," a large pen filled with hay. Past festivals have hosted costume contests and pumpkin-carving competitions during the week of Halloween.
Annual Events
On one day each fall, the festival includes a race featuring canoeists paddling across a lake using boats made from hollowed-out pumpkins. The annual race takes place on the lake across from Ludwigsburg Castle. With the pumpkins frequently weighing more than 200 pounds, they are difficult to keep afloat. Ludwigsburg also features an annual competition to find Europe's heaviest pumpkin. On the last day of the festival, which marks the end of the season, the winning pumpkin is smashed after being on display for weeks.
Salisbury Cathedral, formally known as the Cathedral Church of the Blessed Virgin Mary, is an Anglican cathedral in Salisbury, England, and one of the leading examples of Early English architecture. The main body of the cathedral was completed in only 38 years, from 1220 to 1258.
The cathedral has the tallest church spire in the United Kingdom (123m/404 ft). Visitors can take the "Tower Tour" where the interior of the hollow spire, with its ancient wood scaffolding, can be viewed. The cathedral also has the largest cloister and the largest cathedral close in Britain (80 acres (320,000 m2). It contains the world's oldest working clock (from AD 1386) and has the best surviving of the four original copies of Magna Carta (all four original copies are in England).
In 2008, the cathedral celebrated the 750th anniversary of its consecration
The Grade I Listed Salisbury Cathedral one of the leading examples of Early English architecture. The main body of the cathedral was completed in only 38 years, from 1220 to 1258. The cathedral is the mother church of the Diocese of Salisbury and seat of the Bishop of Salisbury. In Salisbury, Wiltshire.
As a response to deteriorating relations between the clergy and the military at Old Sarum Cathedral, the decision was taken to resite the cathedral and the bishopric was moved to Salisbury. The move occurred during the tenure of Bishop Richard Poore, a wealthy man who donated the land on which it was built. The new cathedral was paid for by donations, principally from the canons and vicars of southeast England who were asked to contribute a fixed annual sum until it was completed. A legend tells that the Bishop of Old Sarum shot an arrow in the direction he would build the cathedral but the arrow hit a deer that died in the place where Salisbury Cathedral is now. The cathedral crossing, Old Sarum and Stonehenge are reputed to be aligned on a ley line, though Clive L.N. Ruggles asserts that the site, on marshland, was chosen because a preferred site several miles to the west could not be obtained.
The foundation stone was laid on 28 April 1220. Much of the freestone for the cathedral came from Teffont Evias quarries. As a result of the high water table in the new location, the cathedral was built on only four feet of foundations, and by 1258 the nave, transepts and choir were complete. The only major sections built later were the cloisters in 1240, the chapter house in 1263, tower and spire, which at 404 feet (123 m) dominated the skyline from 1320. Because most of the cathedral was built in only 38 years, it has a single consistent architectural style, Early English Gothic.
Although the spire is the cathedral's most impressive feature, it has proved to be troublesome. Together with the tower, it added 6,397 tons (6,500 tonnes) to the weight of the building. Without the addition of buttresses, bracing arches and anchor irons over the succeeding centuries, it would have suffered the fate of spires on later great ecclesiastical buildings (such as Malmesbury Abbey) and fallen down; instead, Salisbury remains the tallest church spire in the UK. The large supporting pillars at the corners of the spire are seen to bend inwards under the stress. The addition of reinforcing tie beams above the crossing, designed by Christopher Wren in 1668, arrested further deformation. The beams were hidden by a false ceiling, installed below the lantern stage of the tower.
Significant changes to the cathedral were made by the architect James Wyatt in 1790, including replacement of the original rood screen and demolition of a bell tower which stood about 320 feet (100 m) north west of the main building. Salisbury is one of only three English cathedrals to lack a ring of bells, the others are Norwich Cathedral and Ely Cathedral. However it does strike the time every 15 minutes with bells. In total, 70,000 tons of stone, 3,000 tons of timber and 450 tons of lead were used in the construction of the cathedral.
Information Source:
Source: en.wikipedia.org/wiki/Ludwigsburg
Ludwigsburg is a city in Baden-Württemberg, Germany, about 12 kilometres (7.5 mi) north of Stuttgart city centre, near the river Neckar. It is the largest and primary city of the Ludwigsburg district with about 88,000 inhabitants. It is situated within the Stuttgart Region, and the district is part of the administrative region (Regierungsbezirk) of Stuttgart.
Source: en.wikipedia.org/wiki/Ludwigsburg_Palace
Ludwigsburg Palace (Residenzschloss Ludwigsburg), also known as the "Versailles of Swabia", is a 452-room palace complex of 18 buildings located in Ludwigsburg, Baden-Württemberg, Germany. Its total area, including the gardens, is 32 ha (79 acres)—the largest palatial estate in the country. The palace has four wings: the northern wing, the Alter Hauptbau, is the oldest and was used as a ducal residence; the east and west wings were used for court purposes and housing guests and courtiers; the southern wing, the Neuer Hauptbau, was built to house more court functions and was later used as a residence.
Eberhard Louis, Duke of Württemberg, appointed Philipp Joseph Jenisch to direct the work and construction began in 1704. In 1707, Jenisch was replaced with Johann Friedrich Nette, who completed the majority of the palace and surrounding gardens. Nette died in 1714, and Donato Giuseppe Frisoni finished much of the palace facades. In the final year of construction, Eberhard Louis died and the Neue Hauptbau's interiors were left incomplete. Charles Eugene's court architect, Philippe de La Guêpière, completed and refurbished parts of the New Hauptbau in the Rococo style, especially the palace theatre. Charles Eugene abandoned the palace for Stuttgart in 1775. Duke Frederick II, later King Frederick I, began using Ludwigsburg as his summer residence in the last years of Charles Eugene's reign. Frederick and his wife Charlotte, Princess Royal, resided at Ludwigsburg and employed Nikolaus Friedrich von Thouret to renovate the palace in the Neoclassical style. Thouret converted much of Ludwigsburg's interiors over the reign of Frederick and later life of Charlotte. As a result of each architect's work, Ludwigsburg is a combination of Baroque, Rococo, Neoclassical, and Empire style architecture.
The constitutions of the Free People's State and Kingdom of Württemberg were ratified at Ludwigsburg Palace in 1919 and 1819, respectively. It was the residence for four of Württemberg's monarchs and some other members of the House of Württemberg and their families. The palace was opened to the public in 1918 and then survived World War II intact. It later underwent periods of restoration in the 1950s, 1960s, and 1990s and again for the palace's 300th anniversary in 2004. The palace had more than 350,000 visitors in 2017 and has hosted the Ludwigsburg Festival every year since 1947.
Surrounding the palace are the Blooming Baroque (Blühendes Barock) gardens, arranged in 1954 as they might have appeared in 1800. Nearby is Schloss Favorite, a hunting lodge built in 1717 by Frisoni. Within the palace are two museums operated by the Landesmuseum Württemberg dedicated to fashion and porcelain respectively.
Source: en.wikipedia.org/wiki/Toronto
Toronto is the provincial capital of Ontario. With a recorded population of 2,731,571 in 2016, it is the most populous city in Canada and the fourth most populous city in North America. The city is the anchor of the Golden Horseshoe, an urban agglomeration of 9,245,438 people (as of 2016) surrounding the western end of Lake Ontario, while the Greater Toronto Area (GTA) proper had a 2016 population of 6,417,516. Toronto is an international centre of business, finance, arts, and culture, and is recognized as one of the most multicultural and cosmopolitan cities in the world.
People have travelled through and inhabited the Toronto area, located on a broad sloping plateau interspersed with rivers, deep ravines, and urban forest, for more than 10,000 years. After the broadly disputed Toronto Purchase, when the Mississauga surrendered the area to the British Crown, the British established the town of York in 1793 and later designated it as the capital of Upper Canada. During the War of 1812, the town was the site of the Battle of York and suffered heavy damage by American troops. York was renamed and incorporated in 1834 as the city of Toronto. It was designated as the capital of the province of Ontario in 1867 during Canadian Confederation. The city proper has since expanded past its original borders through both annexation and amalgamation to its current area of 630.2 km2 (243.3 sq mi).
The diverse population of Toronto reflects its current and historical role as an important destination for immigrants to Canada. More than 50 percent of residents belong to a visible minority population group, and over 200 distinct ethnic origins are represented among its inhabitants. While the majority of Torontonians speak English as their primary language, over 160 languages are spoken in the city.
Toronto is a prominent centre for music, theatre, motion picture production, and television production, and is home to the headquarters of Canada's major national broadcast networks and media outlets. Its varied cultural institutions, which include numerous museums and galleries, festivals and public events, entertainment districts, national historic sites, and sports activities, attract over 43 million tourists each year. Toronto is known for its many skyscrapers and high-rise buildings, in particular the tallest free-standing structure in the Western Hemisphere, the CN Tower.
The city is home to the Toronto Stock Exchange, the headquarters of Canada's five largest banks, and the headquarters of many large Canadian and multinational corporations. Its economy is highly diversified with strengths in technology, design, financial services, life sciences, education, arts, fashion, aerospace, environmental innovation, food services, and tourism.
Source: en.wikipedia.org/wiki/Cathedral_Church_of_St._James_(Toronto)
The Cathedral Church of St. James is an Anglican cathedral in Downtown Toronto, Ontario, Canada. It is the church of the oldest congregation in the city, with the parish being established in 1797. The cathedral, with construction beginning in 1850 and opening for services on June 19, 1853, was one of the largest buildings in the city at the time. It was designed by Frederick William Cumberland and is a prime example of Gothic Revival architecture.
The church building is designated under the Ontario Heritage Act, and it is the episcopal seat of the Anglican Church of Canada's Archbishop of Toronto. Royal St. George's College, on Howland Avenue, is the church's choir school and is open to boys in grades 3 through 12.
It was an Eastern Orthodox Cathedral from the date of its construction and was the hub of the Patriarch of Constantinople barring the period between 1204 and 1261 when Fourth Crusaders converted it to a Catholic Cathedral under the Latin Empire.
In 1453, the building was transformed into an Ottoman mosque and remained so till 1931. Many relics including bells, altar, iconostasis, mosaics representing Jesus, Mother Mary, Christian saints were removed. Islamic architectural features such as minarets, mihrab, minbar were included. On February 01, 1935, it was opened as a museum after getting secularized.
Byzantine Emperor Justinian I ordered the construction of the building to serve as a church. The structure was designed by the Greek geometers, namely Isidore of Miletus and Anthemius of Tralles. More than ten thousand people were employed, and it was inaugurated on December 27, 537.
Hagia Sophia suffered many damages in its long history due to earthquakes.
Architecture
The interior is adorned with mosaics and marble pillars of great artistic value while the nave is covered with a central dome and the exterior with stucco. The royal gate was the main entrance and was reserved only for the emperor.
Upper Gallery
The upper gallery encloses the nave till the apse and is shaped like a horseshoe. The area was mainly reserved for the Empress, housing many mosaics. It also houses runic inscriptions believed to be engraved by the Varangian Guard.
Dome
The dome of the building attracted the attention of many historians, architects, and engineers due to the innovative way the original architects visualized it. The original dome was damaged during the earthquake of 558 which was replaced by the second one in 563, but, a large portion of the second dome also collapsed.
Loge of the Empress
The center of the upper gallery contains the loge of the Empress. It is from here the Empress and court ladies would watch the proceedings below. The spot where the throne stood is marked by a round green stone.
Lustration Urns
During the rule of Sultan Murad III, two giant marble lustration urns carved from single blocks of marble were brought from Pergamon.
Marble Door
Hagia Sophia contains a marble door located in the southern upper gallery. The attendants at the synods used the door for entering and leaving the meeting.
Many thanks to all those whether you comment, add them as favourites or just take the time to view on my photographs.
I appreciate it very much!
Best viewed in lightbox - please click on the image or press L.
© All rights reserved R.Ertug
Please do not use this image without my explicit written permission.
Jaswant Thada is a marble cenotaph, built in 1899 by Maharaja Sardar Singh. This magnificent white memorial was built in the memory of Maharaja Jaswant Singh II, the 33rd Rathore ruler of Jodhpur. Jaswant Thada is a fine example of classic Rajputana architecture.
The main memorial has been built like a temple and the portraits of all the rulers of Marwar are on display. The white cenotaph, built out of extremely thin and intricately carved sheets of marble, emits a warm glow when the sun hits the surface.
Angkor Wat (/ˌæŋkɔːr ˈwɒt/; Khmer: អង្គរវត្ត, "City/Capital of Temples") is a Hindu-Buddhist temple complex in Cambodia, located on a site measuring 162.6 hectares (1,626,000 m2; 402 acres). It resides within the ancient Khmer capital city of Angkor. The Guinness World Records considers it as the largest religious structure in the world. Originally constructed as a Hindu temple dedicated to the god Vishnu for the Khmer Empire by King Suryavarman II during the 12th century, it was gradually transformed into a Buddhist temple towards the end of the century; as such, it is also described as a "Hindu-Buddhist" temple.
Angkor Wat was built at the behest of the Khmer King Suryavarman II in the early 12th century in Yaśodharapura (Khmer: យសោធរបុរៈ, present-day Angkor), the capital of the Khmer Empire, as his state temple and eventual mausoleum. Angkor Wat combines two basic plans of Khmer temple architecture: the temple-mountain and the later galleried temple. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat more than 5 kilometres (3 mi) long and an outer wall 3.6 kilometres (2.2 mi) long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west; scholars are divided as to the significance of this. The temple is admired for the grandeur and harmony of the architecture, its extensive bas-reliefs, and for the numerous devatas adorning its walls. The modern name Angkor Wat, alternatively Nokor Wat, means "Temple City" or "City of Temples" in Khmer. Angkor (អង្គរ ângkôr), meaning "city" or "capital city", is a vernacular form of the word nokor (នគរ nôkôr), which comes from the Sanskrit/Pali word nagara (Devanāgarī: नगर). Wat (វត្ត vôtt) is the word for "temple grounds", also derived from Sanskrit/Pali vāṭa (Devanāgarī: वाट), meaning "enclosure"
The original name of the temple was Vrah Viṣṇuloka or Parama Viṣṇuloka meaning "the sacred dwelling of Vishnu".
History
Angkor Wat lies 5.5 kilometres (3+1⁄2 mi) north of the modern town of Siem Reap, and a short distance south and slightly east of the previous capital, which was centred at Baphuon. In an area of Cambodia where there is an essential group of ancient structures, it is the southernmost of Angkor's main sites.
The construction of Angkor Wat took place over 28 years from 1122 to 1150 CE during the reign of King Suryavarman II (ruled 1113–c. 1150).[1] A brahmin by the name of Divākarapaṇḍita (1040–c. 1120) was responsible for urging Suryavarman II to construct the temple. All of the original religious motifs at Angkor Wat derived from Hinduism. Breaking from the Shaiva tradition of previous kings, Angkor Wat was instead dedicated to Vishnu. It was built as the king's state temple and capital city. As neither the foundation stela nor any contemporary inscriptions referring to the temple have been found, its original name is unknown, but it may have been known as Vrah Viṣṇuloka after the presiding deity. Work seems to have ended shortly after the king's death, leaving some of the bas-relief decoration unfinished. The term Vrah Viṣṇuloka or Parama Viṣṇuloka literally means "The king who has gone to the supreme world of Vishnu", which refer to Suryavarman II posthumously and intend to venerate his glory and memory.
In 1177, approximately 27 years after the death of Suryavarman II, Angkor was sacked by the Chams, the traditional enemies of the Khmer. Thereafter the empire was restored by a new king, Jayavarman VII, who established a new capital and state temple (Angkor Thom and the Bayon, respectively), a few kilometers north, dedicated to Buddhism, because the king's new wife, Indratevi, a devout Mahayana Buddhist, encouraged him to convert. Angkor Wat was therefore also gradually converted into a Buddhist site, and many Hindu sculptures were replaced by Buddhist art.
Towards the end of the 12th century, Angkor Wat gradually transformed from a Hindu centre of worship to Buddhism, which continues to the present day. Angkor Wat is unusual among the Angkor temples in that although it was largely neglected after the 16th century, it was never completely abandoned. Fourteen inscriptions dated from the 17th century, discovered in the Angkor area, testify to Japanese Buddhist pilgrims that had established small settlements alongside Khmer locals. At that time, the temple was thought by the Japanese visitors to be the famed Jetavana garden of the Buddha, which was originally located in the kingdom of Magadha, India. The best-known inscription tells of Ukondayu Kazufusa, who celebrated the Khmer New Year at Angkor Wat in 1632.
The first Western visitor to the temple was António da Madalena, a Portuguese friar who visited in 1586 and said that it "is of such extraordinary construction that it is not possible to describe it with a pen, particularly since it is like no other building in the world. It has towers and decoration and all the refinements which the human genius can conceive of."
In 1622, The Poem of Angkor Wat composed in Khmer verse describes the beauty of Angkor Wat and creates a legend around the construction of the complex, supposedly a divine castle built for legendary Khmer king Preah Ket Mealea by Hindu god Preah Pisnukar (or Braḥ Bisṇukār, Vishvakarman), as Suryavarman II had already vanished from people's minds.
In 1860, with the help of French missionary Father Charles-Émile Bouillevaux, the temple was effectively rediscovered by the French naturalist and explorer Henri Mouhot, who popularised the site in the West through the publication of travel notes, in which he wrote:
One of these temples, a rival to that of Solomon, and erected by some ancient Michelangelo, might take an honorable place beside our most beautiful buildings. It is grander than anything left to us by Greece or Rome, and presents a sad contrast to the state of barbarism in which the nation is now plunged.
In 1861 German anthropologist Adolf Bastian undertook a four-year trip to Southeast Asia. His account of this trip, The People of East Asia, ran to six volumes. When Bastian finally published the studies and observations during his Journey through Cambodia to Cochinchina in Germany in 1868 – told in detail but uninspiredly, above all without a single one of his drawings of the Angkorian sites – this work hardly made an impression, while everyone was talking about Henri Mouhot's posthumous work with vivid descriptions of Angkor, Travels in the Central Parts of Indo-China, Siam, Cambodia and Laos, published in 1864 through the Royal Geographical Society.
There were no ordinary dwellings or houses or other signs of settlement, including cooking utensils, weapons, or items of clothing usually found at ancient sites.
The artistic legacy of Angkor Wat and other Khmer monuments in the Angkor region led directly to France adopting Cambodia as a protectorate on 11 August 1863 and invading Siam to take control of the ruins. This quickly led to Cambodia reclaiming lands in the northwestern corner of the country such as the areas of Siem Reap, Battambang, and Sisophon which were under Siamese rule from 1795 to 1907.
Angkor Wat's aesthetics were on display in the plaster cast museum of Louis Delaporte called musée Indo-chinois which existed in the Parisian Trocadero Palace from c.1880 to the mid-1920s.
The 20th century saw a considerable restoration of Angkor Wat. Gradually teams of laborers and archeologists pushed back the jungle and exposed the expanses of stone, permitting the sun to once again illuminate the dark corners of the temple. Angkor Wat caught the attention and imagination of a wider audience in Europe when the pavilion of French protectorate of Cambodia, as part of French Indochina, recreated the life-size replica of Angkor Wat during Paris Colonial Exposition in 1931.
Cambodia gained independence from France on 9 November 1953 and has controlled Angkor Wat since then. From the colonial period onwards, until the site was nominated a UNESCO World Heritage in 1992, the temple of Angkor Wat was instrumental in the formation of the modern and gradually globalised concept of built cultural heritage.
Restoration work was interrupted by the Cambodian Civil War and Khmer Rouge control of the country during the 1970s and 1980s, but relatively little damage was done during this period. Camping Khmer Rouge forces used whatever wood remained in the building structures for firewood, and a shoot-out between Khmer Rouge and Vietnamese forces put a few bullet holes in a basrelief. Far more damage was done after the wars, by art thieves working out of Thailand, which, in the late 1980s and early 1990s, claimed almost every head that could be lopped off the structures, including reconstructions.
The temple is a symbol of Cambodia and is a source of national pride that has factored into Cambodia's diplomatic relations with France, the United States, and its neighbour Thailand. A depiction of Angkor Wat has been a part of Cambodian national flags since the introduction of the first version circa 1863. From a larger historical and transcultural perspective, however, the temple of Angkor Wat did not become a symbol of national pride sui generis but had been inscribed into a larger politico-cultural process of French-colonial heritage production in which the original temple site was presented in French colonial and universal exhibitions in Paris and Marseille between 1889 and 1937.
In December 2015, it was announced that a research team from the University of Sydney had found a previously unseen ensemble of buried towers built and demolished during the construction of Angkor Wat, as well as a massive structure of unknown purpose on its south side and wooden fortifications. The findings include evidence of low-density residential occupation in the region, with a road grid, ponds, and mounds. These indicate that the temple precinct, bounded by a moat and wall, may not have been used exclusively by the priestly elite, as was previously thought. The team used LiDAR, ground-penetrating radar and targeted excavation to map Angkor Wat.
According to a myth, the construction of Angkor Wat was ordered by Indra to serve as a palace for his son Precha Ket Mealea. According to the 13th-century Chinese traveller Zhou Daguan, some believed that the temple was constructed in a single night by a divine architect.
Architecture
Angkor Wat is a unique combination of the temple mountain (the standard design for the empire's state temples) and the later plan of concentric galleries, most of which were originally derived from religious beliefs of Hinduism. The construction of Angkor Wat suggests that there was a celestial significance with certain features of the temple. This is observed in the temple's east–west orientation, and lines of sight from terraces within the temple that show specific towers to be at the precise location of the solstice at sunrise. The temple is a representation of Mount Meru, the home of the gods according to Hindu mythology: the central quincunx of towers symbolise the five peaks of the mountain, and the walls and moat symbolise the surrounding mountain ranges and ocean. Access to the upper areas of the temple was progressively more exclusive, with the laity being admitted only to the lowest level.
The Angkor Wat temple's main tower aligns with the morning sun of the spring equinox. Unlike most Khmer temples, Angkor Wat is oriented to the west rather than the east. This has led many (including Maurice Glaize and George Coedès) to conclude that Suryavarman intended it to serve as his funerary temple. Further evidence for this view is provided by the bas-reliefs, which proceed in a counter-clockwise direction—prasavya in Hindu terminology—as this is the reverse of the normal order. Rituals take place in reverse order during Brahminic funeral services.
Archaeologist Charles Higham also describes a container that may have been a funerary jar that was recovered from the central tower. It has been nominated by some as the greatest expenditure of energy on the disposal of a corpse. Freeman and Jacques, however, note that several other temples of Angkor depart from the typical eastern orientation, and suggest that Angkor Wat's alignment was due to its dedication to Vishnu, who was associated with the west.
Drawing on the temple's alignment and dimensions, and on the content and arrangement of the bas-reliefs, researcher Eleanor Mannikka argues that the structure represents a claimed new era of peace under King Suryavarman II: "as the measurements of solar and lunar time cycles were built into the sacred space of Angkor Wat, this divine mandate to rule was anchored to consecrated chambers and corridors meant to perpetuate the king's power and to honour and placate the deities manifest in the heavens above." Mannikka's suggestions have been received with a mixture of interest and scepticism in academic circles. She distances herself from the speculations of others, such as Graham Hancock, that Angkor Wat is part of a representation of the constellation Draco.
The oldest surviving plan of Angkor Wat dates to 1715 and is credited to Fujiwara Tadayoshi. The plan is stored in the Suifu Meitoku-kai Shokokan Museum in Mito, Japan.
Style
Angkor Wat is the prime example of the classical style of
Khmer architecture—the Angkor Wat style—to which it has given its name. By the 12th century, Khmer architects had become skilled and confident in the use of sandstone (rather than brick or laterite) as the main building material. Most of the visible areas are sandstone blocks, while laterite was used for the outer wall and hidden structural parts. The binding agent used to join the blocks is yet to be identified, although natural resins or slaked lime has been suggested.
The temple has drawn praise above all for the harmony of its design. According to Maurice Glaize, a mid-20th-century conservator of Angkor, the temple "attains a classic perfection by the restrained monumentality of its finely balanced elements and the precise arrangement of its proportions. It is a work of power, unity, and style."
Architecturally, the elements characteristic of the style include the ogival, redented towers shaped like lotus buds; half-galleries to broaden passageways; axial galleries connecting enclosures; and the cruciform terraces which appear along the main axis of the temple. Typical decorative elements are devatas (or apsaras), bas-reliefs, pediments, extensive garlands and narrative scenes. The statuary of Angkor Wat is considered conservative, being more static and less graceful than earlier work. Other elements of the design have been destroyed by looting and the passage of time, including gilded stucco on the towers, gilding on some figures on the bas-reliefs, and wooden ceiling panels and doors.
Architect Jacques Dumarçay believes the layout of Angkor Wat borrows Chinese influence in its system of galleries which join at right angles to form courtyards. However, the axial pattern embedded in the plan of Angkor Wat may be derived from Southeast Asian cosmology in combination with the mandala represented by the main temple.
Features
The outer wall, 1,024 m (3,360 ft) by 802 m (2,631 ft) and 4.5 m (15 ft) high, is surrounded by a 30 m (98 ft) apron of open ground and a moat 190 m (620 ft) wide and over 5 kilometres (3 mi) in perimeter. The moat extends 1.5 kilometres from east to west and 1.3 kilometres from north to south. Access to the temple is by an earth bank to the east and a sandstone causeway to the west; the latter, the main entrance, is a later addition, possibly replacing a wooden bridge. There are gopuras at each of the cardinal points; the western is by far the largest and has three ruined towers. Glaize notes that this gopura both hides and echoes the form of the temple proper.
Under the southern tower is a statue known as Ta Reach, originally an eight-armed statue of Vishnu that may have occupied the temple's central shrine. Galleries run between the towers and as far as two further entrances on either side of the gopura often referred to as "elephant gates", as they are large enough to admit those animals. These galleries have square pillars on the outer (west) side and a closed wall on the inner (east) side. The ceiling between the pillars is decorated with lotus rosettes; the west face of the wall with dancing figures; and the east face of the wall with balustered windows, dancing male figures on prancing animals, and devatas, including (south of the entrance) the only one in the temple to be showing her teeth.
The outer wall encloses a space of 820,000 square metres (203 acres), which besides the temple proper was originally occupied by the city and, to the north of the temple, the royal palace. Like all secular buildings of Angkor, these were built of perishable materials rather than of stone, so nothing remains of them except the outlines of some of the streets. Most of the area is now covered by forest. A 350 m (1,150 ft) causeway connects the western gopura to the temple proper, with naga balustrades and six sets of steps leading down to the city on either side. Each side also features a library with entrances at each cardinal point, in front of the third set of stairs from the entrance, and a pond between the library and the temple itself. The ponds are later additions to the design, as is the cruciform terrace guarded by lions connecting the causeway to the central structure.
Central structure
The temple stands on a terrace raised higher than the city. It is made of three rectangular galleries rising to a central tower, each level higher than the last. The two inner galleries each have four large towers at their ordinal corners (that is, NW, NE, SE, and SW) surrounding a higher fifth tower. This pattern is sometimes called a quincunx and represents the mountains of Meru. Because the temple faces west, the features are set back towards the east, leaving more space to be filled in each enclosure and gallery on the west side; for the same reason, the west-facing steps are shallower than those on the other sides.
Mannikka interprets the galleries as being dedicated to the king, Brahma, the moon, and Vishnu. Each gallery has a gopura at each of the points. The outer gallery measures 187 m (614 ft) by 215 m (705 ft), with pavilions rather than towers at the corners. The gallery is open to the outside of the temple, with columned half-galleries extending and buttressing the structure. Connecting the outer gallery to the second enclosure on the west side is a cruciform cloister called Preah Poan (meaning "The Thousand Buddhas" Gallery). Buddha images were left in the cloister by pilgrims over the centuries, although most have now been removed. This area has many inscriptions relating to the good deeds of pilgrims, most written in Khmer but others in Burmese and Japanese. The four small courtyards marked out by the cloister may originally have been filled with water. North and south of the cloister are libraries.
Beyond, the second and inner galleries are connected to two flanking libraries by another cruciform terrace, again a later addition. From the second level upwards, devatas abound on the walls, singly or in groups of up to four. The second-level enclosure is 100 m (330 ft) by 115 m (377 ft), and may originally have been flooded to represent the ocean around Mount Meru. Three sets of steps on each side lead up to the corner towers and gopuras of the inner gallery. The steep stairways may represent the difficulty of ascending to the kingdom of the gods. This inner gallery, called the Bakan, is a 60 m (200 ft) square with axial galleries connecting each gopura with the central shrine and subsidiary shrines located below the corner towers.
The roofings of the galleries are decorated with the motif of the body of a snake ending in the heads of lions or garudas. Carved lintels and pediments decorate the entrances to the galleries and the shrines. The tower above the central shrine rises 43 m (141 ft) to a height of 65 m (213 ft) above the ground; unlike those of previous temple mountains, the central tower is raised above the surrounding four. The shrine itself, originally occupied by a statue of Vishnu and open on each side, was walled in when the temple was converted to Theravada Buddhism, the new walls featuring standing Buddhas. In 1934, the conservator George Trouvé excavated the pit beneath the central shrine: filled with sand and water it had already been robbed of its treasure, but he did find a sacred foundation deposit of gold leaf two metres above ground level.
Decoration
Integrated with the architecture of the building, one of the causes for its fame is Angkor Wat's extensive decoration, which predominantly takes the form of bas-relief friezes. The inner walls of the outer gallery bear a series of large-scale scenes mainly depicting episodes from the Hindu epics the Ramayana and the Mahabharata. Higham has called these "the greatest known linear arrangement of stone carving". From the north-west corner anti-clockwise, the western gallery shows the Battle of Lanka (from the Ramayana, in which Rama defeats Ravana) and the Battle of Kurukshetra (from the Mahabharata, showing the mutual annihilation of the Kaurava and Pandava clans). On the southern gallery follow the only historical scene, a procession of Suryavarman II, then the 32 hells and 37 heavens of Hinduism.
On the eastern gallery is one of the most celebrated scenes, the Churning of the Sea of Milk, showing 92 asuras and 88 devas using the serpent Vasuki to churn the sea under Vishnu's direction (Mannikka counts only 91 asuras and explains the asymmetrical numbers as representing the number of days from the winter solstice to the spring equinox, and from the equinox to the summer solstice). It is followed by Vishnu defeating asuras (a 16th-century addition). The northern gallery shows Krishna's victory over Bana (where according to Glaize, "The workmanship is at its worst").
Angkor Wat is decorated with depictions of apsaras and devata; there are more than 1,796 depictions of devata in the present research inventory. Angkor Wat architects employed small apsara images (30–40 cm or 12–16 in) as decorative motifs on pillars and walls. They incorporated larger devata images (all full-body portraits measuring approximately 95–110 cm or 37–43 in) more prominently at every level of the temple from the entry pavilion to the tops of the high towers. In 1927, Sappho Marchal published a study cataloging the remarkable diversity of their hair, headdresses, garments, stance, jewellery, and decorative flowers, which Marchal concluded were based on actual practices of the Angkor period.
Construction techniques
The monument was made of five to ten million sandstone blocks with a maximum weight of 1.5 tons each. The entire city of Angkor used far greater amounts of stone than all the Egyptian pyramids combined and occupied an area significantly greater than modern-day Paris. Moreover, unlike the Egyptian pyramids, which use limestone quarried 0.5 km (1⁄4 mi) away, the entire city of Angkor was built with sandstone quarried 40 km (25 mi) (or more) away. This sandstone was transported from Mount Kulen, a quarry approximately 40 kilometres (25 mi) northeast.
The route has been suggested to span 35 kilometres (22 mi) along a canal towards Tonlé Sap lake, another 35 kilometres (22 mi) crossing the lake, and finally 15 kilometres (9 mi) against the current along Siem Reap River, making a total journey of 90 kilometres (55 mi). However, Etsuo Uchida and Ichita Shimoda of Waseda University in Tokyo, Japan have discovered in 2011 a shorter 35-kilometre (22 mi) canal connecting Mount Kulen and Angkor Wat using satellite imagery. The two believe that the Khmer used this route instead.
Virtually all of its surfaces, columns, lintels and even roofs are carved. There are kilometres of reliefs illustrating scenes from Indian literature including unicorns, griffins, winged dragons pulling chariots, as well as warriors following an elephant-mounted leader, and celestial dancing girls with elaborate hairstyles. The gallery wall alone is decorated with almost 1,000 m2 (11,000 sq ft) of bas reliefs. Holes on some of the Angkor walls indicate that they may have been decorated with bronze sheets. These were highly prized in ancient times and were prime targets for robbers.
While excavating Khajuraho, Alex Evans, a stonemason, and sculptor recreated a stone sculpture under 1.2 metres (4 ft), this took about 60 days to carve. Roger Hopkins and Mark Lehner also conducted experiments to quarry limestone which took 12 quarrymen 22 days to quarry about 400 tons of stone. The labour force to quarry, transport, carve and install so much sandstone probably ran into the thousands including many highly skilled artisans. The skills required to carve these sculptures were developed hundreds of years earlier, as demonstrated by some artefacts that have been dated to the seventh century, before the Khmer came to power.
Restoration and conservation
The contrast between restored and unrestored figures is deliberate. The major restoration of the causeway was first initiated in the 1960s by the French.
As with most other ancient temples in Cambodia, Angkor Wat has faced extensive damage and deterioration by a combination of plant overgrowth, fungi, ground movements, war damage, and theft. The war damage to Angkor Wat's temples however has been very limited, compared to the rest of Cambodia's temple ruins, and it has also received the most attentive restoration.
The restoration of Angkor Wat in the modern era began with the establishment of the Conservation d'Angkor (Angkor Conservancy) by the École française d'Extrême-Orient (EFEO) in 1908; before that date, activities at the site were primarily concerned with exploration. The Conservation d'Angkor was responsible for the research, conservation, and restoration activities carried out at Angkor until the early 1970s, and a major restoration of Angkor was undertaken in the 1960s.
Work on Angkor was abandoned during the Khmer Rouge era and the Conservation d'Angkor was disbanded in 1975. Between 1986 and 1992, the Archaeological Survey of India carried out restoration work on the temple, as France did not recognise the Cambodian government at the time. Criticisms have been raised about both the early French restoration attempts and the later Indian work, with concerns over the damage done to the stone surface by the use of chemicals and cement.
In 1992, following an appeal for help by Norodom Sihanouk, Angkor Wat was listed in UNESCO's World Heritage in Danger (later removed in 2004) and as a World Heritage Site together with an appeal by UNESCO to the international community to save Angkor. Zoning of the area was designated to protect the Angkor site in 1994, APSARA was established in 1995 to protect and manage the area, and a law to protect Cambodian heritage was passed in 1996.
Several countries such as France, Japan, and China are now involved in Angkor Wat conservation projects. The German Apsara Conservation Project (GACP) is working to protect the devatas, and other bas-reliefs that decorate the temple, from damage. The organisation's survey found that around 20% of the devatas were in very poor condition, mainly because of natural erosion and deterioration of the stone but in part also due to earlier restoration efforts. Other work involves the repair of collapsed sections of the structure, and prevention of further collapse: the west facade of the upper level, for example, has been buttressed by scaffolding since 2002, while a Japanese team completed the restoration of the north library of the outer enclosure in 2005.
Microbial biofilms have been found degrading sandstone at Angkor Wat, Preah Khan, and the Bayon and West Prasat in Angkor. The dehydration- and radiation-resistant filamentous cyanobacteria produce organic acids that degrade the stone. A dark filamentous fungus was found in internal and external Preah Khan samples, while the alga Trentepohlia was found only in samples taken from external, pink-stained stone at Preah Khan. Replicas have been made to replace some of the lost or damaged sculptures.
Tourism
Since the 1990s, Angkor Wat has become a major tourist destination. In 1993, there were only 7,650 visitors to the site; by 2004, government figures show that 561,000 foreign visitors had arrived in Siem Reap province that year, approximately 50% of all foreign tourists in Cambodia. The number reached over a million in 2007, and over two million by 2012. Most visited Angkor Wat, which received over two million foreign tourists in 2013, and 2.6 million by 2018.
The site was managed by the private SOKIMEX group between 1990 and 2016, which rented it from the Cambodian government. The influx of tourists has so far caused relatively little damage, other than some graffiti. Ropes and wooden steps have been introduced to protect the bas-reliefs and floors, respectively. Tourism has also provided some additional funds for maintenance—as of 2000 approximately 28% of ticket revenues across the entire Angkor site was spent on the temples—although most work is carried out by teams sponsored by foreign governments rather than by the Cambodian authorities.
Since Angkor Wat has seen significant growth in tourism throughout the years, UNESCO and its International Co-ordinating Committee for the Safeguarding and Development of the Historic Site of Angkor (ICC), in association with representatives from the Royal Government and APSARA, organised seminars to discuss the concept of "cultural tourism". Wanting to avoid commercial and mass tourism, the seminars emphasised the importance of providing high-quality accommodation and services for the Cambodian government to benefit economically, while also incorporating the richness of Cambodian culture. In 2001, this incentive resulted in the concept of the "Angkor Tourist City" which would be developed about traditional Khmer architecture, contain leisure and tourist facilities, and provide luxurious hotels capable of accommodating large numbers of tourists.
The prospect of developing such large tourist accommodations has encountered concerns from both APSARA and the ICC, claiming that previous tourism developments in the area have neglected construction regulations and that more of these projects have the potential to damage landscape features. Also, the large scale of these projects have begun to threaten the quality of the nearby town's water, sewage, and electricity systems. It has been noted that such high frequency of tourism and growing demand for quality accommodations in the area, such as the development of a large highway, has had a direct effect on the underground water table, subsequently straining the structural stability of the temples at Angkor Wat.
Locals of Siem Reap have also voiced concern that the charm and atmosphere of their town have been compromised to entertain tourism.[103] Since this local atmosphere is the key component to projects like Angkor Tourist City, the local officials continue to discuss how to successfully incorporate future tourism without sacrificing local values and culture.
At the ASEAN Tourism Forum 2012, it was agreed that Borobudur and Angkor Wat would become sister sites and the provinces sister provinces.
In 2020, the COVID-19 pandemic led to travel restrictions being introduced across the world, which had a severe impact on Cambodia's tourism sector. As a result, visitors to Angkor Wat plummeted, leaving the usually crowded complex almost deserted. Cambodia, including Angkor Wat, reopened to international visitors in late 2021, but as of the end of 2022 had only received a fraction of its pre-pandemic traffic: a total of 280,000 tourists visited the complex in 2022, versus 2.6 million in 2018. In 2023, the temple is seeing an increase in numbers over the previous year, having over 400,000 tourists by late July.
Santa Chiara is a religious complex in Naples, Italy, that includes the church of Santa Chiara, a monastery, tombs and an archeological museum. The basilica church of Santa Chiara faces Via Benedetto Croce, which is the easternmost leg of Via Spaccanapoli. The church facade of Santa Chiara is diagonally across from the church of Gesù Nuovo.
Architecture
The double monastic complex was built in 1313–1340 by Queen Sancha of Majorca and her husband King Robert of Naples, who is also buried in the complex. The original church was in Gotico Angioiano style, but was decorated in the 17th century in Baroque style by Domenico Antonio Vaccaro. After the edifice was partially destroyed by a fire after the Allied bombings during World War II, it was brought back to the alleged original state by a disputed restoration, which was completed in 1953.
The large rectangular building is 110.5 m long inside the walls, and 33 m wide. The walls of the nave are 47.5 m tall, and the nave itself is 82 m long. There are nine lateral chapels on each side of the nave, the roofs of the chapels are vaulted, and they support the gallery that runs the length of the nave. Above the gallery are the lancet windows of the clerestory. An unusual feature of the building is that the lateral chapels are absorbed into the body of the church, giving Santa Chiara its distinctive rectangular appearance. Another unusual feature of the building is the fact that the church does not have an apse, after the lateral chapels there is a section of the church with the high altar in the centre, flanked by the rectangular friars’ choirs on either side. Behind the altar is the tomb of King Robert, behind that is a wall separating the main body of the church from the nuns' choir.
The wall between the nave of the church and the retrochoir is penetrated by three screened grilles through which the nuns could observe the mass, while being invisible to anybody in the nave. There are also four windows in the wall which mirror the four windows on the exterior of the church. There is a large stained glass lancet window above the altar. Above this is a triangular pattern are three rose windows. At the apex of the point of the roof, above the level of the wooden beams of the ceiling is a fourth, smaller, rose window. The nuns choir is different in plan from the main body of the church, with two large piers supported by rib vaults dividing the space into three sections. Santa Chiara was the largest Clarissan church ever built and it was the first Clarissan church built where the nuns in their choir would have been able to view the performance of Mass.
The bell tower, separated from the main edifice, was begun in 1328 but was completed only in Renaissance times.
Interior
Tomb of Robert of Anjou
Behind the main altar is the tomb of King Robert of Anjou, which was sculpted by Pacio and Giovanni Bertini in 1343. In the side chapels are the tombs of the Bourbon king of Naples, Francis II and his consort Maria Sophie of Bavaria, as well as those of Queen Maria Christina of Savoy and of the national hero Salvo D'Acquisto (a carabiniere who sacrificed his life to save the lives of 22 civilian hostages during the Nazi occupation). The church was used, even before it was formally completed, to hold the relics of Saint Louis of Toulouse, elder brother of King Robert. One of these relics was the brain of St. Louis, in an ornate reliquary decorated with a crown Queen Sancha had donated in memory of her brother-in-law.
Initially, the interior had a Gothic style, but reconstruction from 1742 to 1762 by Domenico Vaccaro, Gaetano Buonocore, and Giovanni del Gaizo, refurbished the interior in a Baroque style. The stuccoed ceiling was frescoed by a team of artists, including Francesco De Mura, Giuseppe Bonito, Sebastiano Conca, and Paolo de Maio. The floor was paved with a design by Ferdinando Fuga. Unfortunately much of the interior decoration was destroyed in the aerial bombardment of 1943.
On the counterfacade is the tomb of Antonio Penna, by Antonio Baboccio. In the Chapel of the Sacred Heart is the tomb of Raimondo de' Cabanni.
In the sixth chapel to the left, are 14th-century bas reliefs depicting the Martyrdom of the wife of Massenzio, while the seventh has a tomb of Louis, a son of Charles, Duke of Durazzo, another 14th-century work by the Florentine Pacio Bertini.
To the right of the presbytery is access to the Baroque sacristy with frescoes from 1692. Through the sacristy, one can reach the Choir of the Nuns. The choir houses fragments of frescoes depicting Biblical Stories by Giotto.
Majolica Cloister
Cloister
The cloister of the Clarisses is known for the unique addition of majolica tiles, added in 1742 by Domenico Antonio Vaccaro in Rococò style. The brash color floral decoration makes this cloister, with octagonal columns in pergola-like structure, likely unique and would seem to clash with the introspective world of cloistered nuns. The cloister arcades are also decorated by frescoes, now much degraded.
Museum
The museum houses information on the history of the church, archaeological findings and materials remaining after the fire that destroyed part of the church in 1943. It also has a collection of baroque presepi (nativity scenes).
"Metz Cathedral, otherwise the Cathedral of Saint Stephen, Metz (French: Cathédrale Saint Étienne de Metz), is a Roman Catholic cathedral in Metz, capital of Lorraine, France. Dedicated to Saint Stephen, it is the cathedral of the Roman Catholic Diocese of Metz as the seat of the bishops of Metz. The cathedral treasury displays the collection, assembled over 1,000 years, of the bishopric of Metz, including paraments and items used for the Eucharist.
Metz Cathedral has one of the highest naves in the world. It is nicknamed la Lanterne du Bon Dieu ("the Good Lord's lantern"), displaying the largest expanse of stained glass in the world with 6,496 m2 (69,920 sq ft). The stained glass windows include works by Gothic and Renaissance master glass makers Hermann von Münster, Theobald of Lixheim, and Valentin Bousch. Later artistic styles are represented by Charles-Laurent Maréchal (Romanticism), Roger Bissière (tachisme), Jacques Villon (Cubism), and Marc Chagall (modernism).
Metz Cathedral is a Rayonnant Gothic edifice built of the local yellow Jaumont limestone. As in French Gothic architecture, the building is compact, with slight projection of the transepts and subsidiary chapels. However, it displays singular, distinctive characteristics in both its ground plan and architecture compared to most other cathedrals. Because of the topography of the Moselle valley in Metz, the common west-east axis of the ground plan could not be applied and the church is oriented north-northeast. Moreover, unlike the French and German Gothic cathedrals having three portals surmounted by a rose window and two large towers, this one has a single porch at its western front. The entrance is to the side of the building through another portal placed at the south-western side of the narthex, avoiding the usual alignment of the entrance with the choir.
The nave is supported by flying buttresses and culminates at 41.41 metres (135.9 ft) high, making it one of the highest naves in the world. The height of the nave is contrasted by the relatively low height of the aisles at 14.3 metres (47 ft) high, reinforcing the sensation of tallness of the nave. This feature permitted the architects to create large, tall expanses of stained glass. Through its history the cathedral has been subjected to architectural and ornamental modifications with successive additions of Neoclassical and Neogothic elements.
Metz (/mɛts/ METS, French: [mɛs], Lorraine Franconian: [mɛts]) Latin: Divodurum Mediomatricorum is a city in northeast France located at the confluence of the Moselle and the Seille rivers. Metz is the prefecture of the Moselle department and the seat of the parliament of the Grand Est region. Located near the tripoint along the junction of France, Germany, and Luxembourg, the city forms a central place of the European Greater Region and the SaarLorLux euroregion.
Metz has a rich 3,000-year-history, having variously been a Celtic oppidum, an important Gallo-Roman city, the Merovingian capital of Austrasia, the birthplace of the Carolingian dynasty, a cradle of the Gregorian chant, and one of the oldest republics in Europe. The city has been steeped in Romance culture, but has been strongly influenced by Germanic culture due to its location and history.
Because of its historical, cultural, and architectural background, Metz has been submitted on France's UNESCO World Heritage Tentative List. The city features noteworthy buildings such as the Gothic Saint-Stephen Cathedral with its largest expanse of stained-glass windows in the world, the Basilica of Saint-Pierre-aux-Nonnains being the oldest church in France, its Imperial Station Palace displaying the apartment of the German Kaiser, or its Opera House, the oldest one working in France. Metz is home to some world-class venues including the Arsenal Concert Hall and the Centre Pompidou-Metz museum.
A basin of urban ecology, Metz gained its nickname of The Green City (French: La Ville Verte), as it has extensive open grounds and public gardens. The historic city centre is one of the largest commercial pedestrian areas in France.
A historic garrison town, Metz is the economic heart of the Lorraine region, specialising in information technology and automotive industries. Metz is home to the University of Lorraine, Georgia Tech Lorraine, and a centre for applied research and development in the materials sector, notably in metallurgy and metallography, the heritage of the Lorraine region's past in the iron and steel industry." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
Become a patron to my photography on Patreon.
An icon of Brutalist architecture, the Barbican is one of the UK's architectural treasures. Working with a site almost completely razed by the Blitz, the Barbican's architects, Chamberlain, Powell and Bon, seized the opportunity to propose a radical transformation of how we live in buildings and cities.
First Friday Art Walk in Baker City Oregon
Celebrating the arts during the First Friday Art Walk in historic downtown Baker City, Oregon, and Churchill School, with a little live music, multiple gallery openings, and just exploring downtown Baker City's amazing architecture.
The First Friday Art Walk is one of numerous events celebrating the arts throughout Baker County. Other events include the Baker Open Artists Studio Tour in October, the monthly Thursday Art Night at the historic Eltrym Theater, the We Like ‘em Short Film Festival in August, and the Great Salt Lick Art Auction in September.
Visitors will find numerous art galleries throughout Baker City’s historic downtown including the Crossroads Carnegie Art center in the restored Carnegie Library building.
For more information about First Friday Art Walk or other art events and galleries throughout Baker County Oregon visit the Baker County Tourism website at www.travelbakercounty.com
++++ FROM WIKIPEDIA ++++
Swayambhu (Devanagari: स्वयम्भू स्तूप; Nepal Bhasa: स्वयंभू; sometimes Swayambu or Swoyambhu) is an ancient religious complex atop a hill in the Kathmandu Valley, west of Kathmandu city. The Tibetan name for the site means 'Sublime Trees' (Wylie: Phags.pa Shing.kun), for the many varieties of trees found on the hill. However, Shing.kun may be a corruption of the local Nepal Bhasa name for the complex, Swayambhu, meaning 'self-sprung'.[1] For the Buddhist Newars, in whose mythological history and origin myth as well as day-to-day religious practice Swayambhunath occupies a central position, it is probably the most sacred among Buddhist pilgrimage sites. For Tibetans and followers of Tibetan Buddhism, it is second only to Boudha.
The complex consists of a stupa, a variety of shrines and temples, some dating back to the Licchavi period. A Tibetan monastery, museum and library are more recent additions. The stupa has Buddha's eyes and eyebrows painted on. Between them, the number one (in Devanagari script) is painted in the fashion of a nose. There are also shops, restaurants and hostels. The site has two access points: a long staircase leading directly to the main platform of the temple, which is from the top of the hill to the east; and a car road around the hill from the south leading to the south-west entrance. The first sight on reaching the top of the stairway is the Vajra. Tsultrim Allione describes the experience:
We were breathless and sweating as we stumbled up the last steep steps and practically fell upon the biggest vajra (thunderbolt scepter) that I have ever seen. Behind this Vajra was the vast, round, white dome of the stupa, like a full solid skirt, at the top of which were two giant Buddha eyes wisely looking out over the peaceful valley which was just beginning to come alive.[2]
Much of Swayambhunath's iconography comes from the Vajrayana tradition of Newar Buddhism. However, the complex is also an important site for Buddhists of many schools, and is also revered by Hindus.
Mythology
According to Swayambhu Purana, the entire valley was once filled with an enormous lake, out of which grew a lotus. The valley came to be known as Swayambhu, meaning "Self-Created." The name comes from an eternal self-existent flame (svyaṃbhu) over which a sūpa was later built.
There are holy monkeys living in the north-west parts of the temple. They are holy because Manjushri, the bodhisattva of wisdom and learning, was raising the hill which the stupa stands on. He was supposed to leave his hair short but he made it grow long and head lice grew. It is said that the head lice transformed into these monkeys.
Manjusri had a vision of the Lotus at Swayambhu and traveled there to worship it. Seeing that the valley could be a good settlement, and to make the site more accessible to human pilgrims, he cut a gorge at Chovar. The water drained out of the lake, leaving the valley in which Kathmandu now lies. The Lotus was transformed into a hill and the flower became the stupa.
History
Swayambhunath is among the oldest religious sites in Nepal. According to the Gopālarājavaṃśāvalī, it was founded by the great-grandfather of King Mānadeva (464-505 CE), King Vṛsadeva, about the beginning of the 5th century CE. This seems to be confirmed by a damaged stone inscription found at the site, which indicates that King Vrsadeva ordered work done in 640 CE.
However, Emperor Ashoka is said to have visited the site in the third century BCE and built a temple on the hill which was later destroyed.
Although the site is considered Buddhist, the place is revered by both Buddhists and Hindus. Numerous Hindu monarch followers are known to have paid their homage to the temple, including Pratap Malla, the powerful king of Kathmandu, who is responsible for the construction of the eastern stairway in the 17th century.[4]
The stupa was completely renovated in May 2010, its first major renovation since 1921[5][6] and its 15th in the nearly 1,500 years since it was built. The Swayambhu Shrine was re-gilded using 20 kg of gold. The renovation was funded by the Tibetan Nyingma Meditation Center of California, and began in June 2008.[7]
At around 5 a.m. on 14 February 2011, Pratapur Temple in the Swayambhu Monument Zone suffered damage from a lightning strike during a sudden thunderstorm.
The Swayambunath complex suffered damage in the April 2015 Nepal earthquake.
Architecture
The stupa consists of a dome at the base, above which is a cubical structure painted with eyes of Buddha looking in all four directions. There are pentagonal toran present above each of the four sides with statues engraved in them. Behind and above the torana there are thirteen tiers. Above all the tiers there is a small space above which the Gajur is present. The stupa has many artifacts inside it.
Symbolism
Swayambhunath stupa along with smalles stupas and pagodas in the foreground
Swayambhunath stupa along with Harati Devi's temple and smalles stupas and pagodas in the foreground
The dome at the base represents the entire world. When a person awakes (represented by eyes of wisdom and compassion) from the bonds of the world, the person reaches the state of enlightenment. The thirteen pinnacles on the top symbolize that sentient beings have to go through the thirteen stages of spiritual realizations to reach enlightenment or Buddhahood.
There is a large pair of eyes on each of the four sides of the main stupa which represent Wisdom and Compassion. Above each pair of eyes is another eye, the third eye. It is said that when Buddha preaches, cosmic rays emanate from the third eye which acts as messages to heavenly beings so that those interested can come down to earth to listen to the Buddha. The hellish beings and beings below the human realm cannot come to earth to listen to the Buddha's teaching, however, the cosmic rays relieve their suffering when Buddha preaches. Between the two eyes (also called Wisdom Eyes), a curly symbol, symbolizing the nose, is depicted which looks like a question mark, which is a Nepali sign of number figure one. This sign represents the unity of all things existing in the world as well as the only path to enlightenment through the teachings of Buddha.
There are carvings of the Panch Buddhas (five Buddhas) on each of the four sides of the stupa. There are also statues of the Buddhas at the base of the stupas. Panch Buddhas are Buddha in a metaphorical sense in Tantrayana. They are Vairochana (occupies the center and is the master of the temple), Akshobhya (faces the east and represents the cosmic element of consciousness), Ratna Sambhava (faces the south and represents the cosmic element of sensation), Amitabha (He represents the cosmic element of Sanjna (name) and always faces the West) and Amoghsiddhi (He represents the cosmic element of confirmation and faces the north).
Each morning before dawn hundreds of Buddhist (Vajrayana) and Hindu pilgrims ascend the steps from the eastern side that lead up the hill, passing the gilded Vajra (Tibetan: Dorje) and two lions guarding the entrance, and begin a series of clockwise circumambulations of the stupa.
Swayambhu Purana
Swayambhu Purana (Devnagari: स्वयम्भू पूराण) is a Buddhist scripture about the origin and development of Kathmandu valley. Swayambhu Purana gives detail of all the Buddhas who came to Kathmandu. It also provides information about the first and the second Buddhas in Buddhism.
Swayambhunath (nepali: स्वयम्भूनाथ स्तुप, Svayambhūnāth stup) ist ein Tempelkomplex, der im Westen von Kathmandu auf einem Hügel erbaut ist.
Geschichte
Swayambhunath gilt neben Borobudur auf Java in Indonesien als eine der ältesten buddhistischen Tempelanlagen der Welt. Die inneren Bauten werden auf ca. 2500 Jahre geschätzt, die weiteren Umbauungen erfolgten später. Der Sage nach ist Swayambhunath eng mit der Entstehung des Kathmandu-Tals verknüpft.
Im April 2015 wurde die Tempelanlage bei einem Erdbeben schwer beschädigt. Der zentrale Stupa blieb zwar stehen, aber viele der ihn umgebenden Gebäude stürzten ein.[1]
Tempelanlage westlich des Hauptstupa
Das beherrschende Element der Tempelanlage ist der buddhistische Stupa mit den aufgemalten Augen, der von Kathmandu aus betrachtet gut sichtbar von zwei hinduistischen Türmen flankiert wird. Wie an vielen anderen Orten in Kathmandu sind auch in Swayambhunath buddhistische wie hinduistische Heiligenstätten eng verzahnt. Am Fuße der Hügel befindet sich eine Steinplatte mit den Fußabdrücken Buddhas. Von dort führt eine Treppe mit 365 Stufen, flankiert von bunten Figuren und Manisteinen, zur Tempelanlage.
Aufgrund der großen dort lebenden Population von Rhesusaffen wird Swayambhunath von Touristen auch „Tempel der Affen“ genannt.
Legende von Swayambhunath
Sadhu in Swayambhunath
Einst war das ganze Tal von Kathmandu ein großer See. Eines Tages entdeckten Sadhus eine Lotosblüte auf der Oberfläche des Sees. Über Jahrhunderte pilgerten Gläubige an die Ufer des Sees und verehrten die Lotosblüte als Symbol Gottes. Eines Tages stieg eine leuchtende Flamme aus dem Lotoskelch, Swayambhunath entstand oder besser gesagt erschuf sich selbst – so sagt es sein Name: Der aus sich selbst erstandene Gott. Die Manifestation des Buddha leuchtete noch viele weitere Epochen, bis der Bodhisattva Manjushri aus China nach dreimaliger Umrundung des Sees eine Schlucht in die südliche Hügelkette schlug und mit dem Abfluss des Wassers auch die Flamme verschwand. Die blauleuchtende Lotosblume pflanzte er auf den Hügel von Swayambhunath.
Kathmandu liegt im Zentrum des dicht besiedelten Kathmandutales, einem in 1300 m Höhe liegenden Talkessel von etwa 30 km Durchmesser. Die benachbarten größeren Städte im Tal, Lalitpur (Patan), Bhaktapur, Madhyapur Thimi, Kirtipur und zahlreiche kleinere Städte und Gemeinden bilden den Ballungsraum von Kathmandu. Die umliegenden Berge haben Höhen zwischen 2000 und 2700 m. Im Norden und mehr noch im Westen, haben die Ausläufer der dicht gebauten Stadt den Fuß dieser Berge schon erreicht. Die Stadt erstreckt sich an der Nordseite des Bagmati. Der Kernbereich liegt zwischen den Flüssen Vishnumati und Dhobi Khola. An der Südseite des Bagmati liegt die Schwesterstadt Lalitpur (Patan).
Das Wasser der im Kessel zusammenlaufenden Flüsse wird einzig über den Hauptfluss Bagmati durch eine Schlucht nach Süden abgeführt, durch die sonst keine Verkehrswege führen. Die wichtigste und bislang noch einzige Verkehrsanbindung an das übrige Land erfolgt über einen Pass im Westen der Stadt. Die extremen Monsunniederschläge führen alljährlich zu zahlreichen Erdrutschen, so dass Kathmandu immer wieder für einige Tage von der Außenwelt abgeschnitten ist. Eine zweite Straßenverbindung in den Terai, beginnend in Dhulikhel, etwa 30 km östlich von Kathmandu, ist seit 1997 im Bau und annähernd fertiggestellt. Die prekäre Anbindungssituation der Stadt wird damit deutlich verbessert werden.
Der Araniko Highway führt über Bhaktapur und Dhulikhel bis zur Sino-Nepalesischen Freundschaftsbrücke an der Grenze zu Tibet. Der Highway ist seit Jahren aufgrund von Erdrutschen und schlechtem Zustand auf dem letzten Teilstück bis zur Grenze mit der Volksrepublik China insbesondere während der Regenzeit häufig nicht befahrbar.[2] Im weiteren Verlauf auf chinesischer Seite ist die Straße als Friendship Highway nach Lhasa durchgehend befestigt und ausreichend ausgebaut.
Kathmandu ist via Flughafen Kathmandu erreichbar. Von drei Passstraßen nach Tibet ist eine verschüttet worden. Beim China-Nepal Highway trägt die Grenzbrücke keine Lastkraftwagen mehr.
The Mexican Hothouse built (1834–36) by Charles Rohault de Fleury, an early example of French glass and metal architecture.
The Jardin des Plantes is the main botanical garden in France. It is one of seven departments of the Muséum national d'histoire naturelle. It is situated in the 5ème arrondissement, Paris, on the left bank of the river Seine and covers 28 hectares (280,000 m²)..
The grounds of the Jardin des Plantes includes four galleries of the Muséum: the Grande Galerie de l'Évolution, the Mineralogy Museum, the Paleontology Museum and the Entomology Museum. In addition to the gardens there is also a small zoo, founded in 1795 by Bernardin de Saint-Pierre from animals of the royal menagerie at Versailles..
The Mexican Hothouse built (1834–36) by Charles Rohault de Fleury, an early example of French glass and metal architecture.
The Jardin des Plantes maintains a botanical school, which trains botanists, constructs demonstration gardens, and exchanges seeds to maintain biotic diversity. About 4500 plants are arranged by family on a one hectare (10,000 m²) plot. Three hectares are devoted to horticultural displays of decorative plants. An Alpine garden has 3000 species with world-wide representation. Specialized buildings, such as a large Art Deco winter garden, and Mexican and Australian hothouses display regional plants, not native to France. The Rose Garden, created in 1990, has hundreds of species of roses and rose trees..
Founded in 1626, the garden was not planted by Guy de La Brosse, Louis XIII's physician, until 1635 as a medicinal herb garden. It was originally known as the Jardin du Roi. In 1640 it opened to the public. After a period of decline, Jean-Baptiste Colbert took administrative control of the gardens. Dr. Guy-Crescent Fagon was appointed in 1693, and he surrounded himself with a team of brilliant botanists, including Joseph Pitton de Tournefort, Antoine de Jussieu, Antoine Laurent de Jussieu and his son Adrien-Henri..
The Comte de Buffon became the curator in 1739 and he expanded the gardens greatly, adding a maze, the Labyrinth, which remains today. In 1792 the Royal Menagerie was moved to the gardens from Versailles.
Church of St Lawrence. More in my photostream, take a look :)
--
St. Lawrence's Church, is a Grade I Listed Parish Church, Gotham, Nottinghamshire. It has Norman Transitional style of architecture, The Parish Church dates from C12, C13, C14, C15, restored 1789, repaired 1869. One of its earliest incumbents was Robert de Nottingham (year unknown), in 1303 it was John de Gotham.
The east end is on a deeper plinth and has a single restored arched 3 light C15 window with cusped panel tracery, hood mould and label stops. Over is a plaque inscribed "Repaired in MDCCLXXXIX IK" (1789 UK). The Roman numeral MDCCLXXXIX corresponds to the Arabic number 1789.
For more information follow these links.
www.nottshistory.org.uk/articles/tts/tts1924/summer/gotha...
southwellchurches.nottingham.ac.uk/gotham/hhistory.php
Gotham is actually pronounced Goat-em and not, as many would presume, in the same way as the fictional city Batman calls home.
Read more here:
www.visit-nottinghamshire.co.uk/explore/rural-nottinghams...
--
No Group Banners, thanks.
Coney Island, New York. Pumping Station building for the Fire Department. Built in 1938-39. Architect: Irwin S. Chanin. Designed in the Moderne style of architecture, the beginnings of the American version of the sleek and modern International Style.
= = = = = = = = = = = = = = = = = = = = = = = = = = = =
Francisco Aragão © 2014. All Rights Reserved.
Use without permission is illegal.
Attention please !
If you are interested in my photos, they are available for sale. Please contact me by email: aragaofrancisco@gmail.com. Do not use without permission.
Many images are available for license on Getty Images
= = = = = = = = = = = = = = = = = = = = = = = = = = = =
English
Brasília (Portuguese pronunciation: [bɾaˈziljɐ]) is the federal capital of Brazil and the capital of the Federal District. The city is located along the Brazilian Highlands in the country's Central-West region. It was founded on April 21, 1960, to serve as the new national capital. Brasília had an estimated population of 2,789,761 in 2013, making it the 4th most populous city in Brazil.
Among major Latin American cities, Brasília has the highest GDP per capita at R$61,915 (US$36,175).
Brasília was planned and developed by Lúcio Costa and Oscar Niemeyer in 1956 in order to move the capital from Rio de Janeiro to a more central location. The landscape architect was Roberto Burle Marx. The city's design divides it into numbered blocks as well as sectors for specified activities, such as the Hotel Sector, the Banking Sector and the Embassy Sector. Brasília was chosen as a UNESCO World Heritage Site due to its modernist architecture.
The city has a unique status in Brazil, as it is an administrative division rather than a legal municipality like other cities in Brazil. Nationally, the term is almost always used synonymously with the Federal District, which constitutes an indivisible Federative Unit, analogous to a state. Several "satellite cities" (suburbs) are also part of the Federal District.
The centers of all three branches of the federal government of Brazil are in Brasília, including the Congress, President, and Supreme Court. The city also hosts 124 foreign embassies. Brasília International Airport connects the capital to all major Brazilian cities and many international destinations, and is the third busiest airport in Brazil.
The city will be one of the main host cities of the 2014 FIFA World Cup and will be the host city of 2019 Summer Universiade. Additionally, Brasília hosted the 2013 FIFA Confederations Cup.
Spanish
Brasilia (en portugués Brasília) es la capital federal del Brasil y la sede del Gobierno del Distrito Federal, localizada en la parte central del país. Tiene una población de 2.562.963 habitantes según las estimaciones del censo de 2010,1 lo que la convierte en la cuarta ciudad del país por población. Es sede del gobierno federal, conformado por el presidente —quien trabaja en el Palacio de Planalto—, el Supremo Tribunal Federal de Brasil y el Congreso Nacional de Brasil.
Wikipedia
Girona is a city in the northeast of Catalonia, at the confluence of the rivers Ter, Onyar, Galligants, and Güell and has an official population of 96,722 as of January 2011. It is the capital of the province of the same name and of the comarca of the Gironès. It is located 99 km (62 mi) northeast of Barcelona. Girona is one of the major Catalan cities.
The first historical inhabitants in the region were Iberians; Girona is the ancient Gerunda, a city of the Ausetani. Later, the Romans built a citadel there, which was given the name of Gerunda. The Visigoths ruled in Girona until it was conquered by the Moors. Finally, Charlemagne reconquered it in 785 and made it one of the fourteen original countships of Catalonia. Thus it was wrested temporarily from the Moors, who were driven out finally in 1015. Wilfred the Hairy incorporated Girona into the countship of Barcelona in 878. Alfonso I of Aragón declared Girona to be a city in the 11th century. The ancient countship later became a duchy (1351) when King Peter III of Aragon gave the title of Duke to his first-born son, John. In 1414, King Ferdinand I in turn gave the title of Prince of Girona to his first-born son, Alfonso. The title is currently carried by Prince Felipe, Prince of Asturias, the first since the 16th century to do so.
The 12th century saw a flourishing of the Jewish community of Girona, with one of the most important Kabbalistic schools in Europe. The Rabbi of Girona, Moshe ben Nahman Gerondi (better known as Nahmanides or Ramban) was appointed Great Rabbi of Catalonia. The history of the Jewish community of Girona ended in 1492, when the Catholic Kings expelled all the Jews from Catalonia. Today, the Jewish ghetto or Call is one of the best preserved in Europe and is a major tourist attraction. On the north side of the old city is the Montjuïc (or hill of the Jews in medieval Catalan), where an important religious cemetery was located.
Girona has undergone twenty-five sieges and been captured seven times. It was besieged by the French royal armies under Charles de Monchy d'Hocquincourt in 1653, under Bernardin Gigault de Bellefonds in 1684, and twice in 1694 under Anne Jules de Noailles. In May 1809, it was besieged by 35,000 French Napoleonic troops under Vergier, Augereau and St. Cyr, and held out obstinately under the leadership of Alvarez until disease and famine compelled it to capitulate, 12 December. Finally, the French conquered the city in 1809, after 7 months of siege. Girona was center of the Ter department during the French rule, which lasted from 1809 to 1813. The defensive city walls were demolished at the end of the 19th century to allow for the expansion of the city. In recent years, the missing parts of the city walls on the eastern side of the city have been reconstructed. Called the Passeig de la Muralla it now forms a tourist route around the old city.
The monastery of Sant Pere de Galligants was built from 992, outside the walls of Girona, when Ramon Borrell, count of Barcelona gave to the monks rights over the quarter of Sant Pere. The monks held the ruler of the quarter until 1339, when King Peter IV of Aragon restored it to Aragon.
In 1117 Ramon Berenguer III of Barcelona united the monastery to the Abbey of Sainte-Marie de Lagrasse, in what is now France, though Sant Pere kept an abbot of his own and a large degree of autonomy. Sant Pere was never a big community, and the church was not the local parish, and only baptisms were held in the monastery. In 1362, when the monastery was enclosed within the city's walls, it was redesigned to a more defensive shape. It started to decay from the 15th century, and in 1592 it was united to the also decaying monasteries of Sant Miquel de Cruïlles and Sant Miquel de Fluvià. In 1835 the monastery included an abbot and four monks. It was declared a national monument in 1931.
The small cloister is an example of Catalan Romanesque architecture. The northern gallery dates to 1154, while the remaining ones are from 1190. The capitals of the columns have motifs very similar to those in the cloisters of Sant Cugat del Vallès or in the Cathedral of Girona. Some depict scenes from Jesus' life, while others show typical Romanesque elements such as lions or sirens.
The current church was built in 1130, and has a nave and two aisles with a transept, and four apses. The portal, in a rather archaic style, comes probably from a previous building. It is surmounted by a rose window with a diameter of 3.5 meters.
The interior features a series of side columns, with capitals having vegetable motifs, used to reinforce the central vault. The capitals of the apse columns are more elaborated, and were probably executed by different artists. Some of them have been attributed to the Master of Cabestany.
The bell tower has an octagonal plan and two sectors, the upper one, of two floors featuring with double arches divided by columns, decorated with Lombard bands
Renowned for its combination of Hindu and Mughal architecture, the Amber Fort is located about 11 km from Jaipur in Rajasthan. The citadel was the seat of the Kachhawa Rajputs who ruled Amer in Rajasthan before the capital was moved to the present day Jaipur.
The construction of the fort was commenced in 1592 by Raja Man Singh I over the remnants of an earlier fortified structure. The fort was built with red sandstone. It was modified by successive rulers for 150 next years.
During Mughal rule, Amber under Man Singh I was at its height of power and influence. Man Singh was the Commander in Chief of the Mughal army and one of the Navratnas (nine jewels of Akbar’s court).
The ornamentation of the fort is a blend of Rajput-Mughal styles. One can see intricate carvings, mirror and precious stone works on the walls and ceilings of the fort. There are several places in the fort complex, which has been built as per the Mughal style of architecture including the ‘Dil-e-Aaram’ garden, which is located at the entry point of the fort.
The fort is connected with Jaigarh Fort through fortified tunnel. The tunnel was built for the royal family members and others during the escape during the times of war, to take them to Jaigarh Fort, which was far safer place.
There are several shops within the fort, where one can buy traditional Rajasthani costumes.
The Plaza Hotel, 768 Fifth Avenue at Central Park South, New York City NY, America.
***** ***** *****
Learn more here:
www.fairmont.com/the-plaza-new-york/
The current 19-story, French Renaissance-inspired château-style building was designed by Henry Janeway Hardenbergh. Built in 27 months, the Plaza opened 01 November 1907 and re-opened after restoration on 01 March 2008.
Learn more here:
en.wikipedia.org/wiki/Plaza_Hotel
HOME ALONE2
Filming started in 1991 inside the hotel and released in 1992.
Kate McCallister:
"What kind of idiots do you have working here?"
Mrs. Stone, Desk Clerk:
"The finest in New York."
We love that movie to this day. For additional great Plaza Hotel quotes from the movie go here:
www.quotes.net/movies/home_alone_2%3A_lost_in_new_york_5315
22 Fascinating Facts about ...
Fun posts covers 1907 Opening to post-HomeAlone2 here:
www.townandcountrymag.com/leisure/arts-and-culture/news/g...
Miles & The Duke recorded here in 1958 ... Jazz at the Plaza Vol. I is a live album by Miles Davis. It was recorded in 1958 and released in 1973 by Columbia Records. Duke Ellington was recorded at the same event and released as the second volume (Jazz at the Plaza Vol. II).
The Saint Hilarion Castle lies on the Kyrenia mountain range, in Cyprus. This location provided the castle with command of the pass road from Kyrenia to Nicosia. It is the best preserved ruin of the three former strongholds in the Kyrenia mountains, the other two being Kantara and Buffavento.
History
The castle is not named after St. Hilarion, active in Palestine and Cyprus in the 4th century. It was named after an obscure saint, who is traditionally held to have fled to Cyprus after the Arab conquest of the Holy Land and retired to the hilltop on which the castle was built for hermitage. An English traveller reported the preservation of his relics in the 14th century. It has been proposed that a monastery built in his name preceded the castle, which was built around it. However, this view is not supported by any substantial evidence.
Starting in the 11th century, the Byzantines began fortification. Saint Hilarion, together with the castles of Buffavento and Kantara, formed the defense of the island against Arab raids against the coast. Some sections were further upgraded under the Lusignan dynasty, whose kings may have used it as a summer residence. During the rule of Lusignans, the castle was the focus of a four-year struggle between Holy Roman Emperor Frederick II and Regent John d' Ibelin for control of Cyprus.
Much of the castle was dismantled by the Venetians in the 15th century to reduce the cost of garrisons.
Architecture
The castle has three divisions or wards. The lower and middle wards served economic purposes, while the upper ward housed the royal family. The lower ward had the stables and the living quarters for the men-at-arms. The Prince John tower sits on a cliff high above the lower castle.
The upper ward was surrounded by a 1.4 metre-thick Byzantine wall, made of rough masonry. The entrance is through a pointed arch built by the Lusignans. This was protected by a semicircular tower to the east. Within the ward is a courtyard, with twin peaks being situated to either side of it. To the north-east is an extremely ruined kitchen. To the west are the royal apartments, dated by various sources to the 13th or 14th centuries. Although mostly ruined today, this was a structure in the northeast-southwest axis, with a length of 25 m and width of 6 m. It has a basement containing a cistern and two floors. The ground floor has a height of 7 m and a pointed barrel vault. The upper floor is known for its carved windows, one of which is dubbed the Queen's Window. These are placed on the western wall, which has a scenic view of the northern coast of Cyprus, especially the plains of Lapithos.
In fiction
Two of the main characters in the 1958 historical novel, Exodus, by Leon Uris, spend a day walking around the castle ruins. Featured in the 1999 novel “Race of Scorpions” by Dorothy Dunnett. The Castle of Saint Hilarion appears in the 2009 action-adventure video game Assassin's Creed: Bloodlines, the 2015 novel "The Lost Treasure of the Templars" by James Becker, and Death in Cyprus by M. M. Kaye. The castle is also featured in the 2016 crypto-thriller The Apocalypse Fire by Dominic Selwood.
The Kyrenia Mountains (Greek: Κερύνειο Όρος; Turkish: Girne Dağları) is a long, narrow mountain range that runs for approximately 160 km (100 mi) along the northern coast of the island of Cyprus. It is primarily made of hard crystalline limestone, with some marble. Its highest peak is Mount Selvili, at 1,024 m (3,360 ft). Pentadaktylos (also spelt Pentadactylos; Greek: Πενταδάκτυλος; Turkish: Beşparmak) is another name for the Kyrenia Mountains, though Britannica refers to Pentadaktylos as the "western portion" of the latter, or the part west of Melounta. Pentadaktylos (lit. "five-fingered") is so-named after one of its most distinguishing features, a peak that resembles five fingers.
The Kyrenian mountains are named after the Kyrenian mountains in Achaia, Greece, which are well known from mythology because of the connection with one of the 12 labours of Hercules, the capture of the Kerynitis deer that lived there. This sacred deer of Artemis with golden horns and bronze legs ran so fast that no one could reach it. Hercules, however, after pursuing it for a whole year, managed to catch it and transport it alive to Mycenae.
A devastating fire in July 1995 burned large portions of the Kyrenia Mountains, resulting in the loss of significant forest land and natural habitat.
The only other mountain range in Cyprus is the Troodos Mountains.
Geology
These mountains are a series of sedimentary formations from the Permian to the Middle Miocene pushed up by a collision of the African and Eurasian plates. Though only half the height of the Troodos Mountains, the Kyrenia Mountains are rugged and rise abruptly from the Mesaoria plain.
History
The location of the mountains near the sea made them desirable locations for watch towers and castles overlooking the northern Cyprus coast, as well as the central plain. These castles generally date from the 10th through the 15th centuries, primarily constructed by the Byzantines and Lusignans. The castles of St. Hilarion, Buffavento, and Kantara sit astride peaks and were of strategic importance during much of the history of Cyprus during the Middle Ages.
Painted flag
A flag of Northern Cyprus is painted on the southern slope of the Kyrenia Mountains. It is reportedly 425 metres wide and 250 metres high, and is illuminated at night.
The flag is considered controversial as evidenced in the Parliamentary Question put to the European Parliament by Antigoni Papadopoulou on 22 October 2009, "How can it permit the existence of such a flag which, apart from the catastrophic environmental damage it causes, the use of chemical substances and the brutal abuse of the environment, involves an absurd waste of electricity at a time of economic crisis? Does Turkey show sufficient respect towards the environment to justify its desire to open the relevant chapter of accession negotiations?"
Legends
There are many legends about the Pentadactylos mountains. One tells the story of a conceited villager who fell in love with the local queen and asked for her hand in marriage. The queen wished to be rid of the impertinent young man and requested that he bring her some water from the spring of Apostolos Andreas monastery in the Karpas, a perilous journey in those days. The man set off and after several weeks returned with a skin full of that precious water. The queen was most dismayed to see that he had succeeded, but still refused to marry him. In a fit of rage, he poured the water on to the earth, seized a handful of the resulting mud and threw it at the queens head. She ducked and the lump of mud sailed far across the plain to land on top of the Kyrenia mountain range, where it is to this day, still showing the impression of the thwarted villager’s five fingers.
Another famous one is of the Byzantine hero Digenis Akritas. Tradition has it that Digenis Akritas's hand gripped the mountain to get out of the sea when he came to free Cyprus from its Saracen invaders, and this is his handprint. He also threw a large rock across Cyprus to get at the Saracen ships. That rock landed in Paphos at the site of the birthplace of Aphrodite, thus known to this day as Petra Tou Romiou or "Rock of the Greek".
Northern Cyprus, officially the Turkish Republic of Northern Cyprus (TRNC), is a de facto state that comprises the northeastern portion of the island of Cyprus. It is recognised only by Turkey, and its territory is considered by all other states to be part of the Republic of Cyprus.
Northern Cyprus extends from the tip of the Karpass Peninsula in the northeast to Morphou Bay, Cape Kormakitis and its westernmost point, the Kokkina exclave in the west. Its southernmost point is the village of Louroujina. A buffer zone under the control of the United Nations stretches between Northern Cyprus and the rest of the island and divides Nicosia, the island's largest city and capital of both sides.
A coup d'état in 1974, performed as part of an attempt to annex the island to Greece, prompted the Turkish invasion of Cyprus. This resulted in the eviction of much of the north's Greek Cypriot population, the flight of Turkish Cypriots from the south, and the partitioning of the island, leading to a unilateral declaration of independence by the north in 1983. Due to its lack of recognition, Northern Cyprus is heavily dependent on Turkey for economic, political and military support.
Attempts to reach a solution to the Cyprus dispute have been unsuccessful. The Turkish Army maintains a large force in Northern Cyprus with the support and approval of the TRNC government, while the Republic of Cyprus, the European Union as a whole, and the international community regard it as an occupation force. This military presence has been denounced in several United Nations Security Council resolutions.
Northern Cyprus is a semi-presidential, democratic republic with a cultural heritage incorporating various influences and an economy that is dominated by the services sector. The economy has seen growth through the 2000s and 2010s, with the GNP per capita more than tripling in the 2000s, but is held back by an international embargo due to the official closure of the ports in Northern Cyprus by the Republic of Cyprus. The official language is Turkish, with a distinct local dialect being spoken. The vast majority of the population consists of Sunni Muslims, while religious attitudes are mostly moderate and secular. Northern Cyprus is an observer state of ECO and OIC under the name "Turkish Cypriot State", PACE under the name "Turkish Cypriot Community", and Organization of Turkic States with its own name.
The Turkish invasion of Cyprus began on 20 July 1974 and progressed in two phases over the following month. Taking place upon a background of intercommunal violence between Greek and Turkish Cypriots, and in response to a Greek junta-sponsored Cypriot coup d'état five days earlier, it led to the Turkish capture and occupation of the northern part of the island.
The coup was ordered by the military junta in Greece and staged by the Cypriot National Guard in conjunction with EOKA B. It deposed the Cypriot president Archbishop Makarios III and installed Nikos Sampson. The aim of the coup was the union (enosis) of Cyprus with Greece, and the Hellenic Republic of Cyprus to be declared.
The Turkish forces landed in Cyprus on 20 July and captured 3% of the island before a ceasefire was declared. The Greek military junta collapsed and was replaced by a civilian government. Following the breakdown of peace talks, Turkish forces enlarged their original beachhead in August 1974 resulting in the capture of approximately 36% of the island. The ceasefire line from August 1974 became the United Nations Buffer Zone in Cyprus and is commonly referred to as the Green Line.
Around 150,000 people (amounting to more than one-quarter of the total population of Cyprus, and to one-third of its Greek Cypriot population) were displaced from the northern part of the island, where Greek Cypriots had constituted 80% of the population. Over the course of the next year, roughly 60,000 Turkish Cypriots, amounting to half the Turkish Cypriot population, were displaced from the south to the north. The Turkish invasion ended in the partition of Cyprus along the UN-monitored Green Line, which still divides Cyprus, and the formation of a de facto Autonomous Turkish Cypriot Administration in the north. In 1983, the Turkish Republic of Northern Cyprus (TRNC) declared independence, although Turkey is the only country that recognises it. The international community considers the TRNC's territory as Turkish-occupied territory of the Republic of Cyprus. The occupation is viewed as illegal under international law, amounting to illegal occupation of European Union territory since Cyprus became a member.
Northern Cyprus, officially the Turkish Republic of Northern Cyprus (TRNC), is a de facto state that comprises the northeastern portion of the island of Cyprus. It is recognised only by Turkey, and its territory is considered by all other states to be part of the Republic of Cyprus.
Northern Cyprus extends from the tip of the Karpass Peninsula in the northeast to Morphou Bay, Cape Kormakitis and its westernmost point, the Kokkina exclave in the west. Its southernmost point is the village of Louroujina. A buffer zone under the control of the United Nations stretches between Northern Cyprus and the rest of the island and divides Nicosia, the island's largest city and capital of both sides.
A coup d'état in 1974, performed as part of an attempt to annex the island to Greece, prompted the Turkish invasion of Cyprus. This resulted in the eviction of much of the north's Greek Cypriot population, the flight of Turkish Cypriots from the south, and the partitioning of the island, leading to a unilateral declaration of independence by the north in 1983. Due to its lack of recognition, Northern Cyprus is heavily dependent on Turkey for economic, political and military support.
Attempts to reach a solution to the Cyprus dispute have been unsuccessful. The Turkish Army maintains a large force in Northern Cyprus with the support and approval of the TRNC government, while the Republic of Cyprus, the European Union as a whole, and the international community regard it as an occupation force. This military presence has been denounced in several United Nations Security Council resolutions.
Northern Cyprus is a semi-presidential, democratic republic with a cultural heritage incorporating various influences and an economy that is dominated by the services sector. The economy has seen growth through the 2000s and 2010s, with the GNP per capita more than tripling in the 2000s, but is held back by an international embargo due to the official closure of the ports in Northern Cyprus by the Republic of Cyprus. The official language is Turkish, with a distinct local dialect being spoken. The vast majority of the population consists of Sunni Muslims, while religious attitudes are mostly moderate and secular. Northern Cyprus is an observer state of ECO and OIC under the name "Turkish Cypriot State", PACE under the name "Turkish Cypriot Community", and Organization of Turkic States with its own name.
Several distinct periods of Cypriot intercommunal violence involving the two main ethnic communities, Greek Cypriots and Turkish Cypriots, marked mid-20th century Cyprus. These included the Cyprus Emergency of 1955–59 during British rule, the post-independence Cyprus crisis of 1963–64, and the Cyprus crisis of 1967. Hostilities culminated in the 1974 de facto division of the island along the Green Line following the Turkish invasion of Cyprus. The region has been relatively peaceful since then, but the Cyprus dispute has continued, with various attempts to solve it diplomatically having been generally unsuccessful.
Cyprus, an island lying in the eastern Mediterranean, hosted a population of Greeks and Turks (four-fifths and one-fifth, respectively), who lived under British rule in the late nineteenth-century and the first half of the twentieth-century. Christian Orthodox Church of Cyprus played a prominent political role among the Greek Cypriot community, a privilege that it acquired during the Ottoman Empire with the employment of the millet system, which gave the archbishop an unofficial ethnarch status.
The repeated rejections by the British of Greek Cypriot demands for enosis, union with Greece, led to armed resistance, organised by the National Organization of Cypriot Struggle, or EOKA. EOKA, led by the Greek-Cypriot commander George Grivas, systematically targeted British colonial authorities. One of the effects of EOKA's campaign was to alter the Turkish position from demanding full reincorporation into Turkey to a demand for taksim (partition). EOKA's mission and activities caused a "Cretan syndrome" (see Turkish Resistance Organisation) within the Turkish Cypriot community, as its members feared that they would be forced to leave the island in such a case as had been the case with Cretan Turks. As such, they preferred the continuation of British colonial rule and then taksim, the division of the island. Due to the Turkish Cypriots' support for the British, EOKA's leader, Georgios Grivas, declared them to be enemies. The fact that the Turks were a minority was, according to Nihat Erim, to be addressed by the transfer of thousands of Turks from mainland Turkey so that Greek Cypriots would cease to be the majority. When Erim visited Cyprus as the Turkish representative, he was advised by Field Marshal Sir John Harding, the then Governor of Cyprus, that Turkey should send educated Turks to settle in Cyprus.
Turkey actively promoted the idea that on the island of Cyprus two distinctive communities existed, and sidestepped its former claim that "the people of Cyprus were all Turkish subjects". In doing so, Turkey's aim to have self-determination of two to-be equal communities in effect led to de jure partition of the island.[citation needed] This could be justified to the international community against the will of the majority Greek population of the island. Dr. Fazil Küçük in 1954 had already proposed Cyprus be divided in two at the 35° parallel.
Lindley Dan, from Notre Dame University, spotted the roots of intercommunal violence to different visions among the two communities of Cyprus (enosis for Greek Cypriots, taksim for Turkish Cypriots). Also, Lindlay wrote that "the merging of church, schools/education, and politics in divisive and nationalistic ways" had played a crucial role in creation of havoc in Cyprus' history. Attalides Michael also pointed to the opposing nationalisms as the cause of the Cyprus problem.
By the mid-1950's, the "Cyprus is Turkish" party, movement, and slogan gained force in both Cyprus and Turkey. In a 1954 editorial, Turkish Cypriot leader Dr. Fazil Kuchuk expressed the sentiment that the Turkish youth had grown up with the idea that "as soon as Great Britain leaves the island, it will be taken over by the Turks", and that "Turkey cannot tolerate otherwise". This perspective contributed to the willingness of Turkish Cypriots to align themselves with the British, who started recruiting Turkish Cypriots into the police force that patrolled Cyprus to fight EOKA, a Greek Cypriot nationalist organisation that sought to rid the island of British rule.
EOKA targeted colonial authorities, including police, but Georgios Grivas, the leader of EOKA, did not initially wish to open up a new front by fighting Turkish Cypriots and reassured them that EOKA would not harm their people. In 1956, some Turkish Cypriot policemen were killed by EOKA members and this provoked some intercommunal violence in the spring and summer, but these attacks on policemen were not motivated by the fact that they were Turkish Cypriots.
However, in January 1957, Grivas changed his policy as his forces in the mountains became increasingly pressured by the British Crown forces. In order to divert the attention of the Crown forces, EOKA members started to target Turkish Cypriot policemen intentionally in the towns, so that Turkish Cypriots would riot against the Greek Cypriots and the security forces would have to be diverted to the towns to restore order. The killing of a Turkish Cypriot policeman on 19 January, when a power station was bombed, and the injury of three others, provoked three days of intercommunal violence in Nicosia. The two communities targeted each other in reprisals, at least one Greek Cypriot was killed and the British Army was deployed in the streets. Greek Cypriot stores were burned and their neighbourhoods attacked. Following the events, the Greek Cypriot leadership spread the propaganda that the riots had merely been an act of Turkish Cypriot aggression. Such events created chaos and drove the communities apart both in Cyprus and in Turkey.
On 22 October 1957 Sir Hugh Mackintosh Foot replaced Sir John Harding as the British Governor of Cyprus. Foot suggested five to seven years of self-government before any final decision. His plan rejected both enosis and taksim. The Turkish Cypriot response to this plan was a series of anti-British demonstrations in Nicosia on 27 and 28 January 1958 rejecting the proposed plan because the plan did not include partition. The British then withdrew the plan.
In 1957, Black Gang, a Turkish Cypriot pro-taksim paramilitary organisation, was formed to patrol a Turkish Cypriot enclave, the Tahtakale district of Nicosia, against activities of EOKA. The organisation later attempted to grow into a national scale, but failed to gain public support.
By 1958, signs of dissatisfaction with the British increased on both sides, with a group of Turkish Cypriots forming Volkan (later renamed to the Turkish Resistance Organisation) paramilitary group to promote partition and the annexation of Cyprus to Turkey as dictated by the Menderes plan. Volkan initially consisted of roughly 100 members, with the stated aim of raising awareness in Turkey of the Cyprus issue and courting military training and support for Turkish Cypriot fighters from the Turkish government.
In June 1958, the British Prime Minister, Harold Macmillan, was expected to propose a plan to resolve the Cyprus issue. In light of the new development, the Turks rioted in Nicosia to promote the idea that Greek and Turkish Cypriots could not live together and therefore any plan that did not include partition would not be viable. This violence was soon followed by bombing, Greek Cypriot deaths and looting of Greek Cypriot-owned shops and houses. Greek and Turkish Cypriots started to flee mixed population villages where they were a minority in search of safety. This was effectively the beginning of the segregation of the two communities. On 7 June 1958, a bomb exploded at the entrance of the Turkish Embassy in Cyprus. Following the bombing, Turkish Cypriots looted Greek Cypriot properties. On 26 June 1984, the Turkish Cypriot leader, Rauf Denktaş, admitted on British channel ITV that the bomb was placed by the Turks themselves in order to create tension. On 9 January 1995, Rauf Denktaş repeated his claim to the famous Turkish newspaper Milliyet in Turkey.
The crisis reached a climax on 12 June 1958, when eight Greeks, out of an armed group of thirty five arrested by soldiers of the Royal Horse Guards on suspicion of preparing an attack on the Turkish quarter of Skylloura, were killed in a suspected attack by Turkish Cypriot locals, near the village of Geunyeli, having been ordered to walk back to their village of Kondemenos.
After the EOKA campaign had begun, the British government successfully began to turn the Cyprus issue from a British colonial problem into a Greek-Turkish issue. British diplomacy exerted backstage influence on the Adnan Menderes government, with the aim of making Turkey active in Cyprus. For the British, the attempt had a twofold objective. The EOKA campaign would be silenced as quickly as possible, and Turkish Cypriots would not side with Greek Cypriots against the British colonial claims over the island, which would thus remain under the British. The Turkish Cypriot leadership visited Menderes to discuss the Cyprus issue. When asked how the Turkish Cypriots should respond to the Greek Cypriot claim of enosis, Menderes replied: "You should go to the British foreign minister and request the status quo be prolonged, Cyprus to remain as a British colony". When the Turkish Cypriots visited the British Foreign Secretary and requested for Cyprus to remain a colony, he replied: "You should not be asking for colonialism at this day and age, you should be asking for Cyprus be returned to Turkey, its former owner".
As Turkish Cypriots began to look to Turkey for protection, Greek Cypriots soon understood that enosis was extremely unlikely. The Greek Cypriot leader, Archbishop Makarios III, now set independence for the island as his objective.
Britain resolved to solve the dispute by creating an independent Cyprus. In 1959, all involved parties signed the Zurich Agreements: Britain, Turkey, Greece, and the Greek and Turkish Cypriot leaders, Makarios and Dr. Fazil Kucuk, respectively. The new constitution drew heavily on the ethnic composition of the island. The President would be a Greek Cypriot, and the Vice-President a Turkish Cypriot with an equal veto. The contribution to the public service would be set at a ratio of 70:30, and the Supreme Court would consist of an equal number of judges from both communities as well as an independent judge who was not Greek, Turkish or British. The Zurich Agreements were supplemented by a number of treaties. The Treaty of Guarantee stated that secession or union with any state was forbidden, and that Greece, Turkey and Britain would be given guarantor status to intervene if that was violated. The Treaty of Alliance allowed for two small Greek and Turkish military contingents to be stationed on the island, and the Treaty of Establishment gave Britain sovereignty over two bases in Akrotiri and Dhekelia.
On 15 August 1960, the Colony of Cyprus became fully independent as the Republic of Cyprus. The new republic remained within the Commonwealth of Nations.
The new constitution brought dissatisfaction to Greek Cypriots, who felt it to be highly unjust for them for historical, demographic and contributional reasons. Although 80% of the island's population were Greek Cypriots and these indigenous people had lived on the island for thousands of years and paid 94% of taxes, the new constitution was giving the 17% of the population that was Turkish Cypriots, who paid 6% of taxes, around 30% of government jobs and 40% of national security jobs.
Within three years tensions between the two communities in administrative affairs began to show. In particular disputes over separate municipalities and taxation created a deadlock in government. A constitutional court ruled in 1963 Makarios had failed to uphold article 173 of the constitution which called for the establishment of separate municipalities for Turkish Cypriots. Makarios subsequently declared his intention to ignore the judgement, resulting in the West German judge resigning from his position. Makarios proposed thirteen amendments to the constitution, which would have had the effect of resolving most of the issues in the Greek Cypriot favour. Under the proposals, the President and Vice-President would lose their veto, the separate municipalities as sought after by the Turkish Cypriots would be abandoned, the need for separate majorities by both communities in passing legislation would be discarded and the civil service contribution would be set at actual population ratios (82:18) instead of the slightly higher figure for Turkish Cypriots.
The intention behind the amendments has long been called into question. The Akritas plan, written in the height of the constitutional dispute by the Greek Cypriot interior minister Polycarpos Georkadjis, called for the removal of undesirable elements of the constitution so as to allow power-sharing to work. The plan envisaged a swift retaliatory attack on Turkish Cypriot strongholds should Turkish Cypriots resort to violence to resist the measures, stating "In the event of a planned or staged Turkish attack, it is imperative to overcome it by force in the shortest possible time, because if we succeed in gaining command of the situation (in one or two days), no outside, intervention would be either justified or possible." Whether Makarios's proposals were part of the Akritas plan is unclear, however it remains that sentiment towards enosis had not completely disappeared with independence. Makarios described independence as "a step on the road to enosis".[31] Preparations for conflict were not entirely absent from Turkish Cypriots either, with right wing elements still believing taksim (partition) the best safeguard against enosis.
Greek Cypriots however believe the amendments were a necessity stemming from a perceived attempt by Turkish Cypriots to frustrate the working of government. Turkish Cypriots saw it as a means to reduce their status within the state from one of co-founder to that of minority, seeing it as a first step towards enosis. The security situation deteriorated rapidly.
Main articles: Bloody Christmas (1963) and Battle of Tillyria
An armed conflict was triggered after December 21, 1963, a period remembered by Turkish Cypriots as Bloody Christmas, when a Greek Cypriot policemen that had been called to help deal with a taxi driver refusing officers already on the scene access to check the identification documents of his customers, took out his gun upon arrival and shot and killed the taxi driver and his partner. Eric Solsten summarised the events as follows: "a Greek Cypriot police patrol, ostensibly checking identification documents, stopped a Turkish Cypriot couple on the edge of the Turkish quarter. A hostile crowd gathered, shots were fired, and two Turkish Cypriots were killed."
In the morning after the shooting, crowds gathered in protest in Northern Nicosia, likely encouraged by the TMT, without incident. On the evening of the 22nd, gunfire broke out, communication lines to the Turkish neighbourhoods were cut, and the Greek Cypriot police occupied the nearby airport. On the 23rd, a ceasefire was negotiated, but did not hold. Fighting, including automatic weapons fire, between Greek and Turkish Cypriots and militias increased in Nicosia and Larnaca. A force of Greek Cypriot irregulars led by Nikos Sampson entered the Nicosia suburb of Omorphita and engaged in heavy firing on armed, as well as by some accounts unarmed, Turkish Cypriots. The Omorphita clash has been described by Turkish Cypriots as a massacre, while this view has generally not been acknowledged by Greek Cypriots.
Further ceasefires were arranged between the two sides, but also failed. By Christmas Eve, the 24th, Britain, Greece, and Turkey had joined talks, with all sides calling for a truce. On Christmas day, Turkish fighter jets overflew Nicosia in a show of support. Finally it was agreed to allow a force of 2,700 British soldiers to help enforce a ceasefire. In the next days, a "buffer zone" was created in Nicosia, and a British officer marked a line on a map with green ink, separating the two sides of the city, which was the beginning of the "Green Line". Fighting continued across the island for the next several weeks.
In total 364 Turkish Cypriots and 174 Greek Cypriots were killed during the violence. 25,000 Turkish Cypriots from 103-109 villages fled and were displaced into enclaves and thousands of Turkish Cypriot houses were ransacked or completely destroyed.
Contemporary newspapers also reported on the forceful exodus of the Turkish Cypriots from their homes. According to The Times in 1964, threats, shootings and attempts of arson were committed against the Turkish Cypriots to force them out of their homes. The Daily Express wrote that "25,000 Turks have already been forced to leave their homes". The Guardian reported a massacre of Turks at Limassol on 16 February 1964.
Turkey had by now readied its fleet and its fighter jets appeared over Nicosia. Turkey was dissuaded from direct involvement by the creation of a United Nations Peacekeeping Force in Cyprus (UNFICYP) in 1964. Despite the negotiated ceasefire in Nicosia, attacks on the Turkish Cypriot persisted, particularly in Limassol. Concerned about the possibility of a Turkish invasion, Makarios undertook the creation of a Greek Cypriot conscript-based army called the "National Guard". A general from Greece took charge of the army, whilst a further 20,000 well-equipped officers and men were smuggled from Greece into Cyprus. Turkey threatened to intervene once more, but was prevented by a strongly worded letter from the American President Lyndon B. Johnson, anxious to avoid a conflict between NATO allies Greece and Turkey at the height of the Cold War.
Turkish Cypriots had by now established an important bridgehead at Kokkina, provided with arms, volunteers and materials from Turkey and abroad. Seeing this incursion of foreign weapons and troops as a major threat, the Cypriot government invited George Grivas to return from Greece as commander of the Greek troops on the island and launch a major attack on the bridgehead. Turkey retaliated by dispatching its fighter jets to bomb Greek positions, causing Makarios to threaten an attack on every Turkish Cypriot village on the island if the bombings did not cease. The conflict had now drawn in Greece and Turkey, with both countries amassing troops on their Thracian borders. Efforts at mediation by Dean Acheson, a former U.S. Secretary of State, and UN-appointed mediator Galo Plaza had failed, all the while the division of the two communities becoming more apparent. Greek Cypriot forces were estimated at some 30,000, including the National Guard and the large contingent from Greece. Defending the Turkish Cypriot enclaves was a force of approximately 5,000 irregulars, led by a Turkish colonel, but lacking the equipment and organisation of the Greek forces.
The Secretary-General of the United Nations in 1964, U Thant, reported the damage during the conflicts:
UNFICYP carried out a detailed survey of all damage to properties throughout the island during the disturbances; it shows that in 109 villages, most of them Turkish-Cypriot or mixed villages, 527 houses have been destroyed while 2,000 others have suffered damage from looting.
The situation worsened in 1967, when a military junta overthrew the democratically elected government of Greece, and began applying pressure on Makarios to achieve enosis. Makarios, not wishing to become part of a military dictatorship or trigger a Turkish invasion, began to distance himself from the goal of enosis. This caused tensions with the junta in Greece as well as George Grivas in Cyprus. Grivas's control over the National Guard and Greek contingent was seen as a threat to Makarios's position, who now feared a possible coup.[citation needed] The National Guard and Cyprus Police began patrolling the Turkish Cypriot enclaves of Ayios Theodoros and Kophinou, and on November 15 engaged in heavy fighting with the Turkish Cypriots.
By the time of his withdrawal 26 Turkish Cypriots had been killed. Turkey replied with an ultimatum demanding that Grivas be removed from the island, that the troops smuggled from Greece in excess of the limits of the Treaty of Alliance be removed, and that the economic blockades on the Turkish Cypriot enclaves be lifted. Grivas was recalled by the Athens Junta and the 12,000 Greek troops were withdrawn. Makarios now attempted to consolidate his position by reducing the number of National Guard troops, and by creating a paramilitary force loyal to Cypriot independence. In 1968, acknowledging that enosis was now all but impossible, Makarios stated, "A solution by necessity must be sought within the limits of what is feasible which does not always coincide with the limits of what is desirable."
After 1967 tensions between the Greek and Turkish Cypriots subsided. Instead, the main source of tension on the island came from factions within the Greek Cypriot community. Although Makarios had effectively abandoned enosis in favour of an 'attainable solution', many others continued to believe that the only legitimate political aspiration for Greek Cypriots was union with Greece.
On his arrival, Grivas began by establishing a nationalist paramilitary group known as the National Organization of Cypriot Fighters (Ethniki Organosis Kyprion Agoniston B or EOKA-B), drawing comparisons with the EOKA struggle for enosis under the British colonial administration of the 1950s.
The military junta in Athens saw Makarios as an obstacle. Makarios's failure to disband the National Guard, whose officer class was dominated by mainland Greeks, had meant the junta had practical control over the Cypriot military establishment, leaving Makarios isolated and a vulnerable target.
During the first Turkish invasion, Turkish troops invaded Cyprus territory on 20 July 1974, invoking its rights under the Treaty of Guarantee. This expansion of Turkish-occupied zone violated International Law as well as the Charter of the United Nations. Turkish troops managed to capture 3% of the island which was accompanied by the burning of the Turkish Cypriot quarter, as well as the raping and killing of women and children. A temporary cease-fire followed which was mitigated by the UN Security Council. Subsequently, the Greek military Junta collapsed on July 23, 1974, and peace talks commenced in which a democratic government was installed. The Resolution 353 was broken after Turkey attacked a second time and managed to get a hold of 37% of Cyprus territory. The Island of Cyprus was appointed a Buffer Zone by the United Nations, which divided the island into two zones through the 'Green Line' and put an end to the Turkish invasion. Although Turkey announced that the occupied areas of Cyprus to be called the Federated Turkish State in 1975, it is not legitimised on a worldwide political scale. The United Nations called for the international recognition of independence for the Republic of Cyprus in the Security Council Resolution 367.
In the years after the Turkish invasion of northern Cyprus one can observe a history of failed talks between the two parties. The 1983 declaration of the independent Turkish Republic of Cyprus resulted in a rise of inter-communal tensions and made it increasingly hard to find mutual understanding. With Cyprus' interest of a possible EU membership and a new UN Secretary-General Kofi Annan in 1997 new hopes arose for a fresh start. International involvement from sides of the US and UK, wanting a solution to the Cyprus dispute prior to the EU accession led to political pressures for new talks. The believe that an accession without a solution would threaten Greek-Turkish relations and acknowledge the partition of the island would direct the coming negotiations.
Over the course of two years a concrete plan, the Annan plan was formulated. In 2004 the fifth version agreed upon from both sides and with the endorsement of Turkey, US, UK and EU then was presented to the public and was given a referendum in both Cypriot communities to assure the legitimisation of the resolution. The Turkish Cypriots voted with 65% for the plan, however the Greek Cypriots voted with a 76% majority against. The Annan plan contained multiple important topics. Firstly it established a confederation of two separate states called the United Cyprus Republic. Both communities would have autonomous states combined under one unified government. The members of parliament would be chosen according to the percentage in population numbers to ensure a just involvement from both communities. The paper proposed a demilitarisation of the island over the next years. Furthermore it agreed upon a number of 45000 Turkish settlers that could remain on the island. These settlers became a very important issue concerning peace talks. Originally the Turkish government encouraged Turks to settle in Cyprus providing transfer and property, to establish a counterpart to the Greek Cypriot population due to their 1 to 5 minority. With the economic situation many Turkish-Cypriot decided to leave the island, however their departure is made up by incoming Turkish settlers leaving the population ratio between Turkish Cypriots and Greek Cypriots stable. However all these points where criticised and as seen in the vote rejected mainly by the Greek Cypriots. These name the dissolution of the „Republic of Cyprus", economic consequences of a reunion and the remaining Turkish settlers as reason. Many claim that the plan was indeed drawing more from Turkish-Cypriot demands then Greek-Cypriot interests. Taking in consideration that the US wanted to keep Turkey as a strategic partner in future Middle Eastern conflicts.
A week after the failed referendum the Republic of Cyprus joined the EU. In multiple instances the EU tried to promote trade with Northern Cyprus but without internationally recognised ports this spiked a grand debate. Both side endure their intention of negotiations, however without the prospect of any new compromises or agreements the UN is unwilling to start the process again. Since 2004 negotiations took place in numbers but without any results, both sides are strongly holding on to their position without an agreeable solution in sight that would suit both parties.
The exploitation rights for this text are the property of the Vienna Tourist Board. This text may be reprinted free of charge until further notice, even partially and in edited form. Forward sample copy to: Vienna Tourist Board, Media Management, Invalidenstraße 6, 1030 Vienna; media.rel@wien.info. All information in this text without guarantee.
Author: Andreas Nierhaus, Curator of Architecture/Wien Museum
Last updated January 2014
Architecture in Vienna
Vienna's 2,000-year history is present in a unique density in the cityscape. The layout of the center dates back to the Roman city and medieval road network. Romanesque and Gothic churches characterize the streets and squares as well as palaces and mansions of the baroque city of residence. The ring road is an expression of the modern city of the 19th century, in the 20th century extensive housing developments set accents in the outer districts. Currently, large-scale urban development measures are implemented; distinctive buildings of international star architects complement the silhouette of the city.
Due to its function as residence of the emperor and European power center, Vienna for centuries stood in the focus of international attention, but it was well aware of that too. As a result, developed an outstanding building culture, and still today on a worldwide scale only a few cities can come up with a comparable density of high-quality architecture. For several years now, Vienna has increased its efforts to connect with its historical highlights and is drawing attention to itself with some spectacular new buildings. The fastest growing city in the German-speaking world today most of all in residential construction is setting standards. Constants of the Viennese architecture are respect for existing structures, the palpability of historical layers and the dialogue between old and new.
Culmination of medieval architecture: the Stephansdom
The oldest architectural landmark of the city is St. Stephen's Cathedral. Under the rule of the Habsburgs, defining the face of the city from the late 13th century until 1918 in a decisive way, the cathedral was upgraded into the sacral monument of the political ambitions of the ruling house. The 1433 completed, 137 meters high southern tower, by the Viennese people affectionately named "Steffl", is a masterpiece of late Gothic architecture in Europe. For decades he was the tallest stone structure in Europe, until today he is the undisputed center of the city.
The baroque residence
Vienna's ascension into the ranks of the great European capitals began in Baroque. Among the most important architects are Johann Bernhard Fischer von Erlach and Johann Lucas von Hildebrandt. Outside the city walls arose a chain of summer palaces, including the garden Palais Schwarzenberg (1697-1704) as well as the Upper and Lower Belvedere of Prince Eugene of Savoy (1714-22). Among the most important city palaces are the Winter Palace of Prince Eugene (1695-1724, now a branch of the Belvedere) and the Palais Daun-Kinsky (auction house in Kinsky 1713-19). The emperor himself the Hofburg had complemented by buildings such as the Imperial Library (1722-26) and the Winter Riding School (1729-34). More important, however, for the Habsburgs was the foundation of churches and monasteries. Thus arose before the city walls Fischer von Erlach's Karlskirche (1714-39), which with its formal and thematic complex show façade belongs to the major works of European Baroque. In colored interior rooms like that of St. Peter's Church (1701-22), the contemporary efforts for the synthesis of architecture, painting and sculpture becomes visible.
Upgrading into metropolis: the ring road time (Ringstraßenzeit)
Since the Baroque, reflections on extension of the hopelessly overcrowed city were made, but only Emperor Franz Joseph ordered in 1857 the demolition of the fortifications and the connection of the inner city with the suburbs. 1865, the Ring Road was opened. It is as the most important boulevard of Europe an architectural and in terms of urban development achievement of the highest rank. The original building structure is almost completely preserved and thus conveys the authentic image of a metropolis of the 19th century. The public representational buildings speak, reflecting accurately the historicism, by their style: The Greek Antique forms of Theophil Hansen's Parliament (1871-83) stood for democracy, the Renaissance of the by Heinrich Ferstel built University (1873-84) for the flourishing of humanism, the Gothic of the Town Hall (1872-83) by Friedrich Schmidt for the medieval civic pride.
Dominating remained the buildings of the imperial family: Eduard van der Nüll's and August Sicardsburg's Opera House (1863-69), Gottfried Semper's and Carl Hasenauer's Burgtheater (1874-88), their Museum of Art History and Museum of Natural History (1871-91) and the Neue (New) Hofburg (1881-1918 ). At the same time the ring road was the preferred residential area of mostly Jewish haute bourgeoisie. With luxurious palaces the families Ephrussi, Epstein or Todesco made it clear that they had taken over the cultural leadership role in Viennese society. In the framework of the World Exhibition of 1873, the new Vienna presented itself an international audience. At the ring road many hotels were opened, among them the Hotel Imperial and today's Palais Hansen Kempinski.
Laboratory of modernity: Vienna around 1900
Otto Wagner's Postal Savings Bank (1903-06) was one of the last buildings in the Ring road area Otto Wagner's Postal Savings Bank (1903-06), which with it façade, liberated of ornament, and only decorated with "functional" aluminum buttons and the glass banking hall now is one of the icons of modern architecture. Like no other stood Otto Wagner for the dawn into the 20th century: His Metropolitan Railway buildings made the public transport of the city a topic of architecture, the church of the Psychiatric hospital at Steinhofgründe (1904-07) is considered the first modern church.
With his consistent focus on the function of a building ("Something impractical can not be beautiful"), Wagner marked a whole generation of architects and made Vienna the laboratory of modernity: in addition to Joseph Maria Olbrich, the builder of the Secession (1897-98) and Josef Hoffmann, the architect of the at the western outskirts located Purkersdorf Sanatorium (1904) and founder of the Vienna Workshop (Wiener Werkstätte, 1903) is mainly to mention Adolf Loos, with the Loos House at the square Michaelerplatz (1909-11) making architectural history. The extravagant marble cladding of the business zone stands in maximal contrast, derived from the building function, to the unadorned facade above, whereby its "nudity" became even more obvious - a provocation, as well as his culture-critical texts ("Ornament and Crime"), with which he had greatest impact on the architecture of the 20th century. Public contracts Loos remained denied. His major works therefore include villas, apartment facilities and premises as the still in original state preserved Tailor salon Knize at Graben (1910-13) and the restored Loos Bar (1908-09) near the Kärntner Straße (passageway Kärntner Durchgang).
Between the Wars: International Modern Age and social housing
After the collapse of the monarchy in 1918, Vienna became capital of the newly formed small country of Austria. In the heart of the city, the architects Theiss & Jaksch built 1931-32 the first skyscraper in Vienna as an exclusive residential address (Herrengasse - alley 6-8). To combat the housing shortage for the general population, the social democratic city government in a globally unique building program within a few years 60,000 apartments in hundreds of apartment buildings throughout the city area had built, including the famous Karl Marx-Hof by Karl Ehn (1925-30). An alternative to the multi-storey buildings with the 1932 opened International Werkbundsiedlung was presented, which was attended by 31 architects from Austria, Germany, France, Holland and the USA and showed models for affordable housing in greenfield areas. With buildings of Adolf Loos, André Lurçat, Richard Neutra, Gerrit Rietveld, the Werkbundsiedlung, which currently is being restored at great expense, is one of the most important documents of modern architecture in Austria.
Modernism was also expressed in significant Villa buildings: The House Beer (1929-31) by Josef Frank exemplifies the refined Wiener living culture of the interwar period, while the house Stonborough-Wittgenstein (1926-28, today Bulgarian Cultural Institute), built by the philosopher Ludwig Wittgenstein together with the architect Paul Engelmann for his sister Margarete, by its aesthetic radicalism and mathematical rigor represents a special case within contemporary architecture.
Expulsion, war and reconstruction
After the "Anschluss (Annexation)" to the German Reich in 1938, numerous Jewish builders, architects (female and male ones), who had been largely responsible for the high level of Viennese architecture, have been expelled from Austria. During the Nazi era, Vienna remained largely unaffected by structural transformations, apart from the six flak towers built for air defense of Friedrich Tamms (1942-45), made of solid reinforced concrete which today are present as memorials in the cityscape.
The years after the end of World War II were characterized by the reconstruction of the by bombs heavily damaged city. The architecture of those times was marked by aesthetic pragmatism, but also by the attempt to connect with the period before 1938 and pick up on current international trends. Among the most important buildings of the 1950s are Roland Rainer's City Hall (1952-58), the by Oswald Haerdtl erected Wien Museum at Karlsplatz (1954-59) and the 21er Haus of Karl Schwanzer (1958-62).
The youngsters come
Since the 1960s, a young generation was looking for alternatives to the moderate modernism of the reconstruction years. With visionary designs, conceptual, experimental and above all temporary architectures, interventions and installations, Raimund Abraham, Günther Domenig, Eilfried Huth, Hans Hollein, Walter Pichler and the groups Coop Himmelb(l)au, Haus-Rucker-Co and Missing Link rapidly got international attention. Although for the time being it was more designed than built, was the influence on the postmodern and deconstructivist trends of the 1970s and 1980s also outside Austria great. Hollein's futuristic "Retti" candle shop at Charcoal Market/Kohlmarkt (1964-65) and Domenig's biomorphic building of the Central Savings Bank in Favoriten (10th district of Vienna - 1975-79) are among the earliest examples, later Hollein's Haas-Haus (1985-90), the loft conversion Falkestraße (1987/88) by Coop Himmelb(l)au or Domenig's T Center (2002-04) were added. Especially Domenig, Hollein, Coop Himmelb(l)au and the architects Ortner & Ortner (ancient members of Haus-Rucker-Co) by orders from abroad the new Austrian and Viennese architecture made a fixed international concept.
MuseumQuarter and Gasometer
Since the 1980s, the focus of building in Vienna lies on the compaction of the historic urban fabric that now as urban habitat of high quality no longer is put in question. Among the internationally best known projects is the by Ortner & Ortner planned MuseumsQuartier in the former imperial stables (competition 1987, 1998-2001), which with institutions such as the MUMOK - Museum of Modern Art Foundation Ludwig, the Leopold Museum, the Kunsthalle Wien, the Architecture Center Vienna and the Zoom Children's Museum on a wordwide scale is under the largest cultural complexes. After controversies in the planning phase, here an architectural compromise between old and new has been achieved at the end, whose success as an urban stage with four million visitors (2012) is overwhelming.
The dialogue between old and new, which has to stand on the agenda of building culture of a city that is so strongly influenced by history, also features the reconstruction of the Gasometer in Simmering by Coop Himmelb(l)au, Wilhelm Holzbauer, Jean Nouvel and Manfred Wehdorn (1999-2001). Here was not only created new housing, but also a historical industrial monument reinterpreted into a signal in the urban development area.
New Neighborhood
In recent years, the major railway stations and their surroundings moved into the focus of planning. Here not only necessary infrastructural measures were taken, but at the same time opened up spacious inner-city residential areas and business districts. Among the prestigious projects are included the construction of the new Vienna Central Station, started in 2010 with the surrounding office towers of the Quartier Belvedere and the residential and school buildings of the Midsummer quarter (Sonnwendviertel). Europe's largest wooden tower invites here for a spectacular view to the construction site and the entire city. On the site of the former North Station are currently being built 10,000 homes and 20,000 jobs, on that of the Aspangbahn station is being built at Europe's greatest Passive House settlement "Euro Gate", the area of the North Western Railway Station is expected to be developed from 2020 for living and working. The largest currently under construction residential project but can be found in the north-eastern outskirts, where in Seaside Town Aspern till 2028 living and working space for 40,000 people will be created.
In one of the "green lungs" of Vienna, the Prater, 2013, the WU campus was opened for the largest University of Economics of Europe. Around the central square spectacular buildings of an international architect team from Great Britain, Japan, Spain and Austria are gathered that seem to lead a sometimes very loud conversation about the status quo of contemporary architecture (Hitoshi Abe, BUSarchitektur, Peter Cook, Zaha Hadid, NO MAD Arquitectos, Carme Pinós).
Flying high
International is also the number of architects who have inscribed themselves in the last few years with high-rise buildings in the skyline of Vienna and make St. Stephen's a not always unproblematic competition. Visible from afar is Massimiliano Fuksas' 138 and 127 meters high elegant Twin Tower at Wienerberg (1999-2001). The monolithic, 75-meter-high tower of the Hotel Sofitel at the Danube Canal by Jean Nouvel (2007-10), on the other hand, reacts to the particular urban situation and stages in its top floor new perspectives to the historical center on the other side.
Also at the water stands Dominique Perrault's DC Tower (2010-13) in the Danube City - those high-rise city, in which since the start of construction in 1996, the expansion of the city north of the Danube is condensed symbolically. Even in this environment, the slim and at the same time striking vertically folded tower of Perrault is beyond all known dimensions; from its Sky Bar, from spring 2014 on you are able to enjoy the highest view of Vienna. With 250 meters, the tower is the tallest building of Austria and almost twice as high as the St. Stephen's Cathedral. Vienna, thus, has acquired a new architectural landmark which cannot be overlooked - whether it also has the potential to become a landmark of the new Vienna, only time will tell. The architectural history of Vienna, where European history is presence and new buildings enter into an exciting and not always conflict-free dialogue with a great and outstanding architectural heritage, in any case has yet to offer exciting chapters.
A place where all local and international bank locate. The biggest bank area in Penang. The main interresting part is the building architecture, the classical design gave the place one of the photographer favourite. Enjoy.
The exploitation rights for this text are the property of the Vienna Tourist Board. This text may be reprinted free of charge until further notice, even partially and in edited form. Forward sample copy to: Vienna Tourist Board, Media Management, Invalidenstraße 6, 1030 Vienna; media.rel@wien.info. All information in this text without guarantee.
Author: Andreas Nierhaus, Curator of Architecture/Wien Museum
Last updated January 2014
Architecture in Vienna
Vienna's 2,000-year history is present in a unique density in the cityscape. The layout of the center dates back to the Roman city and medieval road network. Romanesque and Gothic churches characterize the streets and squares as well as palaces and mansions of the baroque city of residence. The ring road is an expression of the modern city of the 19th century, in the 20th century extensive housing developments set accents in the outer districts. Currently, large-scale urban development measures are implemented; distinctive buildings of international star architects complement the silhouette of the city.
Due to its function as residence of the emperor and European power center, Vienna for centuries stood in the focus of international attention, but it was well aware of that too. As a result, developed an outstanding building culture, and still today on a worldwide scale only a few cities can come up with a comparable density of high-quality architecture. For several years now, Vienna has increased its efforts to connect with its historical highlights and is drawing attention to itself with some spectacular new buildings. The fastest growing city in the German-speaking world today most of all in residential construction is setting standards. Constants of the Viennese architecture are respect for existing structures, the palpability of historical layers and the dialogue between old and new.
Culmination of medieval architecture: the Stephansdom
The oldest architectural landmark of the city is St. Stephen's Cathedral. Under the rule of the Habsburgs, defining the face of the city from the late 13th century until 1918 in a decisive way, the cathedral was upgraded into the sacral monument of the political ambitions of the ruling house. The 1433 completed, 137 meters high southern tower, by the Viennese people affectionately named "Steffl", is a masterpiece of late Gothic architecture in Europe. For decades he was the tallest stone structure in Europe, until today he is the undisputed center of the city.
The baroque residence
Vienna's ascension into the ranks of the great European capitals began in Baroque. Among the most important architects are Johann Bernhard Fischer von Erlach and Johann Lucas von Hildebrandt. Outside the city walls arose a chain of summer palaces, including the garden Palais Schwarzenberg (1697-1704) as well as the Upper and Lower Belvedere of Prince Eugene of Savoy (1714-22). Among the most important city palaces are the Winter Palace of Prince Eugene (1695-1724, now a branch of the Belvedere) and the Palais Daun-Kinsky (auction house in Kinsky 1713-19). The emperor himself the Hofburg had complemented by buildings such as the Imperial Library (1722-26) and the Winter Riding School (1729-34). More important, however, for the Habsburgs was the foundation of churches and monasteries. Thus arose before the city walls Fischer von Erlach's Karlskirche (1714-39), which with its formal and thematic complex show façade belongs to the major works of European Baroque. In colored interior rooms like that of St. Peter's Church (1701-22), the contemporary efforts for the synthesis of architecture, painting and sculpture becomes visible.
Upgrading into metropolis: the ring road time (Ringstraßenzeit)
Since the Baroque, reflections on extension of the hopelessly overcrowed city were made, but only Emperor Franz Joseph ordered in 1857 the demolition of the fortifications and the connection of the inner city with the suburbs. 1865, the Ring Road was opened. It is as the most important boulevard of Europe an architectural and in terms of urban development achievement of the highest rank. The original building structure is almost completely preserved and thus conveys the authentic image of a metropolis of the 19th century. The public representational buildings speak, reflecting accurately the historicism, by their style: The Greek Antique forms of Theophil Hansen's Parliament (1871-83) stood for democracy, the Renaissance of the by Heinrich Ferstel built University (1873-84) for the flourishing of humanism, the Gothic of the Town Hall (1872-83) by Friedrich Schmidt for the medieval civic pride.
Dominating remained the buildings of the imperial family: Eduard van der Nüll's and August Sicardsburg's Opera House (1863-69), Gottfried Semper's and Carl Hasenauer's Burgtheater (1874-88), their Museum of Art History and Museum of Natural History (1871-91) and the Neue (New) Hofburg (1881-1918 ). At the same time the ring road was the preferred residential area of mostly Jewish haute bourgeoisie. With luxurious palaces the families Ephrussi, Epstein or Todesco made it clear that they had taken over the cultural leadership role in Viennese society. In the framework of the World Exhibition of 1873, the new Vienna presented itself an international audience. At the ring road many hotels were opened, among them the Hotel Imperial and today's Palais Hansen Kempinski.
Laboratory of modernity: Vienna around 1900
Otto Wagner's Postal Savings Bank (1903-06) was one of the last buildings in the Ring road area Otto Wagner's Postal Savings Bank (1903-06), which with it façade, liberated of ornament, and only decorated with "functional" aluminum buttons and the glass banking hall now is one of the icons of modern architecture. Like no other stood Otto Wagner for the dawn into the 20th century: His Metropolitan Railway buildings made the public transport of the city a topic of architecture, the church of the Psychiatric hospital at Steinhofgründe (1904-07) is considered the first modern church.
With his consistent focus on the function of a building ("Something impractical can not be beautiful"), Wagner marked a whole generation of architects and made Vienna the laboratory of modernity: in addition to Joseph Maria Olbrich, the builder of the Secession (1897-98) and Josef Hoffmann, the architect of the at the western outskirts located Purkersdorf Sanatorium (1904) and founder of the Vienna Workshop (Wiener Werkstätte, 1903) is mainly to mention Adolf Loos, with the Loos House at the square Michaelerplatz (1909-11) making architectural history. The extravagant marble cladding of the business zone stands in maximal contrast, derived from the building function, to the unadorned facade above, whereby its "nudity" became even more obvious - a provocation, as well as his culture-critical texts ("Ornament and Crime"), with which he had greatest impact on the architecture of the 20th century. Public contracts Loos remained denied. His major works therefore include villas, apartment facilities and premises as the still in original state preserved Tailor salon Knize at Graben (1910-13) and the restored Loos Bar (1908-09) near the Kärntner Straße (passageway Kärntner Durchgang).
Between the Wars: International Modern Age and social housing
After the collapse of the monarchy in 1918, Vienna became capital of the newly formed small country of Austria. In the heart of the city, the architects Theiss & Jaksch built 1931-32 the first skyscraper in Vienna as an exclusive residential address (Herrengasse - alley 6-8). To combat the housing shortage for the general population, the social democratic city government in a globally unique building program within a few years 60,000 apartments in hundreds of apartment buildings throughout the city area had built, including the famous Karl Marx-Hof by Karl Ehn (1925-30). An alternative to the multi-storey buildings with the 1932 opened International Werkbundsiedlung was presented, which was attended by 31 architects from Austria, Germany, France, Holland and the USA and showed models for affordable housing in greenfield areas. With buildings of Adolf Loos, André Lurçat, Richard Neutra, Gerrit Rietveld, the Werkbundsiedlung, which currently is being restored at great expense, is one of the most important documents of modern architecture in Austria.
Modernism was also expressed in significant Villa buildings: The House Beer (1929-31) by Josef Frank exemplifies the refined Wiener living culture of the interwar period, while the house Stonborough-Wittgenstein (1926-28, today Bulgarian Cultural Institute), built by the philosopher Ludwig Wittgenstein together with the architect Paul Engelmann for his sister Margarete, by its aesthetic radicalism and mathematical rigor represents a special case within contemporary architecture.
Expulsion, war and reconstruction
After the "Anschluss (Annexation)" to the German Reich in 1938, numerous Jewish builders, architects (female and male ones), who had been largely responsible for the high level of Viennese architecture, have been expelled from Austria. During the Nazi era, Vienna remained largely unaffected by structural transformations, apart from the six flak towers built for air defense of Friedrich Tamms (1942-45), made of solid reinforced concrete which today are present as memorials in the cityscape.
The years after the end of World War II were characterized by the reconstruction of the by bombs heavily damaged city. The architecture of those times was marked by aesthetic pragmatism, but also by the attempt to connect with the period before 1938 and pick up on current international trends. Among the most important buildings of the 1950s are Roland Rainer's City Hall (1952-58), the by Oswald Haerdtl erected Wien Museum at Karlsplatz (1954-59) and the 21er Haus of Karl Schwanzer (1958-62).
The youngsters come
Since the 1960s, a young generation was looking for alternatives to the moderate modernism of the reconstruction years. With visionary designs, conceptual, experimental and above all temporary architectures, interventions and installations, Raimund Abraham, Günther Domenig, Eilfried Huth, Hans Hollein, Walter Pichler and the groups Coop Himmelb(l)au, Haus-Rucker-Co and Missing Link rapidly got international attention. Although for the time being it was more designed than built, was the influence on the postmodern and deconstructivist trends of the 1970s and 1980s also outside Austria great. Hollein's futuristic "Retti" candle shop at Charcoal Market/Kohlmarkt (1964-65) and Domenig's biomorphic building of the Central Savings Bank in Favoriten (10th district of Vienna - 1975-79) are among the earliest examples, later Hollein's Haas-Haus (1985-90), the loft conversion Falkestraße (1987/88) by Coop Himmelb(l)au or Domenig's T Center (2002-04) were added. Especially Domenig, Hollein, Coop Himmelb(l)au and the architects Ortner & Ortner (ancient members of Haus-Rucker-Co) by orders from abroad the new Austrian and Viennese architecture made a fixed international concept.
MuseumQuarter and Gasometer
Since the 1980s, the focus of building in Vienna lies on the compaction of the historic urban fabric that now as urban habitat of high quality no longer is put in question. Among the internationally best known projects is the by Ortner & Ortner planned MuseumsQuartier in the former imperial stables (competition 1987, 1998-2001), which with institutions such as the MUMOK - Museum of Modern Art Foundation Ludwig, the Leopold Museum, the Kunsthalle Wien, the Architecture Center Vienna and the Zoom Children's Museum on a wordwide scale is under the largest cultural complexes. After controversies in the planning phase, here an architectural compromise between old and new has been achieved at the end, whose success as an urban stage with four million visitors (2012) is overwhelming.
The dialogue between old and new, which has to stand on the agenda of building culture of a city that is so strongly influenced by history, also features the reconstruction of the Gasometer in Simmering by Coop Himmelb(l)au, Wilhelm Holzbauer, Jean Nouvel and Manfred Wehdorn (1999-2001). Here was not only created new housing, but also a historical industrial monument reinterpreted into a signal in the urban development area.
New Neighborhood
In recent years, the major railway stations and their surroundings moved into the focus of planning. Here not only necessary infrastructural measures were taken, but at the same time opened up spacious inner-city residential areas and business districts. Among the prestigious projects are included the construction of the new Vienna Central Station, started in 2010 with the surrounding office towers of the Quartier Belvedere and the residential and school buildings of the Midsummer quarter (Sonnwendviertel). Europe's largest wooden tower invites here for a spectacular view to the construction site and the entire city. On the site of the former North Station are currently being built 10,000 homes and 20,000 jobs, on that of the Aspangbahn station is being built at Europe's greatest Passive House settlement "Euro Gate", the area of the North Western Railway Station is expected to be developed from 2020 for living and working. The largest currently under construction residential project but can be found in the north-eastern outskirts, where in Seaside Town Aspern till 2028 living and working space for 40,000 people will be created.
In one of the "green lungs" of Vienna, the Prater, 2013, the WU campus was opened for the largest University of Economics of Europe. Around the central square spectacular buildings of an international architect team from Great Britain, Japan, Spain and Austria are gathered that seem to lead a sometimes very loud conversation about the status quo of contemporary architecture (Hitoshi Abe, BUSarchitektur, Peter Cook, Zaha Hadid, NO MAD Arquitectos, Carme Pinós).
Flying high
International is also the number of architects who have inscribed themselves in the last few years with high-rise buildings in the skyline of Vienna and make St. Stephen's a not always unproblematic competition. Visible from afar is Massimiliano Fuksas' 138 and 127 meters high elegant Twin Tower at Wienerberg (1999-2001). The monolithic, 75-meter-high tower of the Hotel Sofitel at the Danube Canal by Jean Nouvel (2007-10), on the other hand, reacts to the particular urban situation and stages in its top floor new perspectives to the historical center on the other side.
Also at the water stands Dominique Perrault's DC Tower (2010-13) in the Danube City - those high-rise city, in which since the start of construction in 1996, the expansion of the city north of the Danube is condensed symbolically. Even in this environment, the slim and at the same time striking vertically folded tower of Perrault is beyond all known dimensions; from its Sky Bar, from spring 2014 on you are able to enjoy the highest view of Vienna. With 250 meters, the tower is the tallest building of Austria and almost twice as high as the St. Stephen's Cathedral. Vienna, thus, has acquired a new architectural landmark which cannot be overlooked - whether it also has the potential to become a landmark of the new Vienna, only time will tell. The architectural history of Vienna, where European history is presence and new buildings enter into an exciting and not always conflict-free dialogue with a great and outstanding architectural heritage, in any case has yet to offer exciting chapters.
Info: The folder "Architecture: From Art Nouveau to the Presence" is available at the Vienna Tourist Board and can be downloaded on www.wien.info/media/files/guide-architecture-in-wien.pdf.
The Chrysler Building is an Art Deco skyscraper on the East Side of Manhattan in New York City, at the intersection of 42nd Street and Lexington Avenue in Midtown Manhattan. At 1,046 ft (319 m), it is the tallest brick building in the world with a steel framework. It was both the world's first supertall skyscraper and the world's tallest building for 11 months after its completion in 1930. As of 2019, the Chrysler is the 12th-tallest building in the city, tied with The New York Times Building.
Originally a project of real estate developer and former New York State Senator William H. Reynolds, the building was commissioned by Walter Chrysler, the head of the Chrysler Corporation. The construction of the Chrysler Building, an early skyscraper, was characterized by a competition with 40 Wall Street and the Empire State Building to become the world's tallest building. The Chrysler Building was designed and funded by Walter Chrysler personally as a real estate investment for his children, but it was not intended as the Chrysler Corporation's headquarters. An annex was completed in 1952, and the building was sold by the Chrysler family the next year, with numerous subsequent owners.
When the Chrysler Building opened, there were mixed reviews of the building's design, some calling it inane and unoriginal, others hailing it as modernist and iconic. Reviewers in the late 20th and early 21st centuries regarded the building as a paragon of the Art Deco architectural style. In 2007, it was ranked ninth on the American Institute of Architects' list of America's Favorite Architecture. The facade and interior became New York City designated landmarks in 1978, and the structure was added to the National Register of Historic Places as a National Historic Landmark in 1976.
The Chrysler Building was designed by William Van Alen in the Art Deco style and is named after one of its original tenants, automotive executive Walter Chrysler. With a height of 1,046 feet (319 m), the Chrysler is the 12th-tallest building in the city as of 2019, tied with The New York Times Building. The building is constructed of a steel frame infilled with masonry, with areas of decorative metal cladding. The structure contains 3,862 exterior windows. Approximately fifty metal ornaments protrude at the building's corners on five floors reminiscent of gargoyles on Gothic cathedrals. The 31st-floor contains gargoyles as well as replicas of the 1929 Chrysler radiator caps, and the 61st-floor is adorned with eagles as a nod to America's national bird.
The design of the Chrysler Building makes extensive use of bright "Nirosta" stainless steel, an austenitic alloy developed in Germany by Krupp. It was the first use of this "18-8 stainless steel" in an American project, composed of 18% chromium and 8% nickel. Nirosta was used in the exterior ornaments, the window frames, the crown, and the needle. The steel was an integral part of Van Alen's design, as E.E. Thum explains: "The use of permanently bright metal was of greatest aid in the carrying of rising lines and the diminishing circular forms in the roof treatment, so as to accentuate the gradual upward swing until it literally dissolves into the sky...." Stainless steel producers used the Chrysler Building to evaluate the durability of the product in architecture. In 1929, the American Society for Testing Materials created an inspection committee to study its performance, which regarded the Chrysler Building as the best location to do so; a subcommittee examined the building's panels every five years until 1960, when the inspections were canceled because the panels had shown minimal deterioration.
The palace of the sultans of Deli. This palace have yellow roof border (yellow is the color of Malay royal house) and the characteristic Malay east coast architecture. The palace was designed by an Italian architect and was completed in 1888. The meeting room with portraits of the royal family of Deli, old Dutch furniture and a few weapons is opened to the public. The room has decorated tiles, supported by big pillars with flower pattern.
Taraghar fort is
known for its grandeur and stunning architecture, the giant Taragarh Fort in Ajmer stands at a height of about 1300 feet above ground level. Built upon a steep hillside, this fort offers a breathtakingly beautiful panoramic view of the city.
en.wikipedia.org/wiki/Taragarh_Fort,_Ajmer
there are numerous downtrodden people who line the rocky descent of the fort asking for a handout.
At Taraghar fort
in
AJMER
in
Rajasthan
Photography’s new conscience
January 23, 2021 - "Knowlton Hall, dedicated in 2004, is a state-of-the-art facility for the School of Architecture. The School’s new home is based on the integration of elements: inside and out, students and faculty, old and new, school and university, art and technology. Each of the three disciplines of architecture, landscape architecture, and city and regional planning are mixed. The design reflects the school’s mission of excellence in education, innovation in design and planning, and the stewardship of quality environment.Knowlton Hall marks an important entrance to campus and forms a nucleus of professional schools along with the College of Engineering and Fisher College of Business. The 165,000-square-foot facility houses all classrooms, facilities, and offices for KSA’s three disciplines. Students learn in the six classrooms, four seminar spaces, 350-seat auditorium, outdoor classroom spaces, and 500 studio spaces available to them. The building also featuresgallery space for exhibitions, central review space for critiques of student work, a materials/fabrication lab, an experimental garden space, a 30,000-volume library, two computer laboratories, a digital image library, and a café.Knowlton Hall was designed by Mack Scogin Merril Elam Architects of Atlanta, with Wandel & Schnell of Columbus (now WSA Studio). Landscape Architecture was designed by Michael Van Valkenburgh and Associates, New York and Cambridge." Previous text from the following website: architizer.com/projects/knowlton-school-of-architecture/
The Church of the Savior on Spilled Blood Interior (Russian: Церковь Спаса на Крови, Tserkovʹ Spasa na Krovi), in St. Petersburg, Russia
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics—according to its restorers, more than any other church in the world. This record may be surpassed by the Cathedral Basilica of St. Louis, which houses 7700 square meters of mosaics. The interior was designed by some of the most celebrated Russian artists of the day—including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In Christian iconography, Christ Pantocrator refers to a specific depiction of Christ. Pantocrator or Pantokrator (from the Greek Παντοκράτωρ) is a translation of one of many Names of God in Judaism. When the Hebrew Bible was translated into Greek as the Septuagint, Pantokrator was used both for YHWH Tzevaot "Lord of Hosts" and for El Shaddai "God Almighty".
The icon of Christ Pantokrator is one of the most widely used religious images of Orthodox Christianity. Generally speaking, in Byzantine church art and architecture, an iconic mosaic or fresco of Christ Pantokrator occupies the space in the central dome of the church, in the half-dome of the apse or on the nave vault. Some scholars (Latourette 1975: 572) consider the Pantocrator a Christian adaptation of images of Zeus, such as the great statue of Zeus enthroned at Olympia. The development of the earliest stages of the icon from Roman Imperial imagery is easier to trace.
The icon, traditionally half-length when in a semi-dome, which became adopted for panel icons also, depicts Christ fully frontal with a somewhat melancholy and stern aspect, with the right hand raised in blessing or, in the early encaustic panel at St. Catherine's, the conventional rhetorical gesture that represents teaching. The left hand holds a closed book with a richly decorated cover featuring the Cross, representing the Gospels. An icon where Christ has an open book is called "Christ the Teacher", a variant of the Pantocrator. Christ is bearded, his brown hair centrally parted, and his head is surrounded by a halo. The icon is usually shown against a gold background comparable to the gilded grounds of mosaic depictions of the Christian emperors.
The Shot
This shot was taken last June which I got round to processing.
Built between 1624 and 1640, Château de Cheverny was built in the purest Louis XIII classical style of distinguished symmetrical architecture.
The current owners, the Hurault family, have owned Cheverny for more than six centuries. It is renowned as the most lavishly furnished of all the Loire Chateau.
This was the first Chateau visited during a Bicycle Tour of the Loire Valley. Staying nearby I was able to get there before crowds filled the view. This picture was taken handheld.
Taken with a Sony A700 with a Sigma 10-20 Wide Angle Zoom at 10mm. Taken with auto bracketing for HDR. 3 raw images 2EV spacing. Opened in Photoshop first and each image noise reduced with Noiseware Pro and saved as tiffs.
Photomatix
Outputted in Photomatix to detail enhancer. Click the Camera name top right for Exif details and the settings used.
Photoshop
General adjustments in levels and curves to enhance.
Brightness increased with a mask to apply only to the building.
Vibrance layer increase 70 points
There was a distinct blue cast on the originals and the tonemapped image which failed to shift with saturation adjustments and colour balance. To solve this I saved as a Tiff and then opened in Camera Raw. This can be done by using “Open As” in Photoshop and choosing Camera Raw from the file type dropdown . The colour temperature was then increased to suit.
Extra detail was added with Topaz Adjust with my own settings to suit the picture. A layer mask was used at 70% to mainly exclude the sky.
Clone tool used for some tidy up.
Noiseware Pro
Duplicate layer with mask to apply extra sharpening and contrast
Resources
For Licensing and more pictures see Edwin Jones Photography
Angkor Wat (/ˌæŋkɔːr ˈwɒt/; Khmer: អង្គរវត្ត, "City/Capital of Temples") is a Hindu-Buddhist temple complex in Cambodia, located on a site measuring 162.6 hectares (1,626,000 m2; 402 acres). It resides within the ancient Khmer capital city of Angkor. The Guinness World Records considers it as the largest religious structure in the world. Originally constructed as a Hindu temple dedicated to the god Vishnu for the Khmer Empire by King Suryavarman II during the 12th century, it was gradually transformed into a Buddhist temple towards the end of the century; as such, it is also described as a "Hindu-Buddhist" temple.
Angkor Wat was built at the behest of the Khmer King Suryavarman II in the early 12th century in Yaśodharapura (Khmer: យសោធរបុរៈ, present-day Angkor), the capital of the Khmer Empire, as his state temple and eventual mausoleum. Angkor Wat combines two basic plans of Khmer temple architecture: the temple-mountain and the later galleried temple. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat more than 5 kilometres (3 mi) long and an outer wall 3.6 kilometres (2.2 mi) long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west; scholars are divided as to the significance of this. The temple is admired for the grandeur and harmony of the architecture, its extensive bas-reliefs, and for the numerous devatas adorning its walls. The modern name Angkor Wat, alternatively Nokor Wat, means "Temple City" or "City of Temples" in Khmer. Angkor (អង្គរ ângkôr), meaning "city" or "capital city", is a vernacular form of the word nokor (នគរ nôkôr), which comes from the Sanskrit/Pali word nagara (Devanāgarī: नगर). Wat (វត្ត vôtt) is the word for "temple grounds", also derived from Sanskrit/Pali vāṭa (Devanāgarī: वाट), meaning "enclosure"
The original name of the temple was Vrah Viṣṇuloka or Parama Viṣṇuloka meaning "the sacred dwelling of Vishnu".
History
Angkor Wat lies 5.5 kilometres (3+1⁄2 mi) north of the modern town of Siem Reap, and a short distance south and slightly east of the previous capital, which was centred at Baphuon. In an area of Cambodia where there is an essential group of ancient structures, it is the southernmost of Angkor's main sites.
The construction of Angkor Wat took place over 28 years from 1122 to 1150 CE during the reign of King Suryavarman II (ruled 1113–c. 1150).[1] A brahmin by the name of Divākarapaṇḍita (1040–c. 1120) was responsible for urging Suryavarman II to construct the temple. All of the original religious motifs at Angkor Wat derived from Hinduism. Breaking from the Shaiva tradition of previous kings, Angkor Wat was instead dedicated to Vishnu. It was built as the king's state temple and capital city. As neither the foundation stela nor any contemporary inscriptions referring to the temple have been found, its original name is unknown, but it may have been known as Vrah Viṣṇuloka after the presiding deity. Work seems to have ended shortly after the king's death, leaving some of the bas-relief decoration unfinished. The term Vrah Viṣṇuloka or Parama Viṣṇuloka literally means "The king who has gone to the supreme world of Vishnu", which refer to Suryavarman II posthumously and intend to venerate his glory and memory.
In 1177, approximately 27 years after the death of Suryavarman II, Angkor was sacked by the Chams, the traditional enemies of the Khmer. Thereafter the empire was restored by a new king, Jayavarman VII, who established a new capital and state temple (Angkor Thom and the Bayon, respectively), a few kilometers north, dedicated to Buddhism, because the king's new wife, Indratevi, a devout Mahayana Buddhist, encouraged him to convert. Angkor Wat was therefore also gradually converted into a Buddhist site, and many Hindu sculptures were replaced by Buddhist art.
Towards the end of the 12th century, Angkor Wat gradually transformed from a Hindu centre of worship to Buddhism, which continues to the present day. Angkor Wat is unusual among the Angkor temples in that although it was largely neglected after the 16th century, it was never completely abandoned. Fourteen inscriptions dated from the 17th century, discovered in the Angkor area, testify to Japanese Buddhist pilgrims that had established small settlements alongside Khmer locals. At that time, the temple was thought by the Japanese visitors to be the famed Jetavana garden of the Buddha, which was originally located in the kingdom of Magadha, India. The best-known inscription tells of Ukondayu Kazufusa, who celebrated the Khmer New Year at Angkor Wat in 1632.
The first Western visitor to the temple was António da Madalena, a Portuguese friar who visited in 1586 and said that it "is of such extraordinary construction that it is not possible to describe it with a pen, particularly since it is like no other building in the world. It has towers and decoration and all the refinements which the human genius can conceive of."
In 1622, The Poem of Angkor Wat composed in Khmer verse describes the beauty of Angkor Wat and creates a legend around the construction of the complex, supposedly a divine castle built for legendary Khmer king Preah Ket Mealea by Hindu god Preah Pisnukar (or Braḥ Bisṇukār, Vishvakarman), as Suryavarman II had already vanished from people's minds.
In 1860, with the help of French missionary Father Charles-Émile Bouillevaux, the temple was effectively rediscovered by the French naturalist and explorer Henri Mouhot, who popularised the site in the West through the publication of travel notes, in which he wrote:
One of these temples, a rival to that of Solomon, and erected by some ancient Michelangelo, might take an honorable place beside our most beautiful buildings. It is grander than anything left to us by Greece or Rome, and presents a sad contrast to the state of barbarism in which the nation is now plunged.
In 1861 German anthropologist Adolf Bastian undertook a four-year trip to Southeast Asia. His account of this trip, The People of East Asia, ran to six volumes. When Bastian finally published the studies and observations during his Journey through Cambodia to Cochinchina in Germany in 1868 – told in detail but uninspiredly, above all without a single one of his drawings of the Angkorian sites – this work hardly made an impression, while everyone was talking about Henri Mouhot's posthumous work with vivid descriptions of Angkor, Travels in the Central Parts of Indo-China, Siam, Cambodia and Laos, published in 1864 through the Royal Geographical Society.
There were no ordinary dwellings or houses or other signs of settlement, including cooking utensils, weapons, or items of clothing usually found at ancient sites.
The artistic legacy of Angkor Wat and other Khmer monuments in the Angkor region led directly to France adopting Cambodia as a protectorate on 11 August 1863 and invading Siam to take control of the ruins. This quickly led to Cambodia reclaiming lands in the northwestern corner of the country such as the areas of Siem Reap, Battambang, and Sisophon which were under Siamese rule from 1795 to 1907.
Angkor Wat's aesthetics were on display in the plaster cast museum of Louis Delaporte called musée Indo-chinois which existed in the Parisian Trocadero Palace from c.1880 to the mid-1920s.
The 20th century saw a considerable restoration of Angkor Wat. Gradually teams of laborers and archeologists pushed back the jungle and exposed the expanses of stone, permitting the sun to once again illuminate the dark corners of the temple. Angkor Wat caught the attention and imagination of a wider audience in Europe when the pavilion of French protectorate of Cambodia, as part of French Indochina, recreated the life-size replica of Angkor Wat during Paris Colonial Exposition in 1931.
Cambodia gained independence from France on 9 November 1953 and has controlled Angkor Wat since then. From the colonial period onwards, until the site was nominated a UNESCO World Heritage in 1992, the temple of Angkor Wat was instrumental in the formation of the modern and gradually globalised concept of built cultural heritage.
Restoration work was interrupted by the Cambodian Civil War and Khmer Rouge control of the country during the 1970s and 1980s, but relatively little damage was done during this period. Camping Khmer Rouge forces used whatever wood remained in the building structures for firewood, and a shoot-out between Khmer Rouge and Vietnamese forces put a few bullet holes in a basrelief. Far more damage was done after the wars, by art thieves working out of Thailand, which, in the late 1980s and early 1990s, claimed almost every head that could be lopped off the structures, including reconstructions.
The temple is a symbol of Cambodia and is a source of national pride that has factored into Cambodia's diplomatic relations with France, the United States, and its neighbour Thailand. A depiction of Angkor Wat has been a part of Cambodian national flags since the introduction of the first version circa 1863. From a larger historical and transcultural perspective, however, the temple of Angkor Wat did not become a symbol of national pride sui generis but had been inscribed into a larger politico-cultural process of French-colonial heritage production in which the original temple site was presented in French colonial and universal exhibitions in Paris and Marseille between 1889 and 1937.
In December 2015, it was announced that a research team from the University of Sydney had found a previously unseen ensemble of buried towers built and demolished during the construction of Angkor Wat, as well as a massive structure of unknown purpose on its south side and wooden fortifications. The findings include evidence of low-density residential occupation in the region, with a road grid, ponds, and mounds. These indicate that the temple precinct, bounded by a moat and wall, may not have been used exclusively by the priestly elite, as was previously thought. The team used LiDAR, ground-penetrating radar and targeted excavation to map Angkor Wat.
According to a myth, the construction of Angkor Wat was ordered by Indra to serve as a palace for his son Precha Ket Mealea. According to the 13th-century Chinese traveller Zhou Daguan, some believed that the temple was constructed in a single night by a divine architect.
Architecture
Angkor Wat is a unique combination of the temple mountain (the standard design for the empire's state temples) and the later plan of concentric galleries, most of which were originally derived from religious beliefs of Hinduism. The construction of Angkor Wat suggests that there was a celestial significance with certain features of the temple. This is observed in the temple's east–west orientation, and lines of sight from terraces within the temple that show specific towers to be at the precise location of the solstice at sunrise. The temple is a representation of Mount Meru, the home of the gods according to Hindu mythology: the central quincunx of towers symbolise the five peaks of the mountain, and the walls and moat symbolise the surrounding mountain ranges and ocean. Access to the upper areas of the temple was progressively more exclusive, with the laity being admitted only to the lowest level.
The Angkor Wat temple's main tower aligns with the morning sun of the spring equinox. Unlike most Khmer temples, Angkor Wat is oriented to the west rather than the east. This has led many (including Maurice Glaize and George Coedès) to conclude that Suryavarman intended it to serve as his funerary temple. Further evidence for this view is provided by the bas-reliefs, which proceed in a counter-clockwise direction—prasavya in Hindu terminology—as this is the reverse of the normal order. Rituals take place in reverse order during Brahminic funeral services.
Archaeologist Charles Higham also describes a container that may have been a funerary jar that was recovered from the central tower. It has been nominated by some as the greatest expenditure of energy on the disposal of a corpse. Freeman and Jacques, however, note that several other temples of Angkor depart from the typical eastern orientation, and suggest that Angkor Wat's alignment was due to its dedication to Vishnu, who was associated with the west.
Drawing on the temple's alignment and dimensions, and on the content and arrangement of the bas-reliefs, researcher Eleanor Mannikka argues that the structure represents a claimed new era of peace under King Suryavarman II: "as the measurements of solar and lunar time cycles were built into the sacred space of Angkor Wat, this divine mandate to rule was anchored to consecrated chambers and corridors meant to perpetuate the king's power and to honour and placate the deities manifest in the heavens above." Mannikka's suggestions have been received with a mixture of interest and scepticism in academic circles. She distances herself from the speculations of others, such as Graham Hancock, that Angkor Wat is part of a representation of the constellation Draco.
The oldest surviving plan of Angkor Wat dates to 1715 and is credited to Fujiwara Tadayoshi. The plan is stored in the Suifu Meitoku-kai Shokokan Museum in Mito, Japan.
Style
Angkor Wat is the prime example of the classical style of
Khmer architecture—the Angkor Wat style—to which it has given its name. By the 12th century, Khmer architects had become skilled and confident in the use of sandstone (rather than brick or laterite) as the main building material. Most of the visible areas are sandstone blocks, while laterite was used for the outer wall and hidden structural parts. The binding agent used to join the blocks is yet to be identified, although natural resins or slaked lime has been suggested.
The temple has drawn praise above all for the harmony of its design. According to Maurice Glaize, a mid-20th-century conservator of Angkor, the temple "attains a classic perfection by the restrained monumentality of its finely balanced elements and the precise arrangement of its proportions. It is a work of power, unity, and style."
Architecturally, the elements characteristic of the style include the ogival, redented towers shaped like lotus buds; half-galleries to broaden passageways; axial galleries connecting enclosures; and the cruciform terraces which appear along the main axis of the temple. Typical decorative elements are devatas (or apsaras), bas-reliefs, pediments, extensive garlands and narrative scenes. The statuary of Angkor Wat is considered conservative, being more static and less graceful than earlier work. Other elements of the design have been destroyed by looting and the passage of time, including gilded stucco on the towers, gilding on some figures on the bas-reliefs, and wooden ceiling panels and doors.
Architect Jacques Dumarçay believes the layout of Angkor Wat borrows Chinese influence in its system of galleries which join at right angles to form courtyards. However, the axial pattern embedded in the plan of Angkor Wat may be derived from Southeast Asian cosmology in combination with the mandala represented by the main temple.
Features
The outer wall, 1,024 m (3,360 ft) by 802 m (2,631 ft) and 4.5 m (15 ft) high, is surrounded by a 30 m (98 ft) apron of open ground and a moat 190 m (620 ft) wide and over 5 kilometres (3 mi) in perimeter. The moat extends 1.5 kilometres from east to west and 1.3 kilometres from north to south. Access to the temple is by an earth bank to the east and a sandstone causeway to the west; the latter, the main entrance, is a later addition, possibly replacing a wooden bridge. There are gopuras at each of the cardinal points; the western is by far the largest and has three ruined towers. Glaize notes that this gopura both hides and echoes the form of the temple proper.
Under the southern tower is a statue known as Ta Reach, originally an eight-armed statue of Vishnu that may have occupied the temple's central shrine. Galleries run between the towers and as far as two further entrances on either side of the gopura often referred to as "elephant gates", as they are large enough to admit those animals. These galleries have square pillars on the outer (west) side and a closed wall on the inner (east) side. The ceiling between the pillars is decorated with lotus rosettes; the west face of the wall with dancing figures; and the east face of the wall with balustered windows, dancing male figures on prancing animals, and devatas, including (south of the entrance) the only one in the temple to be showing her teeth.
The outer wall encloses a space of 820,000 square metres (203 acres), which besides the temple proper was originally occupied by the city and, to the north of the temple, the royal palace. Like all secular buildings of Angkor, these were built of perishable materials rather than of stone, so nothing remains of them except the outlines of some of the streets. Most of the area is now covered by forest. A 350 m (1,150 ft) causeway connects the western gopura to the temple proper, with naga balustrades and six sets of steps leading down to the city on either side. Each side also features a library with entrances at each cardinal point, in front of the third set of stairs from the entrance, and a pond between the library and the temple itself. The ponds are later additions to the design, as is the cruciform terrace guarded by lions connecting the causeway to the central structure.
Central structure
The temple stands on a terrace raised higher than the city. It is made of three rectangular galleries rising to a central tower, each level higher than the last. The two inner galleries each have four large towers at their ordinal corners (that is, NW, NE, SE, and SW) surrounding a higher fifth tower. This pattern is sometimes called a quincunx and represents the mountains of Meru. Because the temple faces west, the features are set back towards the east, leaving more space to be filled in each enclosure and gallery on the west side; for the same reason, the west-facing steps are shallower than those on the other sides.
Mannikka interprets the galleries as being dedicated to the king, Brahma, the moon, and Vishnu. Each gallery has a gopura at each of the points. The outer gallery measures 187 m (614 ft) by 215 m (705 ft), with pavilions rather than towers at the corners. The gallery is open to the outside of the temple, with columned half-galleries extending and buttressing the structure. Connecting the outer gallery to the second enclosure on the west side is a cruciform cloister called Preah Poan (meaning "The Thousand Buddhas" Gallery). Buddha images were left in the cloister by pilgrims over the centuries, although most have now been removed. This area has many inscriptions relating to the good deeds of pilgrims, most written in Khmer but others in Burmese and Japanese. The four small courtyards marked out by the cloister may originally have been filled with water. North and south of the cloister are libraries.
Beyond, the second and inner galleries are connected to two flanking libraries by another cruciform terrace, again a later addition. From the second level upwards, devatas abound on the walls, singly or in groups of up to four. The second-level enclosure is 100 m (330 ft) by 115 m (377 ft), and may originally have been flooded to represent the ocean around Mount Meru. Three sets of steps on each side lead up to the corner towers and gopuras of the inner gallery. The steep stairways may represent the difficulty of ascending to the kingdom of the gods. This inner gallery, called the Bakan, is a 60 m (200 ft) square with axial galleries connecting each gopura with the central shrine and subsidiary shrines located below the corner towers.
The roofings of the galleries are decorated with the motif of the body of a snake ending in the heads of lions or garudas. Carved lintels and pediments decorate the entrances to the galleries and the shrines. The tower above the central shrine rises 43 m (141 ft) to a height of 65 m (213 ft) above the ground; unlike those of previous temple mountains, the central tower is raised above the surrounding four. The shrine itself, originally occupied by a statue of Vishnu and open on each side, was walled in when the temple was converted to Theravada Buddhism, the new walls featuring standing Buddhas. In 1934, the conservator George Trouvé excavated the pit beneath the central shrine: filled with sand and water it had already been robbed of its treasure, but he did find a sacred foundation deposit of gold leaf two metres above ground level.
Decoration
Integrated with the architecture of the building, one of the causes for its fame is Angkor Wat's extensive decoration, which predominantly takes the form of bas-relief friezes. The inner walls of the outer gallery bear a series of large-scale scenes mainly depicting episodes from the Hindu epics the Ramayana and the Mahabharata. Higham has called these "the greatest known linear arrangement of stone carving". From the north-west corner anti-clockwise, the western gallery shows the Battle of Lanka (from the Ramayana, in which Rama defeats Ravana) and the Battle of Kurukshetra (from the Mahabharata, showing the mutual annihilation of the Kaurava and Pandava clans). On the southern gallery follow the only historical scene, a procession of Suryavarman II, then the 32 hells and 37 heavens of Hinduism.
On the eastern gallery is one of the most celebrated scenes, the Churning of the Sea of Milk, showing 92 asuras and 88 devas using the serpent Vasuki to churn the sea under Vishnu's direction (Mannikka counts only 91 asuras and explains the asymmetrical numbers as representing the number of days from the winter solstice to the spring equinox, and from the equinox to the summer solstice). It is followed by Vishnu defeating asuras (a 16th-century addition). The northern gallery shows Krishna's victory over Bana (where according to Glaize, "The workmanship is at its worst").
Angkor Wat is decorated with depictions of apsaras and devata; there are more than 1,796 depictions of devata in the present research inventory. Angkor Wat architects employed small apsara images (30–40 cm or 12–16 in) as decorative motifs on pillars and walls. They incorporated larger devata images (all full-body portraits measuring approximately 95–110 cm or 37–43 in) more prominently at every level of the temple from the entry pavilion to the tops of the high towers. In 1927, Sappho Marchal published a study cataloging the remarkable diversity of their hair, headdresses, garments, stance, jewellery, and decorative flowers, which Marchal concluded were based on actual practices of the Angkor period.
Construction techniques
The monument was made of five to ten million sandstone blocks with a maximum weight of 1.5 tons each. The entire city of Angkor used far greater amounts of stone than all the Egyptian pyramids combined and occupied an area significantly greater than modern-day Paris. Moreover, unlike the Egyptian pyramids, which use limestone quarried 0.5 km (1⁄4 mi) away, the entire city of Angkor was built with sandstone quarried 40 km (25 mi) (or more) away. This sandstone was transported from Mount Kulen, a quarry approximately 40 kilometres (25 mi) northeast.
The route has been suggested to span 35 kilometres (22 mi) along a canal towards Tonlé Sap lake, another 35 kilometres (22 mi) crossing the lake, and finally 15 kilometres (9 mi) against the current along Siem Reap River, making a total journey of 90 kilometres (55 mi). However, Etsuo Uchida and Ichita Shimoda of Waseda University in Tokyo, Japan have discovered in 2011 a shorter 35-kilometre (22 mi) canal connecting Mount Kulen and Angkor Wat using satellite imagery. The two believe that the Khmer used this route instead.
Virtually all of its surfaces, columns, lintels and even roofs are carved. There are kilometres of reliefs illustrating scenes from Indian literature including unicorns, griffins, winged dragons pulling chariots, as well as warriors following an elephant-mounted leader, and celestial dancing girls with elaborate hairstyles. The gallery wall alone is decorated with almost 1,000 m2 (11,000 sq ft) of bas reliefs. Holes on some of the Angkor walls indicate that they may have been decorated with bronze sheets. These were highly prized in ancient times and were prime targets for robbers.
While excavating Khajuraho, Alex Evans, a stonemason, and sculptor recreated a stone sculpture under 1.2 metres (4 ft), this took about 60 days to carve. Roger Hopkins and Mark Lehner also conducted experiments to quarry limestone which took 12 quarrymen 22 days to quarry about 400 tons of stone. The labour force to quarry, transport, carve and install so much sandstone probably ran into the thousands including many highly skilled artisans. The skills required to carve these sculptures were developed hundreds of years earlier, as demonstrated by some artefacts that have been dated to the seventh century, before the Khmer came to power.
Restoration and conservation
The contrast between restored and unrestored figures is deliberate. The major restoration of the causeway was first initiated in the 1960s by the French.
As with most other ancient temples in Cambodia, Angkor Wat has faced extensive damage and deterioration by a combination of plant overgrowth, fungi, ground movements, war damage, and theft. The war damage to Angkor Wat's temples however has been very limited, compared to the rest of Cambodia's temple ruins, and it has also received the most attentive restoration.
The restoration of Angkor Wat in the modern era began with the establishment of the Conservation d'Angkor (Angkor Conservancy) by the École française d'Extrême-Orient (EFEO) in 1908; before that date, activities at the site were primarily concerned with exploration. The Conservation d'Angkor was responsible for the research, conservation, and restoration activities carried out at Angkor until the early 1970s, and a major restoration of Angkor was undertaken in the 1960s.
Work on Angkor was abandoned during the Khmer Rouge era and the Conservation d'Angkor was disbanded in 1975. Between 1986 and 1992, the Archaeological Survey of India carried out restoration work on the temple, as France did not recognise the Cambodian government at the time. Criticisms have been raised about both the early French restoration attempts and the later Indian work, with concerns over the damage done to the stone surface by the use of chemicals and cement.
In 1992, following an appeal for help by Norodom Sihanouk, Angkor Wat was listed in UNESCO's World Heritage in Danger (later removed in 2004) and as a World Heritage Site together with an appeal by UNESCO to the international community to save Angkor. Zoning of the area was designated to protect the Angkor site in 1994, APSARA was established in 1995 to protect and manage the area, and a law to protect Cambodian heritage was passed in 1996.
Several countries such as France, Japan, and China are now involved in Angkor Wat conservation projects. The German Apsara Conservation Project (GACP) is working to protect the devatas, and other bas-reliefs that decorate the temple, from damage. The organisation's survey found that around 20% of the devatas were in very poor condition, mainly because of natural erosion and deterioration of the stone but in part also due to earlier restoration efforts. Other work involves the repair of collapsed sections of the structure, and prevention of further collapse: the west facade of the upper level, for example, has been buttressed by scaffolding since 2002, while a Japanese team completed the restoration of the north library of the outer enclosure in 2005.
Microbial biofilms have been found degrading sandstone at Angkor Wat, Preah Khan, and the Bayon and West Prasat in Angkor. The dehydration- and radiation-resistant filamentous cyanobacteria produce organic acids that degrade the stone. A dark filamentous fungus was found in internal and external Preah Khan samples, while the alga Trentepohlia was found only in samples taken from external, pink-stained stone at Preah Khan. Replicas have been made to replace some of the lost or damaged sculptures.
Tourism
Since the 1990s, Angkor Wat has become a major tourist destination. In 1993, there were only 7,650 visitors to the site; by 2004, government figures show that 561,000 foreign visitors had arrived in Siem Reap province that year, approximately 50% of all foreign tourists in Cambodia. The number reached over a million in 2007, and over two million by 2012. Most visited Angkor Wat, which received over two million foreign tourists in 2013, and 2.6 million by 2018.
The site was managed by the private SOKIMEX group between 1990 and 2016, which rented it from the Cambodian government. The influx of tourists has so far caused relatively little damage, other than some graffiti. Ropes and wooden steps have been introduced to protect the bas-reliefs and floors, respectively. Tourism has also provided some additional funds for maintenance—as of 2000 approximately 28% of ticket revenues across the entire Angkor site was spent on the temples—although most work is carried out by teams sponsored by foreign governments rather than by the Cambodian authorities.
Since Angkor Wat has seen significant growth in tourism throughout the years, UNESCO and its International Co-ordinating Committee for the Safeguarding and Development of the Historic Site of Angkor (ICC), in association with representatives from the Royal Government and APSARA, organised seminars to discuss the concept of "cultural tourism". Wanting to avoid commercial and mass tourism, the seminars emphasised the importance of providing high-quality accommodation and services for the Cambodian government to benefit economically, while also incorporating the richness of Cambodian culture. In 2001, this incentive resulted in the concept of the "Angkor Tourist City" which would be developed about traditional Khmer architecture, contain leisure and tourist facilities, and provide luxurious hotels capable of accommodating large numbers of tourists.
The prospect of developing such large tourist accommodations has encountered concerns from both APSARA and the ICC, claiming that previous tourism developments in the area have neglected construction regulations and that more of these projects have the potential to damage landscape features. Also, the large scale of these projects have begun to threaten the quality of the nearby town's water, sewage, and electricity systems. It has been noted that such high frequency of tourism and growing demand for quality accommodations in the area, such as the development of a large highway, has had a direct effect on the underground water table, subsequently straining the structural stability of the temples at Angkor Wat.
Locals of Siem Reap have also voiced concern that the charm and atmosphere of their town have been compromised to entertain tourism.[103] Since this local atmosphere is the key component to projects like Angkor Tourist City, the local officials continue to discuss how to successfully incorporate future tourism without sacrificing local values and culture.
At the ASEAN Tourism Forum 2012, it was agreed that Borobudur and Angkor Wat would become sister sites and the provinces sister provinces.
In 2020, the COVID-19 pandemic led to travel restrictions being introduced across the world, which had a severe impact on Cambodia's tourism sector. As a result, visitors to Angkor Wat plummeted, leaving the usually crowded complex almost deserted. Cambodia, including Angkor Wat, reopened to international visitors in late 2021, but as of the end of 2022 had only received a fraction of its pre-pandemic traffic: a total of 280,000 tourists visited the complex in 2022, versus 2.6 million in 2018. In 2023, the temple is seeing an increase in numbers over the previous year, having over 400,000 tourists by late July.
"Stirling Castle, located in Stirling, is one of the largest and most important castles in Scotland, both historically and architecturally. The castle sits atop Castle Hill, an intrusive crag, which forms part of the Stirling Sill geological formation. It is surrounded on three sides by steep cliffs, giving it a strong defensive position. Its strategic location, guarding what was, until the 1890s, the farthest downstream crossing of the River Forth, has made it an important fortification in the region from the earliest times.
Most of the principal buildings of the castle date from the fifteenth and sixteenth centuries. A few structures remain from the fourteenth century, while the outer defenses fronting the town date from the early eighteenth century.
Before the union with England, Stirling Castle was also one of the most used of the many Scottish royal residences, very much a palace as well as a fortress. Several Scottish Kings and Queens have been crowned at Stirling, including Mary, Queen of Scots, in 1542, and others were born or died there.
There have been at least eight sieges of Stirling Castle, including several during the Wars of Scottish Independence, with the last being in 1746, when Bonnie Prince Charlie unsuccessfully tried to take the castle."
The Merchandise Mart was designed by the Chicago architectural firm of Graham, Anderson, Probst and White to be a "city within a city". Second only to Holabird & Root in Chicago art deco architecture, the firm had a long-standing relationship with the Field family. Started in 1928, completed in 1931, and built in the same art deco style as the Chicago Board of Trade Building, its cost was reported as both $32 million and $38 million. The building was the largest in the world in terms of floorspace, but was surpassed by the Pentagon in 1943,and now stands thirty-sixth on the list of largest buildings in the world. Once the largest commercial space in the world, Dubai International Airport Terminal 3 is now recognized by Guinness World Records as holding the record
When opened in 1930, the Merchandise Mart or the Merch Mart, located in the Near North Side, Chicago, Illinois, was the largest building in the world with 4,000,000 square feet of floor space. Previously owned by the Marshall Field family, the Mart centralized Chicago's wholesale goods business by consolidating vendors and trade under a single roof.Massive in its construction, and serving as a monument to early 20th century merchandising and architecture, the art deco landmark anchors the daytime skyline at the junction of the Chicago River branches. With upper levels bathed in colored floodlight, the structure stands out against darker downtown buildings in night views. The building continues to be a leading retailing and wholesale destination, hosting 20,000 visitors and tenants per day.The Merchandise Mart is so large that it had its own ZIP code until 2008 (60654). In 2010, the building opened up its Design Center showrooms to the public for the first time.
NRHP District
Ardington is a downland village, with its parish stretching from the loam rich north to the chalk downlands to the south. The ancient path of the Ridgeway runs through the southern part of the parish, along the North Wessex Downs AONB section of the route. Racing stables are beside and around the village most of which use the Downs for gallops. Being set in the Lockinge Estate, most of Ardington parish and nearby of East and West Lockinge are owned by Thomas Loyd and managed by Adkin Rural and Commercial. Local amenities include a public house - The Boar's Head, a sports club, village store, post office and tearoom, and the Loyd-Lindsay Rooms - a set of rooms which are let out to the community and on a commercial basis for weddings, parties and conferences. Local charities can use the rooms to hold events to raise money. Wikipedia
Architecture
The oldest part of the Church of England parish church of Holy Trinity is the chancel arch, built about 1200.[2] The Gothic Revival architect Joseph Clarke added the tower and spire in 1856.[3] Somers Clarke remodelled the remainder of the church in 1887.[4] Ardington House was built for Edward Clarke in 1721 and has three tall storeys and seven window bays in breadth, not being deep, almost rectangular. It has small wings without bays to each side (alternatively the entire front range can be described as projecting) topped by a classical triangular pediment framing a weathered mid-19th century coat of arms in stone (cartouche). Its windows and central door are faced in complementary coloured brickwork dressings to its general grey brick façade.[5][6][7] It is a Georgian Grade II* listed building and is open to the public in the summer months.
Church of St Lawrence. More in my photostream, take a look :)
--
St. Lawrence's Church, is a Grade I Listed Parish Church, Gotham, Nottinghamshire. It has Norman Transitional style of architecture, The Parish Church dates from C12, C13, C14, C15, restored 1789, repaired 1869. One of its earliest incumbents was Robert de Nottingham (year unknown), in 1303 it was John de Gotham.
The east end is on a deeper plinth and has a single restored arched 3 light C15 window with cusped panel tracery, hood mould and label stops. Over is a plaque inscribed "Repaired in MDCCLXXXIX IK" (1789 UK). The Roman numeral MDCCLXXXIX corresponds to the Arabic number 1789.
For more information follow these links.
www.nottshistory.org.uk/articles/tts/tts1924/summer/gotha...
southwellchurches.nottingham.ac.uk/gotham/hhistory.php
Gotham is actually pronounced Goat-em and not, as many would presume, in the same way as the fictional city Batman calls home.
Read more here:
www.visit-nottinghamshire.co.uk/explore/rural-nottinghams...
--
No Group Banners, thanks.
Angkor Wat (/ˌæŋkɔːr ˈwɒt/; Khmer: អង្គរវត្ត, "City/Capital of Temples") is a Hindu-Buddhist temple complex in Cambodia, located on a site measuring 162.6 hectares (1,626,000 m2; 402 acres). It resides within the ancient Khmer capital city of Angkor. The Guinness World Records considers it as the largest religious structure in the world. Originally constructed as a Hindu temple dedicated to the god Vishnu for the Khmer Empire by King Suryavarman II during the 12th century, it was gradually transformed into a Buddhist temple towards the end of the century; as such, it is also described as a "Hindu-Buddhist" temple.
Angkor Wat was built at the behest of the Khmer King Suryavarman II in the early 12th century in Yaśodharapura (Khmer: យសោធរបុរៈ, present-day Angkor), the capital of the Khmer Empire, as his state temple and eventual mausoleum. Angkor Wat combines two basic plans of Khmer temple architecture: the temple-mountain and the later galleried temple. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat more than 5 kilometres (3 mi) long and an outer wall 3.6 kilometres (2.2 mi) long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west; scholars are divided as to the significance of this. The temple is admired for the grandeur and harmony of the architecture, its extensive bas-reliefs, and for the numerous devatas adorning its walls. The modern name Angkor Wat, alternatively Nokor Wat, means "Temple City" or "City of Temples" in Khmer. Angkor (អង្គរ ângkôr), meaning "city" or "capital city", is a vernacular form of the word nokor (នគរ nôkôr), which comes from the Sanskrit/Pali word nagara (Devanāgarī: नगर). Wat (វត្ត vôtt) is the word for "temple grounds", also derived from Sanskrit/Pali vāṭa (Devanāgarī: वाट), meaning "enclosure"
The original name of the temple was Vrah Viṣṇuloka or Parama Viṣṇuloka meaning "the sacred dwelling of Vishnu".
History
Angkor Wat lies 5.5 kilometres (3+1⁄2 mi) north of the modern town of Siem Reap, and a short distance south and slightly east of the previous capital, which was centred at Baphuon. In an area of Cambodia where there is an essential group of ancient structures, it is the southernmost of Angkor's main sites.
The construction of Angkor Wat took place over 28 years from 1122 to 1150 CE during the reign of King Suryavarman II (ruled 1113–c. 1150).[1] A brahmin by the name of Divākarapaṇḍita (1040–c. 1120) was responsible for urging Suryavarman II to construct the temple. All of the original religious motifs at Angkor Wat derived from Hinduism. Breaking from the Shaiva tradition of previous kings, Angkor Wat was instead dedicated to Vishnu. It was built as the king's state temple and capital city. As neither the foundation stela nor any contemporary inscriptions referring to the temple have been found, its original name is unknown, but it may have been known as Vrah Viṣṇuloka after the presiding deity. Work seems to have ended shortly after the king's death, leaving some of the bas-relief decoration unfinished. The term Vrah Viṣṇuloka or Parama Viṣṇuloka literally means "The king who has gone to the supreme world of Vishnu", which refer to Suryavarman II posthumously and intend to venerate his glory and memory.
In 1177, approximately 27 years after the death of Suryavarman II, Angkor was sacked by the Chams, the traditional enemies of the Khmer. Thereafter the empire was restored by a new king, Jayavarman VII, who established a new capital and state temple (Angkor Thom and the Bayon, respectively), a few kilometers north, dedicated to Buddhism, because the king's new wife, Indratevi, a devout Mahayana Buddhist, encouraged him to convert. Angkor Wat was therefore also gradually converted into a Buddhist site, and many Hindu sculptures were replaced by Buddhist art.
Towards the end of the 12th century, Angkor Wat gradually transformed from a Hindu centre of worship to Buddhism, which continues to the present day. Angkor Wat is unusual among the Angkor temples in that although it was largely neglected after the 16th century, it was never completely abandoned. Fourteen inscriptions dated from the 17th century, discovered in the Angkor area, testify to Japanese Buddhist pilgrims that had established small settlements alongside Khmer locals. At that time, the temple was thought by the Japanese visitors to be the famed Jetavana garden of the Buddha, which was originally located in the kingdom of Magadha, India. The best-known inscription tells of Ukondayu Kazufusa, who celebrated the Khmer New Year at Angkor Wat in 1632.
The first Western visitor to the temple was António da Madalena, a Portuguese friar who visited in 1586 and said that it "is of such extraordinary construction that it is not possible to describe it with a pen, particularly since it is like no other building in the world. It has towers and decoration and all the refinements which the human genius can conceive of."
In 1622, The Poem of Angkor Wat composed in Khmer verse describes the beauty of Angkor Wat and creates a legend around the construction of the complex, supposedly a divine castle built for legendary Khmer king Preah Ket Mealea by Hindu god Preah Pisnukar (or Braḥ Bisṇukār, Vishvakarman), as Suryavarman II had already vanished from people's minds.
In 1860, with the help of French missionary Father Charles-Émile Bouillevaux, the temple was effectively rediscovered by the French naturalist and explorer Henri Mouhot, who popularised the site in the West through the publication of travel notes, in which he wrote:
One of these temples, a rival to that of Solomon, and erected by some ancient Michelangelo, might take an honorable place beside our most beautiful buildings. It is grander than anything left to us by Greece or Rome, and presents a sad contrast to the state of barbarism in which the nation is now plunged.
In 1861 German anthropologist Adolf Bastian undertook a four-year trip to Southeast Asia. His account of this trip, The People of East Asia, ran to six volumes. When Bastian finally published the studies and observations during his Journey through Cambodia to Cochinchina in Germany in 1868 – told in detail but uninspiredly, above all without a single one of his drawings of the Angkorian sites – this work hardly made an impression, while everyone was talking about Henri Mouhot's posthumous work with vivid descriptions of Angkor, Travels in the Central Parts of Indo-China, Siam, Cambodia and Laos, published in 1864 through the Royal Geographical Society.
There were no ordinary dwellings or houses or other signs of settlement, including cooking utensils, weapons, or items of clothing usually found at ancient sites.
The artistic legacy of Angkor Wat and other Khmer monuments in the Angkor region led directly to France adopting Cambodia as a protectorate on 11 August 1863 and invading Siam to take control of the ruins. This quickly led to Cambodia reclaiming lands in the northwestern corner of the country such as the areas of Siem Reap, Battambang, and Sisophon which were under Siamese rule from 1795 to 1907.
Angkor Wat's aesthetics were on display in the plaster cast museum of Louis Delaporte called musée Indo-chinois which existed in the Parisian Trocadero Palace from c.1880 to the mid-1920s.
The 20th century saw a considerable restoration of Angkor Wat. Gradually teams of laborers and archeologists pushed back the jungle and exposed the expanses of stone, permitting the sun to once again illuminate the dark corners of the temple. Angkor Wat caught the attention and imagination of a wider audience in Europe when the pavilion of French protectorate of Cambodia, as part of French Indochina, recreated the life-size replica of Angkor Wat during Paris Colonial Exposition in 1931.
Cambodia gained independence from France on 9 November 1953 and has controlled Angkor Wat since then. From the colonial period onwards, until the site was nominated a UNESCO World Heritage in 1992, the temple of Angkor Wat was instrumental in the formation of the modern and gradually globalised concept of built cultural heritage.
Restoration work was interrupted by the Cambodian Civil War and Khmer Rouge control of the country during the 1970s and 1980s, but relatively little damage was done during this period. Camping Khmer Rouge forces used whatever wood remained in the building structures for firewood, and a shoot-out between Khmer Rouge and Vietnamese forces put a few bullet holes in a basrelief. Far more damage was done after the wars, by art thieves working out of Thailand, which, in the late 1980s and early 1990s, claimed almost every head that could be lopped off the structures, including reconstructions.
The temple is a symbol of Cambodia and is a source of national pride that has factored into Cambodia's diplomatic relations with France, the United States, and its neighbour Thailand. A depiction of Angkor Wat has been a part of Cambodian national flags since the introduction of the first version circa 1863. From a larger historical and transcultural perspective, however, the temple of Angkor Wat did not become a symbol of national pride sui generis but had been inscribed into a larger politico-cultural process of French-colonial heritage production in which the original temple site was presented in French colonial and universal exhibitions in Paris and Marseille between 1889 and 1937.
In December 2015, it was announced that a research team from the University of Sydney had found a previously unseen ensemble of buried towers built and demolished during the construction of Angkor Wat, as well as a massive structure of unknown purpose on its south side and wooden fortifications. The findings include evidence of low-density residential occupation in the region, with a road grid, ponds, and mounds. These indicate that the temple precinct, bounded by a moat and wall, may not have been used exclusively by the priestly elite, as was previously thought. The team used LiDAR, ground-penetrating radar and targeted excavation to map Angkor Wat.
According to a myth, the construction of Angkor Wat was ordered by Indra to serve as a palace for his son Precha Ket Mealea. According to the 13th-century Chinese traveller Zhou Daguan, some believed that the temple was constructed in a single night by a divine architect.
Architecture
Angkor Wat is a unique combination of the temple mountain (the standard design for the empire's state temples) and the later plan of concentric galleries, most of which were originally derived from religious beliefs of Hinduism. The construction of Angkor Wat suggests that there was a celestial significance with certain features of the temple. This is observed in the temple's east–west orientation, and lines of sight from terraces within the temple that show specific towers to be at the precise location of the solstice at sunrise. The temple is a representation of Mount Meru, the home of the gods according to Hindu mythology: the central quincunx of towers symbolise the five peaks of the mountain, and the walls and moat symbolise the surrounding mountain ranges and ocean. Access to the upper areas of the temple was progressively more exclusive, with the laity being admitted only to the lowest level.
The Angkor Wat temple's main tower aligns with the morning sun of the spring equinox. Unlike most Khmer temples, Angkor Wat is oriented to the west rather than the east. This has led many (including Maurice Glaize and George Coedès) to conclude that Suryavarman intended it to serve as his funerary temple. Further evidence for this view is provided by the bas-reliefs, which proceed in a counter-clockwise direction—prasavya in Hindu terminology—as this is the reverse of the normal order. Rituals take place in reverse order during Brahminic funeral services.
Archaeologist Charles Higham also describes a container that may have been a funerary jar that was recovered from the central tower. It has been nominated by some as the greatest expenditure of energy on the disposal of a corpse. Freeman and Jacques, however, note that several other temples of Angkor depart from the typical eastern orientation, and suggest that Angkor Wat's alignment was due to its dedication to Vishnu, who was associated with the west.
Drawing on the temple's alignment and dimensions, and on the content and arrangement of the bas-reliefs, researcher Eleanor Mannikka argues that the structure represents a claimed new era of peace under King Suryavarman II: "as the measurements of solar and lunar time cycles were built into the sacred space of Angkor Wat, this divine mandate to rule was anchored to consecrated chambers and corridors meant to perpetuate the king's power and to honour and placate the deities manifest in the heavens above." Mannikka's suggestions have been received with a mixture of interest and scepticism in academic circles. She distances herself from the speculations of others, such as Graham Hancock, that Angkor Wat is part of a representation of the constellation Draco.
The oldest surviving plan of Angkor Wat dates to 1715 and is credited to Fujiwara Tadayoshi. The plan is stored in the Suifu Meitoku-kai Shokokan Museum in Mito, Japan.
Style
Angkor Wat is the prime example of the classical style of
Khmer architecture—the Angkor Wat style—to which it has given its name. By the 12th century, Khmer architects had become skilled and confident in the use of sandstone (rather than brick or laterite) as the main building material. Most of the visible areas are sandstone blocks, while laterite was used for the outer wall and hidden structural parts. The binding agent used to join the blocks is yet to be identified, although natural resins or slaked lime has been suggested.
The temple has drawn praise above all for the harmony of its design. According to Maurice Glaize, a mid-20th-century conservator of Angkor, the temple "attains a classic perfection by the restrained monumentality of its finely balanced elements and the precise arrangement of its proportions. It is a work of power, unity, and style."
Architecturally, the elements characteristic of the style include the ogival, redented towers shaped like lotus buds; half-galleries to broaden passageways; axial galleries connecting enclosures; and the cruciform terraces which appear along the main axis of the temple. Typical decorative elements are devatas (or apsaras), bas-reliefs, pediments, extensive garlands and narrative scenes. The statuary of Angkor Wat is considered conservative, being more static and less graceful than earlier work. Other elements of the design have been destroyed by looting and the passage of time, including gilded stucco on the towers, gilding on some figures on the bas-reliefs, and wooden ceiling panels and doors.
Architect Jacques Dumarçay believes the layout of Angkor Wat borrows Chinese influence in its system of galleries which join at right angles to form courtyards. However, the axial pattern embedded in the plan of Angkor Wat may be derived from Southeast Asian cosmology in combination with the mandala represented by the main temple.
Features
The outer wall, 1,024 m (3,360 ft) by 802 m (2,631 ft) and 4.5 m (15 ft) high, is surrounded by a 30 m (98 ft) apron of open ground and a moat 190 m (620 ft) wide and over 5 kilometres (3 mi) in perimeter. The moat extends 1.5 kilometres from east to west and 1.3 kilometres from north to south. Access to the temple is by an earth bank to the east and a sandstone causeway to the west; the latter, the main entrance, is a later addition, possibly replacing a wooden bridge. There are gopuras at each of the cardinal points; the western is by far the largest and has three ruined towers. Glaize notes that this gopura both hides and echoes the form of the temple proper.
Under the southern tower is a statue known as Ta Reach, originally an eight-armed statue of Vishnu that may have occupied the temple's central shrine. Galleries run between the towers and as far as two further entrances on either side of the gopura often referred to as "elephant gates", as they are large enough to admit those animals. These galleries have square pillars on the outer (west) side and a closed wall on the inner (east) side. The ceiling between the pillars is decorated with lotus rosettes; the west face of the wall with dancing figures; and the east face of the wall with balustered windows, dancing male figures on prancing animals, and devatas, including (south of the entrance) the only one in the temple to be showing her teeth.
The outer wall encloses a space of 820,000 square metres (203 acres), which besides the temple proper was originally occupied by the city and, to the north of the temple, the royal palace. Like all secular buildings of Angkor, these were built of perishable materials rather than of stone, so nothing remains of them except the outlines of some of the streets. Most of the area is now covered by forest. A 350 m (1,150 ft) causeway connects the western gopura to the temple proper, with naga balustrades and six sets of steps leading down to the city on either side. Each side also features a library with entrances at each cardinal point, in front of the third set of stairs from the entrance, and a pond between the library and the temple itself. The ponds are later additions to the design, as is the cruciform terrace guarded by lions connecting the causeway to the central structure.
Central structure
The temple stands on a terrace raised higher than the city. It is made of three rectangular galleries rising to a central tower, each level higher than the last. The two inner galleries each have four large towers at their ordinal corners (that is, NW, NE, SE, and SW) surrounding a higher fifth tower. This pattern is sometimes called a quincunx and represents the mountains of Meru. Because the temple faces west, the features are set back towards the east, leaving more space to be filled in each enclosure and gallery on the west side; for the same reason, the west-facing steps are shallower than those on the other sides.
Mannikka interprets the galleries as being dedicated to the king, Brahma, the moon, and Vishnu. Each gallery has a gopura at each of the points. The outer gallery measures 187 m (614 ft) by 215 m (705 ft), with pavilions rather than towers at the corners. The gallery is open to the outside of the temple, with columned half-galleries extending and buttressing the structure. Connecting the outer gallery to the second enclosure on the west side is a cruciform cloister called Preah Poan (meaning "The Thousand Buddhas" Gallery). Buddha images were left in the cloister by pilgrims over the centuries, although most have now been removed. This area has many inscriptions relating to the good deeds of pilgrims, most written in Khmer but others in Burmese and Japanese. The four small courtyards marked out by the cloister may originally have been filled with water. North and south of the cloister are libraries.
Beyond, the second and inner galleries are connected to two flanking libraries by another cruciform terrace, again a later addition. From the second level upwards, devatas abound on the walls, singly or in groups of up to four. The second-level enclosure is 100 m (330 ft) by 115 m (377 ft), and may originally have been flooded to represent the ocean around Mount Meru. Three sets of steps on each side lead up to the corner towers and gopuras of the inner gallery. The steep stairways may represent the difficulty of ascending to the kingdom of the gods. This inner gallery, called the Bakan, is a 60 m (200 ft) square with axial galleries connecting each gopura with the central shrine and subsidiary shrines located below the corner towers.
The roofings of the galleries are decorated with the motif of the body of a snake ending in the heads of lions or garudas. Carved lintels and pediments decorate the entrances to the galleries and the shrines. The tower above the central shrine rises 43 m (141 ft) to a height of 65 m (213 ft) above the ground; unlike those of previous temple mountains, the central tower is raised above the surrounding four. The shrine itself, originally occupied by a statue of Vishnu and open on each side, was walled in when the temple was converted to Theravada Buddhism, the new walls featuring standing Buddhas. In 1934, the conservator George Trouvé excavated the pit beneath the central shrine: filled with sand and water it had already been robbed of its treasure, but he did find a sacred foundation deposit of gold leaf two metres above ground level.
Decoration
Integrated with the architecture of the building, one of the causes for its fame is Angkor Wat's extensive decoration, which predominantly takes the form of bas-relief friezes. The inner walls of the outer gallery bear a series of large-scale scenes mainly depicting episodes from the Hindu epics the Ramayana and the Mahabharata. Higham has called these "the greatest known linear arrangement of stone carving". From the north-west corner anti-clockwise, the western gallery shows the Battle of Lanka (from the Ramayana, in which Rama defeats Ravana) and the Battle of Kurukshetra (from the Mahabharata, showing the mutual annihilation of the Kaurava and Pandava clans). On the southern gallery follow the only historical scene, a procession of Suryavarman II, then the 32 hells and 37 heavens of Hinduism.
On the eastern gallery is one of the most celebrated scenes, the Churning of the Sea of Milk, showing 92 asuras and 88 devas using the serpent Vasuki to churn the sea under Vishnu's direction (Mannikka counts only 91 asuras and explains the asymmetrical numbers as representing the number of days from the winter solstice to the spring equinox, and from the equinox to the summer solstice). It is followed by Vishnu defeating asuras (a 16th-century addition). The northern gallery shows Krishna's victory over Bana (where according to Glaize, "The workmanship is at its worst").
Angkor Wat is decorated with depictions of apsaras and devata; there are more than 1,796 depictions of devata in the present research inventory. Angkor Wat architects employed small apsara images (30–40 cm or 12–16 in) as decorative motifs on pillars and walls. They incorporated larger devata images (all full-body portraits measuring approximately 95–110 cm or 37–43 in) more prominently at every level of the temple from the entry pavilion to the tops of the high towers. In 1927, Sappho Marchal published a study cataloging the remarkable diversity of their hair, headdresses, garments, stance, jewellery, and decorative flowers, which Marchal concluded were based on actual practices of the Angkor period.
Construction techniques
The monument was made of five to ten million sandstone blocks with a maximum weight of 1.5 tons each. The entire city of Angkor used far greater amounts of stone than all the Egyptian pyramids combined and occupied an area significantly greater than modern-day Paris. Moreover, unlike the Egyptian pyramids, which use limestone quarried 0.5 km (1⁄4 mi) away, the entire city of Angkor was built with sandstone quarried 40 km (25 mi) (or more) away. This sandstone was transported from Mount Kulen, a quarry approximately 40 kilometres (25 mi) northeast.
The route has been suggested to span 35 kilometres (22 mi) along a canal towards Tonlé Sap lake, another 35 kilometres (22 mi) crossing the lake, and finally 15 kilometres (9 mi) against the current along Siem Reap River, making a total journey of 90 kilometres (55 mi). However, Etsuo Uchida and Ichita Shimoda of Waseda University in Tokyo, Japan have discovered in 2011 a shorter 35-kilometre (22 mi) canal connecting Mount Kulen and Angkor Wat using satellite imagery. The two believe that the Khmer used this route instead.
Virtually all of its surfaces, columns, lintels and even roofs are carved. There are kilometres of reliefs illustrating scenes from Indian literature including unicorns, griffins, winged dragons pulling chariots, as well as warriors following an elephant-mounted leader, and celestial dancing girls with elaborate hairstyles. The gallery wall alone is decorated with almost 1,000 m2 (11,000 sq ft) of bas reliefs. Holes on some of the Angkor walls indicate that they may have been decorated with bronze sheets. These were highly prized in ancient times and were prime targets for robbers.
While excavating Khajuraho, Alex Evans, a stonemason, and sculptor recreated a stone sculpture under 1.2 metres (4 ft), this took about 60 days to carve. Roger Hopkins and Mark Lehner also conducted experiments to quarry limestone which took 12 quarrymen 22 days to quarry about 400 tons of stone. The labour force to quarry, transport, carve and install so much sandstone probably ran into the thousands including many highly skilled artisans. The skills required to carve these sculptures were developed hundreds of years earlier, as demonstrated by some artefacts that have been dated to the seventh century, before the Khmer came to power.
Restoration and conservation
The contrast between restored and unrestored figures is deliberate. The major restoration of the causeway was first initiated in the 1960s by the French.
As with most other ancient temples in Cambodia, Angkor Wat has faced extensive damage and deterioration by a combination of plant overgrowth, fungi, ground movements, war damage, and theft. The war damage to Angkor Wat's temples however has been very limited, compared to the rest of Cambodia's temple ruins, and it has also received the most attentive restoration.
The restoration of Angkor Wat in the modern era began with the establishment of the Conservation d'Angkor (Angkor Conservancy) by the École française d'Extrême-Orient (EFEO) in 1908; before that date, activities at the site were primarily concerned with exploration. The Conservation d'Angkor was responsible for the research, conservation, and restoration activities carried out at Angkor until the early 1970s, and a major restoration of Angkor was undertaken in the 1960s.
Work on Angkor was abandoned during the Khmer Rouge era and the Conservation d'Angkor was disbanded in 1975. Between 1986 and 1992, the Archaeological Survey of India carried out restoration work on the temple, as France did not recognise the Cambodian government at the time. Criticisms have been raised about both the early French restoration attempts and the later Indian work, with concerns over the damage done to the stone surface by the use of chemicals and cement.
In 1992, following an appeal for help by Norodom Sihanouk, Angkor Wat was listed in UNESCO's World Heritage in Danger (later removed in 2004) and as a World Heritage Site together with an appeal by UNESCO to the international community to save Angkor. Zoning of the area was designated to protect the Angkor site in 1994, APSARA was established in 1995 to protect and manage the area, and a law to protect Cambodian heritage was passed in 1996.
Several countries such as France, Japan, and China are now involved in Angkor Wat conservation projects. The German Apsara Conservation Project (GACP) is working to protect the devatas, and other bas-reliefs that decorate the temple, from damage. The organisation's survey found that around 20% of the devatas were in very poor condition, mainly because of natural erosion and deterioration of the stone but in part also due to earlier restoration efforts. Other work involves the repair of collapsed sections of the structure, and prevention of further collapse: the west facade of the upper level, for example, has been buttressed by scaffolding since 2002, while a Japanese team completed the restoration of the north library of the outer enclosure in 2005.
Microbial biofilms have been found degrading sandstone at Angkor Wat, Preah Khan, and the Bayon and West Prasat in Angkor. The dehydration- and radiation-resistant filamentous cyanobacteria produce organic acids that degrade the stone. A dark filamentous fungus was found in internal and external Preah Khan samples, while the alga Trentepohlia was found only in samples taken from external, pink-stained stone at Preah Khan. Replicas have been made to replace some of the lost or damaged sculptures.
Tourism
Since the 1990s, Angkor Wat has become a major tourist destination. In 1993, there were only 7,650 visitors to the site; by 2004, government figures show that 561,000 foreign visitors had arrived in Siem Reap province that year, approximately 50% of all foreign tourists in Cambodia. The number reached over a million in 2007, and over two million by 2012. Most visited Angkor Wat, which received over two million foreign tourists in 2013, and 2.6 million by 2018.
The site was managed by the private SOKIMEX group between 1990 and 2016, which rented it from the Cambodian government. The influx of tourists has so far caused relatively little damage, other than some graffiti. Ropes and wooden steps have been introduced to protect the bas-reliefs and floors, respectively. Tourism has also provided some additional funds for maintenance—as of 2000 approximately 28% of ticket revenues across the entire Angkor site was spent on the temples—although most work is carried out by teams sponsored by foreign governments rather than by the Cambodian authorities.
Since Angkor Wat has seen significant growth in tourism throughout the years, UNESCO and its International Co-ordinating Committee for the Safeguarding and Development of the Historic Site of Angkor (ICC), in association with representatives from the Royal Government and APSARA, organised seminars to discuss the concept of "cultural tourism". Wanting to avoid commercial and mass tourism, the seminars emphasised the importance of providing high-quality accommodation and services for the Cambodian government to benefit economically, while also incorporating the richness of Cambodian culture. In 2001, this incentive resulted in the concept of the "Angkor Tourist City" which would be developed about traditional Khmer architecture, contain leisure and tourist facilities, and provide luxurious hotels capable of accommodating large numbers of tourists.
The prospect of developing such large tourist accommodations has encountered concerns from both APSARA and the ICC, claiming that previous tourism developments in the area have neglected construction regulations and that more of these projects have the potential to damage landscape features. Also, the large scale of these projects have begun to threaten the quality of the nearby town's water, sewage, and electricity systems. It has been noted that such high frequency of tourism and growing demand for quality accommodations in the area, such as the development of a large highway, has had a direct effect on the underground water table, subsequently straining the structural stability of the temples at Angkor Wat.
Locals of Siem Reap have also voiced concern that the charm and atmosphere of their town have been compromised to entertain tourism.[103] Since this local atmosphere is the key component to projects like Angkor Tourist City, the local officials continue to discuss how to successfully incorporate future tourism without sacrificing local values and culture.
At the ASEAN Tourism Forum 2012, it was agreed that Borobudur and Angkor Wat would become sister sites and the provinces sister provinces.
In 2020, the COVID-19 pandemic led to travel restrictions being introduced across the world, which had a severe impact on Cambodia's tourism sector. As a result, visitors to Angkor Wat plummeted, leaving the usually crowded complex almost deserted. Cambodia, including Angkor Wat, reopened to international visitors in late 2021, but as of the end of 2022 had only received a fraction of its pre-pandemic traffic: a total of 280,000 tourists visited the complex in 2022, versus 2.6 million in 2018. In 2023, the temple is seeing an increase in numbers over the previous year, having over 400,000 tourists by late July.
The Sydney Opera House nests its shells into a stunning piece of architecture - the Thames Barrier keeps them separate (and identical) and much more mundane.
The Thames Barrier spans 520m across the River Thames near Woolwich, and it protects 125 square kilometres of central London from flooding caused by tidal surges. It has 10 steel gates that can be raised into position across the River Thames. When raised, the main gates stand as high as a five-storey building and as wide as the opening of Tower Bridge. Each main gate weighs 3,300 tonnes.
The barrier is closed under storm surge conditions to protect London from flooding from the sea. It may also be closed during periods of high flow over Teddington Weir to reduce the risk of river flooding in some areas of west London including Richmond and Twickenham.
The Thames Barrier will then remain closed over high water until the water level downstream of the Thames Barrier has reduced to the same level as upstream. This is a managed process to provide for different circumstances, and takes about five hours. The Thames Barrier is then opened, allowing the water upstream to flow out to sea with the outward-bound tide.
The Environment Agency has closed the Thames Barrier 174 times since it became operational in 1982 (as of July 2014). Of these closures, 87 were to protect against tidal flooding and 87 were to alleviate river flooding. The frequency of closures has increased over recent decades:
In the 1980s there were 4 closures
In the 1990s there were 35 closures
In the 2000s there were 75 closures
In the 2010s there were 65 closures (as of July 2014)
The barrier is currently expected to be in service until at least 2030, and possibly as far into the future as 2070, although scientists and academics are already suggesting that a replacement needs construction now.
Seen at low tide on a sunny October morning.
Saint-Stephen Cathedral Metz, France, is a Rayonnant Gothic edifice built with the local yellow Jaumont limestone. Like in French Gothic architecture, the building is compact, with slight projection of the transepts and subsidiary chapels. However, it displays singular, distinctive characteristics in both its ground plan and architecture compared to most of the other cathedrals. Because of topography of Moselle valley in Metz, the common west-east axis of the ground plan could not be applied and the church is oriented north-northeast. Moreover, unlike the French and German Gothic cathedrals having three portals surmounted by a rose window and two large towers, Saint-Stephen of Metz has a single porch at its western facade. One enters laterally in the edifice by another portal placed at the south-western side of the narthex, declining the usual alignment of the entrance with the choir. The nave is supported by flying buttresses and culminates at 41.41 metres high, making one of the highest naves in the world. The height of the nave is contrasted by the relatively low height of the aisles with 14.3 metres high, reinforcing the sensation of tallness of the nave. This feature permitted the architects to create large, tall expanses of stained glass. Through its history, Saint-Stephen Cathedral was subjected to architectural and ornamental modifications with successive additions of Neoclassical and Neogothic elements.
The edification of Saint-Stephen of Metz took place on an Ancient site from the 5th century. The construction of the Gothic cathedral began in 1220 within the walls of an Ottonian basilica dating from the 10th century. The integration into the cathedral's ground plan of a Gothic chapel from the 12th century at the western end resulted in the absence of a main western portal; the south-western porch of the cathedral being the entrance of the former chapel. The work was completed around 1520 and the new cathedral was consecrated on 11 April 1552. In 1755, French architect Jacques-François Blondel was awarded by the Royal Academy of Architecture to built a Neoclassical portal at the West end of the cathedral. He disengaged the cathedral's facade by razing an adjacent cloister and three attached churches and achieved the westwork in 1764. In 1877, the Saint-Stephen of Metz was heavily damaged after a conflagration due to fireworks. After this incident, it was decided the refurbishment of the cathedral and its adornments within a Neogothic style. The western facade was completely rebuilt between 1898 and 1903; the Blondel's portal was demolished and a new Neogothic portal was added.
More Essex Churches
These are more examples of Essex Church images that show the Architecture, the Interiors, the Exteriors and especially the Stained Glass Windows that I have taken over the last two to three years. Hope you enjoy them as much as I did visiting them.
Billericay is a large town of Essex of approx 35,000 people and close to the now City of Chelmsford (8.9 miles) with close ties to rail and motorway (M25).
The United Reformed Church had it’s original building in Billericay High Street, this building still stands and is a remarkable survivor of religious intolerance. This early building was believed to have been owned by Christopher Martin who later became the Governor of the ship ‘The Mayflower’, he unfortunately was not able to fllow his dream of Non-Conformism and died shortly after his arrival in America. However 4 or 5 others from Billericay did.
The Church itself is now in Chapel Street and in 1725 a lease was obtained and by the 1750’s the freehold was purchased. This now was taken down (now called the Old Burial Ground) and a new building was erected further up Chapel Street at the cost of £1,455, Architect was James Fenton, who had a blue plaque unveiled in 2012 in Chelmsford and was buried in the Non-Conformist Graveyard in London Road, Chelmsford.
Unfortuately I haven’t been inside the building so I have managed to find out more about this historical place.
Our hotel stay.
Just a few hundred metres from Bigbury-on-Sea on the south Devon coast, the privately-owned Burgh Island is accessible by foot on a low tide (guests can be whisked across the sandy causeway by Land Rover), or via the charming 50-year-old sea tractor at high tide. There’s one 14th-century pub, The Pilchard Inn, and not much else – which is part of its magic.
Dress to impress and imagine a scene from a Hercule Poirot story (Agatha Christie wrote two of her books here and murder mystery nights are regular events at the hotel). From the chandeliers to the collection of vintage cocktail shakers and original 30s billiard table in the billiard room, everything in this hotel has been lovingly restored to its Art Deco glory, in keeping with original 1929 architecture. The imposing white building is shaped like a cruise ship – in fact the Captain’s Cabin is taken from the 1821 warship HMS Ganges – and it’s complete with a poop deck. The glass dome roof of Palm Court Lounge is particularly impressive.
The National Congress of Brazil:
Since the 1960s, the National Congress has its seat in Brasilia. As most of the official buildings in the city, it was designed by Oscar Niemeyer following the style of modern Brazilian architecture. The semisphere to the left is the seat of the Senate, and the semisphere to the right is the seat of the Chamber of the Deputies. Between them there are two towers of offices. The Congress also occupies other surrounding buildings, some of them interconnected by a tunnel. The building is located in the middle of the Monumental axis, the main street of the city. In front of it there is a large lawn (the other side), where demonstrations take place. At the rear of the building, is the Praça dos Três Poderes (Square of Three Powers), where the Palácio do Planalto Planalto Palace) and the Palace of Justice.
Model 3D and location on Google Earth:
sketchup.google.com/3dwarehouse/details?mid=ce652ca7afd13...
See:
www.largo.com.br/panoramas/congresso_justica.htm
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Esperando que esse 12 de setembro não fique conhecido como dia do atentado a nossa democracia e as nossas "torres gêmeas"... que triste tudo isso que está acontecendo.... pobre país....