View allAll Photos Tagged architecture--the
views of the Church through a small window. Voznesenija Gospodnja church in Kolomenskoe (Moscow). The temple is a masterpiece of the world architecture, the first stone tent temple in Russia. It is constructed in 1528-1532.
(Not an impressive photo though)
I wanted to get it in one complete framing!
Darjeeling, the land of thunderbolt, is a quintessence of natural beauty making it prevalently known as the ‘Queen of the hills’. This nature’s best destination will let you explore the most serene and peaceful locations of all times, one of them being the Japanese Peace Pagoda.
Considered as a symbol of peace and religion, the Pagoda is an extremely popular Buddhist temple and monastery.
It symbolizes global peace
The Japanese Peace Pagoda of Darjeeling was built by a Buddhist monk Fuiji to spread a message of harmony all around the world after the bombings in Hiroshima and Nagasaki. The foundation stone of this place was laid in the year 1972 by Fuiji and was completed by his favourite disciple Guruji Fuiji in the year 1992. The main motive of the place is to welcome individuals from every part of the world, regardless of any religion and express a message of religious equality and harmony. A visit to this beautiful place will surely give you immense peace and a sense of positivity.
The spectacular view
Once you reach at the top of the Pagoda, you will be unquestionably fascinated and dazed by the view it offers. There is greenery all around you. Also, if you are lucky enough to visit the Pagoda on a clear day, you will get an opportunity to see the snow laden white mountains. The vibe here is something that will make you feel entirely unperturbed.
The mesmerizing architecture
The Pagoda is just at a short distance from the Japanese temple which is built in a traditional Japanese style. The amazing architecture of the temple will completely leave you captivated. There are also prayers held at this temple, which can be attended by tourists.One can pay a visit to this sacred shrine throughout the year. People of all faiths visit Peace Pagoda frequently. Moreover, no one is bounded to attend the prayers. One can exit from the prayer hall whenever he/she likes. Before exiting, sweets (Prasad) are offered to the visitors.
There are no charges for clicking photos but making videos of the main prayer hall is entirely prohibited.
A visit to this beautiful place will surely give you immense level of mental relaxation. Whenever you visit this beautiful city of hills, make sure to include a visit to the Japanese Pagoda in your list of things to do in Darjeeling.
Sagrada Família, Barcelona, España.
El Templo Expiatorio de la Sagrada Familia, conocido simplemente como la Sagrada Familia, es una basílica católica de Barcelona (España), diseñada por el arquitecto Antoni Gaudí. Iniciada en 1882, todavía está en construcción (noviembre de 2016). Es la obra maestra de Gaudí, y el máximo exponente de la arquitectura modernista catalana.
La Sagrada Familia es un reflejo de la plenitud artística de Gaudí: trabajó en ella durante la mayor parte de su carrera profesional, pero especialmente en los últimos años de su carrera, donde llegó a la culminación de su estilo naturalista, haciendo una síntesis de todas las soluciones y estilos probados hasta aquel entonces. Gaudí logró una perfecta armonía en la interrelación entre los elementos estructurales y los ornamentales, entre plástica y estética, entre función y forma, entre contenido y continente, logrando la integración de todas las artes en un todo estructurado y lógico.
La Sagrada Familia tiene planta de cruz latina, de cinco naves centrales y transepto de tres naves, y ábside con siete capillas. Ostenta tres fachadas dedicadas al Nacimiento, Pasión y Gloria de Jesús y, cuando esté concluida, tendrá 18 torres: cuatro en cada portal haciendo un total de doce por los apóstoles, cuatro sobre el crucero invocando a los evangelistas, una sobre el ábside dedicada a la Virgen y la torre-cimborio central en honor a Jesús, que alcanzará los 172,5 metros de altura. El templo dispondrá de dos sacristías junto al ábside, y de tres grandes capillas: la de la Asunción en el ábside y las del Bautismo y la Penitencia junto a la fachada principal; asimismo, estará rodeado de un claustro pensado para las procesiones y para aislar el templo del exterior. Gaudí aplicó a la Sagrada Familia un alto contenido simbólico, tanto en arquitectura como en escultura, dedicando a cada parte del templo un significado religioso.
The Expiatory Church of the Sagrada Familia, known simply as the Sagrada Familia, is a Roman Catholic basilica in Barcelona, Spain, designed by architect Antoni Gaudí. Begun in 1882, it is still under construction (November 2016). It is Gaudí's masterpiece and the greatest exponent of Catalan modernist architecture.
The Sagrada Familia is a reflection of Gaudí's artistic plenitude: he worked on it for most of his professional career, but especially in his later years, where he reached the culmination of his naturalistic style, synthesizing all the solutions and styles he had tried up to that point. Gaudí achieved perfect harmony in the interrelationship between structural and ornamental elements, between plasticity and aesthetics, between function and form, between content and container, achieving the integration of all the arts into a structured and logical whole. The Sagrada Familia has a Latin cross plan, five central naves, a three-aisled transept, and an apse with seven chapels. It boasts three façades dedicated to the Birth, Passion, and Glory of Jesus. When completed, it will have 18 towers: four at each portal, making a total of twelve for the apostles, four over the transept invoking the evangelists, one over the apse dedicated to the Virgin, and the central dome tower in honor of Jesus, which will reach 172.5 meters in height. The temple will have two sacristies next to the apse and three large chapels: the Assumption Chapel in the apse and the Baptism and Penance Chapels next to the main façade. It will also be surrounded by a cloister designed for processions and to isolate the temple from the exterior. Gaudí applied a highly symbolic content to the Sagrada Familia, both in architecture and sculpture, dedicating each part of the temple to a religious significance.
Hospitalfield House is an arts centre and historic house in Arbroath, Angus, Scotland, regarded as "one of the finest country houses in Scotland". It is believed to be "Scotland's first school of fine art" and the first art college in Britain. It is a registered charity under Scottish law. A range of prominent Scottish artists have worked there, including Joan Eardley, Peter Howson, Will Maclean, Robert Colquhoun, Robert MacBryde, William Gear, Alasdair Gray, Wendy McMurdo, and Callum Innes.
A hospital was founded on the site in the 13th century by monks from nearby Arbroath Abbey as a leprosy and plague hospice called the Hospital of St John the Baptist. The property was purchased by the Reverend James Fraser around 1664 and was subsequently owned by successive generations of the Fraser family. Walter Scott visited the house in 1813, and he used it as the model for "Monkbarns" in his novel The Antiquary (1816).
The last Fraser to own the property was the wealthy heiress Elizabeth Fraser (1805–1873). In 1843, she married Scottish artist Patrick Allan, who later added the Fraser surname to his and became known as Patrick Allan-Fraser. The son of an Arbroath weaving merchant, he had studied art in Edinburgh and became a painter. In 1842, he had been commissioned to do a series of illustrations for an edition of Scott's The Antiquary. While carrying out this work, he had visited Hospitalfield House that year and met Elizabeth Fraser, who was a widow eight years his senior, and they were married the following year.
Together, they embarked on substantial remodelling of Hospitalfield House. The renovations used mainly local craftsmen and converted an 18th-century barn into a gallery, added a five-storey bartizan and a large wing. He had a keen interest in the arts and set up the Patrick Allan-Fraser of Hospitalfield Trust to support young artists. Hospitalfield House was bequeathed "for the promotion of Education in the Arts" upon the death of Allan-Fraser in 1890, there being no heirs to his estate.
The building is now a residential art centre, music and conference venue. It is open to the public for four open weekends per year and for other events, including afternoon tours on the first Wednesday of each month.
In 2008, it was used as a film location for the docu-drama "Children of the Dead End", starring Stephen Rea.
In 2015, Hospitalfield curated and organised Graham Fagen's exhibition for Scotland + Venice, a collateral event of the 56th International Art Exhibition – La Biennale di Venezia.
Architecture
The red sandstone building is in the Gothic style and draws on medieval domestic architecture. Allan-Fraser was heavily indebted to the Arts and Crafts movement; this is evident in the design of the building, which features crenallated parapets, crow-stepped gables and oriel windows. In 1901, a new studio block was added with north-west facing windows. A smaller room contains a skylight, and there are yards for outdoor sculpture
Fénis, Val d'Aosta, Italia.
Fénis es un municipio italiano de 1.792 habitantes que se encuentra ubicado en el Valle de Aosta.
El pueblo de Fénis se sitúa en el principal valle de la región. Sin embargo, la mayoría de su territorio se halla en un valle lateral, cuyo nombre es val Clavalité, un valle selvaje cubierto de bosques, y en el cercano valle de Saint-Julien. El val Clavalité conserva una selva de 2.236 hectaréas, que cubre el 32,7% del territorio del municipio.
Fénis es muy famosa por su castillo, unos de los más importantes de Valle de Aosta por su extraordinaria arquitectura. El castillo es una de las principales atracciones turísticas del Valle.
Fénis is an Italian municipality of 1,792 inhabitants located in the Aosta Valley.
The town of Fénis is located in the main valley of the region. However, the majority of its territory is located in a side valley, whose name is val Clavalité, a jungle valley covered with forests, and in the nearby Saint-Julien valley. The Clavalité Valley preserves a forest of 2,236 hectares, which covers 32.7% of the municipality's territory.
Fénis is very famous for its castle, one of the most important in Valle d'Aosta for its extraordinary architecture. The castle is one of the main tourist attractions in the Valley.
Forgive me if I put photos that maybe you think they look alike, but, honestly, they are not the same, the city of Miami is changing, I do not say this for its residents, if not rather it is that every time you go out to the street you find one crane with new construction. Since I started making these panoramas, I was motivated by that, I want to one day move this in sequences and for years, although in the last four years the architectural growth has been much faster, if you look at some of my photos you will see the number of buildings that have been done so far, so this is to never end, apart from the architectural, the skies of Miami, the daylight and the afternoon, are worth always worth taking a photograph, of which I have hundreds of them honestly.
amazing architecture... the "Dortmunder U", a former brewery building in the city of Dortmund, Germany. Since 2010 it has served as a center for the arts and creativity, housing among other facilities the Museum Ostwall
Sagrada Família, Barcelona, España.
El Templo Expiatorio de la Sagrada Familia, conocido simplemente como la Sagrada Familia, es una basílica católica de Barcelona (España), diseñada por el arquitecto Antoni Gaudí. Iniciada en 1882, todavía está en construcción (noviembre de 2016). Es la obra maestra de Gaudí, y el máximo exponente de la arquitectura modernista catalana.
La Sagrada Familia es un reflejo de la plenitud artística de Gaudí: trabajó en ella durante la mayor parte de su carrera profesional, pero especialmente en los últimos años de su carrera, donde llegó a la culminación de su estilo naturalista, haciendo una síntesis de todas las soluciones y estilos probados hasta aquel entonces. Gaudí logró una perfecta armonía en la interrelación entre los elementos estructurales y los ornamentales, entre plástica y estética, entre función y forma, entre contenido y continente, logrando la integración de todas las artes en un todo estructurado y lógico.
La Sagrada Familia tiene planta de cruz latina, de cinco naves centrales y transepto de tres naves, y ábside con siete capillas. Ostenta tres fachadas dedicadas al Nacimiento, Pasión y Gloria de Jesús y, cuando esté concluida, tendrá 18 torres: cuatro en cada portal haciendo un total de doce por los apóstoles, cuatro sobre el crucero invocando a los evangelistas, una sobre el ábside dedicada a la Virgen y la torre-cimborio central en honor a Jesús, que alcanzará los 172,5 metros de altura. El templo dispondrá de dos sacristías junto al ábside, y de tres grandes capillas: la de la Asunción en el ábside y las del Bautismo y la Penitencia junto a la fachada principal; asimismo, estará rodeado de un claustro pensado para las procesiones y para aislar el templo del exterior. Gaudí aplicó a la Sagrada Familia un alto contenido simbólico, tanto en arquitectura como en escultura, dedicando a cada parte del templo un significado religioso.
The Expiatory Church of the Sagrada Familia, known simply as the Sagrada Familia, is a Roman Catholic basilica in Barcelona, Spain, designed by architect Antoni Gaudí. Begun in 1882, it is still under construction (November 2016). It is Gaudí's masterpiece and the greatest exponent of Catalan modernist architecture.
The Sagrada Familia is a reflection of Gaudí's artistic plenitude: he worked on it for most of his professional career, but especially in his later years, where he reached the culmination of his naturalistic style, synthesizing all the solutions and styles he had tried up to that point. Gaudí achieved perfect harmony in the interrelationship between structural and ornamental elements, between plasticity and aesthetics, between function and form, between content and container, achieving the integration of all the arts into a structured and logical whole. The Sagrada Familia has a Latin cross plan, five central naves, a three-aisled transept, and an apse with seven chapels. It boasts three façades dedicated to the Birth, Passion, and Glory of Jesus. When completed, it will have 18 towers: four at each portal, making a total of twelve for the apostles, four over the transept invoking the evangelists, one over the apse dedicated to the Virgin, and the central dome tower in honor of Jesus, which will reach 172.5 meters in height. The temple will have two sacristies next to the apse and three large chapels: the Assumption Chapel in the apse and the Baptism and Penance Chapels next to the main façade. It will also be surrounded by a cloister designed for processions and to isolate the temple from the exterior. Gaudí applied a highly symbolic content to the Sagrada Familia, both in architecture and sculpture, dedicating each part of the temple to a religious significance.
Abberton, Essex – St Andrew’s Church
These are a few more examples of Essex Churches that I have taken over a long period of time. Including the Architecture, the Interiors, the Exteriors and especially the Stained Glass Windows. I have also included the Commonwealth War Graves with any outside statues.
I have already posted some images of St Andrew’s Church some time ago, this now completes the series.
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The Jardim da Manga, Coimbra is one of the earliest examples of full renaissance architecture in Portugal. It was built in the XVI century and is a national monument since 1934.
The Jardim da Manga is characterized by a central dome -shaped body which rests on eight columns and is surrounded by four small chapels. Noteworthy are the water games inspired by Moorish architecture.
The Jardim da Manga is inspired on the fountain of life and was once a central area of the Santa Cruz monastery of which now only the church of Santa Cruz remains.
Locally there is a belief that when King John III of Portugal visited the monastery and faced with a large open space made a drawing of the fountain on his sleeve and asked for it to be realized on the spot where it stands today, hence the name Jardim da Manga – The garden of the sleeve.
The Elihu Benjamin Washburne House was built for and owned by Elihu Benjamin Washburne, a prominent Galena lawyer who served in Congress during the Civil War, and as Secretary of State and Minister to France under President Ulysses S. Grant, another famous Galenian. Constructed in 1844–45, the Washburne House is an example of late Greek Revival architecture. The house was built in the style of Greek temples and features a 2-story porch with four fluted Doric columns.
The Washburne House is a declared Illinois State Historic Site, and was also listed in 1973 on the National Register of Historic Places. Additionally, the Washburne House is a contributing structure in the Galena Historic District which encompasses 85 percent of the City of Galena and includes more than 800 properties. The Galena Historic District was added to the National Register of Historic Places in 1969, with modifications in 2013.
Galena is the seat of Jo Daviess County in the northwest corner of Illinois. This is the unglaciated area of northwestern Illinois. The rolling hills, history and abundant 19th century architecture draws visitors from throughout the country. The estimated population of Galena in 2019 was 3,158.
Monasterio de San Juan de los Reyes, Toledo, Castilla-La Mancha, España.
El convento de San Juan de los Reyes es un cenobio de la ciudad española de Toledo perteneciente a la Orden Franciscana, que fue construido bajo el patrocinio de la reina Isabel I de Castilla con la intención de convertirlo en mausoleo real, en conmemoración de la batalla de Toro y del nacimiento del príncipe Juan. Se trata de una de las más valiosas muestras del estilo gótico isabelino y el edificio más importante erigido por los Reyes Católicos. El convento es, además, un monumento conmemorativo de los logros de los Reyes Católicos y de su programa político.
El templo, que se terminó en 1495, corresponde plenamente al tipo isabelino, de una sola nave con capillas-hornacinas entre los contrafuertes y con coro elevado a los pies. Se construyó en varias etapas por los que el proyecto inicial fue modificado en varias ocasiones. En un primer momento la nave central estaba coronada por una austera bóveda cuyo último pilar, que corresponde al crucero, fortalecía el punto de apoyo del cimborrio formando un grueso contrafuerte. Pero en 1484 el proyecto primitivo fue remodelado por la mano de Guas que trasformó la cabecera en una capilla funeraria revestida por un cimborrio, pensada para los enterramientos de los Reyes Católicos. Esto no se llegó a realizar y es por lo que el espacio de la cabecera da una sensación de vacío. La solución llegó en una segunda fase, ya muerto Juan Guas, en la que el proyecto se simplificó. La profusa ornamentación del templo muestra los símbolos de los Reyes Católicos, así como el águila de San Juan y decoración heráldica. El perímetro interior de la iglesia está recorrido por una franja con un texto conmemorativo, lo que puede considerarse una adaptación de la epigrafía árabe a la arquitectura cristiana. El escultor Egas Cueman colaboró decisivamente en la decoración del conjunto.
El claustro, construido tras la muerte de Guas, está formado por bóvedas de crucería sin clave central y un arco conopial mixtilíneo en la galería del segundo piso. En los arcos de entibo aparecen como decoración figuras en los ángulos, y en los tímpanos de las puertas está representada la Verónica. Pero lo más destacado desde el punto de vista iconográfico es el muro, decorado con cenefas vegetales a modo de alfiz, dejando espacio para pinturas y esculturas. Otra de las puertas del claustro muestra un arco tribulado más abierto relacionado ya con modelos de Enrique Egas de época posterior.
The convent of San Juan de los Reyes is a monastery in the Spanish city of Toledo belonging to the Franciscan Order, which was built under the patronage of Queen Isabel I of Castile with the intention of converting it into a royal mausoleum, in commemoration of the battle of Toro and the birth of Prince Juan. It is one of the most valuable examples of the Isabelline Gothic style and the most important building erected by the Catholic Monarchs. The convent is also a commemorative monument of the achievements of the Catholic Monarchs and their political programme.
The temple, which was completed in 1495, fully corresponds to the Isabelline type, with a single nave with chapels-niche between the buttresses and with a raised choir at the foot. It was built in several stages, due to which the initial project was modified on several occasions. At first, the central nave was crowned by an austere vault, the last pillar of which, corresponding to the transept, strengthened the support point of the dome, forming a thick buttress. But in 1484, the original project was remodelled by Guas, who transformed the apse into a funerary chapel covered by a dome, designed for the burial of the Catholic Monarchs. This was never carried out, and that is why the space of the apse gives a feeling of emptiness. The solution came in a second phase, after Juan Guas' death, in which the project was simplified. The profuse ornamentation of the temple shows the symbols of the Catholic Monarchs, as well as the eagle of Saint John and heraldic decoration. The interior perimeter of the church is traversed by a strip with a commemorative text, which can be considered an adaptation of Arabic epigraphy to Christian architecture. The sculptor Egas Cueman collaborated decisively in the decoration of the complex.
The cloister, built after Guas' death, is made up of ribbed vaults without a central keystone and a mixed-linear ogee arch in the second-floor gallery. The arches are decorated with figures in the corners, and Veronica is depicted on the tympanums of the doors. But the most notable thing from an iconographic point of view is the wall, decorated with plant borders like an alfiz, leaving space for paintings and sculptures. Another of the cloister doors has a more open tribulated arch related to models by Enrique Egas from a later period.
Das Brusttuch ist ein bemekenswertes Beispiel mittelalterlicher Baukunst. Die Schnitzarbeiten an den Holzbalken verdienen besondere Aufmerksamkeit.
The "Brusttuch" is a remarkable example of medieval architecture. The carvings on the wooden beams deserve special attention.
* Multi-Story car parks are not the most attractive structures . However sometimes they give you a great viewpoint . From the top of the Flemmingate carpark you can look across to see Beverley Minster. I took this shot just before sunset . I used my Iphone for the shot
Beverley Minster is a magnificent Gothic church in Beverley, East Yorkshire. It is one of the largest parish churches in the UK and is often mistaken for a cathedral due to its grand scale and stunning architecture. The minster is renowned for its intricate stonework, beautiful stained glass windows, and twin west towers, which are reminiscent of Westminster Abbey. The present church was built between the 13th and 15th centuries in Gothic style.
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Sagrada Família, Barcelona, España.
El Templo Expiatorio de la Sagrada Familia, conocido simplemente como la Sagrada Familia, es una basílica católica de Barcelona (España), diseñada por el arquitecto Antoni Gaudí. Iniciada en 1882, todavía está en construcción (noviembre de 2016). Es la obra maestra de Gaudí, y el máximo exponente de la arquitectura modernista catalana.
La Sagrada Familia es un reflejo de la plenitud artística de Gaudí: trabajó en ella durante la mayor parte de su carrera profesional, pero especialmente en los últimos años de su carrera, donde llegó a la culminación de su estilo naturalista, haciendo una síntesis de todas las soluciones y estilos probados hasta aquel entonces. Gaudí logró una perfecta armonía en la interrelación entre los elementos estructurales y los ornamentales, entre plástica y estética, entre función y forma, entre contenido y continente, logrando la integración de todas las artes en un todo estructurado y lógico.
La Sagrada Familia tiene planta de cruz latina, de cinco naves centrales y transepto de tres naves, y ábside con siete capillas. Ostenta tres fachadas dedicadas al Nacimiento, Pasión y Gloria de Jesús y, cuando esté concluida, tendrá 18 torres: cuatro en cada portal haciendo un total de doce por los apóstoles, cuatro sobre el crucero invocando a los evangelistas, una sobre el ábside dedicada a la Virgen y la torre-cimborio central en honor a Jesús, que alcanzará los 172,5 metros de altura. El templo dispondrá de dos sacristías junto al ábside, y de tres grandes capillas: la de la Asunción en el ábside y las del Bautismo y la Penitencia junto a la fachada principal; asimismo, estará rodeado de un claustro pensado para las procesiones y para aislar el templo del exterior. Gaudí aplicó a la Sagrada Familia un alto contenido simbólico, tanto en arquitectura como en escultura, dedicando a cada parte del templo un significado religioso.
The Expiatory Church of the Sagrada Familia, known simply as the Sagrada Familia, is a Roman Catholic basilica in Barcelona, Spain, designed by architect Antoni Gaudí. Begun in 1882, it is still under construction (November 2016). It is Gaudí's masterpiece and the greatest exponent of Catalan modernist architecture.
The Sagrada Familia is a reflection of Gaudí's artistic plenitude: he worked on it for most of his professional career, but especially in his later years, where he reached the culmination of his naturalistic style, synthesizing all the solutions and styles he had tried up to that point. Gaudí achieved perfect harmony in the interrelationship between structural and ornamental elements, between plasticity and aesthetics, between function and form, between content and container, achieving the integration of all the arts into a structured and logical whole. The Sagrada Familia has a Latin cross plan, five central naves, a three-aisled transept, and an apse with seven chapels. It boasts three façades dedicated to the Birth, Passion, and Glory of Jesus. When completed, it will have 18 towers: four at each portal, making a total of twelve for the apostles, four over the transept invoking the evangelists, one over the apse dedicated to the Virgin, and the central dome tower in honor of Jesus, which will reach 172.5 meters in height. The temple will have two sacristies next to the apse and three large chapels: the Assumption Chapel in the apse and the Baptism and Penance Chapels next to the main façade. It will also be surrounded by a cloister designed for processions and to isolate the temple from the exterior. Gaudí applied a highly symbolic content to the Sagrada Familia, both in architecture and sculpture, dedicating each part of the temple to a religious significance.
Fénis, Val d'Aosta, Italia.
Fénis es un municipio italiano de 1.792 habitantes que se encuentra ubicado en el Valle de Aosta.
El pueblo de Fénis se sitúa en el principal valle de la región. Sin embargo, la mayoría de su territorio se halla en un valle lateral, cuyo nombre es val Clavalité, un valle selvaje cubierto de bosques, y en el cercano valle de Saint-Julien. El val Clavalité conserva una selva de 2.236 hectaréas, que cubre el 32,7% del territorio del municipio.
Fénis es muy famosa por su castillo, unos de los más importantes de Valle de Aosta por su extraordinaria arquitectura. El castillo es una de las principales atracciones turísticas del Valle.
Fénis is an Italian municipality of 1,792 inhabitants located in the Aosta Valley.
The town of Fénis is located in the main valley of the region. However, the majority of its territory is located in a side valley, whose name is val Clavalité, a jungle valley covered with forests, and in the nearby Saint-Julien valley. The Clavalité Valley preserves a forest of 2,236 hectares, which covers 32.7% of the municipality's territory.
Fénis is very famous for its castle, one of the most important in Valle d'Aosta for its extraordinary architecture. The castle is one of the main tourist attractions in the Valley.
Fénis, Val d'Aosta, Italia.
Fénis es un municipio italiano de 1.792 habitantes que se encuentra ubicado en el Valle de Aosta.
El pueblo de Fénis se sitúa en el principal valle de la región. Sin embargo, la mayoría de su territorio se halla en un valle lateral, cuyo nombre es val Clavalité, un valle salvaje cubierto de bosques, y en el cercano valle de Saint-Julien. El val Clavalité conserva una selva de 2.236 hectaréas, que cubre el 32,7% del territorio del municipio.
Fénis es muy famosa por su castillo, unos de los más importantes de Valle de Aosta por su extraordinaria arquitectura. El castillo es una de las principales atracciones turísticas del Valle.
Fénis is an Italian municipality of 1,792 inhabitants located in the Aosta Valley.
The town of Fénis is located in the main valley of the region. However, the majority of its territory is located in a side valley, whose name is val Clavalité, a jungle valley covered with forests, and in the nearby Saint-Julien valley. The Clavalité Valley preserves a forest of 2,236 hectares, which covers 32.7% of the municipality's territory.
Fénis is very famous for its castle, one of the most important in Valle d'Aosta for its extraordinary architecture. The castle is one of the main tourist attractions in the Valley.
St Andrew's Church (Andriivska tserkva) is an Orthodox church in Kyiv, constructed between 1747 and 1754 to a design by the Italian architect Bartolomeo Rastrelli, a rare example of Elizabethan Baroque in Ukraine. Situated on a steep hill, where Andrew the Apostle is believed to have foretold the great future of the place as the cradle of Christianity in the Slavic lands, the church overlooks the historic Podil neighborhood. Since 1968, the building has been a museum, part of the National Sanctuary "Sophia of Kyiv" as a landmark of cultural heritage.
The church was consecrated in honor of Andrew the Apostle who is recognized as the "Apostle of Rus′". According to the chronicle The Tale of Bygone Years, Saint Andrew came to the Dnipro River's slopes in the 1st century AD and erected a cross on the current location of the church. He prophesied that the sparsely inhabited area would become a great city. As he predicted, the site arose to become the city of Kiev, a center of the Eastern Orthodox faith in Rus′.
The uniqueness of St. Andrew's Church in Kyiv (1748–1767) is in its unusual location and architecture. The temple was built on an artificial hill, and the foundation for it is the terrace of a two-story building - a stylobate, to which a large cast-iron staircase leads.
This is the only known monument of history, architecture and painting of the 18th century on the territory of Ukraine, created in the imperial baroque style according to the project of the outstanding Italian architect Francesco Bartolomeo Rastrelli.
Андріївська гора - узвишшя на правому березі Дніпра. У районі Андріївської гори знаходилося слов'янське язичницьке капище, зокрема – головного слов'янського бога Перуна. Легенда пов'язує назву гори з освяченням її в I столітті н.е. апостолом Андрієм Первозванним, який передбачив виникнення Києва. У XI столітті на Андріївській горі був побудований Андріївський, або Янчин, монастир (Янка - дочка київського князя Всеволода Ярославіча), в якому була заснована перша в Русі жіноча школа з вишивальною майстернею. У 1212 князь Мстислав Молодецький спорудив на Андріївській горі Крестовоздвіженськую церкву, що проіснувала до 1560. Згодом на її місці існували інші дерев'яні храми. У XVIII столітті на схилах Андріївської гори розміщувався Аптекарський сад. У середині XVII століття на Андріївській горі було споруджено Андріївську церкву.
In Dyersville, Iowa, the Basilica (from the Greek meaning "Royal House") features Gothic Revival architecture. The two steeples are 212 feet (65 m) tall with 14 feet (4.3 m) crosses that cap the spires. This helps make the church visible from miles away across the rolling farmland. Pilots often use these steeples as landmarks during flights. The interior of the church is decorated with a number of paintings and frescoes, and 64 large cathedral glass windows. We grew up near here.
Llenroc is a Gothic revival house constructed for Ezra Cornell just below the campus of Cornell University in Ithaca, New York, United States. It now houses the Cornell chapter of the Delta Phi fraternity.
Llenroc was built for Ezra Cornell between 1865 and 1875. It is a fine and well preserved example of masonry Gothic Revival architecture.
The house is constructed of "Llenroc limestone", a name used for the limestone quarried as building material taken from west of Libe Slope. Artisans from around the world created the many elaborate fixtures of the house including: English woodcarvers responsible for the carved interior molding on the first and second floor and stonemasons from Germany completed the exterior stonework. Irish, Scottish, Italian, and Indian craftsmen also made significant contributions. Eight complete marble fireplaces were also imported from Europe to be plac 242
Abberton, Essex – St Andrew’s Church
These are a few more examples of Essex Churches that I have taken over a long period of time. Including the Architecture, the Interiors, the Exteriors and especially the Stained Glass Windows. I have also included the Commonwealth War Graves with any outside statues.
I have already posted some images of St Andrew’s Church some time ago, this now completes the series.
Olhão is a small town in the Algarve less than 10km from Faro, the main town in the region. The town has a significant tourist interest today but previously fishing was its main activity. Many fishermen provide fish to the famous covered market in Olhão today.
What makes a visit and a walk in Olhão interesting is its architecture. The old fishermen's district is made up of small white houses with cubic shapes. As most houses do not have gardens, terraces are arranged on the roofs and the alleys flowered by the inhabitants. Google
Fénis, Val d'Aosta, Italia.
Fénis es un municipio italiano de 1.792 habitantes que se encuentra ubicado en el Valle de Aosta.
El pueblo de Fénis se sitúa en el principal valle de la región. Sin embargo, la mayoría de su territorio se halla en un valle lateral, cuyo nombre es val Clavalité, un valle selvaje cubierto de bosques, y en el cercano valle de Saint-Julien. El val Clavalité conserva una selva de 2.236 hectaréas, que cubre el 32,7% del territorio del municipio.
Fénis es muy famosa por su castillo, unos de los más importantes de Valle de Aosta por su extraordinaria arquitectura. El castillo es una de las principales atracciones turísticas del Valle.
Fénis is an Italian municipality of 1,792 inhabitants located in the Aosta Valley.
The town of Fénis is located in the main valley of the region. However, the majority of its territory is located in a side valley, whose name is val Clavalité, a jungle valley covered with forests, and in the nearby Saint-Julien valley. The Clavalité Valley preserves a forest of 2,236 hectares, which covers 32.7% of the municipality's territory.
Fénis is very famous for its castle, one of the most important in Valle d'Aosta for its extraordinary architecture. The castle is one of the main tourist attractions in the Valley.
Sagrada Família, Barcelona, España.
El Templo Expiatorio de la Sagrada Familia, conocido simplemente como la Sagrada Familia, es una basílica católica de Barcelona (España), diseñada por el arquitecto Antoni Gaudí. Iniciada en 1882, todavía está en construcción (noviembre de 2016). Es la obra maestra de Gaudí, y el máximo exponente de la arquitectura modernista catalana.
La Sagrada Familia es un reflejo de la plenitud artística de Gaudí: trabajó en ella durante la mayor parte de su carrera profesional, pero especialmente en los últimos años de su carrera, donde llegó a la culminación de su estilo naturalista, haciendo una síntesis de todas las soluciones y estilos probados hasta aquel entonces. Gaudí logró una perfecta armonía en la interrelación entre los elementos estructurales y los ornamentales, entre plástica y estética, entre función y forma, entre contenido y continente, logrando la integración de todas las artes en un todo estructurado y lógico.
La Sagrada Familia tiene planta de cruz latina, de cinco naves centrales y transepto de tres naves, y ábside con siete capillas. Ostenta tres fachadas dedicadas al Nacimiento, Pasión y Gloria de Jesús y, cuando esté concluida, tendrá 18 torres: cuatro en cada portal haciendo un total de doce por los apóstoles, cuatro sobre el crucero invocando a los evangelistas, una sobre el ábside dedicada a la Virgen y la torre-cimborio central en honor a Jesús, que alcanzará los 172,5 metros de altura. El templo dispondrá de dos sacristías junto al ábside, y de tres grandes capillas: la de la Asunción en el ábside y las del Bautismo y la Penitencia junto a la fachada principal; asimismo, estará rodeado de un claustro pensado para las procesiones y para aislar el templo del exterior. Gaudí aplicó a la Sagrada Familia un alto contenido simbólico, tanto en arquitectura como en escultura, dedicando a cada parte del templo un significado religioso.
The Expiatory Church of the Sagrada Familia, known simply as the Sagrada Familia, is a Roman Catholic basilica in Barcelona, Spain, designed by architect Antoni Gaudí. Begun in 1882, it is still under construction (November 2016). It is Gaudí's masterpiece and the greatest exponent of Catalan modernist architecture.
The Sagrada Familia is a reflection of Gaudí's artistic plenitude: he worked on it for most of his professional career, but especially in his later years, where he reached the culmination of his naturalistic style, synthesizing all the solutions and styles he had tried up to that point. Gaudí achieved perfect harmony in the interrelationship between structural and ornamental elements, between plasticity and aesthetics, between function and form, between content and container, achieving the integration of all the arts into a structured and logical whole. The Sagrada Familia has a Latin cross plan, five central naves, a three-aisled transept, and an apse with seven chapels. It boasts three façades dedicated to the Birth, Passion, and Glory of Jesus. When completed, it will have 18 towers: four at each portal, making a total of twelve for the apostles, four over the transept invoking the evangelists, one over the apse dedicated to the Virgin, and the central dome tower in honor of Jesus, which will reach 172.5 meters in height. The temple will have two sacristies next to the apse and three large chapels: the Assumption Chapel in the apse and the Baptism and Penance Chapels next to the main façade. It will also be surrounded by a cloister designed for processions and to isolate the temple from the exterior. Gaudí applied a highly symbolic content to the Sagrada Familia, both in architecture and sculpture, dedicating each part of the temple to a religious significance.
Fénis, Val d'Aosta, Italia.
Fénis es un municipio italiano de 1.792 habitantes que se encuentra ubicado en el Valle de Aosta.
El pueblo de Fénis se sitúa en el principal valle de la región. Sin embargo, la mayoría de su territorio se halla en un valle lateral, cuyo nombre es val Clavalité, un valle selvaje cubierto de bosques, y en el cercano valle de Saint-Julien. El val Clavalité conserva una selva de 2.236 hectaréas, que cubre el 32,7% del territorio del municipio.
Fénis es muy famosa por su castillo, unos de los más importantes de Valle de Aosta por su extraordinaria arquitectura. El castillo es una de las principales atracciones turísticas del Valle.
Fénis is an Italian municipality of 1,792 inhabitants located in the Aosta Valley.
The town of Fénis is located in the main valley of the region. However, the majority of its territory is located in a side valley, whose name is val Clavalité, a jungle valley covered with forests, and in the nearby Saint-Julien valley. The Clavalité Valley preserves a forest of 2,236 hectares, which covers 32.7% of the municipality's territory.
Fénis is very famous for its castle, one of the most important in Valle d'Aosta for its extraordinary architecture. The castle is one of the main tourist attractions in the Valley.
St Cuthbert's Church in Ackworth has a rich history dating back to the Anglo-Saxon period. Here are some key points:
Origins: The church is named after St Cuthbert, the monk and sixth Bishop of Lindisfarne, who died in 688. His body was carried from place to place by monks to escape the Danes, and Ackworth was one of the resting places.
Norman Conquest: After the Norman Conquest, the church came into the hands of the Norman family of de Lacy. The village became part of the Honour of Pontefract until Stuart times1.
Architecture: The oldest part of the current church is the 14th-century tower, which stands 68 feet tall and contains a peal of six bells. The church was restored in 1852 after a fire damaged the nave and chancel.
Historical Significance: The church has records dating back to 1558, which can be invaluable for tracing family trees. It has been part of various dioceses over the centuries, including Lincoln, York, Wakefield, and now Leeds.
“St. Alexander Nevski” is considered a symbol of the Bulgarian capital. It is located in the center of Sofia, at the eponymous square. The reflection of its golden domes attracts attention from miles away.
Gardening simply does not allow one to be mentally old, because too many hopes and dreams are yet to be realized. Allan Armitage.
Liu Fang Yuan 流芳園, or the Garden of Flowing Fragrance, is one of the finest classical-style Chinese gardens outside of China. Filled with Chinese plants and framed by exquisite architecture, the landscape is enriched with references to literature and art. Visitors can find both physical relaxation and mental stimulation when exploring the dramatic 15-acre garden.
the Huntington Library and Botanic Gardens. San Marino. California.
Defined as one of the best artistic productions of 13th century Catalan architecture and, by extension, of European medieval architecture, the Seu Vella is a singular cathedral that leaves no one indifferent. Its architecture shares the limelight with high quality carvings that are preserved in capitals, cornices, corbels, portals, etc. The substantial remains of preserved mural paintings or the chapels built by prominent families or distinguished church members are a reflection of a prestigious building with a splendid past.
View of Mercado de Olhão from the waterfront with the white cubist city in the background.
Located on the [waterfront] riverside of the city are the twin red brick buildings [topped with towers] of the fish and vegetable market of Olhão (Mercado de Olhão) with original architecture.
The fish market, situated in the western area of the building, is one of the most well-known and visited in the Algarve, offering a wide variety of fresh seafood including swordfish, tuna, salmon, octopus, and squid.
On the eastern side, the fruit and vegetable market has bananas, oranges, plums, watermelons, aubergines, cucumbers, carrots, peppers, and tomatoes. On Saturday mornings, there is an additional attraction: the open-air market, where small producers sell the surplus from their gardens. [ It is closed on Sunday]. Google
Sagrada Família, Barcelona, España.
El Templo Expiatorio de la Sagrada Familia, conocido simplemente como la Sagrada Familia, es una basílica católica de Barcelona (España), diseñada por el arquitecto Antoni Gaudí. Iniciada en 1882, todavía está en construcción (noviembre de 2016). Es la obra maestra de Gaudí, y el máximo exponente de la arquitectura modernista catalana.
La Sagrada Familia es un reflejo de la plenitud artística de Gaudí: trabajó en ella durante la mayor parte de su carrera profesional, pero especialmente en los últimos años de su carrera, donde llegó a la culminación de su estilo naturalista, haciendo una síntesis de todas las soluciones y estilos probados hasta aquel entonces. Gaudí logró una perfecta armonía en la interrelación entre los elementos estructurales y los ornamentales, entre plástica y estética, entre función y forma, entre contenido y continente, logrando la integración de todas las artes en un todo estructurado y lógico.
La Sagrada Familia tiene planta de cruz latina, de cinco naves centrales y transepto de tres naves, y ábside con siete capillas. Ostenta tres fachadas dedicadas al Nacimiento, Pasión y Gloria de Jesús y, cuando esté concluida, tendrá 18 torres: cuatro en cada portal haciendo un total de doce por los apóstoles, cuatro sobre el crucero invocando a los evangelistas, una sobre el ábside dedicada a la Virgen y la torre-cimborio central en honor a Jesús, que alcanzará los 172,5 metros de altura. El templo dispondrá de dos sacristías junto al ábside, y de tres grandes capillas: la de la Asunción en el ábside y las del Bautismo y la Penitencia junto a la fachada principal; asimismo, estará rodeado de un claustro pensado para las procesiones y para aislar el templo del exterior. Gaudí aplicó a la Sagrada Familia un alto contenido simbólico, tanto en arquitectura como en escultura, dedicando a cada parte del templo un significado religioso.
The Expiatory Church of the Sagrada Familia, known simply as the Sagrada Familia, is a Roman Catholic basilica in Barcelona, Spain, designed by architect Antoni Gaudí. Begun in 1882, it is still under construction (November 2016). It is Gaudí's masterpiece and the greatest exponent of Catalan modernist architecture.
The Sagrada Familia is a reflection of Gaudí's artistic plenitude: he worked on it for most of his professional career, but especially in his later years, where he reached the culmination of his naturalistic style, synthesizing all the solutions and styles he had tried up to that point. Gaudí achieved perfect harmony in the interrelationship between structural and ornamental elements, between plasticity and aesthetics, between function and form, between content and container, achieving the integration of all the arts into a structured and logical whole. The Sagrada Familia has a Latin cross plan, five central naves, a three-aisled transept, and an apse with seven chapels. It boasts three façades dedicated to the Birth, Passion, and Glory of Jesus. When completed, it will have 18 towers: four at each portal, making a total of twelve for the apostles, four over the transept invoking the evangelists, one over the apse dedicated to the Virgin, and the central dome tower in honor of Jesus, which will reach 172.5 meters in height. The temple will have two sacristies next to the apse and three large chapels: the Assumption Chapel in the apse and the Baptism and Penance Chapels next to the main façade. It will also be surrounded by a cloister designed for processions and to isolate the temple from the exterior. Gaudí applied a highly symbolic content to the Sagrada Familia, both in architecture and sculpture, dedicating each part of the temple to a religious significance.
The palace was built between 1729 and 1732, initially by the ruler of Amber. The architects achieved a fusion of the Shilpa Shastra of Indian architecture with Rajput, Mughal and European styles of architecture. The entrance gate so richly decorated was reserved for the royal family only.
As could be seen from this entrance gate, together with all the other historical architectures, there must be millions of skilled stonemasons in India at that time and that their skill in making iron/steel tools cutting the stones was rather advanced. There is a research saying that some of the stone smiths --or, at least some of the skills of stone cutting-- came from Egypt after the latter's long experience in pyramids building.
Sagrada Família, Barcelona, España.
El Templo Expiatorio de la Sagrada Familia, conocido simplemente como la Sagrada Familia, es una basílica católica de Barcelona (España), diseñada por el arquitecto Antoni Gaudí. Iniciada en 1882, todavía está en construcción (noviembre de 2016). Es la obra maestra de Gaudí, y el máximo exponente de la arquitectura modernista catalana.
La Sagrada Familia es un reflejo de la plenitud artística de Gaudí: trabajó en ella durante la mayor parte de su carrera profesional, pero especialmente en los últimos años de su carrera, donde llegó a la culminación de su estilo naturalista, haciendo una síntesis de todas las soluciones y estilos probados hasta aquel entonces. Gaudí logró una perfecta armonía en la interrelación entre los elementos estructurales y los ornamentales, entre plástica y estética, entre función y forma, entre contenido y continente, logrando la integración de todas las artes en un todo estructurado y lógico.
La Sagrada Familia tiene planta de cruz latina, de cinco naves centrales y transepto de tres naves, y ábside con siete capillas. Ostenta tres fachadas dedicadas al Nacimiento, Pasión y Gloria de Jesús y, cuando esté concluida, tendrá 18 torres: cuatro en cada portal haciendo un total de doce por los apóstoles, cuatro sobre el crucero invocando a los evangelistas, una sobre el ábside dedicada a la Virgen y la torre-cimborio central en honor a Jesús, que alcanzará los 172,5 metros de altura. El templo dispondrá de dos sacristías junto al ábside, y de tres grandes capillas: la de la Asunción en el ábside y las del Bautismo y la Penitencia junto a la fachada principal; asimismo, estará rodeado de un claustro pensado para las procesiones y para aislar el templo del exterior. Gaudí aplicó a la Sagrada Familia un alto contenido simbólico, tanto en arquitectura como en escultura, dedicando a cada parte del templo un significado religioso.
The Expiatory Church of the Sagrada Familia, known simply as the Sagrada Familia, is a Roman Catholic basilica in Barcelona, Spain, designed by architect Antoni Gaudí. Begun in 1882, it is still under construction (November 2016). It is Gaudí's masterpiece and the greatest exponent of Catalan modernist architecture.
The Sagrada Familia is a reflection of Gaudí's artistic plenitude: he worked on it for most of his professional career, but especially in his later years, where he reached the culmination of his naturalistic style, synthesizing all the solutions and styles he had tried up to that point. Gaudí achieved perfect harmony in the interrelationship between structural and ornamental elements, between plasticity and aesthetics, between function and form, between content and container, achieving the integration of all the arts into a structured and logical whole. The Sagrada Familia has a Latin cross plan, five central naves, a three-aisled transept, and an apse with seven chapels. It boasts three façades dedicated to the Birth, Passion, and Glory of Jesus. When completed, it will have 18 towers: four at each portal, making a total of twelve for the apostles, four over the transept invoking the evangelists, one over the apse dedicated to the Virgin, and the central dome tower in honor of Jesus, which will reach 172.5 meters in height. The temple will have two sacristies next to the apse and three large chapels: the Assumption Chapel in the apse and the Baptism and Penance Chapels next to the main façade. It will also be surrounded by a cloister designed for processions and to isolate the temple from the exterior. Gaudí applied a highly symbolic content to the Sagrada Familia, both in architecture and sculpture, dedicating each part of the temple to a religious significance.
Piazza del Duomo, Pisa
Standing in a large green expanse, Piazza del Duomo houses a group of monuments known the world over. These four masterpieces of medieval architecture – the cathedral, the baptistry, the campanile (the 'Leaning Tower') and the cemetery – had a great influence on monumental art in Italy from the 11th to the 14th century.
Captures from one of my favorite locations in New York City, Grand Central Station. The architecture, the lighting, the mood, the people; the entire environment add up to a compelling and unique environment for photography.
The Cathedral Church of St Peter in Exeter
A cathedral was founded in Exeter around 1050 after the seat of the bishop for Devon and Cornwall was moved from Crediton. The current building was completed around 1400 and is a fine example of English gothic architecture, the cathedral has the longest uninterrupted medieval stone vaulted ceiling in the world.
Im Archäologischen Park Xanten (APX) können Besucher einen Aus-flug in die 400-jäh-ri-ge römische Geschichte Xantens machen: Deutsch-lands größtes archäologisches Freilichtmuse-um liegt auf dem Gelände der römischen Stadt Colonia Ulpia Traiana.
Nicht nur der Park bietet reichlich Gelegenheit zum Staunen, das LVR-Römermuseum zeigt eine einzigartige Kombination aus archäologischem Schutzbau und moderner Museumsarchitektur. Das Museum ist auf den römischen Grundmauern der Basilika Thermarum errichtet worden, sie war die Eingangshalle des römischen Stadtbades und das größte Gebäude der ganzen Colonia.
In the Xanten Archaeological Park (APX), visitors can take a trip into Xanten's 400-year Roman history: Germany's largest archaeological open-air museum is located on the site of the Roman town of Colonia Ulpia Traiana.
Not only the park offers plenty of opportunity to be amazed, the LVR Roman Museum shows a unique combination of archaeological protective structure and modern museum architecture. The museum was built on the Roman foundations of the Thermarum basilica, which was the entrance hall to the Roman city baths and the largest building in all of Colonia.
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The Fagus Factory (German: Fagus Fabrik or Fagus Werk) is an important example of early modern architecture. The factory was designed by Walter Gropius and Adolf Meyer. It was constructed between 1911 and 1913, with additions and interiors completed in 1925.
In 2011 it was added to the Unesco world heritage list.
Submitted: 05/08/2020
Accepted: 25/08/2020
View of the Center Tower of the Angkor Wat through a window in the Ta Kou Entrance to Angkor Wat complex. (Please enlarge to the highest magnification)
Angkor Wat ("Capital Temple") is a temple complex in Cambodia and the largest religious monument in the world measuring 162.6 hectares. It was originally constructed in early 12th century by King Suryavarman II as a Hindu temple dedicated to the god Vishnu for the Khmer Empire and gradually transforming into a Buddhist temple towards the end of the 12th century. As the best-preserved temple at the site, it is the only one to have remained a significant religious center since its foundation. The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia (national flag) and it is the country's prime attraction for visitors.
Angkor Wat combines two basic plans of Khmer temple architecture: the temple-mountain and the later galleried temple. It is designed to represent Mount Meru. Within the moat is the outer wall 3.6 kilometers long and there are three rectangular galleries, each raised above the next. At the center of the temple stands a quincunx of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west; scholars are divided as to the significance of this. The temple is admired for the grandeur and harmony of the architecture, its extensive bas-reliefs, and for the numerous devatas (deity) adorning its walls.
The more unusual landmarks in the city are the city walls, the Rows and the black-and-white architecture. The walls encircle the bounds of the medieval city and constitute the most complete city walls in Britain, the full circuit measuring nearly 2 miles (3 km). The only break in the circuit is in the southwest section in front of County Hall. A footpath runs along the top of the walls, crossing roads by bridges over Eastgate, Northgate, St Martin's Gate, Watergate, Bridgegate, Newgate, and the Wolf Gate, and passing a series of structures, namely Phoenix Tower (or King Charles' Tower), Morgan's Mount, the Goblin Tower (or Pemberton's Parlour), and Bonewaldesthorne's Tower with a spur leading to the Water Tower, and Thimbleby's Tower. On Eastgate is Eastgate Clock which is said to be the most photographed clock face in England after those that share the tower with Big Ben.
PP work in Lumniar Neo filters.
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Sur le plan architectural, l'édifice est remarquable aussi bien par ses proportions harmonieuses, liées à l'unité de sa conception, que par la qualité de ses tympans, de ses sculptures et de ses vitraux. Elle se distingue notamment des autres grandes cathédrales de l'époque par une recherche toute nouvelle d'un espace intérieur unifié. Cas exceptionnel en France pour une cathédrale gothique, elle ne possède pas de transept.
La cathédrale Saint-Étienne de Bourges est une cathédrale gothique construite entre la fin du XIIe et la fin du XIIIe siècle.
Architecturally, the building is remarkable both for its harmonious proportions, linked to the unity of its design, and for the quality of its tympanums, sculptures and stained glass windows. It differs in particular from the other great cathedrals of the time by a completely new search for a unified interior space. Exceptional case in France for a Gothic cathedral, it does not have a transept.
The Saint-Étienne de Bourges cathedral is a Gothic cathedral built between the end of the 12th and the end of the 13th century.
The cathedral marks its originality by the size of the western facade with its five portals. They are consecrated, in order and from left to right, to: Guillaume de Bourges, the Virgin Mary, the Last Judgment (central portal), to the martyr Étienne and to Ursin de Bourges. The lack of a transept probably led to a relatively simple design of the side portals.
Architecture the Light - 10 | Photo Diary
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Angkor Wat ("Capital Temple") is a temple complex in Panorama view of the corner of Angkor Wat formed by the East and South Entrance fencing.
Cambodia and the largest religious monument in the world measuring 162.6 hectares. It was originally constructed in early 12th century by King Suryavarman II as a Hindu temple dedicated to the god Vishnu for the Khmer Empire and gradually transforming into a Buddhist temple towards the end of the 12th century. As the best-preserved temple at the site, it is the only one to have remained a significant religious center since its foundation. The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia (national flag) and it is the country's prime attraction for visitors.
Angkor Wat combines two basic plans of Khmer temple architecture: the temple-mountain and the later galleried temple. It is designed to represent Mount Meru. Within the moat is the outer wall 3.6 kilometers long and there are three rectangular galleries, each raised above the next. At the center of the temple stands a quincunx of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west; scholars are divided as to the significance of this. The temple is admired for the grandeur and harmony of the architecture, its extensive bas-reliefs, and for the numerous devatas (deity) adorning its walls.
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The Uzbekistan History Museum, former Lenin Museum in Tashkent, built in 1970 is a good example of how multiculturalism affected Soviet architecture. The Soviet Central Asian Republics became the true laboratory of local form, materials, and ornaments.
Concrete decorative grilles used here are based on traditional Uzbek sunscreen called Panzhara. It is a rare example in Soviet architecture influenced by local culture.
architects: Yeregeny Rozanov (*1925) and V. Shestopalov
Submitted: 22/02/2019
Accepted: 23/02/2019