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The Central Market, which has experienced the evolution of Hong Kong's nearly 100 year history. Due to the advancement of the times, which has also been designed through four generations of different architectural styles. The current Central Market after revitalisation still retains the simple and practical elements and most of structure of the fourth-generation Bauhaus style.
You can check-in there or enjoy a cup of coffee in your spare time. You can also enjoy the light and shadow of the Central market, look for the feeling and footprint of the photography master Ho Fan. As well as those terrazzo stairs that are very rare in Hong Kong and are so well preserved.
不變的中環街市光影
經歷了香港將近百年歷史演變的中環街市，由於時代進步，其亦經過四代不同建築風格設計。而現時經過活化後的中環街市，仍保留著第四代包浩斯風格的簡約實用元素和大部份結構。大家閒時經過打打卡或享受一柸咖啡，亦可以欣賞一下中環街市內外的光與影，尋找一下攝影大師何藩的感覺和腳毛，還有那些在香港為數極少而又保存得這麼好的水磨石樓梯級。
Architecture the Light - 19 | Photo Diary
Architecture photography
Hong Kong, 2021
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#architecture #Architecturephotography #commercialphotography #geomatics #geomaticsarchitecture #geomaticsarchitecture #HongKong #Photography #ホンコン #建築攝影 #香港 #photomanm
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Cotton Factory is an historic industrial complex formerly known as The Imperial Cotton Company Limited in the industrial north end of Hamilton, Canada. The complex has been renamed the Cotton Factory and is repurposed for small manufacturing and office space for creative professionals.
Architecture
The complex of buildings that remain at The Cotton Factory form one of the most complete historic textile mill complexes remaining in the country. Built with brick and wood in the “slow burn” method, the three-storey Mill building, with its prominent tower, housed most of the original machinery. The architectural style of its tower suggests a gothic influence and was designed to compete with other architects of the day. Adjacent structures were used for sorting, painting, finishing, shipping waterproofing, and warehousing. The tall smoke stack was required for the original 3 coal-burning boilers.
Hamilton, Ontario Canada
A majestic example of medieval architecture, the Castle of the Princes of Acaja towers over Fossano’s historic center with its corner towers and inner courtyard. Built in the 14th century as a fortress, it was later transformed into a noble residence, preserving its grandeur and timeless charm.
If you look closely at stained glass, you can see all sorts of themes: religion, flowers, art, music and even fruit. When considering the theme of fruit, in ecclesiastical stained glass, a bunch of grapes may signify the sacrament of Holy Communion. Grapes and vines can also represent the church itself. Pomegranates have diverse cultural-religious significance, as a symbol of life and fertility owing to their many seeds but also as a symbol of power (imperial orb), blood and death. Pomegranates already symbolised fertility, beauty and eternal life, in Greek and Persian mythology. The apple of course is the forbidden fruit in the Book of Genesis that Adam and Eve ate from the forbidden tree in the Garden of Eden. With Art Nouveau being the predominant architectural and design influence between 1880 and the start of the Great war in 1914, there was a great interest in portraying both stylised flowers and fruit in stained glass.
This year the FFF+ Group have decided to have a weekly challenge called “Snap Happy”. A different theme chosen by a member of the group each week, and the image is to be posted on the Monday of the week.
This week the theme, “fruit” was chosen by Gary, Gazman_AU.
I thought a collage of some of the examples of fruit themed windows I have photographed in Churches and private houses over the years might be suitable.
Top row far left, second and third from left: Detail of the King David window of St John’s Church of England, Heidelberg, designed and manufactured by William Montgomery.
Top row right: Detail of the Suffer the Little Children window of Holy Trinity Church of England, Balaclava, attributed to I. A. Gibbs and Howard, London.
Middle row left: Detail of a dressing room window of “The Gables”, Malvern, painter and manufacturer unknown.
Middle row second from left: Detail of a shop window, corner Brunswick and Bell Streets, Collingwood, painter and manufacturer unknown.
Middle row third from left: Detail of a window from the former Sassafras Methodist Church, Sassafras, manufactured by Brooks Robinson and Company.
Middle row second from right: Detail of the “Lay of the Last Minstrel” window, “Warwilla” (formerly “Redholme”), St Kilda Road, painted and manufactured by William Montgomery.
Middle row right: Detail of the King David window of St John’s Church of England, Heidelberg, designed and manufactured by William Montgomery.
Bottom row far left: Detail of an entrance hall window of “The Gables”, Malvern, painter and manufacturer unknown.
Bottom row second from left: Detail of the Virgin Mary window of St Ambrose’s Catholic Church, Brunswick, manufactured by Brooks Robinson and Company.
Bottom row third from left: Detail of a dining room window of “The Gables”, Malvern, painter and manufacturer unknown.
Bottom row second from right: Detail of the “Lay of the Last Minstrel” window, “Warwilla” (formerly “Redholme”), St Kilda Road, painted and manufactured by William Montgomery.
Bottom row far left: Detail of an entrance hall window of “The Gables”, Malvern, painter and manufacturer unknown.
Built to the specifications of architect George Reilly Cox, Saint John\'s Church of England in Burgundy Street Heidelberg, is a fine example of simple Early English Gothic architecture. The building was completed by April 1851. Comprising of a gabled nave, without aisles, a narthex below the west tower and a sanctuary and vestry at the east end, Saint John\'s Church of England is simple, unpretentious and elegant in its design. The nave and chancel are constructed of handmade bricks laid on a bluestone rubble plinth. The church features lancet windows in Early English Gothic style. It has a square tower surmounted by four pinnacles and crenulations. The roof is slated and contains small gable vents, and the roof drains to galvanised steel quad section eaves gutters. The gable parapets are fitted with galvanised sheet steel cappings. The formal opening of Saint John\'s Church of England took place on the 26th of October 1861. The church was dedicated by Bishop Perry the first Bishop of Melbourne on the 30th of September 1861 and named the Church of Saint John the Evangelist. The roof was completely replaced around 1856 with slate after the original shingles had deteriorated. The interior was plastered and the exterior brickwork was covered with cement. Another renovation took place in 1965 at the cost of $56,000.00. The vestry, choir room, chapel and new entrance porch were added at the original back of the church. Interestingly, the congregation today no longer use the 1965 entrance and have reverted to the original entrance. The choir room now serves as a Sunday school for the children of the congregation, whilst the newer chapel is not generally used at all.
William Montgomery (1850 - 1927) was an artist who specialised in stained glass painting and design. He was born in England in 1850, and studied at the School of Art in Newcastle-on-Tyne. In his final year William was awarded one of only three National Art Scholarships that year to study at South Kensington School of Art (now the Royal College of Art). He was employed by the leading London stained glass firm, Clayton and Bell, before joining Franz Mayer and Company in Munich, Germany. Over the next seven years he not only designed windows he also trained others in the English style of glass painting. William arrived in Melbourne, Australia, in 1886 during the Boom Period provided by the Gold Rush. Melbourne was at the time one of the wealthiest cities in the world, and was in the throes of a building boom. He quickly set up his studio at 164 Flinders Street in the heart of Melbourne, bringing with him the latest in European style and design and achieving instant success amongst wealthy patrons. He worked equally for Catholic and Protestant denominations, his windows being found in many churches as well as in mansions, houses and other commercial buildings around the city. This extended to the country beyond as his reputation grew. A painter as well as stained glass window designer William was a founding member of the Victorian Art Society in Albert Street, Eastern Hill. William became President of its Council in 1912, a position he held until 1916. He was a trustee of the National Gallery of Victoria. His commissions included; stained glass windows at Christ Church, Hawthorn: St. John\'s, Heidelberg, St. Ignatius\', Richmond: Christ Church, St Kilda: Geelong Grammar School: the Bathurst Cathedral and private houses "Tay Creggan", Hawthorn (now Strathcona Baptist Girls Grammar), and "Earlsbrae Hall", Essendon (now Lowther Hall Anglican Grammar School). The success of William Montgomery made Melbourne the leading centre of stained glass in the Southern Hemisphere. William Montgomery died in 1927.
The first Church of England built on the triangular site in Balaclava bordered by Brighton Road and Dickens Street was opened by Bishop Perry on January 29, 1871. It was a timber building accommodating about three hundred people. It stood where the Parish Hall now stands. Its designer was the architect Francis Maloney White (1819-1888) who lived nearby in William Street. In 1882 the architects Reed and Barnes, soon to become Reed, Henderson and Smart, were commissioned to design a new church. The first service took place on December 6, 1883. Due to the Parish\'s efforts to reduce the large debt that had been incurred in the construction of the church and the vicarage, the building of the spire was delayed. Regrettably this was never to be built. However, it gives Holy Trinity the feeling of an English country parish church.
The firm of I. A. Gibbs and Howard was established in England in the 1870s. Isaac Alexander Gibbs (1849 - 1899) was the youngest son of Isaac Alexander Gibbs (senior) and brother of the stained glass artists Alexander and Charles Alexander Gibbs. His partnership with William Wallace Howard (born 1856) was established before 1879 in London. The firm continued after the death of Gibbs under Howard until about 1915.
Built in 1902 for local property developer Lawrence Alfred Birchnell and his wife Annie, “The Gables” is considered to be one of the most prominent houses in the Gascoigne Estate. The house was designed by Melbourne architect firm Ussher and Kemp in what was the prevailing style of the time, Queen Anne, which is also known as Federation style (named so after Australian Federation in 1901). Ussher and Kemp were renowned for their beautiful and complex Queen Anne houses and they designed at least six other houses in Finch Street alone. “The Gables” remained a private residence for many years. When Lawrence Birchnell sold it, the house was converted into a rooming house. It remained so throughout the tumultuous 1920s until 1930 when it was sold again. The new owners converted “The Gables” into a reception hall for hire for private functions. The first wedding reception was a breakfast held in the formal dining room in 1930, followed by dancing to Melbourne’s first jukebox in the upstairs rooms. Notorious Melbourne gangster Joseph Theodore Leslie “Squizzy” Taylor was reputed to have thrown a twenty-first birthday party for his girlfriend of the day in the main ballroom (what had originally been the house\'s billiards room). “The Gables” became very famous for its grand birthday parties throughout the 1930s and 1940s. With its easy proximity to the Caulfield Race Course, “The Gables” ran an underground speakeasy and gambling room upstairs and sold beer from the back door during Melbourne’s restrictive era of alcohol not sold after six o\'clock at night. Throughout its history, “The Gables” has been a Melbourne icon, celebrating generation after generation of Melbourne’s wedding receptions, parties and balls. Lovingly restored, the atmosphere and charm of “The Gables” have been retained for the future generations.
The former Sassafras Methodist Church, perched on the upper side of the hill, overlooking the Sassafras township had its foundation stone laid on the 18th of October 1902. A plaque records: Sassafra Church - the original of - this block was laid - by - Mrs D Stones - on October 18th 1902 - John Storrie. A Gothic Carpenter church, it is made of wood and is of simple design with simple stained glass windows. The church ceased in the 1970s and was eventually sold. For many years it was “Brother John’s”, a restaurant and wedding venue. Today it is “Dine Divine” a café that specialises in light luncheons and Devonshire cream teas, the latter being quite delicious.
Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences. In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station. Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since. “Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.
In 1869 the foundation stone was laid for Saint Ambrose\'s Church at 287 Sydney Road, Brunswick. The land for the church was donated by Mr. Michael Dawson, a resident of the neighbourhood. In 1873 the church was completed at a cost of £6,000.00. Parishioners Sebastian Danielli and his wife Harriet Bagatti, who had arrived in Brunswick in 1859 after being married in Milan the previous year, suggested the name Saint Ambrose\'s as the name for the church because St Ambrose was a much loved bishop in Milan in the 4th Century. All their children were born in Brunswick and baptised at Saint Ambrose’s. In 1888 Brunswick was proclaimed a town and it had a population of 14,792. In 1890, Saint Ambrose\'s became a parish in its own right, being made independent from the Coburg parish. With the need for a larger church, the present church was extended in 1899 when the transepts, with the sanctuary and the two chapels, the porch and the baptistry were added. The memorial stone was laid near the door of the northern transepts on 19 February, 1899. The parish church building is of a late Gothic style and is one of the finer churches of Melbourne, built in bluestone, with a timber supported ceiling, a 19th century organ and high quality stained glass windows.
Brooks, Robinson and Company first opened their doors on Elizabeth Street in Melbourne in 1854 as importers of window and table glass and also specialised in interior decorating supplies. Once established the company moved into glazing and were commonly contracted to do shopfronts around inner Melbourne. In the 1880s they commenced producing stained glass on a small scale. Their first big opportunity occurred in the 1890s when they were engaged to install Melbourne\'s St Paul\'s Cathedral\'s stained-glass windows. Their notoriety grew and as a result their stained glass studio flourished, particularly after the closure of their main competitor, Ferguson and Urie. They dominated the stained glass market in Melbourne in the early 20th Century, and many Australian glass artists of worked in their studio. Their work may be found in the Princess Theatre on Melbourne\'s Spring Street, in St John\'s Church in Toorak, and throughout churches in Melbourne. Brooks, Robinson and Company was taken over by Email Pty Ltd in 1963, and as a result they closed their stained glass studio.
home of the state archives and library. Lots of windows, right! HWW!
Additional information:
"1.0-A ARCHITECTURE OVERVIEW
The State Office Building was constructed between the years of 1919 to 1921 and is located in Denver’s North Capitol Hill Neighborhood on the northeast corner of Sherman Street and East Colfax Avenue. The building was designed by William Bowman and constructed by Seerie and Varnum. Inspired by the Roman Corinthian style of architecture, the design of this
building is an example of the 20th century Classical Revival style prevalent throughout Denver’s Civic Center. Located in the center of downtown Denver, the State Office Building is a contributing part of the Denver Civic Center District which was added to the U.S. Register of National Historic
Places on February 27, 1974." From the City of Denver's assessment of the building deciding to add an HVAC system.
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
Dallas Arboretum & Botanical Gardens' architecture.
The fleur-de-lis or fleur-de-lys (plural: fleurs-de-lis) is a stylized lily (in French, fleur means "flower", and lis means "lily") or iris that is used as a decorative design or symbol.
Click on image for best view.
Thank you all for your views, faves and comments!
This gatehouse providing entry from the outer defences to Stirling Castle proper was erected by King James IV, and was probably completed around 1506. It originally formed part of a Forework, extending as a curtain wall across the whole width of Castle Hill. At the centre is the gatehouse itself, which now stands to less than half its original height. The round towers at the outer corners rose to conical roofs, with battlements carried around the tops of the towers. These were flanked by more round towers, of which only traces now remain, and mirrored by further rounds at the rear of the gatehouse. The overall design, as drawn by John Slezer in 1693, shows French influence, and has parallels with the forework erected at Linlithgow Palace.
Like the Linlithgow structure, the Forework was probably intended more for show, evoking the "age of chivalry", than for defence, as it would have offered little protection against contemporary artillery. The entrance was via a central passage, flanked by two separate pedestrian passages. This triple arrangement was unusual in its time, and Classical triumphal arches have been suggested as an influence. The gatehouse was dismantled gradually, and was consolidated in its present form in 1810. At each end of the crenellated curtain wall was a rectangular tower. The west tower, known as the Prince's Tower, probably after Henry, Prince of Scotland, survives to its full height, and is now attached to the later palace. At the east end, the Elphinstone Tower contained a kitchen and possibly an officer's lodging. It was cut down to form a gun battery, probably in the early 18th century when the Outer Defences were rebuilt.
Stirling Castle, located in Stirling, is one of the largest and most important castles in Scotland, both historically and architecturally. The castle sits atop Castle Hill, an intrusive crag, which forms part of the Stirling Sill geological formation. It is surrounded on three sides by steep cliffs, giving it a strong defensive position. Its strategic location, guarding what was, until the 1890s, the farthest downstream crossing of the River Forth, has made it an important fortification in the region from the earliest times.
Europe, Netherlands, Noord-Brabant, Breda, Chassé park, Mezz (sligthly cut)
Mezz is a pop music temple (pop podium) in Breda. On display here is the copper clad big hall. It was designed by Van Eegeraad & associates. (Erik van Eegeraad was, together with Francien Houben, one of the founding architects of 'Mecanoo'). The building can accommodate some 650 spectators. Mezz also has a stage for a smaller audience, it's located in the adjacent former officers's mess. Mezz programs yearly at about 250 performances in all conceivable styles of pop and rock music. The web site of Mezz is here.
About the urban context: the Chassé area is a redevelopment of a former military compound (barracks and parade grounds) in the inner city of Breda.. The urban plan was conceived by Rem Koolhaas / OMA (Office of Metropolitan Architecture) . The public spaces and landscaping was designed by West8. The area consists of a park, terraced housing, apartments, the city office, a museum, a theatre (Herzberger's Chassé theatre) and Mezz.
Shot with my new mobile phone, a Motorola G5S Plus. I normally would never buy a camera that has auto-HDR and a dual lens configuration that handles fake DoF. But when it's a feature of a phone cam, it can come in handy. And the cam unit is of surprising quality. This shot was captured in HDR mode.
it's number 174 of the 'Urban Frontiers' album about urban growth and redevelopment in highly urbanized Holland here.
In the north of ‘s-Hertogenbosch (The Netherlands) in the Maaspoort district, you will find fifty sphere houses with their striking architecture. The spherical house was designed by the sculptor, designer and architect Dries Kreijkamp born in 1937 in Tegelen. After following various courses and gaining work experience, architect Dries Kreijkamp has found his passion, the sphere, the most organic and natural form.
After the foundation of private company Bolbouw, the houses were realized in 1984 with the aid of a subsidy for experimental living. With the aim of connecting the residents with nature, partly due to the various round windows that are present in the houses. The houses are also environmentally friendly, because of the spherical shape the wind has almost no control over them and they are also designed in such a way that they are energy efficient and cheap.
The white sphere has a diameter of five and a half meters and consists of cement reinforced with glass fiber. The sphere is, as it were, part of a kind of stilt house. It rests on a precast concrete cylinder with a diameter of three meters. The houses are divided as follows: the living room is located at the top of the sphere, toilet and bathroom in the middle and at the bottom are the bedrooms and a storage room made of polyester.
The sphere dwellings are designed for 1 to 2 people. The diameter of the sphere is 5.5 meters. The round base has a diameter of 3 meters. Here is the entrance and storage room. The volume of the sphere is 124m³ with a floor area of 55m². Through the entrance you walk up the stairs where the bedroom is. The toilet and bathroom are located in the center of the sphere. The living room with open kitchen is located at the top of the sphere. The living room has beautiful round windows that give it a futuristic look.
First Friday Art Walk in Downtown Baker City Oregon
Celebrating the arts during the First Friday Art Walk in historic downtown Baker City, Oregon, multiple gallery openings, and just exploring downtown Baker City's amazing architecture.
The First Friday Art Walk is one of numerous events celebrating the arts throughout Baker County. Other events include the Baker Open Artists Studio Tour in October, the monthly Thursday Art Night at the historic Eltrym Theater, the We Like ‘em Short Film Festival in August, and the Great Salt Lick Art Auction in September.
Visitors will find numerous art galleries throughout Baker City’s historic downtown including the Crossroads Carnegie Art center in the restored Carnegie Library building.
For more information about First Friday Art Walk or other art events and galleries throughout Baker County Oregon visit the Baker County Tourism website at www.travelbakercounty.com
Dengie, Essex – St James
These are more examples of Essex Churches that show the Architecture, the Interiors, the Exteriors and especially the Stained Glass Windows that I have taken over the last two to three years. Hope you enjoy them as much as I did visiting them.
Dengie is a small village just about 14.8 from Maldon in Essex. St. James Church was built sometime in the 14th Century. The outside walls constructed of flint and pebbles, sand coloured. The windows are 14th century, some with an ‘s’ shaped patten. There is not a lot of history I could find. Between 1849-50 the church was restored, new benches added, a bell-cote added and a south nave.
The Reredos and Sedilia were added in 1878, made from stone and designed by The Rector, E J Warmington and three painted panels by Miss Warmington. The Nave Roof was restored and the North Vestry was added from 1909-10, P M Beaumont did the restoration. There is one of the stained glass windows (The East Window) completed in 1921 by John Hall & Son. Have yet to visit the inside of the church but must return to the exterior as I did not have enough time to photograph the building.
Indebted to Pevsner’s Building of England - Essex
English
Description & Interesting Facts
•The Church of St. Mark in Veprinac sits atop a hill (on the top of Brituh / Brith) offering splendid panoramic views of the Kvarner Bay, Opatija, and Učka Mountain behind.
•The separate bell tower (detached from the main church building) is a striking visual landmark in the landscape of Veprinac
•The church and its bell tower are enclosed by high walls in which remnants of the town’s ancient fortifications can still be seen
•Access to the church is via a stone staircase; in some accounts, there are 107 steps from the old town gate up to the church.
•Within the churchyard, there is a peaceful, timeless atmosphere—many describe it as a place where “time seems to stand still.”
•The parish feast day is celebrated on 25 April, in honor of St. Mark the Evangelist.
•The church often plays a role in local events, such as folk festivals and klapa singing performances, being both symbolic and scenic backdrop. History & Architecture
•The Church of St. Mark in Veprinac has medieval origins, though subsequent reconstructions and adaptations have imparted Baroque elements.
•The church underwent full Baroque redesign (baroquization) in a phase of restoration.
•According to “Istria from Smrikve,” the church was rebuilt in 1547 and again reconstructed in 1866.
•Another source states that in 1680 the church was renovated and fully Baroquized.
•Local tradition links the church’s foundation (or an early phase of it) to the Counts of Devin (Devinske). It is alleged that Ana Stell (Elizabetta Devinska) financed the building of the parish church in Veprinac.
•In one account, the church is described as a “medieval building (1572) with a detached bell tower.”
•The interior has contained Renaissance-Baroque stylistic details
•Surrounding the church, one can observe remains of Roman walls and old fortifications, pointing to the site’s long-term strategic and settlement importance.
Zvonik crkve sv. Marka u Veprincu. Campanile di Apriano 12.X.1913. No. 22 Ekspozicija 1/100 sekundi. "Agfa" extra rapid CB negativ staklo 9X12 cm 11784 DSC PPMHP 157390
Crkva sv. Marka u Veprincu smještena je na uzvisini (na vrhu Britha / Brituha) s prekrasnim pogledom na Kvarner, Opatiju i planinu Učku u pozadini.
• Zvonik (odvojen od glavne crkvene građevine) čini dominantan vizualni znak u pejzažu Veprinca.
• Crkva je okružena visokim zidinama u kojima su sačuvani ostaci obrambenih struktura starog zidina grada.
• Pristup crkvi vodi kamenim stepeništem (u nekim opisima spominje se 107 stepenica od gradskih vrata do crkve).
• Crkva i zvonik su okruženi crkvenim dvorištem u kojem je zrak miran i gdje, kako kažu lokalni opisi, “vrijeme kao da stane”.
• Svakog 25. travnja slavi se župni blagdan sv. Marka (evanđelista).
• U Veprincu se također održavaju lokalne manifestacije, klapska pjevanja i folklorne priredbe, gdje crkva sv. Marka često služi kao scenski i simbolični element. Povijest i arhitektura
• Prema lokalnim izvorima, crkva sv. Marka je srednjovjekovne provenijencije, ali je u postupcima obnove i prenamjena prozvana i barokizirana.
• Prema enciklopedijskom opisu, crkva je tijekom vremena barokizirana (da se dobije sloj baroknih elemenata).
• Prema pisanju stranice “Istria from Smrikve”, crkva je preuređena 1547. godine, a potom rekonstruirana 1866. godine.
• U izvorima se također spominje da je crkva obnovljena 1680. godine, kada je bila potpuno barokizirana.
• U Veprinac se smatra da je izgradnja crkve (ili barem ranih faza) vezana uz grofove Devinske (Devinške). Prema zapisu, Ana Stell (Elizabetta Devinska) navodno je dala izgraditi župnu crkvu u Veprincu.
• Crkva sv. Marka (uz pripadajući zvonik) opisana je kao “srednjovjekovna građevina (1572.) s odvojenim zvonikom” u jednom izvoru.
• U crkvi su se nalazili detalji u renesansno-baroknom stilu.
• U okolici crkve mogu se vidjeti ostaci rimskih zidina i ostataka starih utvrda, što ukazuje na kontinuirani značaj lokacije kroz stoljeća.
First Friday Art Walk in Baker City Oregon
Celebrating the arts during the First Friday Art Walk in historic downtown Baker City, Oregon, multiple gallery openings, and just exploring downtown Baker City's amazing architecture.
The First Friday Art Walk is one of numerous events celebrating the arts throughout Baker County. Other events include the Baker Open Artists Studio Tour in October, the monthly Thursday Art Night at the historic Eltrym Theater, the We Like ‘em Short Film Festival in August, and the Great Salt Lick Art Auction in September.
Visitors will find numerous art galleries throughout Baker City’s historic downtown including the Crossroads Carnegie Art center in the restored Carnegie Library building.
For more information about First Friday Art Walk or other art events and galleries throughout Baker County Oregon visit the Baker County Tourism website at www.travelbakercounty.com
First Friday Art Walk in Downtown Baker City Oregon
Celebrating the arts during the First Friday Art Walk in historic downtown Baker City, Oregon, multiple gallery openings, and just exploring downtown Baker City's amazing architecture.
The First Friday Art Walk is one of numerous events celebrating the arts throughout Baker County. Other events include the Baker Open Artists Studio Tour in October, the monthly Thursday Art Night at the historic Eltrym Theater, the We Like ‘em Short Film Festival in August, and the Great Salt Lick Art Auction in September.
Visitors will find numerous art galleries throughout Baker City’s historic downtown including the Crossroads Carnegie Art center in the restored Carnegie Library building.
For more information about First Friday Art Walk or other art events and galleries throughout Baker County Oregon visit the Baker County Tourism website at www.travelbakercounty.com
Park Pavilion The Hoge Veluwe National Park, Otterlo, NL 2012-2019-
De Zwarte Hond - design agency for architecture, urban design and strategy
The Park Pavilion of De Hoge Veluwe National Park, designed in collaboration with Monadnock, is a striking landmark in the middle of the forest that acts as the base for a day there. The pavilion houses a restaurant, park shop and education and reception areas.
De Hoge Veluwe National Park is not only a 5,400-hectare nature reserve, but also home to the Sint-Hubertus hunting lodge and the Kröller-Müller Museum. Visitors can enjoy nature, art and architecture. The Park Pavilion adds an extra experience. It has been made a natural part of the landscape and the park experience. A large glass façade over the entire length offers a magnificent view of the beautiful surroundings. Behind the glass wall is the central space, a large ‘living room’ with a stylish staircase in the centre and a fireplace at the end. Just like the building itself, the interior makes a connection with the surrounding landscape. When visitors enter the high space with its curved walls, there’s a big surprise: the glass wall offering an ever-changing view of the Veluwe scenery. Above the visitors’ heads, the vaulted ceiling extends the entire length of the space. Nine chandeliers project a magical pattern onto the ceiling, based on an algorithm of the sun shining through the leaves. Size: 3360 m²
at Airavateswara temple, Darasuram,
This temple was constructed by the Rajaraja Chola II in the 12th century AD.
This temple is a storehouse of art and architecture. The vimana is 85 feet high. The front mandapam itself is in the form of a huge chariot drawn by horses. The temple has some exquisite stone carvings.
The main deity's consort Periya Nayaki Amman temple is situated adjacent to Airavateshwarar temple.
The Great Living Chola Temples. (a UNESCO World Heritage Site) at Thanjavur, Gangaikonda Cholapuram and Darasuram were built by the Cholas between the 10th and 12th centuries CE and have a lot of similarities.
TAOS PUEBLO NEW MEXICO
The newest church within the pueblo was built in 1850 to replace an earlier mission that was destroyed by the U. S. Army in 1847 following a revolt against the territorial government of New Mexico. The ruins of this church are still visible within the pueblo. The original mission church was built in 1619 under the Spanish settlement and destroyed and rebuilt after the revolts of 1660 and 1680 against the Spanish authority. San Geronimo Chapel is a beautiful example of Spanish architecture. The main facade has been altered over the decades by the addition of flanking bell towers. The presence and continued use today of the chapel, alongside ancient ceremonial kivas, reflects the strong ties of the community to their cultural traditions.
Salisbury Cathedral, formally known as the Cathedral Church of the Blessed Virgin Mary, is an Anglican cathedral in Salisbury, England, and is considered one of the leading examples of Early English architecture. The main body was completed in only 38 years, from 1220 to 1258.
The cathedral has the tallest church spire in the United Kingdom (123m/404 ft). Visitors can take the "Tower Tour" where the interior of the hollow spire, with its ancient wood scaffolding, can be viewed. The cathedral also has the largest cloister and the largest cathedral close in Britain (80 acres (320,000 m2)). The cathedral contains the world's oldest working clock (from AD 1386) and has the best surviving of the four original copies of the Magna Carta (all four original copies are in England). Although commonly known as Salisbury Cathedral, the official name is the Cathedral of Saint Mary. In 2008, the cathedral celebrated the 750th anniversary of its consecration in 1258.
The cathedral is the Mother Church of the Diocese of Salisbury and seat of the Bishop of Salisbury, the Rt Revd Nick Holtam.
As a response to deteriorating relations between the clergy and the military at Old Sarum, the decision was taken to resite the cathedral and the bishopric was moved to its present place in Salisbury. The move occurred during the tenure of Bishop Richard Poore, who was a wealthy man and donated the new land for construction. The new cathedral was also paid for by donations, principally by all the canons and vicars of South East England, who were asked to contribute a fixed annual sum until its completion. Legend has it that the Bishop of Old Sarum shot an arrow in the direction he would build the cathedral; the arrow hit a deer and the deer finally died in the place where Salisbury Cathedral is now.
The foundation stone was laid on 28 April 1220. Much of the freestone for the cathedral came from Teffont Evias quarries. Due to the high water table in the new location, the cathedral was built on only four feet of foundations, and by 1258 the nave, transepts and choir were complete. The west front was ready by 1265. The cloisters and chapter house were completed around 1280. Because the cathedral was built in only 38 years, it has a single consistent architectural style, Early English Gothic.
The only major sections of the cathedral built later were the cloisters, chapter house, tower and spire, which at 404 feet (123 m) dominated the skyline from 1320. Although the spire is the cathedral's most impressive feature, it has also proved to be troublesome. Together with the tower, it added 6,397 tons (6,500 tonnes) to the weight of the building. Without the addition of buttresses, bracing arches and anchor irons over the succeeding centuries, it would have suffered the fate of spires on later great ecclesiastical buildings (such as Malmesbury Abbey) and fallen down; instead, Salisbury remains the tallest church spire in the UK. To this day the large supporting pillars at the corners of the spire are seen to bend inwards under the stress. The addition of reinforcing tie beams above the crossing, designed by Christopher Wren in 1668, arrested further deformation. The beams were hidden by a false ceiling, installed below the lantern stage of the tower.
Significant changes to the cathedral were made by the architect James Wyatt in 1790, including replacement of the original rood screen and demolition of the bell tower which stood about 320 feet (100 m) north west of the main building. Salisbury is one of only three English cathedrals to lack a ring of bells, the others being Norwich Cathedral and Ely Cathedral. However it does strike the time every 15 minutes with bells.
For further information please visit
en.wikipedia.org/wiki/Salisbury_Cathedral and www.salisburycathedral.org.uk/visitor.php
2nd in a series of three photos with different views; Located on Winter Road in Burke County, GA; Listed in the National Register of HIstoric Places in 1993; It was organized as "Church at the Pinewoods Meeting House in 1814"; Built 1850 - 1855 at a cost of $5000. Greek Revival Style architecture. The church has the original pews, windows, and shutters. The oldest graves date to 1855. Holds a special place for me as my maternal grandparents are buried here. I went to church here as a kid, and many of my relatives were baptized here. The baptism was outside in an old spring.
First Friday Art Walk in Downtown Baker City Oregon
Celebrating the arts during the First Friday Art Walk in historic downtown Baker City, Oregon, multiple gallery openings, and just exploring downtown Baker City's amazing architecture.
The First Friday Art Walk is one of numerous events celebrating the arts throughout Baker County. Other events include the Baker Open Artists Studio Tour in October, the monthly Thursday Art Night at the historic Eltrym Theater, the We Like ‘em Short Film Festival in August, and the Great Salt Lick Art Auction in September.
Visitors will find numerous art galleries throughout Baker City’s historic downtown including the Crossroads Carnegie Art center in the restored Carnegie Library building.
For more information about First Friday Art Walk or other art events and galleries throughout Baker County Oregon visit the Baker County Tourism website at www.travelbakercounty.com
The white flowers surround this split-level house inspired by 20th Century modernist architecture. The SNOT windows along the livingroom and bedroom started this build and it is almost a little brother to my previous Artsand House MOC. As always, I've spent a lot of time working on the interiors and I'm pretty fond of the combined kitchen and livingroom myself. I hope you like it too!
The KiMo Theatre is a theatre and historic landmark located in Albuquerque, New Mexico on the northeast corner of Central Avenue and Fifth Street. It was built in 1927 in the extravagant Art Deco-Pueblo Revival Style architecture, which is a blend of adobe building styles (rounded corners and edges), decorative motifs from indigenous cultures, and the soaring lines and linear repetition found in American Art Deco architecture.
The KiMo was conceived by Italian-American entrepreneur Oreste Bachechi (c. 1860–1928) and his wife, Maria Franceschi Bachechi (c. 1865–1959). It was Mrs. Bachechi's desire to give a tribute to the Native Americans who had embraced the Bachechi family as part of their own. After much travel and meetings with various architects in both NM and California, the design was accepted from Carl Boller of the Boller Brothers architecture firm, who conducted an extensive investigation into the cultures and building styles of the Southwest before submitting his design. The theater is a three-story stucco building with the stepped massing characteristic of native pueblo architecture, as well as the recessed spandrels and strong vertical thrust of Art Deco skyscrapers. Both the exterior and interior of the building incorporate a variety of indigenous motifs, like the row of terra cotta shields above the third-floor windows.
In June 1927, the Albuquerque Journal sponsored a competition to choose a name for the new theater, with a $50 prize for the winner. The rules stipulated that the name "must be in keeping with this truly American Theatre, whose architecture is a combination of Aztec, Navajo and Pueblo. It must be an Indian name. The name must not have more than six letters." Over 500 entries were received from around the state. Pablo Abeita, the former governor of Isleta Pueblo, was chosen as the winner for his suggestion of "Kimo", meaning "mountain lion" (sometimes loosely translated as "king of the beasts"). The second-place entry was "Eloma".
The theater opened on September 19, 1927, with a program including Native American dancers and singers, a performance on the newly installed $18,000 Wurlitzer theater organ, and the comedy film Painting the Town. Dignitaries at the event included Senator Sam G. Bratton, former governor Arthur T. Hannett, and Chairman of the City Commission Clyde Tingley, while Hollywood stars including Mary Pickford and Douglas Fairbanks sent congratulatory telegrams. Cecil B. DeMille wrote, "The erection of such a theater is definite proof of the great progress being made by this industry of ours."
In 1935, the Bachechi family merged their theater interests with those of Joseph Barnett, including the Sunshine Theater, which put most of Albuquerque's theaters under the same ownership.[10] By 1952, the chain, Albuquerque Exhibitors, controlled 10 local theaters and had 170 employees. The company leased its theaters in 1956 to the Texas-based Frontier Theaters chain, which was taken over by Commonwealth Theaters in 1967. Commonwealth closed the theater in 1970, after which it was leased for a few years by Albuquerque Music Theater[15] and then started showing adult films.
By 1977, the theater had fallen into disrepair due to a fire. The City of Albuquerque offered to purchase the building at a fraction of its value or condemn it and then demolish it. The family decided that it was best to preserve the theater for future generations and sold the theater to the City of Albuquerque. It has undergone several phases of continuing restoration to return it to its former glory and is once again open to the public for performances. The most recent preservation was completed in 2000 with the installation of new seating and carpet, main stage curtain, new tech booth, lighting positions hid between and behind "vigas" on the ceiling, and a re-creation of the KiMo's original proscenium arch. The auditorium seating capacity was 650 at completion of the restoration.
In 2011, the city commissioned a replica of the theater's original neon sign, which was installed around 1929 and removed sometime in the 1950s.
According to local legend, the KiMo Theatre is haunted by the ghost of Bobby Darnall, a six-year-old boy killed in 1951 when a water heater in the theater's lobby exploded. The tale alleges that a theatrical performance of A Christmas Carol in 1974 was disrupted by the ghost, who was supposedly angry that the staff was ordered to remove donuts they had hung on backstage pipes to appease him.
While investigating the legend, writer Benjamin Radford determined that the performance of A Christmas Carol in question actually occurred in 1986, not 1974, and two people he spoke with who were involved in the production did not remember anything unusual. According to Radford, "All the evidence points to one inescapable conclusion: The ruined play—the very genesis of the KiMo ghost story—simply did not occur; it is but folklore and fiction". Radford also contacted Bobby Darnall's siblings, who told him they felt "exploited by the story" and did not appreciate "claims that their beloved brother is eating doughnuts or ruining performances at the KiMo Theater".
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
The Chapel of St John the Evangelist in the White Tower at the Tower of London is a unique survival. It is the most complete surviving example of early Anglo-Norman royal ecclesiastical architecture.
The Chapel was built as a place of worship for William the Conqueror, but it was not completed until after his death. It was always intended to be spectacular, giving the worshiper the sense of being at the centre of a much larger church. Its imposing columns, carved capitals, high gallery and aisle for processions were built to impress.
St. Mary's Cathedral (東京カテドラル聖マリア大聖堂 Tōkyō Katedoraru Sei Maria Daiseidō) is the seat of the Roman Catholic Archdiocese of Tokyo. It is located in the Sekiguchi neighborhood of Bunkyo, Tokyo, Japan.
History
The original wooden structure, constructed in 1899 in the Gothic style, was destroyed during the air raids on Tokyo during World War II. The present church, designed by Kenzo Tange, was completed in 1964. Tange was assisted by Wilhelm Schlombs, architect to the Archdiocese of Cologne, construction engineer Yoshikatsu Tsuboi, who had worked with Tange on previous projects, and Swiss architect Max Lechner.
Architecture
The layout of the building is in the form of a cross, from which eight hyperbolic parabolas rise in a manner similar to the slightly later landmark cathedral located in San Francisco, also referred to as St. Mary's Cathedral. The parabolas open upwards to form a cross of light, which continues vertically along the length of the four facades. To this rhomboid volume other secondary constructions are added, including the baptistry and the baptismal font. The rectangular shapes contrast with the symbolic character of the cathedral. The exterior cladding is made of stainless steel.
Source: Wikipedia
The Chi Lin Nunnery was founded in 1934 but was rebuilt in the 1990s following the style of Tang Dynasty traditional Chinese architecture. The present-day buildings are wood frame buildings built without the use of any iron nails. This construction is based on traditional Chinese architectural techniques dating from the Tang Dynasty that uses special interlocking systems cut into the wood to hold them in place. The Chi Lin Nunnery buildings are the only buildings to be built in this style in modern day Hong Kong.
If you like to see more of this Oasis in the city, feel free to visit my set:
www.flickr.com/photos/chezc/sets/72157628969261121/with/6...
First Friday Art Walk in Baker City Oregon
A blustery fall evening celebrating the arts during the First Friday Art Walk in historic downtown Baker City, Oregon, multiple gallery openings, live music, and just exploring downtown Baker City's amazing architecture.
The First Friday Art Walk is one of numerous events celebrating the arts throughout Baker County. Other events include the Baker Open Artists Studio Tour in October, the monthly Thursday Art Night at the historic Eltrym Theater, the We Like ‘em Short Film Festival in August, and the Great Salt Lick Art Auction in September.
Visitors will find numerous art galleries throughout Baker City’s historic downtown including the Crossroads Carnegie Art center in the restored Carnegie Library building.
For more information about First Friday Art Walk or other art events and galleries throughout Baker County Oregon visit the Baker County Tourism website at www.travelbakercounty.com
"Beaufort (/ˈbjuːfərt/ BEW-fert, a different pronunciation from that used by the city with the same name in North Carolina) is a city in and the county seat of Beaufort County, South Carolina, United States. Chartered in 1711, it is the second-oldest city in South Carolina, behind Charleston. The city's population was 12,361 in the 2010 census. It is a primary city within the Hilton Head Island-Bluffton-Beaufort, SC Metropolitan Statistical Area.
Beaufort is located on Port Royal Island, in the heart of the Sea Islands and South Carolina Lowcountry. The city is renowned for its scenic location and for maintaining a historic character by preservation of its antebellum architecture. The prominent role of Beaufort and the surrounding Sea Islands during the Reconstruction era after the U.S. Civil War is memorialized by the Reconstruction Era National Monument, established in 2017. The city is also known for its military establishments, being located in close proximity to Parris Island and a U.S. naval hospital, in addition to being home of the Marine Corps Air Station Beaufort.
The city has been featured in the New York Times, and named "Best Small Southern Town" by Southern Living, a "Top 25 Small City Arts Destination" by American Style, and a "Top 50 Adventure Town" by National Geographic Adventure." - info from Wikipedia.
The fall of 2022 I did my 3rd major cycling tour. I began my adventure in Montreal, Canada and finished in Savannah, GA. This tour took me through the oldest parts of Quebec and the 13 original US states. During this adventure I cycled 7,126 km over the course of 2.5 months and took more than 68,000 photos. As with my previous tours, a major focus was to photograph historic architecture.
Now on Instagram.
Walking home from work on a very fine, warm spring evening, the late-day sun and the tall, old tenements along Bruntsfield Place combined to give large spots illuminated by lovely sunlight and the other spots in deep shadows. Between that and the Victorian tenement architecture the scene was begging for a couple of quick B&W shots.
I used to stay just around the corner from these scenes when I was a student and miss the area, it's a great part of town. Alas despite only being fifteen minutes walk from my flat it is a much more pricey area (even by Edinburgh's crazy house prices) so I doubt I will be moving back here any time soon, but I still walk through it sometimes.
Chartres on a windy cold morning. The afternoon was nice though. Chartres is a magnificent example of Medieval Cathedral architecture. The stained glass is wonderful
During our brief stay in Bangkok recenty we ventured out to Ancient Siam park on the edge of Bangkok. We spent a wonderful day exploring the landscaped park with over 100 buildings representing the various styles of Thai architecture. The place is so large people either cycle around or choose to hire a golf cart as we did.
This is my probably my favourite photo from that day, not least as I created the dramatic sidelighting in this fisheye shot by closing the pair of doors behind me.........
Click here to see photos from this and a previous trip to Thailand : www.flickr.com/photos/darrellg/albums/72157600177340620
You can find out more here if you're intersted : en.wikipedia.org/wiki/Ancient_Siam
From Wikipedia : "Ancient Siam (also known as Ancient City, Thai: เมืองโบราณ, Mueang Boran) is a park constructed under the patronage of Lek Viriyaphant and spreading over 200 acres (0.81 km2) in the shape of Thailand.
The founder's original idea was to create a golf course with miniatures of Thailand's historically significant structures spread around the course. During his research he found most structures severely damaged and decided instead to create new miniatures, to save the original structures when possible, or to re-create them full size or scaled down.
Ancient Siam is dubbed as the world's largest outdoor museum. Close to the Crocodile Farm in Samut Prakan province, the 320-hectare 'city' features 116 structures of Thailand's famous monuments and architectural attractions. The grounds of Ancient Siam correspond roughly to the shape of the Kingdom, with the monuments lying at their correct places geographically. Some of the buildings are life-size replicas of existing or former sites, while others are scaled down.
The replicas were constructed with the assistance of experts from the National Museum to ensure historical accuracy. Outstanding works include the former Grand Palace of Ayutthaya (destroyed in the Burmese invasion of 1767), Phimai Sanctuary in Nakhon Ratchasima, and Wat Khao Phra Viharn on the Cambodian border."
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© D.Godliman
IMG_2632r
The cathedral is considered to be one of the finest examples of French Gothic architecture. The innovative use of the rib vault and flying buttress, the enormous and colorful rose windows, and the naturalism and abundance of its sculptural decoration all set it apart from earlier Romanesque architecture.
The cathedral was begun in 1160 and largely completed by 1260, though it was modified frequently in the following centuries. In the 1790s, Notre-Dame suffered desecration during the French Revolution when much of its religious imagery was damaged or destroyed. Soon after the publication of Victor Hugo's novel The Hunchback of Notre Dame in 1831, popular interest in the building revived. A major restoration project supervised by Eugène Viollet-le-Duc began in 1845 and continued for twenty-five years. Beginning in 1963, the facade of the cathedral was cleaned of centuries of soot and grime, returning it to its original color. Another campaign of cleaning and restoration was carried out from 1991–2000.
As the cathedral of the Archdiocese of Paris, Notre-Dame contains the cathedra of the Archbishop of Paris (Michel Aupetit). 12 million people visit Notre-Dame yearly, it thus being the most visited monument in Paris.
While undergoing renovation and restoration, the roof of Notre-Dame caught fire on 15 April 2019 just before 7pm. Burning for around 15 hours, the cathedral sustained serious damage, including the destruction of the spire and most of the roof above the stone vaulted ceiling.[1] Firefighters were able to save the facade, towers, walls, buttresses, pipe organ, and stained glass windows. Statues on the spire had been removed for cleaning and relics were rescued during the fire, but sections of the stone ceiling collapsed. First investigations indicated that the structure remained essentially sound.
Between 1898 and 1906 three adjacent houses in one block on the fashionable boulevard 'Passeig de Gracia' were built by some of the most important modernist architects: Casa Amatller (designed by Puig i Cadafalch), Casa Lléo Morera (designed by Domènech i Montaner) and Gaudí's Casa Batlló.
All three houses were designed in a different interpretation of the modernist style in what seems like a competition between the architects. This lead to the local term 'Mançana de la Discordia', which means apple of discord, referring to Greek mythology where an apple, given by the goddess Eris 'to the fairest' lead to a dispute between three goddesses, eventually leading to the Trojan War. Conveniently the word mançana also means 'block', so the expression 'Mançana de la Discordia' can also be translated as 'Block of Discord'.
Of the three houses, Wooden door, Gaudi style Casa Batlló is the most expressive. The house was originally built between 1875 and 1877. In 1900 it was bought by the rich industrialist Josep Battló i Casanovas who commissioned Gaudí to tear down the old house and reconstruct a new one. Gaudí however convinced Battló to remodel the existing building. Between 1904 and 1906 Gaudí redesigned the facade and roof, added an extra floor and completely remodeled the interior.
The façade of the Casa Batlló is quite whimsical. It is made of sandstone covered with colorful trencadis (a Catalan type of mosaic). Typical of Gaudí, straight lines are avoided whenever possible. The first floor features irregularly sculpted oval Detail of the roofwindows. Balconies at the lower floors have bone-like pillars, those on the upper floors look like pieces of skulls. These features gave the house the nickname 'House of Bones'. The enlarged windows on the first floor gave it another nickname, 'House of Yawns'.
The colorful scaled roof recalls a reptile skin. According to some authorities on Gaudí architecture, the roof represents a dragon; the small turret with a cross would symbolize the sword of St. George stuck into the dragon. The bones and skulls on the facade represent all the dragon's victims.
[Today our visit of the Carolingian oratory of Germigny-des-Prés comes to an end. These are the last four photographs.]
We have left the abbey of Fleury but our first stop will not take us very far: just a few kilometers down River Loire. In fact, we are still within what was in the 800s the abbey’s domain. There was probably a small settlement here, and in the hope of creating a real village, Theodulf, abbot of Fleury and also bishop of Orléans, had the church built between 803 and 806. It is not a very large church, but not a small one either, and this time span of only three years says a lot about how fast construction activities could go when the proper will and means were applied...
Perhaps an explanation can be found in the fact that, contrary to what was believed, the church was not built ex nihilo in the early 800s: in 2019, a non-destructive survey demonstrated that some of the structural walls can be dated as early as the mid-600s, i.e. a century and a half before the Carolingian church... Some of that structure was re-used in the 800s.
Of course, the monument was remodeled and added to later. The nave was never vaulted, and thus prone to fall victim to fire, which happened as early as the 850s. In 1060–1067, Hugh I, abbot of Fleury, rebuilt parts of the nave, and yet more repairs and reconstructions were carried out after the Wars of Religion, the nave being almost entirely rebuilt in the 16th century. Extensive reconstruction also took place in the 19th century after the church was listed as a Historic Landmark on the very first list 1840. Long thought to be the oldest church in France, the most authentic parts of the monument today (which started out in life with a simple quatrefoil floor plan) are the eastern apse, the choir, and of course the Carolingian mosaic, which was preserved.
The church is listed as a UNESCO World Heritage site.
As in the previous photo, this view of the nave looking to the West shows the almost total symmetry of the architecture, the like of which I have almost never seen in an authentic Mediæval monument, much less one from Carolingian times...
Why? Because, even if perfect symmetry had been the intent of the original builders, they didn’t, back in the day, have the measuring tools that would allow them to achieve such industrial-grade identity!
Salisbury Cathedral, formally known as the Cathedral Church of the Blessed Virgin Mary, is an Anglican cathedral in Salisbury, England, and is considered one of the leading examples of Early English architecture. The main body was completed in only 38 years, from 1220 to 1258.
The cathedral has the tallest church spire in the United Kingdom (123m/404 ft). Visitors can take the "Tower Tour" where the interior of the hollow spire, with its ancient wood scaffolding, can be viewed. The cathedral also has the largest cloister and the largest cathedral close in Britain (80 acres (320,000 m2)). The cathedral contains the world's oldest working clock (from AD 1386) and has the best surviving of the four original copies of the Magna Carta (all four original copies are in England). Although commonly known as Salisbury Cathedral, the official name is the Cathedral of Saint Mary. In 2008, the cathedral celebrated the 750th anniversary of its consecration in 1258.
The cathedral is the Mother Church of the Diocese of Salisbury and seat of the Bishop of Salisbury, the Rt Revd Nick Holtam.
As a response to deteriorating relations between the clergy and the military at Old Sarum, the decision was taken to resite the cathedral and the bishopric was moved to its present place in Salisbury. The move occurred during the tenure of Bishop Richard Poore, who was a wealthy man and donated the new land for construction. The new cathedral was also paid for by donations, principally by all the canons and vicars of South East England, who were asked to contribute a fixed annual sum until its completion. Legend has it that the Bishop of Old Sarum shot an arrow in the direction he would build the cathedral; the arrow hit a deer and the deer finally died in the place where Salisbury Cathedral is now.
The foundation stone was laid on 28 April 1220. Much of the freestone for the cathedral came from Teffont Evias quarries. Due to the high water table in the new location, the cathedral was built on only four feet of foundations, and by 1258 the nave, transepts and choir were complete. The west front was ready by 1265. The cloisters and chapter house were completed around 1280. Because the cathedral was built in only 38 years, it has a single consistent architectural style, Early English Gothic.
The only major sections of the cathedral built later were the cloisters, chapter house, tower and spire, which at 404 feet (123 m) dominated the skyline from 1320. Although the spire is the cathedral's most impressive feature, it has also proved to be troublesome. Together with the tower, it added 6,397 tons (6,500 tonnes) to the weight of the building. Without the addition of buttresses, bracing arches and anchor irons over the succeeding centuries, it would have suffered the fate of spires on later great ecclesiastical buildings (such as Malmesbury Abbey) and fallen down; instead, Salisbury remains the tallest church spire in the UK. To this day the large supporting pillars at the corners of the spire are seen to bend inwards under the stress. The addition of reinforcing tie beams above the crossing, designed by Christopher Wren in 1668, arrested further deformation. The beams were hidden by a false ceiling, installed below the lantern stage of the tower.
Significant changes to the cathedral were made by the architect James Wyatt in 1790, including replacement of the original rood screen and demolition of the bell tower which stood about 320 feet (100 m) north west of the main building. Salisbury is one of only three English cathedrals to lack a ring of bells, the others being Norwich Cathedral and Ely Cathedral. However it does strike the time every 15 minutes with bells.
For further information please visit
en.wikipedia.org/wiki/Salisbury_Cathedral and www.salisburycathedral.org.uk/visitor.php
Created with fd's Flickr Toys
Tintern Abbey is a national icon — still standing in roofless splendour on the banks of the River Wye nearly 500 years since its tragic fall from grace.
It was founded in 1131 by Cistercian monks, who were happy to make do with timber buildings at first. Abbot Henry, a reformed robber, was better known for his habit of crying at the altar than for his architectural ambitions.
A simple stone church and cloisters came later. But then, thanks to the patronage of wealthy Marcher lords, the white-robed monks began to think bigger.
In 1269 they began to build a new abbey church and didn’t stop until they’d created one of the masterpieces of British Gothic architecture. The great west front with its seven-lancet window and the soaring arches of the nave still take the breath away.
So grateful were the monks to their powerful patron Roger Bigod that they were still handing out alms on his behalf in 1535. But by then King Henry VIII’s English Reformation was well underway.
Only a year later Tintern surrendered in the first round of the dissolution of the monasteries — and the great abbey began slowly to turn into a majestic ruin.
The abbey ruins lay forgotten until the 18th century. Then something wild and romantic began to stir in British hearts.
Tintern was about to experience a second heyday – this time as a major tourist destination. A popular engraving by the Buck brothers, published in 1732, started the ball rolling. It was followed by the Reverend William Gilpin’s bestselling account of his Wye River voyage in 1770.
He described Tintern as ‘the most beautiful’ scene of all – although he felt there was room for improvement. ‘A number of gable-ends hurt the eye with their regularity and disgust it by the vulgarity of their shape,’ he wrote, suggesting a mallet might come in handy.
Nevertheless the ivy-covered ruins of Tintern were caught up in a surge of romantic interest in the ‘Sublime’ and the ‘Picturesque’. Travellers kept out of Europe by the French Revolution and Napoleonic Wars were roaming the wild landscapes of Britain instead.
They flocked to the Wye Valley, arriving on small boats laden with picnic hampers. In 1792 they were joined by none other than JMW Turner – barely 17 years of age and full of expectation on his first proper trip to Wales.
The pencil sketches he made at Tintern provided the raw material for the magnificent watercolours exhibited at the Royal Academy in 1794-95.
By then the poet William Wordsworth – young, troubled and alone – had already seen Tintern for himself. In July 1798 he returned in happier times with his sister Dorothy and wrote his famous poem ‘Lines Composed a Few Miles Above Tintern Abbey’.
By now the abbey, beneath Wordsworth’s ‘steep and lofty cliffs’ on the banks of his ‘sylvan Wye’, wasn’t only a romantic vision. It was a bustling tourist attraction surrounded by beggars and would-be guides loudly touting for business.
Things are quieter now. But the great walls and arches in their setting of wild natural beauty haven’t lost their magic. They remain a vision of the sublime .
(text taken from CADW webpage - the Welsh equivalent of English Heritage ) .
In the first comment box is a closer view of the old church remains seen in the note box in the main photo .
When I took this shot there was another photographer nearby taking a similar view - BUT he was working with what looked like a very large plate camera with the curtain at the back to view the image from underneath m all mounted on a very sturdy wooden tripod !!
I don't know what I am doing on flickr, I should be working on my paper haha
Going though some archives photos of Toronto architecture. the main image is a similar perspective of what I've posted in the past of the Toronto Dominion Bank and Royal Trust Towers at the TD Centre, downtown. I wanted to keep the minimalistic aspect while angling it in a more discrete PoV :)
*Check it out in lightbox (L)
+2 more in comments
(I hope am not bombarding all of you with sets after sets each post on flickr :)
You can support me through my Facebook Page :)
The FTX Arena (formerly known as American Airlines Arena) is a sports and entertainment multi-purpose arena located in Miami, Florida, along Biscayne Bay. It was constructed beginning in 1998 as a replacement for the Miami Arena and designed by the architecture firms Arquitectonica and 360 Architecture. The arena is home to the Miami Heat of the National Basketball Association.
The FTX Arena is directly served by the Miami Metrorail at Government Center station via free transfers to Metromover Omni Loop, providing direct service to Freedom Tower and Park West stations. The Arena is also within walking distance from the Historic Overtown/Lyric Theatre Metrorail station.
The FTX Arena has 2,105 club seats, 80 luxury suites, and 76 private boxes. The Waterfront Theater is Florida's largest theater which is housed within the arena, that can seat between 3,000 and 5,800. The theater can be configured for concerts, family events, musical theatre, and other stage shows. American Airlines which has a hub at Miami International Airport maintains the FTX Arena Travel Center at the venue.
In September 2019, it was reported that the arena would have a new name in 2020. In March 2021, FTX Crypto Exchange, a bitcoin exchange platform, acquired the naming rights to the arena for $135 million. The NBA approved the deal in early April, and the arena was fully renamed FTX Arena in June 2021.
Credit for the data above is given to the following websites:
www.emporis.com/buildings/240490/american-airlines-arena-...
en.wikipedia.org/wiki/FTX_Arena
© All Rights Reserved - you may not use this image in any form without my prior permission.
The highest mountain monastery in Russia. Surprisingly, it is essentially a new building.
The Iversky Cathedral is an exact copy of the ancient Alanian temples, built of stone in the traditions of Byzantine architecture.
The Alanian monastery was built on the site of a former medieval Ossetian settlement.
In the north of ‘s-Hertogenbosch (The Netherlands) in the Maaspoort district, you will find fifty sphere houses with their striking architecture. The spherical house was designed by the sculptor, designer and architect Dries Kreijkamp born in 1937 in Tegelen. After following various courses and gaining work experience, architect Dries Kreijkamp has found his passion, the sphere, the most organic and natural form.
After the foundation of private company Bolbouw, the houses were realized in 1984 with the aid of a subsidy for experimental living. With the aim of connecting the residents with nature, partly due to the various round windows that are present in the houses. The houses are also environmentally friendly, because of the spherical shape the wind has almost no control over them and they are also designed in such a way that they are energy efficient and cheap.
The white sphere has a diameter of five and a half meters and consists of cement reinforced with glass fiber. The sphere is, as it were, part of a kind of stilt house. It rests on a precast concrete cylinder with a diameter of three meters. The houses are divided as follows: the living room is located at the top of the sphere, toilet and bathroom in the middle and at the bottom are the bedrooms and a storage room made of polyester.
The sphere dwellings are designed for 1 to 2 people. The diameter of the sphere is 5.5 meters. The round base has a diameter of 3 meters. Here is the entrance and storage room. The volume of the sphere is 124m³ with a floor area of 55m². Through the entrance you walk up the stairs where the bedroom is. The toilet and bathroom are located in the center of the sphere. The living room with open kitchen is located at the top of the sphere. The living room has beautiful round windows that give it a futuristic look.
The #PatioOfTheLions (#PatioDeLosLeones) is probably the most famous place of the Alhambra. It has that name because of the twelve lions which are part of the fountain in the middle of the patio. It's a palace and fortress complex located in Granada, Spain. The architecture, the gardens and the backdrop of the Sierra Nevada Mountains make this fortress a Spanish treasure! This is just one of the many #TreasuresOfTraveling through Andalusia and the south of Spain!
treasuresoftraveling.com/visiting-alhambra-granada-spain/
#Granada #Alhambra #Albaicín #Spain #españa #Andalusia #garden #IslamicArt #SierraNevadaMountains #TravelSpain #españaviaje #Europe #WorldTravel #WorldTraveler #TravelBlogger #TravelPhotography #TravelPhotos #GlobeTrotter #PassportStamps #TravelTheWorld #TourThePlanet #BestPlacesToGo #TheGlobeWanderer #TravelGram #Wanderlust #GuysWhoTravel #GayTraveler
Kolomna — a town in the Moscow region of Russia, the administrative center of Kolomna district (which is not included), the only town of the city district Kolomna. One of the oldest and most beautiful cities of Moscow region, a major industrial centre and transport junction, a river port on the Oka. Conditionally the city is mentioned in the Laurentian chronicle under the year 1177 as already existing, but recent excavations the Foundation of the city attributed to the 1140-1160 gg[4]. The city partially preserved rare monument of old Russian defensive architecture — the Kolomna Kremlin.