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The Thomas J. Watson College of Engineering and Applied Science 2023 Commencement Ceremony that was held at the Events Center, May 14, 2023.
John King / Photographer
Applied materials custom history wall showcase featuring built in display cases, 3 dimensional aluminum graphics and laser etched awards.
Thomas J. Watson School of Engineering and Applied Science Commencement Ceremony held at the Events Center, Saturday, May 17, 2014.
Bella Faux Finishes applied Italian Venetian Plaster to a Dining Room Tray Ceiling. For New Ideas for Texture, follow us Below:
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Fujinon 3.5cm f/2 LTM (M39) + Fujifilm X-Pro2 : ProNeg-Hi with Pro160C reponse curve applied in post.
From the website: burnt orange/cinnamon with a small amount of copper shimmer.
Eye Shadow Ingredients: iron oxide, silicon dioxide, titanium dioxide, mica, nylon 12, magnesium myristate, magnesium stearate, boron nitride
Safe for: eyes, lips, face & nails
Vegan: yes
Personal Comments: An orange with hints of red and a dose of shimmer. Applied over Urban Decay Primer Potion and Fyrinnae Pixie Epoxy. This picture was taken outside in natural light.
www.indieknow.net/2014/01/swatch-post-all-that-sass-40-ra...
The 25th Annual Holiday Train Show, on display in the New York Botanical Garden's Enid A. Haupt Conservatory from November 21, 2015 to January 18, 2016, presents a winter wonderland twinkling lights and sixteen model trains, including the Union Pacific, New York Central, and Great Northern Railway, zipping along over bridges and on 1,000 feet of winding tracks past scaled replicas of New York landmarks made by award-winning designer Paul Busse and his team of landscape designers and botanical architects at Applied Imagination in Alexandria, Kentucky. Orange slices, cinnamon sticks, poppy pods, pine cones, twigs and other plant parts make a festive brew as the materials used to create the more than 140 architectural reproductions.
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The New York Botanical Garden, spanning some 250 acres of Bronx Park, was founded in 1891 on part of the grounds of the Belmont Estate, formerly owned by the tobacco magnate Pierre Lorillard, after a fund-raising campaign led by Columbia University botanist Nathaniel Lord Britton, who was inspired to emulate the Royal Botanic Gardens in London. It contains 48 different gardens and plant collections.
The backplate can be attached. Not depicted here is how I placed bolts between the backplate to create some space between the heated part and the wood. To get a straight surface you can add some washers as spacers in some corners.
ST. PETERSBURG, Fla. -- Jean Marie Sempels of Polaris Applied Sciences, Inc., gives a morning briefing to a Shoreline Cleanup Assessment Technology (SCAT) team at North Shore Beach near downtown St. Petersburg June 20, 2010. The SCAT team received training on proper oil-handling and documentation techniques and took part in a hands-on exercise. U.S. Coast Guard photo by Petty Officer 3rd Class Nick Ameen.
www.stvincent.edu | Photos of the Applied Laryngeal Anatomy: Intubation, Cricothyrotomy, and Tracheostomy in the Human Anatomy Lab.
The 25th Annual Holiday Train Show, on display in the New York Botanical Garden's Enid A. Haupt Conservatory from November 21, 2015 to January 18, 2016, presents a winter wonderland twinkling lights and sixteen model trains, including the Union Pacific, New York Central, and Great Northern Railway, zipping along over bridges and on 1,000 feet of winding tracks past scaled replicas of New York landmarks made by award-winning designer Paul Busse and his team of landscape designers and botanical architects at Applied Imagination in Alexandria, Kentucky. Orange slices, cinnamon sticks, poppy pods, pine cones, twigs and other plant parts make a festive brew as the materials used to create the more than 140 architectural reproductions.
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The New York Botanical Garden, spanning some 250 acres of Bronx Park, was founded in 1891 on part of the grounds of the Belmont Estate, formerly owned by the tobacco magnate Pierre Lorillard, after a fund-raising campaign led by Columbia University botanist Nathaniel Lord Britton, who was inspired to emulate the Royal Botanic Gardens in London. It contains 48 different gardens and plant collections.
In 1901 a light railway order was applied for between Pateley Bridge and Lofthouse, with the idea of opening up the northern end of the Nidd valley. Some years earlier Bradford Corporation's search for water had already led to the construction of Gowthwaite reservoir in 1901, and now its attention was focused on another site above Gowthwaite, at Angram.
The contractors working on the reservoir had laid a 3ft gauge line from Angram to the nearest road at Lofthouse.
Bradford Corporation decided to take over the powers for the line so that it could be used in connection with the building of the reservoirs
The existing 3ft gauge line between Lofthouse and Angram was extended down to Pateley Bridge in 1904, however in 1907 the Board of Trade agreed to the railway being converted to standard gauge, enabling wagons from the main railway network to work through without transhipping at Pateley Bridge.
The line was formally opened on 11th September 1907 and a passenger service began the following day.
Although the was a track connection between the two stations, passengers had to allow for a six minute walk between the terminals, 'connections' in the time table were poor and one must assume that the majority of passengers were mostly local.
I dreamed about a human being is is part of a project exploring the use of artificial intelligence as applied to photography by using online open source code and data.
More information at fransimo.info/?p=1100
ID:338d8a144e3b0323ce33ca3408879cfd
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Today I received the catalogue of the 5th edition of The European Prize for Applied Arts. Since 2009 I have participated in all exhibitions.
Thanks to BeCraft
Presidential Candidate 總統候選人
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TianLiang Maa
~ A Taiwanese social reformer, philosopher, photographer and film director
“Touching Fairness and Justice”
馬天亮
~ 臺灣的社會改革者，哲學家，攝影師，和電影導演
《感動的公平與正義》
TianLiang Maa, alternative spelling: Tianliang Ma, also known as Theophilus Raynsford Mann; Ma, Tianliang; Chinese: 馬天亮; 马天亮.
SUMMARY
TianLiang Maa is a naturalist, occultist, and Taoist. In 1982, Maa developed a technique for abstract photography, applied “Rayonism” into photographic works. Maa staged 32 individual, extraordinary exhibitions around Taiwan, who was the first exhibitor around Formosa. Maa’s works is the beginning of modernization in the modern abstract arts in the world. At the University of Oxford, Maa’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”; also an author at the University of California, Berkeley and the University of Michigan in the United States; an alumnus from Christ Church College at the University of Oxford in England, the University of Glamorgan in Wales, and National Taiwan University in Taipei on Taiwan. Maa’s works have been quoted by the scholars many times, making Maa one of the highly cited technological, artistic, and managing public administrators in the academia. Maa was listed in “Taiwan Who’s Who In Business” © 1984, 1987, 1989 Harvard Management Service.
Early Life and Record of Genealogy
TianLiang Maa possesses both Taiwanese and German surnames from birth. Usually, whenever anyone asks Maa about where he comes from, he would reply “Formosa” as he grew up and was educated in the Far East and lives in Taiwanese and Japanese lifestyles. Moreover, he often teaches and educates younger generations based on the methods of the Far Eastern teaching he experienced when he was young, though he does not oppose the Western ways of teaching and thinking. Maa takes great pride in his roots, which go back 150 years (since 1864); Maa’s ancestry originates and creates generations, and prepares younger generations to succeed their personality and ethical standards and integrity.
Education in Taiwan and a Brief of Latest Generation of History in Taiwan / Formosa
In 1980, Maa obtained his postgraduate certificate from the Graduate Institute of Electrical Engineering of National Taiwan University in Taipei; successfully completed another graduate studies in Information dBase III Plus and Taiwanese Traditional Chinese Mandarin Information System at National Sun Yat-Sen University in Kaohsiung in 1989.
In history, the Portuguese explorers discovered and called the island (Taiwan), “Formosa” (meaning “Beautiful Island”) in 1590. They are non-Chinese people; it was long a Chinese and Japanese pirate base. Fighting continued, between its original inhabitants of Taiwanese and the Chinese settlers, into the 19th century. In 1894-95 first Sino-Japanese War that ended in Manchus of the Qing (Ching) dynasty defeat, the late Manchu Qing Government forced to cede Formosa to Japan. This result was made by the Treaty of Shomonoseki in 1895 and remained under Japanese control until the end of the Second World War. Early on, Taiwan was conquered by the Qing in 1683 and for the first time became part of older China dynasty. However, today, the home country of Maa’s origin has around 165 institutions (93 universities) of higher education, which now has one of the best-educated populations in Asia. Among the major public (state) ones are the National Taiwan University (NTU) at Taipei, and National Sun Yat-Sen University (NSYSU) at Kaohsiung. NSYSU is also called National Chun-Shan University; according to Times Higher Education 2010-2011, NSYSU ranks as the 3rd university in Taiwan, 21st in Asia, and 163rd worldwide. National Taiwan University is ranked 51 to 60 ranks on Times Higher Education World University Rankings - Top Universities by Reputation 2013, the United Kingdom (see www.timeshighereducation.co.uk/world-university-rankings/...); King's College London (KCL) (21st in the world and 6th in Europe in the 2010, QS World University Rankings), the University of London, and University of Southern California (is one of the world's leading private research universities, located in the heart of Los Angeles), afterward.
Backing to Maa’s early school-time of Taiwan Provincial Kaohsiung Industrial Senior High School (Kaohsiung Municipal Kaohsiung Industrial High school), the professional technical education, which is equivalent to Advanced Level General Certificate of Education, commonly referred to as an A-level in the United Kingdom; China Electronic Engineering College, the distance learning programme, which is in equivalence as UK’s Diploma of Higher Education / Undergraduate Diploma (as an Associate Degree in the United States). An additional, his middle education was taught by the Kaohsiung Municipal Chihjh (Ci Sian) Junior High School; and Kaohsiung Municipal San Min Elementary School was his first school in Taiwan.
Early Career
In 1989, Maa instituted Maa’s Office of Electrical Engineer, he settled himself in electrical technology and industries as a chief engineer in his early years. He put his professional and precise knowledge to good account in business management. A formal business management with business relationship established to provide for regular services, dealings, and other commercial transactions and deed. He had many customers having a business and credit relationship with his firm then he was a successful engineer.
Study Abroad and Immigration into the United Kingdom
In 1998, Maa studied abroad when he arrived in Great Britain; he studied at School of Built Environment, the University of Glamorgan (Prifysgol Morgannwg) in Merthyr Tydfil, Pontypridd, Wales for a master of science in real estate appraisal. Until the summer of 2000, Maa completed an academic course on “Towns through the Ages” from Christ Church College at the University of Oxford (is ranked the 2nd place worldwide on The Times Higher Education, World University Rankings 2012-2013
www.timeshighereducation.co.uk/world-university-rankings/...) in England. Afterward, Maa immigrated into the United Kingdom in the early year of 2004.
PHILOSOPHICAL VIEWS
Maa is a naturalist; he trusts spiritual naturalism and naturalistic spirituality, which teaches that “the unknown” created this wonderful world. “The unknown” arranged the nature with its law so that everything in nature is kept balanced and in order. However, human beings failed to control themselves, deliberately went against the law of nature, and resulted in disasters, which we deserved. He also is an occultist, a Taoist, and a Buddhist; but in Britain, he frequently goes to Christian and Catholic churches, where he makes friends with pastors and fathers as well as churchgoers. In his mind, he recognizes “Belief is truth held in the mind; faith is a fire in the heart”. He is always a freethinker, does not accept traditional, social, and religious teaching, but based on his ideas: a thought or conception that potentially and actually exists in his mind as a product of mental activity - his opinion, conviction, and principle. If people have not come across eastern classics and philosophy, we are afraid that people would never understand TianLiang Maa. People cannot judge an eastern philosopher based on western ways of thinking. He studies I Ching discovering eastern classics of ancient origin consisting of 64 interrelated hexagrams along with commentaries. The hexagrams embody Taoist philosophy by describing all nature and human endeavour in terms of the interaction of yin and yang, and the classics may be consulted as an oracle.
Back in the 1990s when Maa just arrived at England, he had been offered places to do Ph.D. and LL.M. degrees (degree in Law and Politics of the European Union) by several western professors in the Great Britain. He has met all the requirements for postgraduate admissions to study at UK’s universities.
During his time at Oxford, he learnt a lot of British culture and folk-custom while carrying out research with many British and Western professors, experts, and archaeologists. This proves that Maa understands various aspects in British society, culture, and lifestyles. Of course, he does not fully understand about the perspectives of thinking of a typical British. For example, what would be the most valuable in life for a British person? What would a British want to gain from life? What is the goal in life for a British? Is it fortune or a lover? Alternatively, perhaps honour? On the other hand, maybe being able to travel around the world and see the world?
FAIRNESS and JUSTICE
As TianLiang Maa’s (馬天亮) saying are:
“Touching Fairness and Justice”
Feel good about themselves, but do not know the sufferings of the people...
Who can get easy life like them?
What is profile of modern society?
What type and style is truly solemn for this society identify?
Where “the characterization” is? Who can see? Did you see it?
《感動的公平與正義》
自我感覺良好, 不知民間疾苦...
誰能得到安逸的生活如同他們一樣？
這是個什麼樣子的社會？
這個社會認定什麼樣的類型和風格是真正莊重的?
「特徵」在那裡？誰可以看到？你看到了嗎？
Jurisprudence and Political Philosophy and Perspectives
Maa ever studied judicial review and governmental action, the impact of law and legal techniques, constitutional mechanisms for the protection of basic rights, and ensuring the integrity of commercial activity, the impact of law and legal techniques on government, policymaking, and administration, as well as the creation of markets. He tries to understand these critical trends in the political development of modern state. Maa will combine both theoretical and empirical approaches, and the conditions for democratic transition and the nature of state development in the ‘post-industrial’ era of globalisation and economic integration.
According as Maa’s legal experiences, he comprehend that “the knowledge of the law is like a deep well, out of which each man draught according to the strength of his understanding”, and, law and arbitrary power are in eternal enmity. He is also sure law and institutions are constantly tending to gravitate like clocks; they must be occasionally cleansed, and wound up, and set to true time.
The government issues a decree - an authoritative order having the force of law, which charged with putting into effect a country's laws and the administering of its functions. Any of the officials promulgate a law or put into practice relating to the government charged with the execution and administration of the nation's laws then they announce and carry out the creation of any order or new policy that will be responsible for the people.
Maa had knowledge in connexion with construction law; he also understands architectural arts, and as well learnt the forms by combining materials and parts include as an integral part concerning modern construct. I ever built urban buildings and rural architecture in different styles under new housing and building projects by the governmental administration and construction corporations.
Right now, Maa studies the problems caused by ethnic disputes and human armed conflicts in the modern society resulted code of mixed civil and criminal procedure. He wishes an agreement or a treaty to end human hostilities - the absence of war and other hostilities around the world. The interrelation and arrangement of freedom from quarrels and disagreement become harmonious relations living in peace with each other. Actually, erect peace in more friendly ways of making friendships for modern human society is comfortable in my ideal. It is like building monolithic architecture: houses and buildings for the people. Maa would like to do “something beautiful for `the unknown`”.
In the ethnic disagreement and armed conflicts as concerning the poor people and children notwithstanding they live through a bad environment on any of poor or crowded village or town in a particular manner - lived frugally. However, after years of industrialisation as a more educated population, becomes more aware of global plenum, continuing to be alive. Environmental groups are increasing and lobbing government will legislate to stop bad environmental and social practices. The establishments of human rights’ wide and untiring efforts will be alleviated people’s suffering. And as well the poor people shall meet and debate sustainable development and for a concerted government led action towards sustainability is an example that the younger generation are concerned for the future. It shall be making the younger easier for their life and make better on their lives, and help them to build a better future.
In present world, Maa really knows the full meanings of “Fundamental Human Rights and Equal Opportunities for the People”. He thinks ethics is the moral code governing the daily conduct of the individual toward those about him / her. It represents those rules or principles by which men and women live and work in a spirit of mutual confidence and service. Without going into the question of how an ethical code was formulated or why anybody should obey it, we can look at the matter in a common-sense fashion with reference to its influence upon our legal affairs. In brief, from the law point of view, a reputable ethical code embodies the qualities of accuracy, dependability, fair play, sound judgement, and service. It is based upon honesty.
No person can have an ethical code that concerns him / her alone. Living in society, as he / she must, a person encounters others whose rights must be respected as well as his / her own. An honest regard for the rights of others is an essential element of any decent code of ethics, and one that anyone must observe if anybody intends to follow that code. After all, ethics is not something apart from human beings. Indeed, there is no such thing apart from our actions and us. It is the duty, therefore, of every man and woman in legal affairs to see that his daily associations with others are truly in conformity with the plain meaning of the Ten Commandments: “Thou shalt not barratry, thou shalt not bear false witness, thou shalt not receive illegal fee and the rest”.
The knowledge Maa has, in connection with legal affairs, was usually come from his precious experiences of his past over ten year’s law and political careers. In an interval regarded as a distinct period of 1980s, he studied mixed civil and crime, and the code of mixed civil and criminal procedure for the problems caused by ethnic disputes and human armed conflicts in the modern society. He was especially one who maintains the language and customs of the group, and social security in Taiwan.
Since 30 July of 1988, Maa settled himself in law as a chief executive and scrivener at Central Legal, Real Estate, and Accounting Services Office; it is in the equivalent to a solicitor of the United Kingdom. The Office provided full legal, accounting, real estate, and commercial services to the public. He did his job as a person legally appointed by another to act as his or her agent in the transaction of business, specifically one qualified and licensed to act for plaintiffs and defendants in legal proceedings and affairs. Over and above Maa was a chairman and executive consultant at Taiwan Credit Information Company®, founded in 1994. The company offered services to the public in response to need and demand in the area of credit information.
Maa had excellent experiences in political and law work was pertaining to mixed civil and crime, the code of mixed civil and criminal procedure, construction, and commercial law abroad. The experiences of legal services related to the rights of private individuals and legal proceedings concerning these rights as distinguished. In the criminal proceedings, he did many cases for the defendants. Although an act committed or omitted in violation of a law forbidding or commanding it and for which punishment is imposed upon conviction; but he also laid legal claim, required as useful, just, proper, or necessary to the defendants under the human rights in the meantime. This provision ensures to the defendant a real voice in the subject.
The men whose judgement we respect are those who do not allow prejudices, preferences, or personalities to influence their decisions. Profit and self-aggrandisement are likewise ignored in their determination to reach an equitable and fair settlement. What are the basic principles upon which good judgement is founded? A keen intellect, a normal emotionally, a through understanding of human nature, experience of law work, sincerity, and integrity.
Developed a Technique for Abstract Photography and Abstractionist
In 1982, Maa developed a technique for abstractive photography, which applied “rayonism” to the photographic works. In November of 1984, Maa was 26-year-old, he instructed many professors and students of National Taiwan Normal University in photography of abstract impressionism and rayonnisme in Taipei, Taiwan. The word “rayonnisme” is French for rayonism - a style of abstract painting developed in 1911 in Russia.
Photographic Exhibitions
TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of “Rayonnisme / Rayonism” Tour - Invitational Exhibition of Taiwan 1983-84.
一九八三〜八四年中華民國臺灣 馬天亮攝影巡迴邀請展
TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of Rayonnisme / Rayonism (32 individual exhibitions) 1983~1985.
馬天亮『光影』攝影特展（個人展32場）1983〜1985年.
Maa staged 32 individual, extraordinary exhibitions and annual special exhibitions on photography of abstractive image and Rayonnisme around Taiwan / Formosa. Maa was the first exhibitor around the country. All of the invited displays were by the Chinese Government, cultural and artistic organisations, and sponsors. Maa’s earliest exhibition took place in the National Taiwan Arts Education Institute (Museum) on 19 December 1983 when Maa was 25 years old; Maa was the youngest exhibitor in the history of the Institute in any solo exhibitions. The Institute that was opened in March 1957, kept a collection of Maa’s work. It is currently updating the Institute’s internal organisation and strengthening co-operation with leading institutes and museums around the world. Meanwhile, it widened the institute’s scope to increase its emphasis on Taiwan’ regional culture and folk arts.
Modernization in the Modern Abstract Arts of Taiwan
Maa’s works is the beginning of modernization in the modern abstract arts of Taiwan, China and greater Chinese society in the world. The use of “modernisation” as a concept that is opposed to “Traditional” of “Conservative” ideas began with the approach of the 20th century. It spreads rapidly through academic circles, and was broadly accepted as a means to reform society. Chinese Manchu Qing (Ching) dynasty’s first steps toward modernisation began in the Tung-chih era (1862-1874) with the “Self-Empowerment Movement”. During the late 19th century, as late Manchu dynasty was confronted on all sides by foreign aggression, voices throughout society debated the most effective means to reform and strengthen the country. Some advocated “combining the best of East and West”, while others went so far as to call for “complete Westernisation”. Taiwan was at the centre of these waves of reform. Faced with direct threats against the island by foreign enemies, the Chinese Ching dynasty court took special steps to push Taiwan’s modernisation.
In a role just like that of a gardener wanting to create a rich and fertile environment for the seeds of culture, one in which Maa may sprout, grow and bloom. Maa aims to provide an educational stimulus for society by introducing his works - Maa can express the neo-romantic spirit deftly from various creations and supporting international artistic exchanges. Maa believes that the first step in creating such a new and independent state is the real emergence of culture and arts, for which the art and science of designing and erecting buildings, and fine arts (including photography and motion picture) of the civilization is a good measurement of success. For the foreseeable future, Maa should be continuing to forge ahead, working diligently and unceasingly towards its mission of raising China and Formosa / Taiwan’s culture in his spare time.
Became an Author and a Scholar
In 1980, TianLiang Maa completed his first book - scenario original “The Soul's Sentimentalizing”, also named: “Hun Yun : Jin Qi Tu Rui” 電影原著《魂韻》(衿契吐蕊) then Maa was at the age of 22. In 1983, The General Library of the University of California, Berkeley in the United States of America, collected and kept Maa’s writings - scenario original「魂韻 : 衿契吐蕊」“Hun Yun : jin qi tu rui”, included a musical composition of his own – “Sonate Nr. 1 C-dur op. 3 für Klavier (piano)”, composed on 3rd April 1977 (then Maa was 18 years old). The works were published in 1980; the theme was based on “The Soul's Sentimentalizing”. Another masterpiece was an Album of Academic Work for News Publication “TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of Rayonnisme / Rayonism”, published in 1985. The Hathi Trust Digital Library, the University of Michigan also collected and kept Maa’s writings.
Authorship
Maa’s articles and writings were published in more than 200 different kinds of domestic and foreign magazines, newspapers, and periodicals, in the period between May of 1972 and 1990s. It was all started when Maa was just 13-year-old. Many of which have been very influential. These have been quoted by Western and Eastern scholars many times in the last few years, making Maa one of the highly cited technological, artistic, and managing public administrators in the world in the late 20th and early 21st century. The Ministry of the Interior in Taiwan had registered Maa’s professional writings and given him two certificates of copyright. The numbers are 33080 and 33081 on 4th July of 1985; and Taiwan’s Gazette of The Presidential Office issue No. 4499, featured his writings on 4th September 1985.
Became an Academic and Film Director
Today, Maa is a professor at Space Time Life Research Academy, and a photographer, film director, and computer engineer now live and work in London.
Director Works:
FILMS:
Experimental Film “New Image for the Spring” © 1982
Documentary Film “Rayonnisme” © 2011
“The Soul's Sentimentalizing” of the feature film is based on the scenario original “The Soul's Sentimentalizing” (preparation)
FASHION SHOWS:
New Image for the Spring of Shapely Models International © 1982
High Lights on the Summer and Fall Fashion of Shapely Models Int’l © 1982
ART EXHIBITIONS:
The Cadillac Club International Fine Arts Exhibition © 1981
The Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts © 1981
Musician Work:
MUSIC COMPOSITION:
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) © 1977, © 1980, © 1981, © 1983, the theme was based on “The Soul's Sentimentalizing”.
PHOTOGRAPHIC ALBUMS:
Portrait and Landscape in France © 2000
Portrait and Landscape in Scotland © 2001
Portrait and Landscape in England © 2009
Portrait at Queen Mary, University of London © 2010
Rayonism of London © 2011
Portrait at The University of Nottingham, United Kingdom © 2011
Snowy London © 2012
Portrait at King's College London © 2013
BOOKS:
Scenario Original「魂韻」(衿契吐蕊) “Hun yun: jin qi tu rui” © December 1980, © 1981, © 1983 (Date of First Publication: 31 December 1980, Second Edition on 29 July 1981, Date of Revision: Revised Edition on 8 May 1983), Languages: Chinese (traditional), and English language.
“Album of the Cadillac Club International Fine Arts Exhibition” © 1981
“Album of the Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts” © 1981
“Album of New Image for the Spring of Shapely Models International” © 1982
“Album of High Lights on the Summer and Fall Fashion of Shapely Models Int’l” © 1982
“Romantic Carol” © 1982
Album of Academic Work for News Publication: “TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibitions of Rayonnisme” © May 1985
新聞出版之學術著作專輯「馬天亮『光影』“Rayonism” 攝影展」© May 1985
New version of scenario original “The Soul's Sentimentalizing” (to be published)
「曾經輝煌到頂天立地」(individual biography, to be published)
“My Life, My History, and My Love” (based on a legend, to be published, a film scenario will be developed later)
「感動的公平與正義」“Touching Fairness and Justice” (political science and social studies, to be published)
Research Interests:
University of Oxford
Research Studies in Archaeology:
Maa’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”.
National Taiwan University
Graduate Certificate,
Graduate Institute of Electrical Engineering:
Maa’s monograph of seminar was “Applied the sequence control in the electric power distribution engineering”.
University of Glamorgan
M.Sc. Course,
Master of Science in Real Estate Appraisal:
Maa’s thesis - major subject, with relevant construction law was “The Assignment is under Economics of Construction Management in Architecture”.
National Sun Yat-Sen University
Postgraduate Certificate,
Postgraduate Studies in Computing:
Maa’s required subject was Information dBase III Plus and Taiwanese Traditional Mandarin Chinese Information System. He combined academic course work and practical laboratory sessions in “Applied Mandarin Phonetic Symbols into Traditional Taiwanese Personal Computer and Its Information System”.
Associations:
Since 1980, a member of Chinese Taipei Film Archive (CTFA, National Film Archive, Taiwan; founded in 1978), The Motion Picture Foundation, R.O.C. (member of Fédération Internationale des Archives du Film, FIAF; The International Federation of Film Archives was founded in Paris in 1938 by the British Film Institute, the Museum of Modern Art in New York City, the Cinémathèque Française and the Reichsfilmarchiv in Berlin.)
Commissioner of the cinema, photography, radio, and television committee of The Culture and Arts Association (Chinese Writers and Artists Association) of Taiwan ever since September 1983.
Classic member, the membership is equivalent to a doctorate membership of the Chinese Institute of Electrical Engineering since 23 March 1984.
On 15 March 1989, Maa promoted and founded the Consortium Juridical Person Mr. TianLiang Maa Social Benefit Foundation 財團法人馬天亮先生社會公益基金會籌備處 (Social Charity 社會慈善事業) in Taiwan.
near.archives.gov.tw/cgi-bin/near2/nph-redirect?rname=tre...
Classic member, the membership is equal to a professor or associate professor of The Chinese Institute of Engineers since 30 September 1991.
Honours:
Listed on ‘Taiwan Who’s Who In Business’, © 1984, © 1987, and © 1989 Harvard Management Service.
中華民國企業名人錄編纂委員會, 哈佛企業管理顧問公司.
On 26 August 1985, Maa was awarded a professional certificate of the Outdoor Artistry Activities issued by Education Bureau, Kaohsiung City Government, Taiwan. He acquired awards and certificates of honour about twenty times from National Taiwan Arts Education Center (Museum) on 24 December 1983; Kaohsiung Municipal Social Education Center on 17 March 1984, Kaohsiung Cultural Center, Taipei Cultural Center (Taipei Municipal Social Education Hall); and Taiwan Province Government, Taipei City Government, Kaohsiung City Government, and many cultural centres and art galleries, and so on.
Careers:
Honorary Professor at Space Time Life Research Academy, 7 June 2012 to present; Professor at Space Time Life Research Academy, 1 September 2011 to 1 June 2012 in London, United Kingdom:
Academia,
Teaching and Research:
business management and consultant, political philosophy, Chinese classics, Chinese humanities, modern Chinese language and literature, photography (portrait, fashion, commercial, digital, architectural, abstract photography), visual arts and film production.
教學與研究：
企業管理及顧問、政治哲學、中華經典 (古典漢學、文學、藝術、語言) 、中華人文、中華現代語言與文學、攝影 (人像、時裝、商業、數位/數碼、建築、抽象攝影) ，視覺藝術和影片製作。
Consultant and Translator at Eternal Life Consultants of Immigration and Translations Services, 10 March 2004 to present in London, United Kingdom:
consultants of immigration, translations, and legal services.
永生移民顧問翻譯服務社的移民諮詢顧問和翻譯：
移民事務，翻譯和法律服務。
Computer Hardware & Networking Engineer at Maa Office of Electrical Engineer, 8 March 2004 to present in London, United Kingdom:
Computer Engineering and Network Services. Repairing of Motherboards, Monitors, Power Supplies, CD-ROM Drives; UPS, Hard Disk Drives, H.D.D Data Recovery; BIOS Programming, and all types of Computer Hardware and Software Solutions.
計算機工程和網絡服務。維修主機板，顯示器，電源供應器，光碟機/光盘驱动器，不斷電系統，硬碟/硬盘，硬盤數據恢復，基本輸入輸出系統編程，以及所有類型的電腦/計算機硬體/硬件和軟體/軟件解決方案。
Film Director & Photographer at Photographer and Film Director (Shapely), 2 April 2007 to present in London, United Kingdom:
1) Photo, Video and Film Production; 2) Graphic Design, Web Design, Social Networking, Social Media and Advertising; 3) Architectural Design and Interior Design.
www.facebook.com/filmshapely/info
Reformer and Philosopher at Taiwanese Social Reformer and Philosopher, 7 April 2012 (location: Los Angeles, California) to present in London, United Kingdom:
Social Reform in Taiwan
www.facebook.com/twreform/info
《魂韻》(衿契吐蕊) - 馬天亮22歲寫的電影原著。TianLiang Maa (Theophilus Raynsford Mann) wrote “Hun Yun” (Jin Qi Tu Rui), scenario original “The Soul’s Sentimentalizing” © 1980, 1981, 1983, was at the age of 22.
Website
mtltwp.pixnet.net/album/set/1265174
photo.roodo.com/photos/mtltwp/albums/small/100469.html
www.facebook.com/hunyun22/info
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) by Theophilus Raynsford Mann (TianLiang Maa 馬天亮) © 1977, © 1980, © 1981, © 1983. The Sonate composed on 3rd April 1977 then Maa was 18-year-old. The work was published in 1980; the theme was based on “The Soul's Sentimentalizing”.
Website
mtltwp.pixnet.net/album/set/1265208
album.blog.yam.com/mtltwp&folder=9369697
photo.roodo.com/photos/mtltwp/albums/small/100477.html
www.facebook.com/sonate1c/info
LINKS:
University of California, Berkeley
berkeley.worldcat.org/search?q=Ma%2C+Tianliang&dblist...
berkeley.worldcat.org/title/hun-yun/oclc/813684284?refere...
oskicat.berkeley.edu/record=b11283690~S1
University of Michigan
mirlyn.lib.umich.edu/Record/006237256
catalog.hathitrust.org/Record/006237256
WorldCat® Identities
www.worldcat.org/search?q=au%3AMa%2C+Tianliang%2C&dbl...
www.worldcat.org/wcidentities/np-ma,%20tianliang$1958
Google Books
books.google.co.uk/books?id=PkyaAAAAIAAJ&redir_esc=y
books.google.co.uk/books?id=JfxnMwEACAAJ&dq=editions:...
scholar.google.com/scholar?cluster=3569983911138966023&am...
National Bibliographic Information Network (NBINet)
nbinet3.ncl.edu.tw/search~S10?/a%7bu99AC%7d%7bu5929%7d%7b...
192.83.186.170/search*cht/a%E9%A6%AC%E5%A4%A9%E4%BA%AE
National Yang Ming University 國立陽明大學
library.ym.edu.tw/search~S7*cht?/tThe+Soul%27s+and+sentim...
National Taiwan University of Science and Technology 國立臺灣科技大學
millennium.lib.ntust.edu.tw/record=b1016706~S1
Wikimedia Commons 維基共享資源
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commons.wikimedia.org/wiki/File:TianLiang_Maa_馬天亮.jpg
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國家圖書館 期刊文獻資訊網, 臺灣期刊論文索引
readopac3.ncl.edu.tw/nclJournal/search/search_result.jsp?...
聲音藝術的審美角度, 大學雜誌, 天然
readopac3.ncl.edu.tw/nclJournal/search/detail.jsp?sysId=0...,
readopac3.ncl.edu.tw/nclJournal/search/detail.jsp?sysId=0...
為文化中心把脈, 幼獅文藝
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科學家與守財奴, 中國地方自治
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Atomzone
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lurvely.com www.lurvely.com/photographer/77438197_N03/
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Nature - National Library Board Singapore
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画像検索
flickr.akitomo.net/TianLiang+Maa/1
Japan Photos and Pictures
japan.pictures-photos.com/professor-tianliang-maa%E2%80%A6
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man fashion
spirehim.com/3454/professor-tianliang-maa-%E9%A6%AC%E5%A4...
Travel Splash
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Country profile Taiwan
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AskJot
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Who is talking
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University of California, Berkeley period
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University of Michigan period
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University of Oxford period
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University of Glamorgan period
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University of Huddersfield period
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art galleries uk
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Mitrasites system
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articles.whmsoft
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German
www.wer-ist.org/person/Jin_Mann
www.naif.org.tw/upload/76/20140408_202152.28156.pdf
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Today I received the catalogue of the 5th edition of The European Prize for Applied Arts. Since 2009 I have participated in all exhibitions.
Thanks to BeCraft
2019. gada 16. oktobrī ĀM viesojas studenti no Avans University of Applied Sciences The Netherlands ( Avans Hogeschool The Netherlands) Jaunieši Latvijā viesojas pirmo reizi, viņi iepazinās ar ārlietu dienesta darbu un interesējās par to kā kļūt par labu diplomātu, kā arī uzzināja vairāk par ciešo Latvijas un Nīderlandes sadarbību.
Uz studentu jautājumiem atbildēja Ilze Rūse, Starptautisko organizāciju un humanitāro jautājumu departamenta direktore ( bijusī LV vēstniece Nīderlandē), Govert Jan Bijl de Vroe Nīderlandes vēstnieks Latvijā, Maija Bilsēna, Personāla departamenta direktora vietniece- Personāla plānošanas un attīstības nodaļas vadītāja un Nīderlandes vēstniecības Latvijā pārstāvji Sandra in ’t Groen (Intern) and Sanita Sile (Senior Political and Public Diplomacy Officer).
Foto: Vitolds Gabrāns, Ārlietu ministrija
The 28th Annual Holiday Train Show, on display in the New York Botanical Garden's Enid A. Haupt Conservatory from November 17, 2018 to January 21, 2019, presents a winter wonderland twinkling lights and sixteen model trains, including the Union Pacific, New York Central, and Great Northern Railway, zipping along over bridges and on 1,000 feet of winding tracks past scaled replicas of New York landmarks made by award-winning designer Paul Busse and his team of landscape designers and botanical architects at Applied Imagination in Alexandria, Kentucky. Orange slices, cinnamon sticks, poppy pods, pine cones, twigs and other plant parts make a festive brew as the materials used to create the more than 140 architectural reproductions.
The New York Botanical Garden, spanning some 250 acres of Bronx Park, was founded in 1891 on part of the grounds of the Belmont Estate, formerly owned by the tobacco magnate Pierre Lorillard, after a fund-raising campaign led by Columbia University botanist Nathaniel Lord Britton, who was inspired to emulate the Royal Botanic Gardens in London. It contains 48 different gardens and plant collections.
Simple jig to put a round bend in a piece of acrylic. Rounded edge of jig is made from a 1 1/2" PVC electrical conduit was cut into 4 quarters.
Heated the plastic with a paint stripping heat gun (looks like a hair dryer). Once the plastic got soft, I pressed the soft plastic against the jig and held it until it hardened.
Minor problem: even the smallest imperfection in the jig's surface gets "printed" onto the soft plastic.
www.stvincent.edu | Photos of the Applied Laryngeal Anatomy: Intubation, Cricothyrotomy, and Tracheostomy in the Human Anatomy Lab.
Japanese three colour Imari porcelain dish with fluted rim.
The under glaze blue decoration is of the gosu type and is mainly applied with under glaze blue blue stencils (konnyaku(). The under side rim is stencilled with two groups of three, depicting some of the various treasures, scrolls or books (makimono) and coin (shippo). The dish has six support scars which is a common feature on Edo period Japanese porcelain.
Date: Konnyaku revival - late Edo period circa 1850
Diameter:22cm
An extract from an article by Irene Finch: Konnyaku – How was it done, and when, and what are the implications?
Stencilling can be identified by the broken lines, as continuous lines would weaken the stencil paper too much. This was not really paper as we know it, but seems to have been the same material that was used for stencilling textiles, described in detail by Faulkner, in 1988. It consisted of fairly thick, slightly extensible, rather rubbery sheets, which were made from polymerised persimmon juice, which we would nowadays call a “plastics material”, but it was reinforced with criss-cross mulberry bark fibres. Stencilling with this “paper” was also used in this period for finer examples than the deer that is illustrated here, and some included brocading. These were made for the Japanese market and are rarely seen in the West. (I have photos and can give a Shibata ref, but my pieces are now in the V&A: can give ref). It was usual for some freehand additions to be made to the stencilling, especially when long lines were needed, but often the whole dish was stencilled, so because of the curvature of the dish the flat stencil paper gave problems. Sometimes therefore the dish was fluted at the edge to take a slight frill. On a bowl the design could consist, in effect, of a wide stencilled border, with a separate central freehand design that was sometimes varied. (I do have one of these, still, and can give ref to one I gave to V&A) After stencilling was stopped in the 1720’s, it was revived in a slightly coarse form in the 19th century, and used mainly for complex brocaded designs in Shonsui style. It was indeed so successful at this stage that transfer printing was delayed in Arita. (I do have some examples still)
The stamping is called konnyaku, a name nowadays known best as applied to a “health food”. It is made in the form of a stiff blancmange, from an unusual form of starch that cannot be digested by man. This starch is extracted from the corm at the base of a large, cultivated species of Arum lily, called the konnyaku or Devil’s Tongue in Japan because the central “tongue” is very large. In England, starch from the small English arum was used in Elizabethan times for starching ruffs: wheat flour could not be used because the gluten would go brown when ironed. The konnyaku stamps are usually quite small, with many repeats, often rather blurry on export examples like this one, and very blurry on the little central prunus found on many pieces exported to S. E. Asia. (I have one of these still)
Among the many Chinese sherds found in a Thailand river by Richard Kilburn were some Japanese examples of this type, which are now at the Percival David Foundation. However the konnyaku stamps that were made for the Japanese market were sharper on some more formal designs, with fewer freehand additions. Examples of these can be seen in the Shibata Collection, Book VI, published by the Kyushu Ceramic Museum. A notable feature is that the stamps are made entirely of continuous lines of even thickness, except for one rare example, now in the V&A Museum, where it is made up of numerous little oval leaves. (I can only offer photo, if wanted)
Some English authorities have suggested that konnyaku was done with leather stamps, but the Japanese do not believe this. It would be unwise and unlikely for leather to be cut into thin strips or tiny leaves to stick to a wooden holder. There is only one possible suggestion that accounts for both the name and these features of the style. I suggest that grooves were cut in a plaster or clay (subsequently baked) base, and a thick hot paste of konnyaku was pressed against it, which would stiffen on cooling. I have made a mock-up of the process with corn-starch, by heating the thick mixture for one second at a time in a microwave oven and stirring in between. I pressed the putty-like mixture against a grooved plastic bottle, and used the result successfully for stamping with ink on paper. Though such stamps would quickly wear out and become blurry, many more could be made quickly and easily from the same mould. After the use of konnyaku ceased in Arita, it was not revived again in Japan, but it was used extensively in China, probably in the 19th century, though dating is difficult.
The implications of the Japanese dating are important for the dating of Nabeshima. Nabeshima used a form of stencilling to make the tiny markers that guided their otherwise freehand pictures, for example the floral ones with simple exact repeats, that were strongly outlined in blue. These outlines were rather thick, and moreover of even thickness on all the Classical designs, presumably because it would be very difficult to make the famous exact copies if the line varied in width. The even lines and simple small repeats looked, however, quite similar to good konnyaku, which was, of course, a cheaper product. Though a Nabeshima starting date in 1722 was once suggested by most experts, in recent years a 17th century date has been more popular, and is of course much more to the taste of collectors. There is no factual evidence for the 17th century date (see Finch, TOCS Newsletter 2006 and Ko Nabeshima A New View, Edition 3, 2006). The stencilling and konnyaku described above do however provide evidence for a 1720.s date. They were both very successful methods, and both suddenly stopped, for no obvious reason, around this time. The reason for this could however be explainable if the official Nabeshima kiln took over the trained Arita workpeople, and did not want cheaper rivals. Although if the 17th C date is accepted, students will find it difficult to account for the fact that these two techniques were allowed to continue for another fifty years, and then both stopped, for no known reason.
Austrian Museum of Applied Arts and Contemporary Art
Austrian Museum of Applied Arts/Contemporary Art (1, Stubenring 5, Weiskirchner street 1, annex 1, Weiskirchner street 3, originally Austrian Museum of Art and Industry). It was founded on the initiative of Rudolf Eitelberger and opened on May 12, 1864 in the premises of the former Ballhaus (ballroom building), where 2,000 artistic loans were presented. On November 4, 1871, the museum moved to the 1866-1871 built by Heinrich Ferstel in the style of the Florentine Renaissance in brick work building on Stubenring (with massive glass-covered arcaded courtyard [32 monolithic columns]), whose annex in Weiskirchner street (with glass-covered exhibition hall on the mezzanine floor) 1906-1908 Ludwig Baumann erected on a terrain won by the regulation of the small river Vienna. The graffiti of the friezes of the main building was created by Karl Schönbrunner based on drawings by Ferdinand Laufberger and (in the middle risalit) Karl Karger, majolica medallions with portraits of famous artists by Otto König and reliefs by Franz Melnitzky. A mirrored vault with a fresco by Laufberger stretches across the main staircase. The museum is connected to the building of the School of Applied Arts, which Ferstel built 1875-1877, by a connecting building (with the Minerva fountain). At Weiskirchner street commemorative plaque commemorating the on 12 August 1461 in the successful defense against the attack of Albrecht VI. to the city Viennese citizens fallen and the on this occasion by Friedrich III. to the city of Vienna on 26 September 1461 awarded "coat of arms improvement" (golden double eagle on a black background, municipal coat of arms).
Collections
The focus is on European craft objects from the Romanesque to the present (in particular glass and ceramics, metals, furniture and woodwork, textiles and carpets [collection of Oriental carpets]), an East Asian collection and products of the Wiener Werkstätte, in addition, the museum has a library with art collection, a department for restoration, a graphic arts studio and a photo lab. Field offices are located in the Geymüllerschlössel (watch collection Sobek) and in Lower Austria. The editorial office of the magazine "Old and Modern Art" is also located in the museum.
Directors
Rudolf Eitelberger (1864-1885)
Jakob von Falke (1885-1895)
Bruno Bucher (1895-1897)
Arthur of Scala (1897-1909)
Eduard Leishnig (1909-1925)
Hermann Trenkwald (1925-1927)
August Schestag (1927-1932)
Richard Ernst (1932-1950)
Ignaz Schlosser (1951-1958)
Viktor Griessmaier (1959-1968)
Wilhelm Mrazek (1968-1978)
Gerhard Egger (1978-1981)
Herbert Fux (1981-1984)
Ludwig Neustifter (1984-1986, interim director)
Peter Noever (1986-2011)
Christoph Thun-Hohenstein (since 2011)
Österreichisches Museum für angewandte Kunst und Gegenwartskunst
Österreichisches Museum für angewandte Kunst / Gegenwartskunst (1, Stubenring 5, Weiskirchnerstraße 1; Zubau 1, Weiskirchnerstraße 3; ursprünglich Österreichisches Museum für Kunst und Industrie). Es wurde auf Initiative von Rudolf Eitelberger begründet und am 12. Mai 1864 in den Räumen des früheren Ballhauses, in dem 2.000 kunstgewerbliche Leihgaben präsentiert wurden, eröffnet. Am 4. November 1871 übersiedelte das Museum in das 1866-1871 von Heinrich Ferstel im Stil der florentinischen Renaissance in Rohziegelbauweise errichtete Gebäude am Stubenring (mit gewaltigem glasgedeckten Arkadenhof [32 Monolithsäulen]), dessen Zubau in der Weiskirchnerstraße (mit glasgedecktem Ausstellungssaal im Hochparterre) 1906-1908 Ludwig Baumann auf einem durch die Wienflussregulierung gewonnenen Terrain errichtet. Die Sgraffiti der Friese des Hauptgebäudes schuf Karl Schönbrunner nach Zeichnungen von Ferdinand Laufberger beziehungsweise (im Mittelrisalit) Karl Karger, Majolikamedaillons mit Porträts berühmter Künstler Otto König und Reliefs Franz Melnitzky. Über die Haupttreppe spannt sich ein Spiegelgewölbe mit einem Fresko von Laufberger. Das Museum ist mit dem Gebäude der Kunstgewerbeschule (Universität für angewandte Kunst), das Ferstel 1875-1877 erbaute, durch einen Verbindungsbau (mit dem Minervabrunnen) verbunden. An der Weiskirchnerstraße Gedenktafel zur Erinnerung an die am 12. August 1461 bei der erfolgreichen Abwehr des Angriffs Albrechts VI. auf die Stadt gefallenen Wiener Bürger und an die der Stadt aus diesem Anlass von Friedrich III. am 26. September 1461 verliehenen "Wappenbesserung" (goldener Doppeladler auf schwarzem Grund; Stadtwappen).
Sammlungen
Schwerpunkte sind europäische kunstgewerbliche Objekte von der Romanik bis zur Gegenwart (insbesondere Glas und Keramik, Metalle, Möbel und Holzarbeiten, Textilien und Teppiche [Sammlung von Orientteppichen]), eine ostasiatische Sammlung sowie Erzeugnisse der Wiener Werkstätte; außerdem besitzt das Museum eine Bibliothek samt Kunstblättersammlung, eine Abteilung für Restaurierung, ein Graphikatelier und ein Fotolabor. Außenstellen befinden sich im Geymüllerschlössel (Uhrensammlung Sobek) und in Niederösterreich. Im Museum hat auch die Redaktion der Zeitschrift "alte und moderne kunst" ihren Sitz.
Direktoren
Rudolf Eitelberger (1864-1885)
Jakob von Falke (1885-1895)
Bruno Bucher (1895-1897)
Arthur von Scala (1897-1909)
Eduard Leisehnig (1909-1925)
Hermann Trenkwald (1925-1927)
August Schestag (1927-1932)
Richard Ernst (1932-1950)
Ignaz Schlosser (1951-1958)
Viktor Griessmaier (1959-1968)
Wilhelm Mrazek (1968-1978)
Gerhard Egger (1978-1981)
Herbert Fux (1981-1984)
Ludwig Neustifter (1984-1986; interimistischer Leiter)
Peter Noever (1986-2011)
Christoph Thun-Hohenstein (seit 2011)
www.geschichtewiki.wien.gv.at/%C3%96sterreichisches_Museu...