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Garo Tovmasyan, 11, looks out the window of his home in Yerevan, Armenia, on October 11, 2020. From March - May, 2020, Garo's school education was online. Garo's sister Varduhi Tovmasyan, 22, speaks about Garo's online education, “He is best in his class in Math. When he was not attending, there was a lot he could not understand, he could not solve.”
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The Tovmasyan family, Ila Tovmasyan and her three children, are Syrian-Armenian refugees, who fled the war in Syria and arrived in Armenia in 2015. They live in a rented apartment in Yerevan, Armenia. Each of the family members has been affected by the COVID-19 pandemic.
Ila, who is a double refugee, worked as a tailor until March 2020 when the pandemic affected Armenia. She was left without a job as her studio closed down in March because of a lack of orders.
Ila’s daughter Varduhi has been married for two years, her husband works in Finland. The couple has not been able to see each other for 10 months because of COVID-19 related travel restrictions. Varduhi’s husband, who is a resident of Finland, is not allowed to travel to Armenia, where a second wave of the virus is on the rise. Varduhi cannot apply for a tourist visa to visit her husband, as embassies do not issue tourist visas.
Ila’s son Aram, 19, lost his job at a car shop as the pandemic began. Her youngest son Garo, 11, found online education very difficult. Ila’s eldest son Hakob, 24, is in Amsterdam, and COVID-19 has complicated his efforts to find a job there.
For the full story: undpeurasia.exposure.co/surviving-covid-armenia-families
Photo: UNDP Eurasia / Anush Babajanyan
This story is part of our series Surviving a pandemic: The visual impact of Covid-19 across Eurasia, captured by five young photographers in their home countries and territories. The narratives, chosen by them, do not cover UNDP projects but reflect the issues around which we are working.
Participant of Muse project Anush Stepanyan
© PanARMENIAN Photo/ Vahan Stepanyan
All the images presented in this photostream are part of photo sets that can be purchased for editorial or commercial use. Contact us f
Anusha Cherer, récital de Bharatanatyam, danse traditionnelle de l'Inde du sud ;
Festival l'Oreille en place, Labastide d'Armagnac, place Royale
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Mane Hakobyan, 8, plays outside her home in Madan village, Armenia, on October 25, 2020. Mane has good grades at school. Her mother gayane speaks of the days when the virus began to spread in Spring 2020, “They were not going [to school] during those days, everything was done through Viber. The children did their classes over internet.”
“Going to school is better. At home, I cannot explain as well as a teacher can. Children have to be educated at school, that is clear.”
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Gayane Hakobyan, 30, her four children and husband live in Madan village, Armenia. Two of Gayane’s children are school age, eight and six. They are currently on an Autumn break from school, which has been extended because of the rising second wave of COVID-19. The eldest daughter Mane did not attend school in Spring 2020, as schools switched to online education in March 2020, which was not a positive experience for Mane.
Gayane gave birth to her fourth daughter, Milena, on October 17, 2020. When going to the hospital to give birth, she was worried about the risk of COVID, but she had no other choice and said the best she could do was wearing a mask.
Both parents are unemployed, Gayane’s husband was not present during the photography.
For the full story: undpeurasia.exposure.co/surviving-covid-armenia-families
Photo: UNDP Eurasia / Anush Babajanyan
This story is part of our series Surviving a pandemic: The visual impact of Covid-19 across Eurasia, captured by five young photographers in their home countries and territories. The narratives, chosen by them, do not cover UNDP projects but reflect the issues around which we are working.
Interpret: Araz Dare
Title: Nor Tari (New Year)
Music by: Romanos Rostomyan
Lyrics by: Anush Hakobyan
Arrangement by: Davit Davtyan
Produced by: Armen Toroyan
Dance Group: Mad Arma
Asparez Studio Production
This amazing fine art photography poster is portrayed by Anush Karson Wayne, the genius oil painter who achieves all India gold medalist in Art. The painting is made in black canvas. Fine art for sale at huge discounts. Visit us
Sketchnotes from panel on Design by Belief, Execute on Data with Dan Harden & Gerson Goldberg (Whipsaw), Anush Elangovan (nod), Shaun Rahimi (Thimble Bioelectronics), Elaine Fiolet (Ubergizmo) at Wearable World's Glazed Conference, San Francisco 2014 (Day 2)
The complete details of Optiware 2.0 can be seen at
www.flickr.com/photos/anushinfobase/549766263 One can contact Anush infobase visiting this page with the information available there.
Irina Ramazyan, 4, looks at a book at her home in Madan village, Armenia, on October 25, 2020.
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Gayane Hakobyan, 30, her four children and husband live in Madan village, Armenia. Two of Gayane’s children are school age, eight and six. They are currently on an Autumn break from school, which has been extended because of the rising second wave of COVID-19. The eldest daughter Mane did not attend school in Spring 2020, as schools switched to online education in March 2020, which was not a positive experience for Mane.
Gayane gave birth to her fourth daughter, Milena, on October 17, 2020. When going to the hospital to give birth, she was worried about the risk of COVID, but she had no other choice and said the best she could do was wearing a mask.
Both parents are unemployed, Gayane’s husband was not present during the photography.
For the full story: undpeurasia.exposure.co/surviving-covid-armenia-families
Photo: UNDP Eurasia / Anush Babajanyan
This story is part of our series Surviving a pandemic: The visual impact of Covid-19 across Eurasia, captured by five young photographers in their home countries and territories. The narratives, chosen by them, do not cover UNDP projects but reflect the issues around which we are working.
الخوارزميون، الخوارزمشاهات، أو شاهات خوارزم (بالفارسية: خوارزمشاهیان)، هي سلالة تركية مسلمة سنية حكمت أجزاء كبيرة من آسيا الوسط وغرب إيران بين سنوات (1077-1220). كانوا اتباع إقطاعيين للسلاجقة ثم استقلوا وأصبحوا حكام مستقلين في القرن 11
Jorezmitas es el nombre de una dinastía que fundó un imperio conocido normalmente como el Imperio corasmio1 (en persa خوارزمشاهیان , Khwārezmšhāḥīān, "Reyes de Corasmia") fue un persianado2 3 4 dinastía musulmana sunní de origen mameluco turco5 que gobernaron el Gran Irán, primero como vasallos de los selyúcidas y más tarde como gobernantes independientes en el siglo XI. El imperio sobrevivió hasta la invasión mongola de 1220.1 La dinastía fue fundada por Anūsh Tigin Gharchāī, un anterior esclavo de los sultanes selyúcidas, que fue nombrado gobernador de Corasmia.1 Su hijo, Qutb ud-Dīn Muhammad I, se convirtió en el primer sah hereditario de Corasmia.
Les Khwârazm-Shahs ou Khorezmiens étaient une dynastie perso-turque installée au Khwarezm, en Transoxiane et en Perse (1077 – 1231).