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Day Tripper by the Beatles
www.youtube.com/watch?v=AYZlME0mQB8
Pose Anush by Secret poses at 60linden weekends
Backdrop by Newphe - Square Subway
Ak-Mosque ("White Mosque") was built by order of Anush-khan (1663-1687) in the middle of the 17th century. This is a small district mosque situated near Palvan- darvaza gates.
● Credit
[[Masoom]] - Etana OUtfit - Equal 10 Event
Native Urban - Rockstar Sneakers
Pose : Secret Poses - Anush 4 Pose
NEW ATTITUDE
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● Avatlife
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HAIR: Victoria NEW!! USAGI SOCIETY
(Fatpack included 2 sizes, bangs, pins and Huds with 253 colors)
BODY: Reborn eBODY
OUTFIT: Leslie NEW!! LUAS in KUSTOM9
(For Maitreya, Legacy, Reborn a nd R. Waifu. Fatpack included top, skirt
and Hud with 14 colors, 7 textures and 3 metals)
SHOES: Anush NEW!! TENTACIO in THE WAREHOUSE EVENT
(For Maitreya, Legacy and Reborn. Fatpack included shoes,
flowers in 2 colors and Hud with 12 colors and 2 metals)
Decor:
STATUE: Cyborg Doll NEW!! WLS in TOKYO ZERO
Shoes at Warehouse event.
Fits for maitreya, legacy and ebody. Optional flowers
Ty Hunkaa for this cute pic
It is a creation of the renowned artist Anush Karson Wayne. The artist efficiently applies mid-toned colors to make the drawing realistic. To buy this fine art oil painting, visit the artist's website.
A musical adaptation of Tsagareli’s classic play Khanuma
Koté: tries to teach romantic Viennese waltz
Anush: turns it into a survival sport
"Hold what you CAN grab, boy!" 💃
When Georgian grandmas chaperone, nobody gets fresh.
Cast:
Ilya Savin as Prince Vano Pantiashvili
Anastasia Zavitukhina as Anush (Merchant’s Mother)
Director: Natalia Mikolyshina
Produced by: Yevgeny Radomyslensky’s Actor’s Workshop
Ինգա եւ Անուշ Արշակյաններ
The official singers from Armenia of the Eurovision Song Contest ,Moscow 2009
This exclusive nude oil painting is created on procreate by the gold medalist oil painter Anush Karson Wayne. Visit the artist's website to select your favorite nude female paintings at reasonable rates.
A musical adaptation of Tsagareli’s classic play Khanuma
Tango With Death (by Embroidery). Koté came to flirt. Anush came to end him.The most chaotic waltz in Tbilisi history—complete with panting granny commentary.
Cast:
Ilya Savin as Prince Vano Pantiashvili
Anastasia Zavitukhina as Anush (Merchant’s Mother)
Director: Natalia Mikolyshina
Produced by: Yevgeny Radomyslensky’s Actor’s Workshop
E' stata scattata dalla fotografa armena Anush Babajanyan con Battered Waters, un lavoro sui problemi legati all’accesso all’acqua di Tagikistan, Kirghizistan, Uzbekistan e Kazakistan, quattro paesi dell’Asia centrale senza sbocco sul mare che stanno lottando contro la crisi climatica e la mancanza di coordinamento sulle forniture idriche che condividono.
This exclusive fine art portrait oil painting is done by creative genius Anush Wayne Karson.
Check out the artist's website to buy this portrait oil painting.
This is an exclusive black acrylic paint created by fine art genius Anush Wayne Karson. The artist uses black gesso or matte black to create this fine art oil painting. The image becomes attractive with various colors and shades. Visit the artist's website to get his latest canvas art projects.
Gayane Hakobyan, 30, with her daughters Mane Hakobyan, 8, (right) and Irina Ramazyan, 4, in the backyard of their home in Madan, Armenia, on October 25, 2020. The girls' mother, Gayane, says, “The biggest effect of the virus is that the children have difficulties attending school.”
“An Autumn break is happening now, connected with the virus. We will see if they return to school on the 29th [of October], we don’t know that. I hope they go,” Gayane says.
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Gayane Hakobyan, 30, her four children and husband live in Madan village, Armenia. Two of Gayane’s children are school age, eight and six. They are currently on an Autumn break from school, which has been extended because of the rising second wave of COVID-19. The eldest daughter Mane did not attend school in Spring 2020, as schools switched to online education in March 2020, which was not a positive experience for Mane.
Gayane gave birth to her fourth daughter, Milena, on October 17, 2020. When going to the hospital to give birth, she was worried about the risk of COVID, but she had no other choice and said the best she could do was wearing a mask.
Both parents are unemployed, Gayane’s husband was not present during the photography.
For the full story: undpeurasia.exposure.co/surviving-covid-armenia-families
Photo: UNDP Eurasia / Anush Babajanyan
This story is part of our series Surviving a pandemic: The visual impact of Covid-19 across Eurasia, captured by five young photographers in their home countries and territories. The narratives, chosen by them, do not cover UNDP projects but reflect the issues around which we are working.
Mongolia, 2019: With access to affordable quality healthcare, all families can have the chance to see what a difference a year makes. Above, Sugarmaa Batjargal, as a newborn in March 2018, and a year later, in May 2019, in Alag-Erdene district. Worldwide, 2.5 million newborns do not survive their first month of life. In Mongolia, newborn mortality rates have decreased to 8.7 deaths per live births in 2017. Despite advances, challenges remain – malnutrition, long travel distances to maternal health clinics, and insufficient government support to buy essentials (such as medication, micronutrients, newborn hats, masks, staff trainings and education materials) continue to imperil lives.
©UNICEF/Ilvy Njiokiktjien VII Photo and Anush Babajanyan VII Photo
To learn more: www.unicef.org
This is a fine art oil painting of a model portraited by the renowned fine art oil painter and fine art photographer Anush Wayne Karson.
Check out the artist's website to view his latest fine art oil paintings projects.
This beautiful female nude painting is portrayed by the creative genius Anush Karson Wayne. The naked body painting is done on procreate. Both chalk roller brush and oil paintbrush are used to make the image attractive.
Siranuysh Hakobyan, 10, hugs her grandfather, Robert Hakobyan, 60, in the living room of their home in Gyumri, Armenia, on October 21, 2020.
"My husband was the one providing food during those days [of the first wave of COVID-19 in Spring 2020]. We did not have a right to go out, we would have endangered the lives of these three children. And if I got sick I would not have survived," says Robert Hakobyan's wife Siranush Hakobyan, 57.
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Siranush Hakobyan, 57, her husband, Robert Hakobyan, 60, daughter-in-law and three granddaughters live in Gyumri, Armenia. Their home is a three room domik - a temporary house that the family has lived in since 1989, when they settled in the house after the 1988 Gyumri earthquake.
Siranush's son works as a taxi driver in Russia. His work slowed down and stopped on many occasions because of COVID-19 in Spring 2020. During that time he could not financially support his family in Armenia.
Siranush has asthma and does not work because of her health condition. She considers COVID-19 potentially dangerous for her. During the time when the children were not attending school because of COVID in Spring 2020, Siranush's daughter-in-law Arevik could not return to work because she had to stay at home and take care of the children. The children are currently not attending school, as schools recently closed for a two-week vacation because of a second wave of COVID-19.
The only one with a fixed salary in the family is the grandfather, Robert Hakobyan, 60. He earns 100,000 AMD ($200) per month working at the Gyumri Railway Station. He is also elderly and it is risky for him to go out to work as well, as cases of COVID-19 are higher than ever before in Armenia.
At the same time, the house is full of people as the family is temporarily hosting their relatives who fled the Nagorno-Karabakh conflict, an elderly woman and her five grandchildren.
For the full story: undpeurasia.exposure.co/surviving-covid-armenia-families
Photo: UNDP Eurasia / Anush Babajanyan
This story is part of our series Surviving a pandemic: The visual impact of Covid-19 across Eurasia, captured by five young photographers in their home countries and territories. The narratives, chosen by them, do not cover UNDP projects but reflect the issues around which we are working.
Please also visit my Photoblog at brohardphotography.blogspot.com
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Itchan Kala is the walled inner town of the city of Khiva, Uzbekistan. Since 1990, it has been protected as the World Heritage Site.
The old town retains more than 50 historic monuments and 250 old houses, dating primarily from the eighteenth or nineteenth centuries. Djuma Mosque, for instance, was established in the tenth century and rebuilt from 1788 to 1789, although its celebrated hypostyle hall still retains 112 columns taken from ancient structures.
The most spectacular features of Itchan Kala are its crenellated brick walls and four gates at each side of the rectangular fortress. Although the foundations are believed to have been laid in the tenth century, present-day 10-meters-high walls were erected mostly in the late seventeenth century and later repaired.
Necropolis of Pahlavan-Mahmud
The necropolis of Pahlavan-Mahmud is the religious center of Ichan-Qala. It formed around the tomb of Khiva's patron Pahlavan-Mahmud (1247-1326). He was a poet, philosopher and wrestler. He was esteemed as a patron of wrestlers and poets as well as healer throughout Khiva, Iran and India. Tradition has it that the poet was buried in his own workshop. The cemetery had formed around his buriai place in the 14th-17th centuries. When Shirgazi-khan built a madrassah at the beginning of the 18th century, he oriented it towards the tomb of Pahlavan-Mahmud.
The early mausoleum of Pahlavan-Mahmud was built in 1810 by Muhammad-Rahim-khan I (1806-1825). The new mausoleum had included the old tomb and khanaka with a high double dome, whose silhouette became a symbol of Khiva. A memorial courtyard was set before the entrance. The gates of the old cemetery became an entrance portal to the Pahlavan-Mahmud Necropolis. In the early 20th century Asfendir-khan (1910-1920) ordered the building of a two-storied korikhona in the western sector of the courtyard and summer aivan mosgue in the eastern part. The majolica facing has many cartouches with religious writings, verses by Pahlavan-Mahmud and the names of masters.
Muhammad-Rahim-khan I reconstructed the mausoleum of Pahl-avan-Mahmud in order that the necropolis of Qungrad dynasty arose "at the foot" of Khiva's saint. The tomb of Pahlavan-Mahmud is behind a low fence in the western wing. The tomb of Muhammad-Rahim-khan I was set on a central axis of the mausoleum in a pentahedral niche. Later, in 1825, an eastern wing was added, where Allakuli-khan (1825-1842) was buried. The gravestones of these three tombs are decorated with refined majolica.
The marble gravestone of Abulgazi-khan (1603-1664) and probable gravestone of Anush-khan, bearing the date of 1681 were transferred into the mausoleum. A portal pylon bears a marble plate with an epitaph to a courtier of Ilbars-khan II (1728-1740). Another Khiva Khan, Asfendiyar, in advance prepared a large family tomb in the korikhona of Pahlavan-Mahmud Necropolis. His mother, Kutlugbiki-khanum, was buried in this spot. However, Asfendiyar-khan himself was not. He died outside of Ichan-Qala, and Khiva mortuary rites determined that the dead body could not cross the city walls.
This is a perfect fine art painting of a nude art model created by genius fine art nude photographer Anush Wayne Karson.
The artist perfectly depicts the beauty of the body with water color.
To buy this nude art, visit the artist's website.
Աշխարհ անցիր, Արարատի նման ճերմակ գագաթ չկա,
Ինչպես անհաս փառքի ճամփա` ես իմ Մասիս սարն եմ սիրում
Dubai-Yerevan flight from Fly Dubai Airways
This oil painting is portrayed by the gold medalist artist Anush Karson Wayne. Mr. Wayne uses watercolors with acrylic brushes. Visit the artist's website to view his latest projects.
A musical adaptation of Tsagareli’s classic play Khanuma
Waltzing With Disaster. When granny Anush becomes your accidental dance partner 😂 Poor teacher Koté just wanted to charm Sona... now he's spinning a 90-year-old in pirouettes while she threatens him with knitting needles.
Cast:
Ilya Savin as Prince Vano Pantiashvili
Anastasia Zavitukhina as Anush (Merchant’s Mother)
Director: Natalia Mikolyshina
Produced by: Yevgeny Radomyslensky’s Actor’s Workshop