View allAll Photos Tagged animate
Animated GIF of Argent on the window sill of the living room's west-facing window. Auto-generated by Google Photos.
To view animation, click on View all sizes and select Original size.
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PLEASE:
Do not post animated gifs or pictures in your comments. Especially the "awards". No invitations to groups where one must comment and/or invite and/or give award and no group icon without any comment.
POR FAVOR: No pongas gifs animados, logos o premios (awards) en tu comentario. No me envÃes invitaciones a grupos donde exista la obligación de comentar o premiar fotos, ni a aquellos donde existe un comentario preformateado con el logo del grupo.
THANKS / Muchas gracias!!
companion & rezzable -menu animations and cloths
in the world : Bellart Animesh-Store
market place: Bellart Animesh-Store Marketplace
First, I know this looks nothing like the actual Animated Batmobile, but that’s intentional, and personally I never really liked that vehicle anyways.
Anyways, I was going to wait to show this, but having just finished it and the accompanying MOC that goes with it, I just couldn’t wait! This Batmobile was made for one part of a series of Batman Animated Series mocs I’ll be posting in the upcoming days—hopefully I’ll finish building everything over the weekend and begin posting on Sunday.
I made this since the official one (The old version) was far too big to fit into my creation, and really I just don’t get to build the Batmobile that much (Let alone vehicles which I try to avoid at all costs!). It’s fixed with two LED lights from LifeLites (The vehicle is lit by an outside battery source, edited out in this picture), hence the blue headlights. This is defiantly just for looks, and unfortunately it does not fit Batman, due to space issues required for the LED’s. Regardless, it still looks cool, and works well with my creation, which appears in Part 2 (I think) of the overall series, which will be posted soon.
Enjoy
Beautiful Animated Greeting Card Image. - greetings-day.com/beautiful-animated-greeting-card-image.... #AnimatedGifS, #GIF, #Love
Unsure what they were discussing, but it did get quite loud. All ended happily though. Bacolod, City, Philippines.
Copyrighted belong to Walt Disney Animation Studios
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Aninated GIF of Tigger laughing. Well, yawning, really, but it looks like laughter...
To view animation, download image and drag to an open browser window where it will play. Or, click view all sizes and select original size.
Dreamers by Cica Ghost
In a surreal world canopied by a magical sky, sixteen figures look upward to dream. This is one of their dreams brought back to the kitchen table.
maps.secondlife.com/secondlife/LEA24/91/45/28
Music stream: 94.23.51.96:8000
Animated GIF of Bonkers trying to get out of his chigura but failing to do so. After taking a few pictures, I helped him out by lifting the roof of his chigura away, which lets him walk out without any problems.
To view animation, click of View all sizes and select Original size.
WARNING: THIS VIDEO CONTAINS RAPIDLY CHANGING PATTERNS. PLEASE USE CAUTION IF YOU HAVE PHOTOSENSITIVITY.
Check out these three animated dresses by Graffitiwear! They can be found exclusively at Fashion Dazzle along with a psychedelic dress!
Full credits at link
The Octonauts animated series! Read more about it it here: www.facebook.com/octonauts/
come join us on Facebook ^__^!
Check out three animated dresses by Graffitiwear! They can be found exclusively at Fashion Dazzle along with a psychedelic dress!
Full credits and video at link
I added lights, a few Jack O' Lanterns and three animations to the 10228 Monster Fighters Haunted House.
Can't sleep again so figured I'd try my hand at something arty and out there!
These are the vivid brownish-red leaves of a tiny little plant growing out of this algae filled crack between the sidewalk and the wood of a building wall at a structure on the edge of Fish Creek Park.
...or at least they were. Now they seem to have turned into something else entirely!
It was a gorgeous, sunny day, and snow was melting off the roof of this little building, and depositing in the crack that the plant is growing out of, creating its own lush little eco-system!
It was very beautiful to see and a great candidate for some experimental treatment!
Couldn't resist this one. Taken a few miles from home on a glorious but cold day. The rape crop is well in flower now and we don't see much of it down this way compared with the masses of the stuff around the Salisbury Plains. Yes, I got some of them as well :o))
Mono version here: www.flickr.com/photos/wdig/6963888252/in/photostream
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view, or view in Fluidr (use link below).
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Comments/Invites are always appreciated, but please do not place Multiple Invites,
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All my images are © All Rights Reserved, and must not be used in any form whatsoever, on or in any
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Vintage card. Photo: Metro-Goldwyn-Mayer (M.G.M.).
Gene Kelly (1912-1996) was an American actor, dancer, singer, filmmaker, and choreographer. He was known for his energetic and athletic dancing style, his good looks, and the likable characters that he played on screen. He starred in, choreographed, or co-directed some of the most well-regarded musical films of the 1940s and 1950s until they fell out of fashion in the late 1950s. Kelly is best known today for his performances in films such as Anchors Aweigh (1945), On the Town (1949), which was his directorial debut, An American in Paris (1951), Singin' in the Rain (1952), Brigadoon (1954), and It's Always Fair Weather (1955).
Eugene Curran Kelly was born in 1912 in the East Liberty neighborhood of Pittsburgh. He was the third son of James Patrick Joseph Kelly, a phonograph salesman, and his wife, Harriet Catherine Curran. By the time he decided to dance, he was an accomplished sportsman and able to defend himself. He attended St. Raphael Elementary School in the Morningside neighborhood of Pittsburgh and graduated from Peabody High School at age 16. He entered Pennsylvania State College as a journalism major, but after the 1929 crash, he left school and found work in order to help his family financially. He created dance routines with his younger brother Fred to earn prize money in local talent contests. They also performed in local nightclubs. In 1931, Kelly enrolled at the University of Pittsburgh to study economics. His family opened a dance studio in the Squirrel Hill neighborhood of Pittsburgh. In 1932, they renamed it the Gene Kelly Studio of the Dance and opened a second location in Johnstown, Pennsylvania, in 1933. Kelly served as a teacher at the studio during his undergraduate and law-student years at Pitt. Kelly eventually decided to pursue a career as a dance teacher and full-time entertainer, so he dropped out of law school after two months. In 1937, having successfully managed and developed the family's dance-school business, he finally did move to New York City in search of work as a choreographer. His first Broadway assignment, in 1938, was as a dancer in Cole Porter's 'Leave It to Me!' Kelly's first big breakthrough was in the Pulitzer Prize-winning 'The Time of Your Life' (1939), in which, for the first time on Broadway, he danced to his own choreography. In 1940, he got the lead role in Rodgers and Hart's 'Pal Joey', choreographed by Robert Alton. This role propelled him to stardom. Offers from Hollywood began to arrive.
Metro-Goldwyn-Mayer was the largest and most powerful studio in Hollywood when Gene Kelly arrived in town in 1941. There he made his film debut with Judy Garland in For Me and My Gal (Busby Berkeley, 1942). The film was a production of the Arthur Freed unit at MGM and it was one of the big hits of the year. The talent pool at MGM was especially large during World War II, when Hollywood was a refuge for many musicians and others in the performing arts of Europe who were forced to flee the Nazis. Kelly's film debut was followed by Cole Porter's Du Barry Was a Lady (Roy Del Ruth, 1943) with Lucille Ball, the morale booster Thousands Cheer (George Sidney, 1943), Cover Girl (Charles Vidor, 1944) opposite Rita Harworth, and Anchors Aweigh (George Sidney, 1945) with Frank Sinatra. MGM gave him a free hand to devise a range of dance routines for the latter, including his duets with Sinatra and the celebrated animated dance with Jerry Mouse—the animation for which was supervised by William Hanna and Joseph Barbera. Anchors Aweigh became one of the most successful films of 1945 and Kelly was nominated for the Academy Award for Best Actor. In Ziegfeld Follies (1946), Kelly collaborated with Fred Astaire, for whom he had the greatest admiration, in 'The Babbitt and the Bromide' challenge dance routine. He co-starred with Judy Garland in The Pirate (1948) which gave full rein to Kelly's athleticism. It features Kelly's work with the Nicholas Brothers—the leading black dancers of their day—in a virtuoso dance routine. Now regarded as a classic, the film was ahead of its time but flopped at the box office. Kelly made his debut as a director with On the Town (1949), for Arthur Freed. Stanley Donen, brought to Hollywood by Kelly to be his assistant choreographer, received co-director credit for On the Town. A breakthrough in the musical film genre, it has been described as "the most inventive and effervescent musical thus far produced in Hollywood."
Two musicals secured Gene Kelly's reputation as a major figure in the American musical film. First, he directed and starred in An American in Paris (1951) with Leslie Caron. The highlight of the film is the seventeen-minute ballet sequence set to the title song written by George Gershwin and choreographed by Kelly. The sequence cost a half-million dollars (U.S.) to make in 1951 dollars. Kelly's many innovations transformed the Hollywood musical, and he is credited with almost single-handedly making the ballet form commercially acceptable to film audiences. In 1952, he received an Academy Honorary Award for his career achievements, the same year An American in Paris won six Academy Awards, including Best Picture. Probably the most admired of all film musicals is his next film, Singin' in the Rain (1952). As co-director, lead star, and choreographer, Kelly was the central driving force and unforgettable is Kelly's celebrated and much-imitated solo dance routine to the title song. Kelly continued his string of classic Hollywood musicals with Brigadoon (1954) with Cyd Charisse, and It's Always Fair Weather (1955), co-directed with Donen. The latter was a musical satire on television and advertising and includes his roller-skate dance routine to I Like Myself, and a dance trio with Michael Kidd and Dan Dailey that Kelly used to experiment with the widescreen possibilities of Cinemascope. Next followed Kelly's last musical film for MGM, Les Girls (1957), in which he partnered a trio of leading ladies, Mitzi Gaynor, Kay Kendall, and Taina Elg. It, too, sold few movie tickets. Dale O'Connor at IMDb: "Kelly was in the same league as Fred Astaire, but instead of a top hat and tails Kelly wore work clothes that went with his masculine, athletic dance style." He finally made for MGM The Happy Road (1957), set in his beloved France, his first foray in a new role as producer-director-actor. After leaving MGM, Kelly returned to stage work.
After musicals got out of fashion, Gene Kelly starred in two films outside the musical genre: Inherit the Wind (Stanley Kramer, 1960) with Spencer Tracey and Fredric March, and What a Way to Go! (1964). In 1967, he appeared in French musical comedy Les Demoiselles de Rochefort/The Young Girls of Rochefort (Jacques Demy, 1967) opposite Catherine Deneuve. It was a box-office success in France and nominated for Academy Awards for Best Music and Score of a Musical Picture. Kelly directed films without a collaborator, including the bedroom-farce comedy A Guide for the Married Man (1967) starring Walter Matthau, and the musical Hello, Dolly! (1969) starring Barbra Streisand and Matthau. The latter was nominated for the Academy Award for Best Picture. He appeared as one of many special narrators in the surprise hit That's Entertainment! (Jack Haley Jr., 1974). The compilation film was released by Metro-Goldwyn-Mayer to celebrate the studio's 50th anniversary. The film turned the spotlight on MGM's legacy of musical films from the 1920s through the 1950s. Kelly subsequently directed and co-starred with his friend Fred Astaire in the sequel That's Entertainment, Part II (Gene Kelly, 1976). It was a measure of his powers of persuasion that he managed to coax the 77-year-old Astaire—who had insisted that his contract rule out any dancing, having long since retired—into performing a series of song-and-dance duets, evoking a powerful nostalgia for the glory days of the American musical film. It was later followed by That's Dancing! (Jack Haley Jr., 1985), and That's Entertainment, Part III (Bud Friedgen, Michael J. Sheridan, 1994). Kelly received lifetime achievement awards in the Kennedy Center Honors (1982) and from the Screen Actors Guild and American Film Institute. In 1999, the American Film Institute also ranked him as the 15th greatest male screen legend of Classic Hollywood Cinema. Gene Kelly passed away in 1996 at the age of 83 in Beverly Hills, California, U.S. His final film project was the animated film Cats Don't Dance, not released until 1997, on which Kelly acted as an uncredited choreographic consultant. It was dedicated to his memory. Gene Kelly was married three times: yo actress Betsy Blair ​(1941-1957)​, Jeanne Coyne (1960- her death in 1973)​ , and Patricia Ward (1990- his death in 1996).
Sources: Dale O'Connor (IMDb), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Recently I ran across this old character who said to me,
"I was quite a dandy in my day, son. In fact, if you don't mind me tooting my own horn, I have still got it! Mark my words, some day I will be a star in one of those new-fangled animated films, just you wait and see!!"
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a SMC PENTAX 67 1:4 45mm lens using Fuji 400-H film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
Animated GIF of Yuba on the bed this afternoon that ends with him winking at you.
To view animation, click on View all sizes and select Original size.
Voila a series of images reworked. Some of these images are years old. I "saw" something in the mind's eye and felt I needed to make yet another pass at this material.
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photographer: c'est moi
photographer's assistant: Judith Turano
model/couture/mua: Pierre Benoit
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Strobist Info: Strobes into bounce umbrellas, one camera right, one camera left, one over camera.
Yesterday I found this drawing (image 1). This is one of the early drawings of Marc Davis, animator of Aurora in original 'Sleeping Beauty', and I thought that it looks very similar to Elle Fanning. What do you think?
Disney Animators' Collection Doll :
Rapunzel
Ariel
Jasmine
Tiana
Pocahontas
Mulan
Aurora
Cinderella
Belle
Snow White
Copyrighted belong to Walt Disney Animation Studios
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