View allAll Photos Tagged angular
A short while back, I posted a couple images of backlit black-capped chickadees on a snag. This image shows part of that same snag from the other side and with the chickadee front-lit. The pose gives a good look at the underside of the bird.
Vibrant congeries
Actual occasions
Ceaselessly coming into being
Leitz Wetzlar Germany Elmarit CF 150mm f2.8
(Abstract #3 / Come, Shadows, Caress My Wall #2)
Basile Pesso - Barcelona © July 2 016
First broadcast 2 016
Contrapicado del patio interior del Palau de la Virreina, Barcelona.
Los que estéis por Barcelona, no os perdáis la exposición "Anti-Fotoperiodismo" que hay en él. Espectacular.
Nikon D3
Nikon 14-24 AF-S 2.8
© Manuel Orero
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Cualquiera de las imágenes publicadas en este Flickr, estan registradas. El uso sin consentimiento por mi parte de ellas, reportará la denuncia al registro de propiedad intelectual.
Any of the images published in this Flickr are registered. Use without consent on my part of it, will report the complaint to the registration of intellectual property.
Sulfur cements a thin mantle of surficial debris along the hillside in the thermally altered volcanics on the east end of Sulfur Lake in the Sunlight Basin, Wyoming.The colluvium is made up of lenses of angular gravels and ocasiional pieces of wood. The sulfur formed through decomposition of hydrogen sulfide which made up part of the gases that rose through irregular fractures and vented in or just below the colluvium. Alteration of silicate minerals in the volcanics by sulphuric acid produced silicic acid, which in turn deposited the opaline silica that resulted in the white colored altered volcanics. A lot of the colluvium is made up of pieces of the white silicified volcanics. Pine needles at the bottom of the photo give some sense of scale.
References: D. F. Hewitt, 1911, Sulphur Deposits of Sunlight Basin,WY. USGS Bulletin 530-13-23.
Cloudy early fall morning at Bear Lake, Rocky Mountain National Park, Colorado. Aspens just getting started.
One of the goals of the Alan Murphy Bird Flight Photo Workshop was to capture Yellow-billed Magpies so the angle of light would show their iridescence. They have an undulating flight pattern with quick dives that made it challenging. They roost in groups so it was also challenging to find an isolated one. I took probably a thousand or more shots (not exaggerating), over the 4 days, before fortunately getting this one. and a few other keepers. Sony a9; Sony 200-600 mm lens at 379mm; 1/4000 sec; f/7.1; ISO 500; Topaz DeNoise and Sharpen .
This little scene of ice triangles and shimmery winter cottonwoods made me think that Monet and Kandinsky had a meet up in this small little canyon and collaborated on a plein air painting.
The spritsail rig is a common one for small wooden boats and was often used in life boats because it folds down to a small space. The sprit is the angular spar supporting the upper sail corner, It is attached to the mast by a rope called a snotter. If rigged properly, the sprit does not interfere with the sail shape. In this image, the sprits are on opposite sides and the sails both have the proper shape (the wrinkle on the aft one would be corrected by tightening the snotter a bit). If heavy wind comes up, the sprit can be removed and the sail folds down to a smaller sort of storm sail.
Port Townsend's 2023 Wooden Boat Festival woodenboat.org/plan-your-visit
Website www.vulturelabs.photography
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Glass facades of office buildings don't have to be boring (like in the previous shot). It doesn't take much to add interest and a different feel...
After two days of driving through Texas, Oklahoma, Kansas, Nebraska, Iowa, and finally Minnesota, we reached the risk area; this was the Arcus cloud on the edge of the storm that raced over our heads. After this storm, we then drove to New Mexico, through South Dakota, Nebraska and Colorado.
This is my second take on this scene. I used six vertical images blended together; the Arcus cloud was practically over my head at this point, giving the cloud a more angular curve.
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Fachada de la Catedral de Cádiz (1722-1838). Se comenzó a construir con un proyecto de Vicente Acero, en el año 1722. Acero abandonó el proyecto en 1739 y se hizo cargo de las obras Gaspar Cayón, dejando la dirección de las mismas en 1757 a su sobrino Torcuato Cayón. Tras su muerte en 1783, le sucedió Miguel Olivares hasta 1790, fecha en la que empezó a dirigir la obra Manuel Machuca y Vargas. Finalmente, desde 1832 hasta su conclusión, las obras fueron supervisadas por Juan Daura.