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from Raleigh, NC
Rachel as The Angelus, a female entity of light and an immortal goddess whom is the divine embodiment of totalitarian law and order, from the "Witchblade" comics.
from Raleigh, NC
Rachel as The Angelus, a female entity of light and an immortal goddess whom is the divine embodiment of totalitarian law and order, from the "Witchblade" comics.
1857-1859. Oli sobre tela. 55,5 x 66 cm. Museu d'Orsay, París. RF 1877. Obra exposada: Sala 4.
© Photo RMN - Grand Palais (Musée d’Orsay)
Atardecer en el arcén de la carretera que transcurre por un valle entre los puertos de Aspin y Tourmalet, en pleno pirineo francés.
Mas fotos en éste monográfico:
Sala Porta Caeli · Valladolid · 05/10/2012.
Copyright © David Izquierdo. All Rights Reserved. Todos los derechos reservados. Por favor, no utilices esta imagen en páginas web, blogs u otros medios sin mi permiso explícito.
Contact: davideizq@hotmail.com
Blueberry - Scarlet Angel Dress - Collabor88
{anc} Feather Chips - The Mens Dept
Magika hair - Fool for Love
from Raleigh, NC
Rachel as The Angelus, a female entity of light and an immortal goddess whom is the divine embodiment of totalitarian law and order, from the "Witchblade" comics.
from Raleigh, NC
Rachel as The Angelus, a female entity of light and an immortal goddess whom is the divine embodiment of totalitarian law and order, from the "Witchblade" comics.
from Raleigh, NC
Rachel as The Angelus, a female entity of light and an immortal goddess whom is the divine embodiment of totalitarian law and order, from the "Witchblade" comics.
from Raleigh, NC
Rachel as The Angelus, a female entity of light and an immortal goddess whom is the divine embodiment of totalitarian law and order, from the "Witchblade" comics.
from Raleigh, NC
Rachel as The Angelus, a female entity of light and an immortal goddess whom is the divine embodiment of totalitarian law and order, from the "Witchblade" comics.
from Raleigh, NC
Rachel as The Angelus, a female entity of light and an immortal goddess whom is the divine embodiment of totalitarian law and order, from the "Witchblade" comics.
"Gabriel, from heaven's king
Sent to the maiden sweet,
Brought to her blissful tiding
And fair 'gan her to greet.
'Hail be thou, full of grace aright!
For so God's Son, the heaven's light,
Loves man, that He | a man will be | and take
Flesh of thee, maiden bright,
Mankind free for to make
Of sin and devil's might.'"
- a translation by Gerald Manley Hopkins of the 13th-century carol, 'Angelus ad virginem'.
The Annunciation is recounted at Mass on 20 December, to recall the Incarnation of Christ in the womb of the Virgin Mary. This beautiful stained glass detail is from Harvington Catholic church, and was installed in 2008.
from Raleigh, NC
Rachel as The Angelus, a female entity of light and an immortal goddess whom is the divine embodiment of totalitarian law and order, from the "Witchblade" comics.
Just noticed I hadn't made this photo public which I had uploaded some time ago.
I spent over an hour watching the changing scene of the sunrise at Lake Angelus. Colours came and went a few times, depending on the cloud, as well as a bit of wind. But it was always beautiful. I would have stayed longer except by daughters wanted their breakfast!
from Raleigh, NC
Rachel as The Angelus, a female entity of light and an immortal goddess whom is the divine embodiment of totalitarian law and order, from the "Witchblade" comics.
from Raleigh, NC
Rachel as The Angelus, a female entity of light and an immortal goddess whom is the divine embodiment of totalitarian law and order, from the "Witchblade" comics.
from Raleigh, NC
Rachel as The Angelus, a female entity of light and an immortal goddess whom is the divine embodiment of totalitarian law and order, from the "Witchblade" comics.
June 26, 2015.
Shot with Holga 120N, on Kodak Tri-X 400 film, expiry date January, 2004. Developed in Fomadon R09 ("Rodinal" clone), 1+50 solution, for 13 minutes, 20 seconds water rinse and 6 minutes fix. – View at least large.
Es gibt ein Bild von Klee, das Angelus Novus heißt. Ein Engel ist darauf dargestellt, der aussieht, als wäre er im Begriff, sich von etwas zu entfernen, worauf er starrt. Seine Augen sind aufgerissen, sein Mund steht offen und seine Flügel sind ausgespannt. Der Engel der Geschichte muß so aussehen. Er hat das Antlitz der Vergangenheit zugewendet. Wo eine Kette von Begebenheiten vor uns erscheint, da sieht er eine einzige Katastrophe, die unablässig Trümmer auf Trümmer häuft und sie ihm vor die Füße schleudert. Er möchte wohl verweilen, die Toten wecken und das Zerschlagene zusammenfügen. Aber ein Sturm weht vom Paradiese her, der sich in seinen Flügeln verfangen hat und so stark ist, daß der Engel sie nicht mehr schließen kann. Dieser Sturm treibt ihn unaufhaltsam in die Zukunft, der er den Rücken kehrt, während der Trümmerhaufen vor ihm zum Himmel wächst. Das, was wir den Fortschritt nennen, ist dieser Sturm.
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Il existe un tableau de Klee qui s'intitule Angelus Novus. Il représente un ange qui semble avoir dessein de s'éloigner de ce à quoi son regard semble rivé. Ses yeux sont écarquillés, sa bouche ouverte, ses ailes déployées. Tel est l'aspect que doit avoir nécessairement l'ange de l'histoire. Il a le visage tourné vers le passé. Où paraît devant nous une suite d'événements, il ne voit qu'une seule et unique catastrophe, qui ne cesse d'amonceler ruines sur ruines et les jette à ses pieds. Il voudrait bien s'attarder, réveiller les morts et rassembler les vaincus. Mais du paradis souffle une tempête qui s'est prise dans ses ailes, si forte que l'ange ne peut plus les refermer. Cette tempête le pousse incessamment vers l'avenir auquel il tourne le dos, cependant que jusqu'au ciel devant lui s'accumulent les ruines. Cette tempête est ce que nous appelons le progrès.
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Hay un cuadro de Klee que se llama Angelus Novus. En él se muestra a un ángel que parece a punto de alejarse de algo que le tiene paralizado. Sus ojos miran fijamente, tiene la boca abierta y las alas extendidas; así es como uno se imagina al Ángel de la Historia. Su rostro está vuelto hacia el pasado. Donde nosotros percibimos una cadena de acontecimientos, él ve una catástrofe única que amontona ruina sobre ruina y la arroja a sus pies. Bien quisiera él detenerse, despertar a los muertos y recomponer lo despedazado, pero desde el Paraíso sopla un huracán que se enreda en sus alas, y que es tan fuerte que el ángel ya no puede cerrarlas. Este huracán le empuja irreteniblemente hacia el futuro, al cual da la espalda, mientras los escombros se elevan ante él hasta el cielo. Ese huracán es lo que nosotros llamamos progreso.
Walter Benjamin, Über den Begriff der Geschichte/Thèses sur la philosophie de l'histoire/Tesis sobre la filosofía de la historia