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**Prompt :**

 

> Portrait cinématographique hyperréaliste d’une jeune femme intellectuelle à l’allure élégante et intemporelle, regard perçant et introspectif, yeux bleu profond éclairés par une lumière douce et dramatique. Son visage est composé de facettes géométriques complexes, style mosaïque cubiste moderne, mêlant tons chauds et froids : ambre, ocre, bleu nuit, turquoise et touches dorées.

>

> Cheveux courts et ondulés aux reflets cuivrés et violacés, coiffés avec un mouvement naturel et sophistiqué. Elle porte des lunettes fines et discrètes, un col victorien raffiné, un nœud papillon artistique et des bijoux délicats évoquant l’érudition et la créativité.

>

> L’arrière-plan est une composition abstraite riche et profonde : feuilles manuscrites flottant dans l’air, pages de livres anciennes, schémas, symboles scientifiques et typographiques, suspendus dans un espace quasi onirique. Le décor évoque une bibliothèque mentale, un univers de pensée et de savoir en mouvement.

>

> Éclairage cinématographique volumétrique, contrastes maîtrisés, profondeur de champ subtile, rendu ultra-net 8K, textures extrêmement détaillées, peau réaliste, reflets lumineux précis. Ambiance intellectuelle, poétique et mystérieuse, mélange d’art classique et de modernité numérique, style peinture numérique hyperréaliste, concept art de film, chef-d’œuvre visuel, qualité musée, atmosphère dramatique et inspirante.

 

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**Prompt:**

 

> Hyper-realistic cinematic portrait of an intellectual young woman with an elegant, timeless presence, sharp and introspective gaze, deep blue eyes illuminated by soft, dramatic lighting. Her face is composed of intricate geometric facets, modern cubist mosaic style, blending warm and cool tones: amber, ochre, midnight blue, turquoise, and subtle golden highlights.

>

> Short, softly wavy hair with copper and violet reflections, styled naturally yet refined. She wears delicate, minimalist eyeglasses, a refined Victorian-inspired collar, an artistic bow tie, and subtle jewelry that evoke intellect, creativity, and sophistication.

>

> The background is a rich, layered abstract composition: handwritten manuscripts floating in the air, aged book pages, diagrams, scientific symbols, and typographic elements suspended in a dreamlike space. The setting resembles a mental library — a universe of thought, knowledge, and imagination in motion.

>

> Cinematic volumetric lighting, controlled contrast, subtle depth of field, ultra-sharp 8K render, extremely detailed textures, realistic skin, precise light reflections. Intellectual, poetic, and mysterious atmosphere, blending classical art with modern digital aesthetics, hyper-realistic digital painting, film concept art, museum-quality masterpiece, dramatic and inspiring mood.

 

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--ar 3:4

--v 6

--style raw

--s 250

--chaos 8

--q 2

  

This weekend we were out with friends wandering around the streets of London. As you might imagine, we spent loads of time also underground...and it was a really good opportunity to snap around. I hope you like the results.

 

Thank you all for your appreciation.

 

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© 2016 Jordi Corbilla - All Rights Reserved.

Jordi Corbilla Photography

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*Note that groups and albums are machine handled by Flickr Photo Analytics app and we apologise for any inconveniences caused.

It just amazes me the beauty of the underground and how pictures get meaning down there. The moment when trying to catch the train. A very vivid picture to my eyes.

 

Thank you all for your appreciation.

 

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© 2017 Jordi Corbilla - All Rights Reserved.

Jordi Corbilla Photography

Do not use any of my images without permission.

  

*Note that groups and albums are machine handled by Flickr Photo Analytics app and we apologise for any inconveniences caused.

Samsung captured;

snapseed processed.

how do we see

opening music of this moment.

 

looking for a new place to begin

this is the only place.

you are the part of the time,

and you are finite; swirling thoughts.

you are one with the time,

and you are infinite; not insecure.

 

how little we know the inseparable

circling all present, non present

experience of the ocean's wave

the beautiful Adriana Oliveira says,

"Time is finite, now is eternal"

 

balance brings this eternity.

balance treasures the presence

by being the affectionate ocean,

by being the rhythm of the waves,

by playing your part in the now,

by being whole in gratefulness.

 

daily dharma - to be closer to inner touch

but not the analytical waves in the mind.

– perceiving fragments – distortion

waves-structures externally imposed

here is not a place to be entrenched,

alone in one's own point of view

interior calm governed by intent gaze

• welcoming gentleness – oceanness

subsuming into a coherent whole.

 

oceanness ~ a time to be so small

smallest opening to attentiveness.

a play of integration and letting go

 

resourcefulness in every wave

"slowing down before the rush"

gifting kindness and tenderness,

to that space – grief's tide need –

loving presence, our very essence

surrendering to the greater whole.

 

⁛ ❀ ⁛

 

Hans Zimmer - Time ☉

 

When I look back, at each of the choices that became the turning point of my life, I find that these were guided by the beliefs in the way I have dealt with life and work.

 

Time or style is a limited notion. It can be easily set aside if we realize that all we perceive is viewed through our memories and present. There are layers that must be seen together and not as fragmented issues, be they of art, architecture or life itself. It is essential that we look from a distance with eternity or timelessness.

 

Ar. B.V. Doshi in Paths Uncharted

 

Comptine D'un Autre Été

 

The spectacle of the sea always makes a profound impression. It is the image of that infinite that attracts thought without rest, and in which the thought goes without losing its way. --- Madame de Staël

 

⚡

 

Music of the Seas: Deep Blue; Bhaskar Chandravarkar

“According to Jungian analytical psychology, stepping on dog poop in a dream is interpreted as an aegis of incoming wealth.

In reality, however, stepping on dog poop just makes you curse: ‘Oh, shit!’

Yet in 21st-century cities, the chance of stepping on a bull’s dung is almost zero.”

  

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Kentmere 100 Film

One of the common images that everyone takes from Times Square. The day was cold and they let us go up the stairs in Times Square so I could get a good capture of the iconic place. I hope you like it.

 

Thank you all for your appreciation.

 

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© 2016 Jordi Corbilla - All Rights Reserved.

Jordi Corbilla Photography

Do not use any of my images without permission.

  

*Note that groups and albums are machine handled by Flickr Photo Analytics app and we apologise for any inconveniences caused.

Thanks to everyone for visits , comments , awards and invitations, I appreciate your feedback very much

Analytical Odysseys.

 

Предполагаемое знание феноменальных определений диссоциации, узнаваемая видимость исследований детерминированности сознания,

å utpeke øyeblikk sannheter inneholder viktige punkter for å forstå smarte brennende grunner tilfredshet innbefatter undersøkelser vitenskap,

disaccordi giustificati distinguendo contraddizioni osservazioni vuote scetticismo oggetti interi movimenti interi sistemi esistenza astratta,

ٹھوس جانکاری فوری حدود کی باتوں کا حواس خالص مختلف طریقوں سے پیچیدہ روابط اہم فصلوں کی عکاسی کے معاملات,

podstawowe uniwersalne prawdy obojętne relacje zachowujące zrozumiałe słowa uwierzytelnienia świadomość twierdzenia filozoficzne,

experiencias sensoriales que afirman sabidurías esferas profundas que devuelven sentidos dialécticos punteros del supuesto aprendizaje de la pluralidad contraria,

媒体の無関心な認識を考慮する極度の内なることは法を変えること規則を否定すること側面楽しむこと基礎変わらないこと規則否定規則依存性側面楽しさ基盤変わらない移動活動の本質的な機能動物の惨めさ.

 

Steve.D.Hammond.

Mark this day as it's the day I managed to get 10 Million views on my flickr account. It's been really busy this year and I managed to get all this views in just under a year. Thanks all for your appreciation and for spending time looking at my pictures and liking them and commenting on them.

 

This is certainly a great milestone.

 

Thanks for all the views and the likes and keep spreading the love for photography.

 

I've created my own tool to monitor all the likes and views of my account. The tool is still under construction but you can follow progress here:

Flickr Photo Analytics

 

You can find my solution on Github.

 

If you want to raise any issue on the app, you can do it here:

github.com/JordiCorbilla/FlickrPhotoStats/issues

 

Description of the application here

 

Thank you all for your appreciation.

 

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Do not use any of my images

without permission.

Pietro Longhi (Pietro Falca - Venice, November 15, 1701 - Venice, May 8, 1785) - The toilet (1760) - oil on canvas 61 x 50 cm - Museum of the Venetian Settecento Ca' Rezzonico, Venice

 

Pietro nasce a Venezia il 15 novembre del 1701. Dopo un’esperienza nella bottega di Antonio Balestra, è a Bologna, dove conosce l’opera di Giuseppe Maria Crespi che diverrà, in particolare per quel che riguarda la pittura di genere, fondamentale per gli sviluppi successivi della sua carriera.

Fino al 1734 si dedica a una produzione di carattere “storico” ma dalla fine degli anni Trenta decide di cambiare rotta, indirizzandosi in modo pressoché esclusivo a quella pittura di costume che lo renderà celebre non solo entro i confini della Serenissima. Sono scene di piccolo formato dedicate dapprima, sull’esempio crespiano, alla descrizione analitica e puntuale della vita dei contadini e dei ceti poveri veneziani, poi, dagli anni Quaranta, alla vita dei veneziani, fuori e dentro i palazzi. Il successo è straordinario, come dimostrano i nomi altisonanti dei suoi aristocratici committenti: dai Sagredo ai Mocenigo, dai Grimani ai Querini ai Pisani e molti altri; in pratica, il gotha delle famiglie di antica nobiltà, non escludendo peraltro alcuni “nuovi nobili” – ma soprattutto nuovi ricchi.

 

Born in Venice on November 15, 1701. After an experience in the workshop of Antonio Balestra, is in Bologna, where he knew the work of Giuseppe Maria Crespi that will become, in particular as regards the genre painting, fundamental for the subsequent developments of his career.

Until 1734 he devoted himself to a production of "historical" character, but from the end of the thirties he decided to change course, addressing himself almost exclusively to the painting of costumes that will make him famous not only within the borders of the Serenissima. They are scenes of small format dedicated at first, on the example of crespiano, the analytical description and accurate life of the peasants and the poor Venetians, then, since the forties, the life of Venetians, outside and inside the palaces. The success is extraordinary, as evidenced by the high-sounding names of his aristocratic clients: from Sagredo to Mocenigo, from Grimani to Querini to Pisani and many others; in practice, the elite of the families of ancient nobility, not excluding some "new nobles" - but especially new rich.

The Jack Welch College of Business and the Office of Alumni Engagement presented “Careers in Analytics” on April 10, 2019, at the Martire Forum. The alumni panel featured Justin Baigert ’05, vice president, Data & Analytics at GE, Joseph Lucibello ’11, senior manager, data scientist at WWE and Suzanne May ’13, research manager at Purchased. The moderator was Khawaja Mamun, associate professor of economics. Photo by Mark F. Conrad

 

The Jack Welch College of Business and the Office of Alumni Engagement presented “Careers in Analytics” on April 10, 2019, at the Martire Forum. The alumni panel featured Justin Baigert ’05, vice president, Data & Analytics at GE, Joseph Lucibello ’11, senior manager, data scientist at WWE and Suzanne May ’13, research manager at Purchased. The moderator was Khawaja Mamun, associate professor of economics. Photo by Mark F. Conrad

 

In this article im gonna share with you a deep understanding of the Instagram analytics.

 

Instagram is the most popular social networking platform these days.

 

If you want to market your products and services then it’s the best ever platform for you.

 

All you need to make a free account and start promoting your products and services.

www.coremafia.com/instagram-analytics-to-grow-engagement-...

On display at the Aerospace Museum of the Colombian Aerospace Force in Tocancipá, Colombia, is Lockheed T-33A FAC 2008.

 

The Colombian Air Force acquired this aircraft in 1954, starting the "Jet Era in Colombia." Fact that was not the product of chance, but the result of a careful analytical process. With the first 6 aircraft costing US $1,620,000, Colombia was one of the pioneering countries of Latin America in the use of jet aircraft. The first four officers selected for the team receiving training at Lackland Air Force Base, Texas, USA. The Silver Stars were registered from the FAC-2000 and were assigned to the Palanquero Air Base in Puerto Salgar, Cundinamarca, where they were part of the Hunting Squadron.

 

In 1955, plans to be welcomed through the MAP (Military Assistance Program). Between 1972 and 1980, the T-33s went to the Apiay Base at the Target after the restructuring of the training programs of the fighter pilots. In 1978, the last 12 T-33 aircraft arrived with registrations from FAC-2033 to 2044. From 1981 the aircraft were transferred to Malambo Air Base, Atlantic, where they operated until 1990. The T-33 carried out numerous missions in law enforcement areas and participated in combined operations in other countries, such as Unitas, Hawk Vista and Solidarity. During his 36 years of service, only eight crashed.

 

Of the RT-33 reconnaissance version, only FAC-2072 crashed while landing at Eldorado Airport in November 1976. After its retirement, six aircraft were preserved as museum aircraft, now adorning the Palanquero and Apiay Air Bases, the Air Maintenance Command, the Non-Commissioned Officers' School, and the Colombian Aerospace Museum. The museum's original housed FAC 2033, but after its move to the new facilities in Tocancipá, the aircraft was left at the Military Air Transport Command, adorning the grounds of the "Silver Star" building. It was replaced by FAC 2008, which was originally assigned to the Military Museum.

Day 205 (v 8.0) - always taking everything apart

Division into

Essential elements

Fundamental fact

 

Moderator: Desiree Patno, CEO & President, Women in the Housing & Real Estate Ecosystem (NAWRB)

  

Marina B. Walsh, Vice President, Industry Analytics l Research and Economics, Mortgage Bankers Association

  

Brian DeLucia, Managing Partner, Arrivato LLC

Bridgei2i is very good provider of marketing analytics. Their marketing analytics ecosystem that provides a holistic view of the marketing data environment, enables innovation & technology for marketing automation, forecasting, and personalization and helps CMOs drive operationalization of analytics for improved effectiveness and ROI. They are very efficient. For more... www.bridgei2i.com/marketing-analytics-solutions

 

Secret Firmy magazine.

Sydney Padua's cartoon effort here seems to be the world's only coherent effort to graphically visualize a full-scale Analytical Engine.

Illustration of a web analytics framework - data gathering, data reporting, data analysis - then the bonus stage of optimisation.

 

Inspired by a blog post by Avinash Kaushik (Occam's Razor)

www.kaushik.net/avinash/web-analytics-consulting-framewor...

Have you checked out Google Analytics? I have been using it for about two months on my blog, and it is very interesting to track...

 

Sure, it's not about quantity, but I do like the graphs :)

 

The Map Overlay may be my favorite of all! how many people visited the site from Sri Lanka? you can find it out with Google Analytics!

 

Have you checked out Google Analytics? I have been using it for about two months on my blog, and it is very interesting to track...

 

Sure, it's not about quantity, but I do like the graphs :)

The Jack Welch College of Business and the Office of Alumni Engagement presented “Careers in Analytics” on April 10, 2019, at the Martire Forum. The alumni panel featured Justin Baigert ’05, vice president, Data & Analytics at GE, Joseph Lucibello ’11, senior manager, data scientist at WWE and Suzanne May ’13, research manager at Purchased. The moderator was Khawaja Mamun, associate professor of economics. Photo by Mark F. Conrad

 

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