View allAll Photos Tagged analysis
First the image was converted into a set data vectors in format (x,y,r,g,b), one for each pixel in image.
Then this 5D-data was projected to 3D-space using principal component analysis, The resulting image was rebuilt based on that reduced information.
Commentator: Here on the Whether Chanel we provide expert analysis of Hurricane Ike by Weatherologists Dr. Seamus and Dr Shortbread. What can you tell us about this storm gentlemen?
Shortbread: It's a hurricane.
Seamus: Yep, a great big hurricane.
Commentator: Uhm...anything else?
Shortbread: This is not a grape jelly stain on your computer. We repeat, not a grape jelly stain.
Seamus: If you haven't run away yet, you had better hurry cause the hurrycane is acomin.'
Commentators: Do you have any warnings to pass along?
Seamus: Yep, Listen you no good hurricane. You'd better not hurt our friends or we'll wring you out.
Shortbread: Yeah, get out of town!
Professor Abdul Hasib Chowdhury providing a critical analysis of the #energy masterplan buff.ly/2ulDzKk #oil #Gas #Solar #Bangladesh
A very large turnout as National Committee to Protect Oil, Gas, Mineral Resources, Power and Ports presented an alternative master plan on power for the nation, at the National Press Club at 11:00 am on Saturday the 22nd July 2017
Sheep cheese is analysed for safety before use.
Photo credit must be given: ©FAO/Fallou Gueye. Editorial use only. Copyright FAO
This is a piece by Saul bass to promote Tron. He is a typographer and has connections to the film industry. Saul Bass could be seen as a simplistic or minimalistic designers and this is evident in his work.
Apparently this car is used as part of a track test car. We went by earlier in the day and it was hidden behind some power, but decided to swing by a little later. This time there was nothing in front of it.
This is a Kerrang music which I have analysed for my music magazine cover. I chose to analyse this magazine because the layout is similar to one that I want to produce.
Dr. Ruben Morawicki and lab technician Delmy Diaz use colorimetric analysis to determine protein content of fermented sorghum samples. Fermentation increases protein content and also makes it more available for digestion in animal feed.
Two turn-of-the-century textbooks. James Pierpont was a prominent US mathematician who spent most of career at Yale. The two volumes you see here can be found online at the Internet Archive: v1, v2. An obituary by Oystein Ore is available at Project Euclid.
I had the Dover reprints of both these works, now themselves out of print, when I was in high school and worked through them religiously.
Shot of excavated animal bones undergoing faunal analysis at the University of the Philippines at Manila in order to catalog and identify the species.
I don't remember what the archaeologists at UP told us about this analysis, so you know as much as I do!
Phylogenetic analysis of Unc45 sequences.Protein sequences were aligned using ClustalW2 and phylogenetic trees were generated by the Neighbour-Joining method with MEGA5. Bootstrap values for 1000 replicates are indicated to the right of the nodes. Ce, Caenorhabditis elegans; Dm, Drosophila melanogaster; Dr, Danio rerio; Ga, Gasterosteus aculeatus; Gg, Gallus gallus; Hs, Homo sapiens; Mm, Mus musculus; Ol, Oryzias latipes; Tn, Tetradon nigroviridis; Tr, Takifugu rubripes; Xt, Xenopus tropicalis. The Ensembl gene IDs of the genes used in generating the phylogenetic trees are listed in Table S1.
“The Origin of Painting” by Disinformation - solo exhibition at Wrexham Arts Centre, October to December 2006
Brochure text - An exhibition by electronic music and audiovisual art project Disinformation, which takes its title from a live and highly interactive sound and light installation that references the Greek myth of “The Corinthian Maid, or The Origin of Painting”. The installation enables visitors to photograph their own shadows, and to paint with light, directly onto the surface of the exhibit, to a soundtrack of live electromagnetic noise. Also includes the pieces “Blackout” by Barry Hale, “The Analysis of Beauty”, “Spellbound” and the first public exhibition of test images for the new Disinformation project “Fire in the Eye”.
With some minor variations in the content, versions of the same Disinformation solo exhibition toured to 9 UK regional art galleries - Fabrica Gallery (Brighton, Nov 2001), Huddersfield Art Gallery (Jan 2003), Ashcroft Arts Centre (Fareham, Sept 2003), Quay Arts (Isle of Wight, Feb 2004), South Hill Park (Bracknell, April 2004), Derby Quad (June 2004), Midlands Arts Centre (Birmingham, July 2005), Wrexham Arts Centre (Oct 2006) and Saltburn Artists Projects (January 2007). Four of these exhibitions were funded with a special grant from the Arts Council’s then National Touring Programme.
Special thanks - for helping organise and fund the Disinformation touring exhibitions - to Jonathan Swain, Liz Whitehead, Matthew Miller [RIP], Robert Hall, Nicola Stephenson, Bronac Ferran, Tony White, Richard Humphreys, Genevieve Wilk, Carol Palmer, Rob Thrush, James Lucas, Fiona Burn, Jo Johnson, Eluned Myher, Louise Fedotov-Clements, Alex Boyd, Tracy Simpson and Lauren Healey.
In more detail -
“The Origin of Painting” [pictured] is an electromagnetic sound and optokinetic light installation, which originally premiered under the title “Artificial Lightning” in the “Sonic Boom” exhibition at London’s Hayward Gallery, April 2000, curated by David Toop and Fiona Bradley. The “Blackout” (Sound Mirrors) video [pictured] was filmed in 1997 by Barry Hale, and featured as a projected back-drop in numerous Disinformation concerts, talks and DJ sets, etc, before forming the centrepiece of the Disinformation “Blackout” exhibition, which toured to the Broadway Media Centre (Nottingham, Oct 1999), Waygood Gallery (Newcastle, Nov 1999) and ICA New Media Centre (London, March 2000). “The Analysis of Beauty” is an optokinetic oscilloscope artwork, which premiered in the “Noise” exhibition at Kettle’s Yard gallery (Cambridge, Jan 2000) curated by Adam Lowe and Simon Schaffer. The “Spellbound” video installation is “An Allegorical Portrait of J. Robert Oppenheimer”, which was exhibited in proposal form only (as a paper document) in the Raphael Cartoon Room at The V&A (London, 3 Nov 2000), and at the Royal Society of Sculptors (London, March 2001), before the “Spellbound” video was commissioned by Fabrica gallery (Brighton) for the first “proper” Disinformation solo exhibition in November 2001 (see below). The “Fire in the Eye” photographs [pictured] (aka “Painting with Electricity”) were created in 2004, premiering at the Wrexham Arts Centre in 2006. The 35mm cinema version of “Fire in the Eye” was commissioned in 2007, premiering at the Edinburgh International Film Festival in 2008, in a screening programme curated by the film scholar Kim Knowles.
Fabrica (2001) - www.flickr.com/disinfo/7099389881/
Saltburn (2007) - www.flickr.com/disinfo/2402253500/
Saltburn (2007) - www.flickr.com/disinfo/2402317598/
The “Blackout” video is based on Sound Mirror imagery that features in the “Antiphony” 2xCD packaging, published by the record company Ash International in 1997, featuring photographs by Julian Hills, and in the “Antiphony Architectural Supplement”, featured in Sound Projector magazine, issue 6, published in 1999.
Antiphony (1997) - www.flickr.com/disinfo/6896902030/
Improve the transport sector with tachograph services.
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