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Foggy misty old day.
Olympus Trip 35
Kodak Colorplus200 (converted to mono)
Negative photographed in 40mp high res mode with Panasonic G9.
Yashicamat 124G
Ilford HP5 (expired 1982) shot at 100asa and developed at box speed (400asa).
Adox Adonal 1+25 6mins @ 20°.
Bronica ETRSi
Zenzanon 75mm f/2.8
Fujifilm Pro 400H
Lab Developed.
Home scanned and converted with Negative Lab Pro.
Olympus OM-2N
G-Zuiko Auto-W 28mm f/3.5 (w. orange filter)
Ilford HP5+ (@800asa)
Ilfotec DD-X 1+4 10mins @ 20
Walking through the mountain is a way to recharge your batteries, to think, it's the time of the year to take stock halfway, ask questions and make the right decisions! It's a way to rise and gain altitude!
Nikon F3, Nikkor 50/1.4, yellow filter, Lomo Berlin 400, HC-110/dil. B, 7 min. Scan with Nikon D700/ES-2.
Olympus Trip 35, Zuiko 40/2.8, orange filter, Cinestill XX, HC-110/dil. B, 6 min. Digitized with Nikon D700/ ES-2.
first light after misty autumn morning
Fuji 100 Acros II
Tiffen Yellow 12 + ND 8 Filter
plustek OpticFilm 120
Finally put the prototype pinhole camera together and exposed a roll of film with it. That was in april, on what they call the Worldwide Pinhole Photography Day, which I borrowed to gently nudge the process forward, there had been a bit of a hiatus. There should be more of them, pinhole days, because there are a few improvements to the MPPi* that would like to see the light of day. The faint light of day, through a bit tinier hole.
*Working title of camera.
Lessons learned/confirmed:
—A 0,4mm pinhole is a tad large for the 65mm focal lenght resulting in unnecessarily blurry photos.
—65 is lovely on 6x7 but I knew that. Still, there is a sketch of an improvment in back of head.
—No camera, at least no camera that is intended to be used with a tripod, should be rigid. Knew that too.
+1 picture and a few words here.
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25-0429-i-07