View allAll Photos Tagged analogcamera

Temple of Poseidon, Sounion (5th century BC, 444–440 )

en.wikipedia.org/wiki/Temple_of_Poseidon,_Sounion

Temple de Poséidon au cap Sounion (construit entre -444 et -440)

fr.wikipedia.org/wiki/Temple_de_Pos%C3%A9idon_au_cap_Sounion

 

Analog picture, July 1996 - Edited and uploaded 2021/12/22

Ithaca, Ithaki or Ithaka, Isle of Ulysses

en.wikipedia.org/wiki/Ithaca

Ithaque, l'île d'Ulysse

(en grec : Ιθάκη / Itháki ou Θιάκη / Thiáki pour ses habitants ; en grec ancien : Ἰθάκη / Ithákê ou Φεάκη

fr.wikipedia.org/wiki/Ithaque

 

Analog picture, July 1996 - Edited and uploaded 2021/12/23

Leica C3

Fujicolor Superia X-TRA 400

Lomo Lubitel 166+

Lomography Color Negative 400

Nikon F3, Nikkor 85/2, Kodak Portra 400

Valle Mandriole - slide.

Taken from the wooden watchtower near Punte Alberete Oasi.

 

Konica Autoreflex TC

Konica Hexanon AR 50mm f/1.7

February 2001.

Temple of Apollo (Delphi), 4th Century BC

en.wikipedia.org/wiki/Temple_of_Apollo_(Delphi)

 

Temple d'Apollon (Delphes), 346-320

fr.wikipedia.org/wiki/Temple_d%27Apollon_(Delphes)

 

Analog photo, July 1996 - Edited and uploaded 2021/12/23

self-timer of an old camera

Follow me on Instagram

 

While wandering in Montmartre, I met Camilo Quinones, a cuban photographer with his Afghan Box.

 

Pentax Espio Mini

Fuji Superia X-TRA 400

 

Nikon F3, Nikkor 28/2.8 AI, Kodak Portra 800

Valle Mandriole - slide.

Taken from the wooden watchtower near Punte Alberete Oasi.

 

Konica Autoreflex TC

Konica Hexanon AR 50mm f/1.7

February 2001.

Camera: Lomo Lubitel 166

Film: Lomography Color Negative 400

 

analog camera: olympus / om-2n

film: fujicolor c200

Lomo Lubitel 166

Svema 130 (expired film)

Nikon F3, Nikkor 85/2, A2 filter, Fuji Superia 400.

Nikon F3, Nikkor 85/2, A2 filter, Fuji Superia 400.

Zero 2000 pinhole camera

Kodak porta 120 160 asa converted to black and white

Nd 8 at 45 seconds

Lomo Lubitel 166+

Lomography Color Negative 400

Nikon L35AF, Fuji Superia X-tra 400

Valle Mandriole - slide.

Taken from the wooden watchtower near Punte Alberete Oasi.

 

Konica Autoreflex TC

Konica Hexanon AR 50mm f/1.7

February 2001.

zero 2000 pinhole camera

Kodak porta 120 160 asa converted to black and white

with Nd 8 at 45 seconds

Bronica ETRSi

Zenzanon 75mm f/2.8 PE

Ilford HP5+

8sec exposure @ f/22

Ilfotec DD-X 1+4 9mins @ 20°

The condensation trail poetics 1

 

Porto San Vitale - slide

 

Konica Autoreflex TC

Konica Hexanon AR 50mm f/1.7

February 2001.

Fujica GW690

Kodak Gold

Converted to B&W in Lightroom

 

I struggled to get colours I was happy with using Negative Lab Pro for this roll. It usually works very well, but this roll was having none of it, hence the monochrome conversion for some of the frames.

Nikon F3, Nikkor 50/1.4, Kodak Portra 400.

Ricoh 500 RF - Kodak Colorplus 200 converted to mono.

Fujica GW690

Ilford HP5+ (@1600asa)

Ilfotec DD-X 1+4 13mins @ 20°

Zero 2000 pinhole camera

 

with Kodak porta 160. 120 film converted to black and white

 

Nd8 filter at 45 seconds

Fuji GS645S et film Lomography Potsdam Kino 100.

Nikon F3, Nikkor 35/2.8, polarizer, Fuji Superia 400

Olympus Trip 35

Kodak Gold

Lab developed. Home scanned and converted with Negative Lab Pro.

Nikon F3, Micro-Nikkor 55/2.8, Kodak UltraMax 400.

analog camera: olympus / om-2n

film: fujicolor c200

Olympus Trip 35, Zuiko 40/2.8, orange filter, Cinestill BWXX@250, HC-110/dil. B, 6 min. Digitizited with Nikon D700/ ES-2

Nikon F4, AF Nikkor 85/1.8 D, Kodak UltraMax 400.

Fujica GW690

Kodak Gold

Converted to B&W in Lightroom

 

I struggled to get colours I was happy with using Negative Lab Pro for this roll. It usually works very well, but this roll was having none of it, hence the monochrome conversion for some of the frames.

Nikon F3, Nikkor 85/2, Kodak Portra 400

Nikon F3, Nikkor 20/3.5, Kodak UltraMax 400.

Nikon F3, Nikkor 35/2.8 AI-s, Arista EDU 100@800, push +3 development, HC-110/dil. B, 15 min. Digitized with Nikon D700, AF Micro-Nikkor 60/2.8 D, ES-2, CS-LITE

Porto San Vitale - slide

 

Konica Autoreflex TC

Konica Hexanon AR 50mm f/1.7

February 2001.

Olympus Trip 35

Kodak Gold

Lab developed. Home scanned and converted with Negative Lab Pro.

Nikon FT2, Nikkor-H 50/2, Fujicolor 200.

Olympus Trip 35

Kodak Gold

Lab developed. Home scanned and converted with Negative Lab Pro.

Nikon F4, Nikkor 85/2, Kodak UltraMax 400.

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