View allAll Photos Tagged analog

Seattle, Washington

Winter

I am not sure why I never posted these and I thought I had, but better late than never. From a trip home to Seattle, Winter 2019 and a rare snowstorm that covered the city.

Analog. Nikon FM2. I believe this is Ilford FP4.

Links to all of my work. Instagram. Website. Behance. linktr.ee/ewitsoe

In Explore at #90

Thanks to all my fellow flickrites for all your views and faves. They are very much appreciated!!

@Fotosöndag: Struktur kan vara mycket. Jag valde att tolka det med innebörden ordning och reda, vilket ska symboliseras av min lilla analoga adressbok, som har hängt med i mer än 15 år.

Pictures straight from the camera

Ilford Delta 400 135-24

Rollei 35 S

Fotografía analógica (9° rollo)

Pentax ME super

Kodak Ultramax 400

Taken with a Lubitel 166+ with Lomo film bw 100 iso. about me : q.ennev.com/pa

face-to-face @ Photosession

Still some corrections for improvement. Current version is 2.6. I think update of Japanese version is almost finish now.

years and years

and years

passed away

till I come.

Traditional Japanese New Year decorations, Simekazari

Rollei TE 35 | APX 100 NEW 100@400

Rodinal 1+100 / 60,0 Min / 20°C Info

Leica IIIC

Orwo NP20 expired

1989 Canon EOS-1 analog, 1989 Canon EF 70-210 f4, Foma ISO400 film loaded from bulk roll, Foma developing chemistry. Photographed / developed / scanned with Canon R10 mirrorless personally.

Warszawa, Poland

Spring

Analog. Mamiya 645, 35mm.

Kodak Portra 400

Links to all of my work. Instagram. Website. Behance. linktr.ee/ewitsoe

*el dolor del placer/el placer del dolor*

I am so thrilled to see that so longed for GRAIN effect in nearly every edited photo today, is not necessary in this series of photos...

 

Contrary, it is sometimes a necessity to REDUCE NOISE rather than adding it.

 

With this photo (and this series) I 'danced' between leaving or taking away the grain, depending on the photo.

 

Every one of these photos mean something to me. It reminds me of the time I have spent in this sanctuary, where the majority of this film was shot... I can remember every positioning, trying to think what could be the best possible shot...

 

As this was my first film, I wanted to use my film the most optimal way, with minimum of bad photos. But I wouldn't panic about it. Or degrade myself if I fail. No! My intentions with film photography were (and are) not recognizable or tangible to my mind... But I know what I feel when I'm doing it. Pure joy. Contentment. Isn't that the most essential here?

 

THIS PHOTO...

also depicts 2PM-ish period (nearly same time as the previous photo in CHAPEL... we had a lunch break so I was able to take these photos carefully)...

Again, playing with the shadows and light... I must admit I think I did some arrangements of the grille to get the best looking look.. I hope you don't mind :)

date stamped on slide April 1963

Ilford Delta 3200 (135) on Canon EOS3 + Pentax SMC Takumar 24mm f/3.5

Bronica ETR,w/ 150mm f 3.5

Delta 100 - Rev- D76 1:1

 

Popular / Interesting:

flickriver.com/photos/andreadicastro/popular-interesting/

[polski opis niżej]

 

EN57-1937 together with another EMU of the same batch, on the side track of the new building of Olsztyn locomotive depot. July 8, 1997.

Both units have original factory livery of EN57 from 1901 to 1953. Only the prototype, EN57-1900 got old yellow-blue paint.

Photo by Jarek / Chester

 

EN57-1937 wraz z drugą jednostką tej samej serii przed nową halą lokomotywowni Olsztyn. 8 lipca 1997 roku.

Jednostki są w fabrycznym malowaniu, które dostały pojazdy od 1901 do 1953 (tylko prototyp 1900 miał malowanie żółto-niebieskie, znany ze starych EN57).

Fot. Jarek / Chester

Nikon F2, Nikkor-S 35mm f2.8, orange filter, Kentmere PAN 400 developed in Microfine, Epson GT-X830, 1/30, f/4.

Madeira, Portugal

Summer

Nikon FM2 and Rollei RPX 100

Links to all of my work. Instagram. Website. Behance. linktr.ee/ewitsoe

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