View allAll Photos Tagged alternativeprocesses
The original image combined a scan of parrot tulips with a scan of old copperplate handwriting. A digital positive on vellum was used to print the cyanotype, which was subsequently toned with tannic acid and dektol.
Platinum/palladium-toned Kallitype test print, 5.5" x 8.5", on Hahnemuhle Platinum Rag paper. In this series of test prints I'm trying to perfect my digitial negatives before I start to make large prints.
Gomdruk, gumprint
Paper Canson Montval 300 gr.
Layers:
1: Parijs blauw
2: Gummigut modern
3: Kraprood
4: Kadmium geel
5: Permanent karmijn
6: Phthalo blauw
Chamonix 810V
Rodenstock Apo-Sironar S 240mm f/5.6
Ilford FP4+ 10x8 EI125
N+2 expansion, placing green leaves at ZV
1’44” f/32
480mm bellows
Front and rear tilt forward
Pyrocat HD 2:2:100 in Jobo 3005 on manual base, continuous rotation, 5mins prewash
10’12” 21ºC
Acetic Acid Stop, TF2 Fix, Hypoclear, 10min wash, Ilfotol
Home-mixed 10% Classic Cyanotype, 31+31 drops + 1 of Tween 20 mix
Hahnemuehle Platinum Rag 11x15, 51% RH, 23ºC
Paper dried 3hrs
35mins UV exposure, 2mins citric acid bath then 6mins tap water wash, dry
Hot Marjoram Tea toned, 10mins
File now updated to reflect further drying after a few weeks: happily contrast has improved further.
Platinum/Palladium-toned Kallitype (5.5 x 6.5") contact printed from a 4 x 5" negative. Original photo made with a Graflex Crown Graphic on Ilford HP5+ film.
Cholla entrance
Pure palladium print
Fabriano Artistico EW
Digital negative on Arista OHP
QTR - Epson 3800
7 minute sun exposure
UV index 4-5
Wood sorrel (Oxalis sp.).
I made a contact print of this plant on Ilford Multigrade fiber-based paper, exposing to the sun for 20 minutes, and scanning the print. No developer or fixer was used at this stage.
Cyanotype N°96- Tonification au maté + café / yerba maté and cofee toned
Papier - Moulin du coq - Le rouge
Prise de vue - konica hexar af + trix
Inter-négatif numérique
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I spent a couple hours making these platinum/palladium-toned Kallitype prints today. The photo size if 5" x 7" on 8" x 10" Hahnemuhle Platinum rag paper. As you can see, each print is unique, and I never know exactly how each will look. I made the original photographs with a Fuji X-T2 camera and a Fujinon XF23mm f/2.0 lens.
Nature shows the most beauty.
What springs from the earth, alive and splendid, with no need to stand up to anyone, like shitty human beings.
Bromoil print of pinhole photograph of Andy Goldsworthy's sculpture "Stone River" on the campus of Stanford University.
Gum Print 5 layers 1 of Maimeri Blu Ivory & 4 W&N Burnt Umber.
This is a 1st print with a Ternes Burton system of (in this case 3 pins) using their register & assembly pins along with their mylar tabs. I do not use a punch but cut out the area where the tabs are positioned. It seems to be just perfect on this print.
My third and last plate of the morning. I switched lenses, to a J. C. Somerville St. Louis # 2, which has an aperture wheel. I tried stopping the lens down a bit to increase depth of field. I got it, but I think I messed up a bit with the developer along the bottom edge and right-hand side.
The original pinhole image is here.
Transaquatype. Canon ChromaLife100 ink, on Xerox Premium Mulitpurpose Paper, 96 Bright, 24lb.
Platinum-toned Kallitype on hand-coated Hahnemuhle Platinum Rag watercolor paper (5 x 7 inches), contact-printed using a digital internegative made with Adobe Photoshop, and printed on Pictorico Ultra Premium OHP transparency film using an Epson P600 printer. Original photo made with a Nikon FM3A on Ilford FP4 film, developed in Kodak HC-110, scanned on a CanoScan FS2710, and post-processed with Adobe Lightroom.
Platinum/Palladium-toned Kallitype print (5x7"). Original photo shot with a Nikon FM3A on Ilford Delta P3200 film @ ISO 1600.
Gumprint, Gum bichromate print, gomdruk.
Original Nikon D80, digital negatives with paint shop.
Paper Fabriano Artistico HP 300 gr.
6 layers:
1: Paris blue
2: Gamboge gum (gummigut)
3: Kraprood (madder red)
4: Lazur yellow + Gamboge gum
5: Alizarin Crimson
6: Pruisisch blauw (Prussian blue)
Gumprint RGB, North coast of Curaçao.
1: Phthaloblue contrastnegative
2: Azo yellow contrastnegative
3: Krapprot light contrastnegative
4: Gummigut modern detail negative
5: Krapprot dark detailnegative
6: Paris blue detailnegative
Platinum-toned Kallitype on hand-coated Arches Aquarelle watercolor paper (5 x 7 inches), contact-printed using a digital internegative made with Adobe Photoshop, and printed on Pictorico Ultra Premium OHP transparency film using an Epson P600 printer. Original photo made with a Fuji X-T1 and post-processed with Adobe Lightroom.
In 1974, while still at school, I experimented with various techniques to produce “abstract” photographs. This example was created using Agfacontour, a technical film made to create equidensities. It has both negative and positive components, which, according to the exposure given produce black and white images of a given density. For example three separations could be made for each of the light, dark and intermediate tones.
This was a time consuming business, and the film was discontinued once it became possible to make separations digitally.
Having made the separations, I went on to add colour, giving each layer a different hue. I did this in two ways, first by making black and white negatives on lith film, and using the Tetenal toning chemicals to replace the black silver image with a dye layer. Later I used 24 x 36mm images together with a slide duplicator and added different coloured light for each layer. This was done by keeping the shutter open and working in the dark.
Gomdruk, Gum bichromate. Gumprint.
Papier Fabriano Artistico HP 300 gr.
Maat 38X26 cm..
Pigmenten:
1: Parijs blauw
2: Gummigut
3: Kraprood
4: Gummigut
5: Kraprood
6: Phthalo blauw
Ratio: 1 t/m 3: 1:1,5
4 t/m 6: 1:1
tijden: 1 t/m 3: 1'
4 t/m 6: 1'30"
First loading of 8x10 sheet film! FP4+ for Chamonix 810V in Harrison Jumbo 11x14 changing tent (that thing is absolutely massive!!)
A really nice holiday in the north of Spain in September 2010.
Gomdruk, gumprint.
Paper Fabriano Artistico 300 gr.
Size: 40X26,5cm.
Pigments:
Layer 1: Paris blue
Layer 2: Gamboge gum
Layer 3: Madder red dark
Layer 4: Gamboge gum
Layer 5: Alizarin Crimson
Layer 6: Phthalo blue
The Getty Museum in Los Angeles, California. Platinum/Palladium-toned Kallitype, 8x10 inches, contact-printed on hand-coated Hahnemuhle Platinum Rag paper from a digital negative. Original photo made with a Nikon FM3A on Agfa APX 400 film, developed in Kodak HC-110, scanned with a CanoScan FS2710, and post-processed in Adobe Lightroom.