View allAll Photos Tagged alternativeprocesses
The original pinhole image is here.
Transaquatype. Canon ChromaLife100 ink, on Xerox Premium Mulitpurpose Paper, 96 Bright, 24lb.
Platinum-toned Kallitype on hand-coated Hahnemuhle Platinum Rag watercolor paper (5 x 7 inches), contact-printed using a digital internegative made with Adobe Photoshop, and printed on Pictorico Ultra Premium OHP transparency film using an Epson P600 printer. Original photo made with a Nikon FM3A on Ilford FP4 film, developed in Kodak HC-110, scanned on a CanoScan FS2710, and post-processed with Adobe Lightroom.
Platinum/Palladium-toned Kallitype print (5x7"). Original photo shot with a Nikon FM3A on Ilford Delta P3200 film @ ISO 1600.
Gumprint, Gum bichromate print, gomdruk.
Original Nikon D80, digital negatives with paint shop.
Paper Fabriano Artistico HP 300 gr.
6 layers:
1: Paris blue
2: Gamboge gum (gummigut)
3: Kraprood (madder red)
4: Lazur yellow + Gamboge gum
5: Alizarin Crimson
6: Pruisisch blauw (Prussian blue)
Wood sorrel (Oxalis sp.).
I made a contact print of this plant on Ilford Multigrade fiber-based paper, exposing to the sun for 20 minutes, and scanning the print. No developer or fixer was used at this stage.
Gumprint RGB, North coast of Curaçao.
1: Phthaloblue contrastnegative
2: Azo yellow contrastnegative
3: Krapprot light contrastnegative
4: Gummigut modern detail negative
5: Krapprot dark detailnegative
6: Paris blue detailnegative
Platinum-toned Kallitype on hand-coated Arches Aquarelle watercolor paper (5 x 7 inches), contact-printed using a digital internegative made with Adobe Photoshop, and printed on Pictorico Ultra Premium OHP transparency film using an Epson P600 printer. Original photo made with a Fuji X-T1 and post-processed with Adobe Lightroom.
In 1974, while still at school, I experimented with various techniques to produce “abstract” photographs. This example was created using Agfacontour, a technical film made to create equidensities. It has both negative and positive components, which, according to the exposure given produce black and white images of a given density. For example three separations could be made for each of the light, dark and intermediate tones.
This was a time consuming business, and the film was discontinued once it became possible to make separations digitally.
Having made the separations, I went on to add colour, giving each layer a different hue. I did this in two ways, first by making black and white negatives on lith film, and using the Tetenal toning chemicals to replace the black silver image with a dye layer. Later I used 24 x 36mm images together with a slide duplicator and added different coloured light for each layer. This was done by keeping the shutter open and working in the dark.
Gomdruk, Gum bichromate. Gumprint.
Papier Fabriano Artistico HP 300 gr.
Maat 38X26 cm..
Pigmenten:
1: Parijs blauw
2: Gummigut
3: Kraprood
4: Gummigut
5: Kraprood
6: Phthalo blauw
Ratio: 1 t/m 3: 1:1,5
4 t/m 6: 1:1
tijden: 1 t/m 3: 1'
4 t/m 6: 1'30"
First loading of 8x10 sheet film! FP4+ for Chamonix 810V in Harrison Jumbo 11x14 changing tent (that thing is absolutely massive!!)
A really nice holiday in the north of Spain in September 2010.
Gomdruk, gumprint.
Paper Fabriano Artistico 300 gr.
Size: 40X26,5cm.
Pigments:
Layer 1: Paris blue
Layer 2: Gamboge gum
Layer 3: Madder red dark
Layer 4: Gamboge gum
Layer 5: Alizarin Crimson
Layer 6: Phthalo blue
The Getty Museum in Los Angeles, California. Platinum/Palladium-toned Kallitype, 8x10 inches, contact-printed on hand-coated Hahnemuhle Platinum Rag paper from a digital negative. Original photo made with a Nikon FM3A on Agfa APX 400 film, developed in Kodak HC-110, scanned with a CanoScan FS2710, and post-processed in Adobe Lightroom.
Over the weekend I learned how to do salt-paper processing. I want to do more.
This is the window where Wm Henry Fox Talbot made the first salt-paper print which set photography on its path to today.
Galapagos | December 2006
Cyanotype on Rives BFK
32" x 40"
Limited Edition of 30
© JOHANNA EVANS
all rights reserved
Documentación de la cámara y su entorno junto a la solarigrafía obtenida en el Faro de Albir, Alicante. Julio 2018.
At the beach in Roscoff.
Gumprint, size 38X26 cm.
Layers:
1: Paris blue
2: gamboge gum
3: madder lake red
4: gamboge gum
5: madder red dark
6: Phthalo blue
Again I'm following the Christopher James instructions for warmer tone.
Paper is coated and dried, then is prehumidified. For this one I went for 10 minutes in my diy humidification box.
Exposure for this one was 27 minutes.
10 mins wash (5 mins in distilled water with squeeze of lemon and 5 mins in tap water), constant agitation.
3 mins hypo (4 and bit teaspoons of crystals in 1500ml water).
1 hour final wash (30 mins face down in water, change water, 30 mins face up).
Again, this neg for was exposed for scanning but has worked ok.
New blogpost on subject:
dwfnaturephoto.wordpress.com/2019/09/03/alt-pro-argyrotyp...
8x10" Platinum/Palladium-toned Kallitype on Hahnemuhle Platinum Rag paper. Original photo made with a Fuji X-T2 and Fujinon XF35mm f/2.0 lens, post-processed with Adobe Lightroom.
Kallitype print on Arches Platinum Rag paper from 8x10 film
Developer Sodium citrate+Ammonium citrate. No toned.