Butterflies in Asia
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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SOOC
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
_
© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2017 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
bokeh
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
_
© 2016 stefanorugolo | All rights reserved.
All shots of this series done with the Samyang 135/2 wide-open plus reflector (in this case the window pane through which the shot was done).
Snow Moon (Full Moon) from the suburbs of Nottinghamshire. Ten photos selected from many, in approximately 30 min time phase. All shots were hand held.
Other common names include Storm moon and Hunger moon.
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Selected for Flickr group 'in explore', by group admin David Kracht, on 07 March 2021. Thank you David.
www.flickr.com/photos/78590035@N06/51004632091/in/pool-in...
Flickr Explore!
06 March 2021. Thank you :)
www.flickr.com/photos/78590035@N06/51004632091/in/explore...
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All shot from the hip. The locals understandably did not allow focused photography in the old city market area.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
The Baseball is #one of the #sports that manages to unite many #nations through the #passion in every #episode.
Holywell is a Saxon ring village, one of only three in Cambridgeshire. It is served by a small road from Needingworth and is a dead end to motor traffic. There are approximately 80 houses, the oldest dating to the 16th century; a parish church; and a public house.
All shot with Panasonic Lumix DMC-FZ72 on 26-05-215
We've all shot it , the image that goes begging but you know it's been done over and over and finally you just do it. This is one of those shots for me in Adelaide. Now that Ive done it I'm happy and I can look at it when I pass it by and look away without guilt.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
St Peter’s Square, Manchester
Everyone’s favourite tram stop in Manchester… Geoff’s turn.
A few coming from the Manchester meet-up with Brad and Barb – over from the USA back in May 2024.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
One of my attempts at the "Macro Monday" theme "Zed".
Two different grains of salt, the big one being sea salt, the other one alpine table salt! The big one is about 3 mm in size and though it is a giant compared to the small one... I really liked how it puts things into perspective! Everything is relative after all!
Shot with a "Tomioka-Copal 71 mm F 4" (enlarging) lens on a Canon EOS R5.
All shots of this series done with Leica M8 plus Voigtlander AS 2.8/90 wide-open. The location is one of Hertfordshire's garden centres (which, as I have told you before, I do regard as one of our barometers gauging the status of contemporary culture). This time, I had the chance of talking things through with one of the managers of the centre. First, the garden centre acquires and exhibits sculptures (and almost all sorts of them) because customers buy them. No surprise here, but as well no explanation as why they do so. Two, and importantly, the centre displays the sculptures according to visual criteria (difference of colour, background, focal or points of attraction). Three, the sculptures (as stand alone figures or in clusters) are located on critical junctions of the passage way through the centre. All this, in my view, creates a semi-sacred topography where customers (believers in the regeneration and wholeness of nature) perambulate as if on a procession. The content and individuality of any specific religion does not seem to matter, however, a general and undefined kind of spirituality does.