Butterflies in Asia
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2017 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
All shots of this series done with the Samyang 135/2 wide-open plus reflector. In a way, the last year is still with us. Just as I am still around carrying all those years with me.
All shots of this series done with the Samyang 135/2 wide-open plus reflector (in this case the window pane through which the shot was done).
Yesterday Alles shot a beautiful pic of us on my sim. (It's really *our* sim, because Alles and Kynne share a sky platform where they change outfits and take magical pics.) Anyway, while Alles - and later Kynne - were snapping away I took this closeup of myself with Alles. I had a fun afternoon with these two wonderful friends *and* got to spend the afternoon hugging Alles. <3
all shots by KHWD 2023
want to see more images or read the blog?
www.motorhome-travels.net/post/blog-194-travel-blog-eire-...
Absolutely, folks — this picture’s got all the ingredients you love: layered history, coastal drama, and a touch of poetic romance. Let’s dive in.
🌉 Blennerville Bridge & Reflections in the Water Blennerville Bridge spans the River Lee at its estuary, just west of Tralee in County Kerry. It’s a seven-bay stone bridge that forms a causeway between the canal and river, offering a striking view of the Slieve Mish mountains and the iconic Blennerville Windmill.
- On calm days, the tidal waters mirror the bridge, windmill, and surrounding village in stunning detail — a dream for photographers.
- The reflections often include clouds drifting over the mountains, adding layers of texture and mood to the scene.
- At sunrise or sunset, the water glows with amber and violet hues, turning the bridge into a silhouette against the sky — perfect for capturing symmetry and atmosphere.
Photographic Tips
- Position yourself near the Tralee Canal or the south bank of the River Lee for the best angles.
- Use a polarizing filter to manage glare and deepen the contrast in reflections.
- Try shooting during low tide when the water is stillest, especially in autumn when the light is soft and golden.
💔 The Maid of Tralee — Mary O’Connor She’s the heart of the famous ballad The Rose of Tralee, which inspired the international festival. Mary was a maid in service to the wealthy Mulchinock family in Tralee. William Pembroke Mulchinock, a poet from the household, fell deeply in love with her — but their romance was thwarted by class divisions and political turmoil.
- William wrote the song as a tribute to Mary’s beauty and truthfulness:
“She was lovely and fair as the rose of the summer,
Yet 'twas not her beauty alone that won me...”
- After being falsely accused of murder, William fled to India. When he returned years later, he learned that Mary had died of tuberculosis.
- Heartbroken, he was buried beside her in Clogherbrien graveyard, just outside Tralee.
🌹 Legacy The story of Mary and William became a symbol of enduring love and Irish identity, and the festival now celebrates women of Irish descent from around the world — not for beauty alone, but for character, kindness, and cultural pride.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
Oxeye daisy | Leucanthemum vulgare
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
All shot from the hip. The locals understandably did not allow focused photography in the old city market area.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
all shots by KHWD from our travels worldwide, originally shot 30/4/17
want to see more images of papamoa beach or read the blog?
Light nights and late evenings force me to shoot in my kitchen with black out curtains and the lights turned off...
For this one I turned the circuit board to make it way out of parallel with the focal plane to make some great out of focus points of light.
All shot in one photographic exposure with a combination of flashguns and LED lights.
For anyone who has been missing the drone photos ...
Don't worry ... I got your back. ;-)
Lots more to come, I shot a bunch of images over the past 3 weeks that I'm only now processing.
And West Michigan is still mostly green so I will be shooting more going forward!
These are all shot with a Phantom 4 Pro UAV in the vicinity of Mancelona or Gaylord.
All shots of the whale sharks were taken responsibly, i.e. snorkeling, without using flashes and with sufficient distance.
The animals were not fed and swam in plankton-rich waters in a natural seasonal migratory corridor for whale sharks. When they had had enough, they dived into the depths.
we've all had those moments when something of greater interest (a squirrel) than the camera enters the scene .. a slightly lateral example of photobombing! :) Quite unusual in that almost all shots I have of him he is fixed on me .. I never have been able to train him to look heroically off into the distance ... at the bottom of this is the tense wait for the command to go or hear the shutter click:)
These are all shots of one of the southernmost arms of Lake Gilles. This is an inland saline lake with varying water levels. In winter after rains you will often find extensive areas submerged, but it can become very dry during the warmer months.
It was nice to see some water while I was there.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
All shots taken with the RF100-500mm at 500mm except the centre shot with background at full eclipse at 200mm.
The 3 moon shots on the left are the moon rising over the horizon taken from Bondi Beach. The rest were taken from my backyard in Sydney
All shots were taken this week at Radnor Lake, Tennessee
For more shots check out the blog! -
Here you can see all the shots from all 50 weeks!
A blend of three images, all shot with the 24mm f/1.4 prime:
1. Short exposure for the Milky Way
2. Longer exposure for the mountain
3. Blue-hour exposure for the flowers
Unfortunately, the wind was quite bad on the day the Milky Way was shot, so the flowers are from the same location but a day or two later. A complicated blend given the different lighting conditions and lens distortion to correct. As always, constructive feedback and suggestions for improvement are welcome.
Milky Way rising over wildflower blooms, Mount Saint Helens, Washington, USA.
This is a copyrighted image with all rights reserved. Please don't use this image on websites, blogs, facebook, or other media without my explicit permission. See profile page for information on prints and licensing.
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Авторское изображение. Не используйте без разрешения.
受版权保护的图像。未经许可，请勿使用。
All shots done with Leica M8, lenses wide-open (1 - Voigtlaender 35/1.4, 2 - Elmar 50/2.8, 3 - Elmar 90/4) and at the same distance of one meter. The comparison shows, among other things, that bokeh is relative (and that a "slow" lens such as the 90/4 can throw the background as well out of focus as the 35/1.4) and, more importantly, that the almost 70 year old Leitz Elmar 90/4 does not focus where it should. At this distance, it focuses perhaps two centimetres behind what the range finding suggests. Good to know.
All shot from the hip. The locals understandably did not allow focused photography in the old city market area.
All shots done with Leica M8, lenses wide-open (1 - Voigtlaender 35/1.4, 2 - Elmar 50/2.8, 3 - Elmar 90/4) and at the same distance of one meter. The comparison shows, among other things, that bokeh is relative (and that a "slow" lens such as the 90/4 can throw the background as well out of focus as the 35/1.4) and, more importantly, that the almost 70 year old Leitz Elmar 90/4 does not focus where it should. At this distance, it focuses perhaps two centimetres behind what the range finding suggests. Good to know.