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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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From a frosty morning autumn walk from last year
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2017 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
_
© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
_
© 2016 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
_
© 2015 stefanorugolo | All rights reserved.
The outdoor photos I uploaded today were all shot thru my kitchen window. During these troubled times, it is important to see the beauty in simple things around us. Please stay safe and hang in there. The world will get moving again.
The outdoor photos I uploaded today were all shot thru my kitchen window. During these troubled times, it is important to see the beauty in simple things around us. Please stay safe and hang in there. The world will get moving again.
Oxeye daisy | Leucanthemum vulgare
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
All shot from the hip. The locals understandably did not allow focused photography in the old city market area.
One of the lovely Thursley bird I forgot about. I felt the timing looked a little awkward in this shot. Weirdly the shutter speed I had set at the time perfectly matched the wing beat, so all shots in the sequence the wings were in the same position.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
_
© 2016 stefanorugolo | All rights reserved.
.... the first of a short series of images I took recently up at my usual haunt. They were all shot in colour.
Nashville & Western Railway B23-7 4245 works Strategic Materials in Ashland City, TN. Unfortunately that place is so dusty all shots are a little hazy..
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
Another group of fall color photos from Lakes of the North (Mancelona, MI) or points close by.
All shots taken mid-October using a Sony 7R3 DSLR + Sigma 50-500mm OS lens.
All shots of this series done with Leica M8 plus Voigtlander AS 2.8/90 wide-open. The location is one of Hertfordshire's garden centres (which, as I have told you before, I do regard as one of our barometers gauging the status of contemporary culture). This time, I had the chance of talking things through with one of the managers of the centre. First, the garden centre acquires and exhibits sculptures (and almost all sorts of them) because customers buy them. No surprise here, but as well no explanation as why they do so. Two, and importantly, the centre displays the sculptures according to visual criteria (difference of colour, background, focal or points of attraction). Three, the sculptures (as stand alone figures or in clusters) are located on critical junctions of the passage way through the centre. All this, in my view, creates a semi-sacred topography where customers (believers in the regeneration and wholeness of nature) perambulate as if on a procession. The content and individuality of any specific religion does not seem to matter, however, a general and undefined kind of spirituality does.
The last in the series of sunset shots in Perth City. Shots all hand held taken from the Rooftop Bar at the Art Gallery of Western Australia (AGWA). The weather and colours were fabulous and the vibe in the bar was trendy and laid back. All shots used the Ethereal filter (Urth) to give a little cinematic twist to the shots.
I managed to see the Aurora on Thursday night. I took loads of photos and had such a great time. I was completely alone on my favourite beach at Rhossili (3 miles long!). Not the best Aurora shots I have seen but still happy to get anything! All shots taken in RAW and converted to jpeg images with no added saturation.
The last in the series of sunset shots in Perth City. Shots all hand held taken from the Rooftop Bar at the Art Gallery of Western Australia (AGWA). The weather and colours were fabulous and the vibe in the bar was trendy and laid back. All shots used the Ethereal filter (Urth) to give a little cinematic twist to the shots. I believe the cranes here are part of the construction of the new Edith Cowan University campus in the city.