View allAll Photos Tagged all_shots_

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Pentax K-5

SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)

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© 2016 stefanorugolo | All rights reserved.

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SOOC

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Pentax K-5

SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)

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© 2015 stefanorugolo | All rights reserved.

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Pentax K-5

SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)

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© 2015 stefanorugolo | All rights reserved.

REPOST

Flickr why aren't you letting me show my pictures in the right way? It refers to the problem I have now and then (previous post for example and most surely even this one) on some of my pictures which are not showing to my contacts and followers. I'm annoyed about this primarily not because of the low numbers but because there is a MALFUNCTIONING

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Pentax K-5

SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)

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© 2017 stefanorugolo | All rights reserved.

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Pentax K-5

SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)

_

 

© 2015 stefanorugolo | All rights reserved.

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Pentax K-5

SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)

_

 

© 2016 stefanorugolo | All rights reserved.

_

 

Pentax K-5

SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)

_

 

© 2016 stefanorugolo | All rights reserved.

_

 

Pentax K-5

SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)

_

 

© 2017 stefanorugolo | All rights reserved.

_

 

Pentax K-5

SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)

_

 

© 2016 stefanorugolo | All rights reserved.

_

 

Pentax K-5

SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)

_

 

© 2016 stefanorugolo | All rights reserved.

55 days into this 365 and I am pleasantly surprised that by staying present to whatever shows up throughout the day is kinda fun.

 

Happy Friday to all.

 

Shot notes: the warm tones is reflected sunlight on the water further up the stream (I was shooting from a lower section of the bank)

 

Note to self: f/9 and that's all the focus I get?! Do I hike 15 minutes back to my car for the tripod? *sigh* Perfectionism please lighten up because I am trying to go with the flow here...

 

Project 365-055

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Pentax K-5

SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)

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© 2015 stefanorugolo | All rights reserved.

Now that the snow and ice have gone, it is worthwhile to explore what goes on in the garden. We are still in lockdown in this part of the UK and it is a great help when you have a garden. All shots in this series done wide-open (F2).

All shots of this series done with the Samyang 135/2 wide-open plus reflector. In a way, the last year is still with us. Just as I am still around carrying all those years with me.

All shots of this series done with the Samyang 135/2 wide-open plus reflector (in this case the window pane through which the shot was done).

This picture was created from 6 single Shots and stacked to one panorama picture and was created in London 2014.

It shows the "Blood Swept Lands and Seas of Red".

This Art shows 888,246 ceramic red poppies in front of the Tower, each intended to represent one British or Colonial serviceman killed in the first War

 

More information:

en.wikipedia.org/wiki/Blood_Swept_Lands_and_Seas_of_Red

 

All shots are:

upright format

f11

ISO 125

1/60

 

Orginal Picture Size 36Mpx

 

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Thanks for Explore #394

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Pentax K-5

SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)

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© 2015 stefanorugolo | All rights reserved.

all shots by KHWD 2023

want to see more images or read the blog?

www.motorhome-travels.net/post/blog-194-travel-blog-eire-...

 

Absolutely, folks — this picture’s got all the ingredients you love: layered history, coastal drama, and a touch of poetic romance. Let’s dive in.

🌉 Blennerville Bridge & Reflections in the Water Blennerville Bridge spans the River Lee at its estuary, just west of Tralee in County Kerry. It’s a seven-bay stone bridge that forms a causeway between the canal and river, offering a striking view of the Slieve Mish mountains and the iconic Blennerville Windmill.

- On calm days, the tidal waters mirror the bridge, windmill, and surrounding village in stunning detail — a dream for photographers.

- The reflections often include clouds drifting over the mountains, adding layers of texture and mood to the scene.

- At sunrise or sunset, the water glows with amber and violet hues, turning the bridge into a silhouette against the sky — perfect for capturing symmetry and atmosphere.

Photographic Tips

- Position yourself near the Tralee Canal or the south bank of the River Lee for the best angles.

- Use a polarizing filter to manage glare and deepen the contrast in reflections.

- Try shooting during low tide when the water is stillest, especially in autumn when the light is soft and golden.

💔 The Maid of Tralee — Mary O’Connor She’s the heart of the famous ballad The Rose of Tralee, which inspired the international festival. Mary was a maid in service to the wealthy Mulchinock family in Tralee. William Pembroke Mulchinock, a poet from the household, fell deeply in love with her — but their romance was thwarted by class divisions and political turmoil.

- William wrote the song as a tribute to Mary’s beauty and truthfulness:

“She was lovely and fair as the rose of the summer,

Yet 'twas not her beauty alone that won me...”

- After being falsely accused of murder, William fled to India. When he returned years later, he learned that Mary had died of tuberculosis.

- Heartbroken, he was buried beside her in Clogherbrien graveyard, just outside Tralee.

🌹 Legacy The story of Mary and William became a symbol of enduring love and Irish identity, and the festival now celebrates women of Irish descent from around the world — not for beauty alone, but for character, kindness, and cultural pride.

 

All shots of this series done with the Mitakon Speedmaster wide-open (F0.95).

All shots of this series done with the Mitakon Speedmaster wide-open (F0.95).

Oxeye daisy | Leucanthemum vulgare

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Pentax K-5

SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)

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© 2016 stefanorugolo | All rights reserved.

All shot from the hip. The locals understandably did not allow focused photography in the old city market area.

Nashville & Western Railway B23-7 4245 works Strategic Materials in Ashland City, TN. Unfortunately that place is so dusty all shots are a little hazy..

Holywell is a Saxon ring village, one of only three in Cambridgeshire. It is served by a small road from Needingworth and is a dead end to motor traffic. There are approximately 80 houses, the oldest dating to the 16th century; a parish church; and a public house.

 

All shot with Panasonic Lumix DMC-FZ72 on 26-05-215

 

All shot with Nikon Z5; 300mm PF + TC20E III.

All shot with Panasonic Lumix DC-TZ90

 

Redditch, Worcestershire

All shots of this series done with the Helios 44M-7 wide-open.

Another group of fall color photos from Lakes of the North (Mancelona, MI) or points close by.

 

All shots taken mid-October using a Sony 7R3 DSLR + Sigma 50-500mm OS lens.

The last in the series of sunset shots in Perth City. Shots all hand held taken from the Rooftop Bar at the Art Gallery of Western Australia (AGWA). The weather and colours were fabulous and the vibe in the bar was trendy and laid back. All shots used the Ethereal filter (Urth) to give a little cinematic twist to the shots.

All shots of this series done with the Helios 44M-7 wide-open.

All shot in Hinchingbrooke Country Park with a Panasonic Lumix DMC-FZ48

Peak district national park

St Ives, Huntingdonshire

 

All shot with Panasonic Lumix DMC-FZ1000

  

Having studied sculpture at a German academy of arts, I was always disappointed that a great deal of sculptural form and surface of the rock formations gets lost at night - even when applying low level lighting. Therefor I made a series of pictures using daylight shots of the landscape combined with the milky way sky. This series was taken at a location about one mile east of "Valley of Dreams" in New Mexico, all shots facing south.

These images won't be of much interest to anyone but me, but I wanted to capture a little of the last sunlight of 2024 here in my Tokyo neighborhood. All shot with the Fuji GFX50R, my favorite digital medium format camera.

The last in the series of sunset shots in Perth City. Shots all hand held taken from the Rooftop Bar at the Art Gallery of Western Australia (AGWA). The weather and colours were fabulous and the vibe in the bar was trendy and laid back. All shots used the Ethereal filter (Urth) to give a little cinematic twist to the shots. I believe the cranes here are part of the construction of the new Edith Cowan University campus in the city.

For anyone who has been missing the drone photos ...

 

Don't worry ... I got your back. ;-)

 

Lots more to come, I shot a bunch of images over the past 3 weeks that I'm only now processing.

 

And West Michigan is still mostly green so I will be shooting more going forward!

 

These are all shot with a Phantom 4 Pro UAV in the vicinity of Mancelona or Gaylord.

All shots of the whale sharks were taken responsibly, i.e. snorkeling, without using flashes and with sufficient distance.

The animals were not fed and swam in plankton-rich waters in a natural seasonal migratory corridor for whale sharks. When they had had enough, they dived into the depths.

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Pentax K-5

SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)

_

 

© 2015 stefanorugolo | All rights reserved.

_

 

Pentax K-5

SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)

_

 

© 2016 stefanorugolo | All rights reserved.

A beautiful night spent among the stars, moonlight, and many passing meteors. This is a blend of 26 images for the meteors and 20 stacked images for the land and still stars.

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Meteors and stacked landscape all shot at: ISO 8000, F1.8, 6s, @45mm

All shots taken with the RF100-500mm at 500mm except the centre shot with background at full eclipse at 200mm.

The 3 moon shots on the left are the moon rising over the horizon taken from Bondi Beach. The rest were taken from my backyard in Sydney

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