Butterflies in Asia
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Back to summer Sweden images. I don't have more autumn images and I hope to manage to go out and shoot some
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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From a frosty morning autumn walk from last year
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
one poppy
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
Some colors from the garden last summer
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2017 stefanorugolo | All rights reserved.
within
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
Today was a day with a total lack of contrast, all shots were flat and boring. Tonemapped in NIK HDR Efex to give it a bit of 'oomph'.
All shots of this series done with the Samyang 135/2 wide-open plus reflector (in this case the window pane through which the shot was done).
Yesterday Alles shot a beautiful pic of us on my sim. (It's really *our* sim, because Alles and Kynne share a sky platform where they change outfits and take magical pics.) Anyway, while Alles - and later Kynne - were snapping away I took this closeup of myself with Alles. I had a fun afternoon with these two wonderful friends *and* got to spend the afternoon hugging Alles. <3
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
All shot from the hip. The locals understandably did not allow focused photography in the old city market area.
One of the lovely Thursley bird I forgot about. I felt the timing looked a little awkward in this shot. Weirdly the shutter speed I had set at the time perfectly matched the wing beat, so all shots in the sequence the wings were in the same position.
.... the first of a short series of images I took recently up at my usual haunt. They were all shot in colour.
Maybe some time for a few detail shots? All shot at this years Greenwich Concours Show. I find the early, pre "Spirit of Ecstasy" hood mascot on the 1909 Rolls interesting. Obviously, it was before Eleanor entered the picture, and the bedroom, so to speak! ;)
Another group of fall color photos from Lakes of the North (Mancelona, MI) or points close by.
All shots taken mid-October using a Sony 7R3 DSLR + Sigma 50-500mm OS lens.
The last in the series of sunset shots in Perth City. Shots all hand held taken from the Rooftop Bar at the Art Gallery of Western Australia (AGWA). The weather and colours were fabulous and the vibe in the bar was trendy and laid back. All shots used the Ethereal filter (Urth) to give a little cinematic twist to the shots.
All shots of this series done with Leica M8 plus Voigtlander AS 2.8/90 wide-open. The location is one of Hertfordshire's garden centres (which, as I have told you before, I do regard as one of our barometers gauging the status of contemporary culture). This time, I had the chance of talking things through with one of the managers of the centre. First, the garden centre acquires and exhibits sculptures (and almost all sorts of them) because customers buy them. No surprise here, but as well no explanation as why they do so. Two, and importantly, the centre displays the sculptures according to visual criteria (difference of colour, background, focal or points of attraction). Three, the sculptures (as stand alone figures or in clusters) are located on critical junctions of the passage way through the centre. All this, in my view, creates a semi-sacred topography where customers (believers in the regeneration and wholeness of nature) perambulate as if on a procession. The content and individuality of any specific religion does not seem to matter, however, a general and undefined kind of spirituality does.
all shots by KHWD from our travels worldwide, originally shot 30/4/17
want to see more images of papamoa beach or read the blog?
This is absolutely true and possibly many will believe it is False and/or fanciful and because I needed it to be true….no matter because I know what I believe….
Many will know that my late husband Brendan was Irish…sadly he died aged 65 in 2012
4 years later I met Jonathan and we became friends and he walked his dog with myself and my dog Beau and Beau’s sibling Phoebe the pet belonged to my niece Mandy and we walked together for a year and a half then became a couple and married in 2017…We went to the Lincoln Christmas Market together in 2018 but I was desperately uncomfortable but I had gone every year with my soulmate husband Brendan. I wandered miserably from stall to stall till we came across a lady selling these peg doll Christmas tree fairy’s and I picked a beautiful one for my sister with blonde hair and a candy cane in her hand. I didn’t intend buying one for myself. However I stayed at the stall and couldn’t make myself leave - eventually telling the stall holder that I was drawn to the green fairy wearing a top hat hanging just above my head. “Oh she replied, that one’s an Irish fairy and if you look she’s holding a bunch of shamrock in her hands “
The feeling the went over and through my body can’t be imagined I’m sure. I just knew it was Brendan’s way of telling me everything was fine and I could go around the Christmas market with his blessing. I was and still am elated. This shot actually a blend of three shots and is of the fairy that still hangs in our bedroom. The the tiny seed head is balanced on a vase and I have a piece of original copper artwork and the orange and turquoise come through off that. How the copper settled so beautifully in the seed head remains a mystery. All shots were taken by my Nikon d850 and the blend and crop plus border done in photoshop…..now a tip for you. I took a shot minus the back border and had a free print photo that actually cost a little more because I had it upgraded to acrylic…they only expect smartphone shots so I took a photo of it and downloaded it as a screenshot and sent it to my mailbox and it was readily accepted and came back looking perfect 12 inch x 12 inch and is above a small oak table in my front room….Jonathan thinks it’s beautiful and I love it and feel comforted by it every day 😊
Btw….I have printed this myself too because a few people I know love it and fyi it print's off with these exact colours…been done over a year and never loses any vibrancy :)
Having studied sculpture at a German academy of arts, I was always disappointed that a great deal of sculptural form and surface of the rock formations gets lost at night - even when applying low level lighting. Therefor I made a series of pictures using daylight shots of the landscape combined with the milky way sky. This series was taken at a location about one mile east of "Valley of Dreams" in New Mexico, all shots facing south.
The last in the series of sunset shots in Perth City. Shots all hand held taken from the Rooftop Bar at the Art Gallery of Western Australia (AGWA). The weather and colours were fabulous and the vibe in the bar was trendy and laid back. All shots used the Ethereal filter (Urth) to give a little cinematic twist to the shots. I believe the cranes here are part of the construction of the new Edith Cowan University campus in the city.
All shots in this *PHOtage* were taken at our nearby fishing village, known for its famous "Stonington Scallops" . . .
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
#Velociraptor at @zoomiami The name Velociraptor means ‘swift seizer’. Velociraptor lived in the late Cretaceous Period (around 73 million years ago). The Velociraptor played a large role in the Jurassic Park movies but was often shown inaccurately. Rather than being a larger, human sized dinosaur, the Velociraptor was around the size of a Turkey. It is also believed to have had feathers that were not shown in the movie portrayal.
A fully grown Velociraptor could grow up to 2m (6.6ft) in length, 0.5m (1.6ft) in height at the hip and weigh up to 15kg (33lb). The Velociraptor is thought to have killed its prey with sickle shaped claws on its rear feet.
The first known Velociraptor fossil was found in the Mongolian Gobi Desert in 1922.
One of the most famous dinosaur fossils ever found features a Velociraptor in the middle of battle with a Protoceratops... #wildlife #animal #zoo #zoomiami #nature #photo #photos #pic #pics #TagsForLikes #picture #pictures #snapshot #art #instagood #picoftheday #photooftheday #color #all_shots #exposure #composition #focus #capture #moment
Wagtail. Part of my continuing series with birds on boats, every wildlife image I see is usually a bird on a stick or in what is considered to be the natural habitat of the bird, I have decided to do one with a difference, all the birds in this series are all shot on or about boats.
Negative scanning: not quite there yet
This photo was converted differently from the preceding image. Most significantly, it was converted from a negative that was shot one stop overexposed (in the digitization process; all shots were correctly exposed at ISO 200 on film), while the previous one was converted from a shot that was one stop underexposed. The difference in grain and noise is quite obvious to my eyes.
I am continuing to work on my negative scanning skills with mixed but improving results. This is my latest conversion. The photo was taken on Kodak Portra 400 exposed at ISO 200. I'm not sure that this was the best approach and will be shooting at 320 in my next experiment. One stop of overexposure adds saturation and appears to do some odd things to the sky (or is it that my skills at converting negatives and color correction are simply not there yet?).
For this one, I digitized the film using my Canon EOS R and my trusty Sigma 105mm Macro. Upon importing into Adobe Lightroom, I used the Enhance command, which refines the quality of raw files and creates an enhanced DNG file. I converted the DNG file using Negative Lab Pro, which gave me better colors than Negmaster for some reason. I then finished processing the image in Photoshop.
Any hints, critiques, advice, and/or other input is cordially requested. Any questions will be answered to the best of my ability.
Technical information:
Camera: Zenza Bronica ETRSI
Lens: Zenzanon PE 50mm f/2.8
Filme: Kodak Portra 400 overexposed by one stop (ISO 200)
Processed by Memphis Film Lab
Digitized with a Canon EOS R, Sigma 105mm Macro, the Valoi 360 film holder, and converted with Negative Lab Pro software in Adobe Lightroom, then edited in Adobe Photoshop
SHOCKINGLY VIVID SKY ON A FINE MORNING
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We were stepping out for our usual morning walk, we saw this amazingly violent clouds in the sky, rushed in to fetch our camera and run to the terrace to capture these moments which lasted for very few minutes.
Unusual sky, infact i was shocked to see such a violent skyscape. Fiddled with pocket camera, used auto/Manual and many modes, all shots look similar with slight change in tone.