Butterflies in Asia
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As mentioned on a previous post I'm alternating spring/summer captures with autumn captures. This is a SPRING shot from last year.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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SOOC
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
REPOST
Flickr why aren't you letting me show my pictures in the right way? It refers to the problem I have now and then (previous post for example and most surely even this one) on some of my pictures which are not showing to my contacts and followers. I'm annoyed about this primarily not because of the low numbers but because there is a MALFUNCTIONING
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2017 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
_
© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
_
© 2017 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
_
© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
_
© 2016 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
_
© 2015 stefanorugolo | All rights reserved.
Now that the snow and ice have gone, it is worthwhile to explore what goes on in the garden. We are still in lockdown in this part of the UK and it is a great help when you have a garden. All shots in this series done wide-open (F2).
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
All shots of this series done with the Samyang 135/2 wide-open plus reflector. In a way, the last year is still with us. Just as I am still around carrying all those years with me.
All shots of this series done with the Samyang 135/2 wide-open plus reflector (in this case the window pane through which the shot was done).
all shots by KHWD 2023
want to see more images or read the blog?
www.motorhome-travels.net/post/blog-194-travel-blog-eire-...
Absolutely, folks — this picture’s got all the ingredients you love: layered history, coastal drama, and a touch of poetic romance. Let’s dive in.
🌉 Blennerville Bridge & Reflections in the Water Blennerville Bridge spans the River Lee at its estuary, just west of Tralee in County Kerry. It’s a seven-bay stone bridge that forms a causeway between the canal and river, offering a striking view of the Slieve Mish mountains and the iconic Blennerville Windmill.
- On calm days, the tidal waters mirror the bridge, windmill, and surrounding village in stunning detail — a dream for photographers.
- The reflections often include clouds drifting over the mountains, adding layers of texture and mood to the scene.
- At sunrise or sunset, the water glows with amber and violet hues, turning the bridge into a silhouette against the sky — perfect for capturing symmetry and atmosphere.
Photographic Tips
- Position yourself near the Tralee Canal or the south bank of the River Lee for the best angles.
- Use a polarizing filter to manage glare and deepen the contrast in reflections.
- Try shooting during low tide when the water is stillest, especially in autumn when the light is soft and golden.
💔 The Maid of Tralee — Mary O’Connor She’s the heart of the famous ballad The Rose of Tralee, which inspired the international festival. Mary was a maid in service to the wealthy Mulchinock family in Tralee. William Pembroke Mulchinock, a poet from the household, fell deeply in love with her — but their romance was thwarted by class divisions and political turmoil.
- William wrote the song as a tribute to Mary’s beauty and truthfulness:
“She was lovely and fair as the rose of the summer,
Yet 'twas not her beauty alone that won me...”
- After being falsely accused of murder, William fled to India. When he returned years later, he learned that Mary had died of tuberculosis.
- Heartbroken, he was buried beside her in Clogherbrien graveyard, just outside Tralee.
🌹 Legacy The story of Mary and William became a symbol of enduring love and Irish identity, and the festival now celebrates women of Irish descent from around the world — not for beauty alone, but for character, kindness, and cultural pride.
As I reported in a recent story, the bluebell season had proved to be a bit of a non event this year. A not very heady combination of poor weather, a poor attitude and even worse composition skills had delivered nothing whatsoever and I’d resorted to the archives for an image to share a story of abject failure. It was time to move on. What was next? Well a return to Echo Beach and Godrevy Lighthouse was long overdue. Very long overdue in fact – I was surprised to note that I hadn’t taken photos here since January. Even more startling was the realisation that on six of the previous eight visits, I hadn’t got beyond downloading the raw files onto my computer. Ok so during that period I was lucky enough to go to Iceland and the Canary Islands, trips which were filled with yet to be shared images, but it did make me wonder what on earth I’d been playing at. Why had I ignored all of these folders, and what was in them? I really should take a look.
So some time towards the end of last week, we headed down to Godrevy in the van. On a sunny afternoon that was colder than it looked, we sat at the field on the headland in our camping chairs, enjoying a cream tea that had arrived as part of an unexpected hamper delivery that morning. It seems that recommending services you’ve been happy with pays dividends once in a while. I’d brought the camera with me of course, with only a passing thought about whether we’d stay long enough for sunset. Really we’d just come down for an afternoon out, and a brief stroll to watch the seals at Mutton Cove before racing back to the van as a shower raced towards us from across the bay. Back in the van another cup of tea was brewed as we settled down to watch the world outside. Ali had a little snooze while I pushed on through the last few chapters of the novel that had taken me away to the dreamland marshes of the North Carolina coast for most of the last week. Afternoon ticked on towards early evening. At some point we’d have to make a decision about food.
So we trundled off to Hayle and continued to abandon our cholesterol levels outside the front door of the local chippy. We could always have alfalfa sprouts tomorrow. Once rumbling stomachs were refuelled, we returned to the exact same spot as before, noting that the gates would be locked at nine. I’d just hop down and have a look. There wasn’t much doing, so I told Ali I’d be back soon. I’m never back soon. She knows that.
After poppies, it’s sea thrift in this rapidly passing floral season. No sooner have the woodland blues begun to wane and descend back into the lush green foliage, the vivid pink blooms appear on clifftops across the coast. And while I’d gradually begun to make sense of bluebell compositions (at least until this year’s big step backwards), the sea thrift had remained complicated. I pretty much always shoot into the light because it’s what inspires me and moves me to landscape photography, but of course that sets its challenges. Shadows, silhouettes, and dynamic ranges to test the computer’s memory later on. I look back to early attempts where I’d followed the letter rather too closely – highlights all the way down, shadows all the way up, noise all the way up with it – all shots where I’d failed to keep the raw files to try again years later as I released the histogram was on the back of my camera for a reason and learned new techniques in the editing suite. At one time I tried a stage of shooting the foreground an hour before the background, but the blend never looked convincing. Focus stacks also came with accompanying headaches – all of those fiddly strands against the blue background sea that looked messy if you dived into the pixels too far.
The most pleasing result to date was one that ironically, I’ve never shared on Flickr. Maybe I should. A beautiful glowing mass of colourful cloud, a clutch of gulls making for the island and an appealing pink patch at the front of the image. Why did I never post it? Not sure, but when I have another creative block like the one I faced in the bluebell woods, I guess I can keep it up my sleeve. Two further years of learning how to use Photoshop will need to be applied first though. It was one of those pesky focus stacks and the blending needs another visit. At least this was in the era since I decided to keep every raw file forever. Except the real duds of course. Mind you that could be a mistake – ICM is so popular nowadays. Even if this is more like UCM.
This evening was also testing my brain cells. In truth, I’d left things late. If I’m out on my own I can happily set up a composition and wait for two hours until the light is at its best. But an hour ago we were queuing at the chippy three miles away in Hayle, and nowhere near any compositions. Not unless Asda superstores are your chosen subject. Now I dashed from one spot to another, always struggling with the gulf of water between the headland and the lighthouse that separated the foreground and background almost irreparably. As I settled on this one, Ali rang to say the man had arrived to lock the gates as a stream of vehicles headed along the clifftop towards the road. At the exact same moment, the sky was starting to get interesting, so shameful to say, I asked her if she could drive Brenda back to the main car park that is never locked, and five minutes later I saw a big red van moving away from me. “Got here without any bumps” came the message.
I settled down as the sun headed towards the horizon and the colours became ever more saturated. By now it was a case of seizing what I could from the scene and hoping for the best, before walking back along the cliff path and remembering what it is that brings me here again and again, whether or not I take photos, and whether or not I get around to working on them later.
Emboldened by her success at driving the van from the field to the car park, Ali drove us home. Cream teas, fish and chips, sea thrift and a chauffeur. Better than frowning in frustration at bluebells that don’t want to play.
Oxeye daisy | Leucanthemum vulgare
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
All shot from the hip. The locals understandably did not allow focused photography in the old city market area.
Nashville & Western Railway B23-7 4245 works Strategic Materials in Ashland City, TN. Unfortunately that place is so dusty all shots are a little hazy..
SARDENYA 2024 "Il paese di Petra."
In the Gulf of Asinara, in the extreme northwestern part of Sardinia, there is a tropical beach, one of the most beautiful in Europe and a natural paradise where fine sand and very shallow waters invite you to enjoy a totally relaxing time.
Fine, pure white sand, a transparent seabed, ankle-deep water for tens of metres, turquoise and blue colours of a sea that blends with the sky and a captivating landscape offered by the surrounding towers. The beach of La Pelosa lies between the Capo Falcone sea stacks, theIsola Pianaisland and Asinara, which protect it from the force of the open sea: it is a tropical paradise that will make you feel like you are in a film. This is how tourists from all over the world, after having visited it, define this perfect environment with its natural and historical elements competing with each other.During a holiday in the north of Sardinia, a visit to the iconic beach of Stintino is a must. This beach is universally considered one of the most beautiful in Europe.
Thanks to a natural barrier, the water is always calm, even when the northwesterly mistral wind is blowing hard. The surrounding Mediterranean scrub, particularly the junipers, reminds you that you are in Sardinia, despite the Caribbean appearance. Opposite the beach, there is an islet with an Aragonese tower dating back to 1578. It is the symbol of La Pelosa and you can get to it on foot, after crossing another delightful little cove, that of La Pelosetta, situated next to its 'big sister'. The area is watched over by the ancient Saracen Torre del Falcone (Tower of the Falcon). Opposite it, is the Isola Piana (Flat Island), once a place where livestock grazed and swam to dry land, pulled by large boats. The island is so flat that it does not in any way obstruct the view of the majestic Asinara cliffs that stand tall behind it. You will be able to explore the fascinating and mysterious island-park, where time seems to stand still, by setting out from the tourist port of Stintino or from the pier of Ancora onthe motor vessels or dinghies of authorized operators.
The evocative little village in the Stintino area is approximately five kilometers from the La Pelosa beach and is also connected by shuttle bus services. In the village and along the road leading to the beach, you will find accommodation facilities and restaurants, where you can savour the local delicacies: lobster and tuna roe above all. Fishing and processing of tuna is one of most ancient local traditions, which you can relive in the Museo del Tonnare. In the Stintino territory, you can also relax in other wonderful areasalong the coast, like on the white pebbles and the dazzling colours of the sea of the extremely long beach of Saline.
Another group of fall color photos from Lakes of the North (Mancelona, MI) or points close by.
All shots taken mid-October using a Sony 7R3 DSLR + Sigma 50-500mm OS lens.
The last in the series of sunset shots in Perth City. Shots all hand held taken from the Rooftop Bar at the Art Gallery of Western Australia (AGWA). The weather and colours were fabulous and the vibe in the bar was trendy and laid back. All shots used the Ethereal filter (Urth) to give a little cinematic twist to the shots.
The Point of Ayr Lighthouse, is grade II listed and is situated on the north coast of Wales, on the Point of Ayr, near the village of Talacre
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
all shots by KHWD from our travels worldwide, originally shot 30/4/17
want to see more images of papamoa beach or read the blog?
These images won't be of much interest to anyone but me, but I wanted to capture a little of the last sunlight of 2024 here in my Tokyo neighborhood. All shot with the Fuji GFX50R, my favorite digital medium format camera.
The last in the series of sunset shots in Perth City. Shots all hand held taken from the Rooftop Bar at the Art Gallery of Western Australia (AGWA). The weather and colours were fabulous and the vibe in the bar was trendy and laid back. All shots used the Ethereal filter (Urth) to give a little cinematic twist to the shots. I believe the cranes here are part of the construction of the new Edith Cowan University campus in the city.
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Frosted Rosa canina fruit. From a frosty morning autumn walk from last year
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
For anyone who has been missing the drone photos ...
Don't worry ... I got your back. ;-)
Lots more to come, I shot a bunch of images over the past 3 weeks that I'm only now processing.
And West Michigan is still mostly green so I will be shooting more going forward!
These are all shot with a Phantom 4 Pro UAV in the vicinity of Mancelona or Gaylord.