Butterflies in Asia
View allAll Photos Tagged all_shots
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2017 stefanorugolo | All rights reserved.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
_
© 2015 stefanorugolo | All rights reserved.
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This is the first shot I post with the 50mm F1.7. No more from the F2 (I gave it back and got this for a cheaper price).
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
_
© 2015 stefanorugolo | All rights reserved.
_
Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
_
© 2016 stefanorugolo | All rights reserved.
_
Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
_
© 2017 stefanorugolo | All rights reserved.
_
Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
_
© 2015 stefanorugolo | All rights reserved.
All shots of this series done with the Samyang 135/2 wide-open plus reflector (in this case the window pane through which the shot was done).
Separating the sacred (the church, to the left) from the profane (the village, to the right). All shots of this series done with the Mitakon Speedmaster at F0.95.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% aperture at 2.0)
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© 2015 stefanorugolo | All rights reserved.
Snow Moon (Full Moon) from the suburbs of Nottinghamshire. Ten photos selected from many, in approximately 30 min time phase. All shots were hand held.
Other common names include Storm moon and Hunger moon.
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Selected for Flickr group 'in explore', by group admin David Kracht, on 07 March 2021. Thank you David.
www.flickr.com/photos/78590035@N06/51004632091/in/pool-in...
Flickr Explore!
06 March 2021. Thank you :)
www.flickr.com/photos/78590035@N06/51004632091/in/explore...
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Oxeye daisy | Leucanthemum vulgare
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
Nashville & Western Railway B23-7 4245 works Strategic Materials in Ashland City, TN. Unfortunately that place is so dusty all shots are a little hazy..
No claim to this being an original idea. Began as a bit of fun; quickly became a labour of love.
All shot with a Vivitar 55mm(@55mm) f2.8 macro.
Another group of fall color photos from Lakes of the North (Mancelona, MI) or points close by.
All shots taken mid-October using a Sony 7R3 DSLR + Sigma 50-500mm OS lens.
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Pentax K-5
SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)
_
© 2015 stefanorugolo | All rights reserved.
The last in the series of sunset shots in Perth City. Shots all hand held taken from the Rooftop Bar at the Art Gallery of Western Australia (AGWA). The weather and colours were fabulous and the vibe in the bar was trendy and laid back. All shots used the Ethereal filter (Urth) to give a little cinematic twist to the shots.
All shots of this series done with Leica M8 plus Voigtlander AS 2.8/90 wide-open. The location is one of Hertfordshire's garden centres (which, as I have told you before, I do regard as one of our barometers gauging the status of contemporary culture). This time, I had the chance of talking things through with one of the managers of the centre. First, the garden centre acquires and exhibits sculptures (and almost all sorts of them) because customers buy them. No surprise here, but as well no explanation as why they do so. Two, and importantly, the centre displays the sculptures according to visual criteria (difference of colour, background, focal or points of attraction). Three, the sculptures (as stand alone figures or in clusters) are located on critical junctions of the passage way through the centre. All this, in my view, creates a semi-sacred topography where customers (believers in the regeneration and wholeness of nature) perambulate as if on a procession. The content and individuality of any specific religion does not seem to matter, however, a general and undefined kind of spirituality does.
One of my attempts at the "Macro Monday" theme "Zed".
Two different grains of salt, the big one being sea salt, the other one alpine table salt! The big one is about 3 mm in size and though it is a giant compared to the small one... I really liked how it puts things into perspective! Everything is relative after all!
Shot with a "Tomioka-Copal 71 mm F 4" (enlarging) lens on a Canon EOS R5.
Light nights and late evenings force me to shoot in my kitchen with black out curtains and the lights turned off...
For this one I turned the circuit board to make it way out of parallel with the focal plane to make some great out of focus points of light.
All shot in one photographic exposure with a combination of flashguns and LED lights.