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Alias: Pyrite
Real Name: Holden Ridgewood
Gender: Male
Alignment: Villain
Powers: Having a unique physiology thanks to the experiment that gave him his powers, Holden is able to change into different shapes, both solid and liquid. As a metallic polymorph, he can reshape his limbs into various weapons, and anything else he so desires. Because of this power, he's also able to cling onto the sides of buildings quite easily. Since he's not exactly human anymore, he doesn't require food, water, or oxygen to survive. Even though it's not necessary for his survival, he does it anyway, as some foods are just too tasty to give up! He's very hard to damage due to his body being now made up of metal. Also has an immunity to biological attacks.
Weaknesses: Fire, or Electricity
Backstory: Holden's brother would be sentenced to death as capital punishment, for a crime he truly didn't commit. Since Holden pretty much idolized his brother, he knew this wasn't right. It was the system's fault. A corrupt justice system, that only lives to serve the wealthy elite. As Holden Ridgewood, he gets texts and emails, everyday, blaming him. Saying how he should've seen it coming, and that there's something he could've done to prevent this tragedy. It was at this point, he would go, seeking power to make everything right. He no longer viewed the heroes in the city in a positive light, as they let an innocent man be killed, as well as protecting the corrupt from harm. He would undergo experimentation, which would change him, into something more than human. As Pyrite, he seeks to bring an end to the system that got his brother killed
Status: Part of Capital Punishment, hoping to abolish the current system that got his brother killed.
Not my tidiest work. The Moon was pretty bright and Venus wasn't visible until well into the dawn. I couldn't see Mercury at all, but it's hiding in the sunlight below Venus.
This is the exact "Triple lignment" example with Super Blue Moon 2024.
From this particular Thread & Needle Spot, the Trans-America Pyramid Building Tip can be seen sitting inside the North Tower of Iconic Golden Gate Bridge. According to PlanIt App, there are only 4 times in 10 years that Full Moon cab be appeared to be link with the North Tower of the Bridge. 8/18/2024 was the 1st one in the next 10 years.
We were so lucky to have a clear sky when the supermoon was rising right at sunset. So this image can be taken in one shot with one expose.
Timelapse of this moonrise: youtu.be/XbnnCTpm6cM
A Southern Pacific Brakeman muscles the bridge of the gallows-style, "Armstrong" turntable into perfect alignment as his crew prepares to turn Locomotive #18 in the yard at Laws, California.
This image was made during a March, 2023 photo shoot at the Laws Museum, near Bishop, California, which featured Southern Pacific, Baldwin 10-wheeler #18 on her second visit to the property since the completion of her restoration in 2017.
We're being treated to a nice show in the night sky right now! From left to right, Mars, the the Galactic Center of the Milky Way, and Jupiter are all in alignment earlier in the night. Pluto and Saturn are in there too, but Pluto is too small to see, and Saturn is to the left and up from the Lagoon Nebula in the Galactic Center. It was dumb luck that I caught this scene, I was vaguely aware of the planetary alignment happening but I've been so busy with projects and preparing for teaching workshops that I had no idea I was going to capture such a beautiful sight until I was out shooting, so needless to say I was pleasantly surprised when I was able to get this composition of Mars and Jupiter flanking the Galactic Center!
Nikon D850, Nikon 14-24mm lens @ 14mm, f/2.8. The sky is a star stacked blend of 7 shots for low noise and pinpoint stars, stacked in Starry Landscape Stacker for macOS, but you can do this in Sequator for Windows (or other programs but those are the easiest for star stacking landscape astro images). The 7 shots were each at ISO 6400, 10 seconds. The foreground is from a 20 second shot taken less than 2 minutes before I took the exposures for the sky. The tide was going out and on the mudflats it goes out really fast, so the 20 second shot had more water in the foreground on the mudflats, so the reflection of the stars was better, and it was also a sharp reflection since the star stacking was just for the sky, so the star reflections in the water were not aligned with each other and thus blurred in the stacking. I could have done a separate stack for the water in Starry Landscape Stacker to line up the reflections and get low noise, but the 20 second shot had more water and a better reflection. I aligned the foreground star reflections with the reflections of the star stacked image in Photoshop, and masked in the foreground. Noise reduction in Lightroom (before sending the foreground to Photoshop) and Adobe Camera Raw (in Photoshop, which is the same underlying raw editor as Lightroom) was used to reduce the noise on the water.
Visit my website to learn more about my photos and video tutorials: www.adamwoodworth.com
Planetary alignment in the dawn of June 24, 2022. Mercury (as expected) is lost in the twilight (even if, with a lot of imagination and a little good will, one might see a tiny dot of light in the right place in the original RAW files), the rest of the planets are visible "in the correct order", i.e. corresponding to the actual distance from the Sun. The Moon (with visible Earthsine!) represents the Earth-Moon-system in this row: Mercury (Merkur) - Venus - Moon (Mond) - Mars - Jupiter - Saturn.
CURIOUS ALIGNMENTS (C)
© 2013 Alexandru Crisan
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That time of year when the sun sets perfectly behind Wembley Stadium from my favourite vantage point across Brent Reservoir. One of those sunsets that just kept getting better
Another visit to Torbay and so I couldn't help myself but to go for another Alignment shot. This time, I got lucky with a thin slot or sky on the horizon (and not coming a cropper on the rock face I had to clamber across and perch on to get this).
Jupiter, Saturn and Venus lining up in the evening sky above the Tihany peninsula (Lake Balaton, Hungary)
- www.kevin-palmer.com - The two brightest objects in the night sky appear side by side in front of the milky way in a rare alignment. Venus is the blue object, and the yellow object is the moon. Even though the moon was only an 8% crescent, it was brighter than Venus. The band of yellow along the horizon is from the last colors of twilight before it was completely dark. This incredible sky is framed over the Colorado River in Utah. The 2000 foot deep canyon is part of Canyonlands National Park. But this view was actually shot from the edge of a cliff at Dead Horse Point State Park.
To get this shot I combined 2 exposures. The canyon was shot at 8 minutes, f/4, iso 1600. The sky was a 4 minute, f/5.6, iso 1600 exposure. I used an iOptron Skytracker to track the stars for a longer exposure.
Seligman, Arizona.
Route 66 (Alignment 1926-1979) - Business Loop 40 - Arizona 66.
Copper Cart Restaurant (1950), 103 W Chino Ave.
Mural / Peinture murale
With the Sun having risen in all its glory, an interesting play of light and shadow sets up across the vast, perfectly flat expanse of a flooded Badwater. Before us, the more than two mile high wall of the Panamint Range abruptly rises on the western side from alluvial fans to sheer mountain cliffs coated by recent snow. 11,049 foot tall Telescope Peak takes center stage here glistening in the sun. And a comparatively very short distance behind this photographer the Black Mountains rise even more abruptly more than a mile high. While the Sun has traveled all the way down the face of the Panamints, the vast saltwater lake here remains in shadow from the Black Mountains. As a result the salty water is reflecting nothing but deep blue sky and the salty ridges that stick up remain dark. By chance I found myself presented with an uncanny alignment of a salt ridge that very closely echoes the profile of the Panamint Mountain reflection. The dark, shadowed salty mud traces the contour pretty well, complete with a dip to account for Telescope Peak's tallest reflection.
Those that are succeeding and are thrilled and joyful in the unfolding will often tell you, "I've dreamed this since I was little. I imagined it, I pretended it, I used to practice with the hairbrush pretending it was a microphone." Purity is the alignment of energy. Doesn't matter what anybody else thinks about anything. It only matters what you think about it.
maar dit is die van vandaag
I don't think these are particularly good shots and I probably wouldn't have posted them except for the fact that I was shocked how well they lined up. Not only the angle but the wheel wells also. I wasn't even trying to do this. Funny how things like this happen. Maybe it says something about our internal levels. Or it's just random.
Messier 52 Star Cluster and NGC 7635 The Bubble Nebula
Messier 52 or M52, also known as NGC 7654, is an open cluster of stars in the northern constellation of Cassiopeia. It was discovered by Charles Messier on September 7, 1774. M52 can be seen from Earth with binoculars. (Wikipedia.org)
NGC 7635, also known as the Bubble Nebula, Sharpless 162, or Caldwell 11, is an H II region emission nebula in the constellation Cassiopeia. It lies close to the direction of the open cluster Messier 52. The "bubble" is created by the stellar wind from a massive hot, 8.7 magnitude young central star, SAO 20575 (BD+60°2522). The nebula is near a giant molecular cloud which contains the expansion of the bubble nebula while itself being excited by the hot central star, causing it to glow. It was discovered in 1787 by William Herschel. (Wikipedia.org)
Technical Information for This Image
This image was taken with a William Optics Zenithstar 81 APO Doublet Refractor on an iOptron CEM25P mount. The main imaging camera, attached to the prime focus of the telescope was a ZWO ASI294MC Pro cooled camera which was cooled to -5C. The exposures were 35x120 seconds at Bin 2x2. The gain was set to 120. Auto guiding was done using a William Optics 50mm guide scope with a 200mm FL. Attached to the guide scope was a ZWO ASI290MC camera which was connected to PHD2 autoguiding software. Capturing was done with Astrophotography Tool (APT) software and post processed with Pixinsight software with finishing touches put in using Adobe Photoshop Creative Cloud. Polar Alignment for the evening was done using SharpCap software.
I have been telling my wife that this particular rock with a single mortar at Vargas Plateau must have been special to the Natives in the past. From here, it aligns with the California oak that I posted yesterday and all the way to Mission Peak. This must have served as an observation post because it has a command view of the Bay.