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Berlin based ALIAS belongs to the few omnipresent street art artists who have managed to create a unique style. When one passes by his numerous works, which can be found spread all over the city (especially in Berlin’s districts such as Friedrichshain or Kreuzberg) one immediately knows whose signature they bear. This is even more fascinating when you look at the diversity of his artwork.
Take a look at the limited organic ALIAS t-shirts:
Fecha: Martes 6 de noviembre.
Lugar: Carrera 57 13 - Saliendo de la casa
Este fue la primera intervención, y aunque mas que intervención urbana fue algo como “urbano”, es decir, es muy de nuestra ciudad y de nuestra sociedad las personas con una botella de sacol pegada a la boca por necesidad o por gusto. La pasoancho era en una época una zona en donde en cada semáforo habían niños y pelados “trabajando” y “comiendo” sacol, no ha sido así los últimos meses y no conozco la razón, pero aunque ya no los vea se que estan allí. Es muy probable que esta botella haya sido consumida por un niño menor de 12 años que quien sabe donde estara o si estara vivo aun. EL arcoiris refleja esta realidad, un niño obligado a ver los hermosos colores del mundo a travez de una botella, esa es nuestra sociedad.
I only took the photo !! I have no claim to the artwork !!
alias exhib , gängeviertel 20.10. - 04.11.2012
About 18 months ago, we were down this part of Kent, and in a disappointing morning, all three churches along this lane were locked.
Although Frinsted was locked again, outside St Giles were a number of cars and a Norton motorcycle, and two figures were taking just outside the clearly open porch.
Eeek.
So I grab my bag and walk to the two ladies; can I go in?
Oh yes.
Inside were over half dozen people, bellringers, getting ready to do some ringing.
And why not.
And although they eyed me with suspicion at first, my knowledge of other Kent churches won them over.
They went about their ringing, and me my snapping.
St Giles is a fine church, showing many early features, and an unusual font built into an extend column base.
Quite unusual.
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An absolute gem of a church dating from Saxon times. The small double-splayed window in the south wall is evidence enough of that period. The church was then extended in the thirteenth century by the lengthening of the chancel, the addition of a north chapel and the building of a north aisle. As far as furnishings are concerned, the highlight is the medieval glass in the east window showing the Coronation of the Virgin, with lovely angels throwing their censors heavenwards. There is also a rare thirteenth century chest with lovely incised decoration and a seventeenth century pulpit. The Royal Arms of George III has recently been restored.
www.kentchurches.info/church.asp?p=Wormshill
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WORMSELL.
WESTWARD from Frinsted, near the summit of the chalk hills, lies Wormsell, now vulgarly called, and as frequently written, Wormshill.
THAT PART of it northward of the church, including the borough of Bedmanton, is in the division of East Kent, but the rest of it, including the church and village, is in that of West Kent, to which division therefore this parish is esteemed to belong.
The parish is situated mostly on high ground, about three miles northward from the summit of the chalk hills, the high road through Newnham or Syndallbottom towards Hollingborne, running along the southern part of it. It is parish so obscurely situated, and of so little thoroughfare, as hardly to be known. Being exposed to the northern aspect, it lies very bleak and cold. The church stands rather in the eastern part of it, having the village, consisting of a few scattered houses, at a small distance from it; about a mile northwestward is the hamlet of Bedmanton. The hills here are continual, and very sharp, the soil much the same, as in the adjoining parishes in the like high situation before-described, only the flints, if possible, lie thicker on the ground; the land is poor, and in general let at between five and six shillings an acre; at the northern boundary of the parish there is a considerable quantity of wood, consisting mostly of hazel and oak, with numbers of trees of the latter, interspersed among them, which are but small, never here growing to any size. In Henry the IIId.'s reign there was a family resident here, who took their surname from this parish.
Thomas Pepyr, of this parish, in his will anno 1460, mentions his chief place, called Rychemonds, with other lands here, which he gave to Julian his wife, and afterwards to Richard Pepyr, his son.
THIS MANOR was antiently esteemed as an appendage to the manor of Boughton Malherb, which was held of the manor of Ospring, and they had both, for a length of time, the same owners.
In the reign of Henry III. Robert de Gatton was possessed of the manors of Bocton and Wormesell, whose grandson Hamo de Gatton dying without issue male, Elizabeth, his daughter and coheir, carried both these manors, with their appurtenances, in marriage to William de Dene, who in the 10th year of Edward II obtained a charter of free-warren for his several manors in this county. Margery, the other daughter of Hamo de Gatton, married Simon de Norwood, and had all her father's lands in Surry. In one of the windows of the north chancel of this church are painted the arms of Simon de Norwood, Ermine, a cross engrailed, gules, charged with a bendlet, azure, impaling chequy, argent and azure. William de Dene died in the 15th year of Edward III. holding these manors with their appurtenances, of the king in capite, as of his castle of Dover, and paying to the ward of it. Thomas de Dene, his son and heir, succeeded him in both of them, and in the 20th year of Edward III. paid aid for them, at the making the black prince a knight, as one knight's fee in Bocton and Wormsell, which Hamo de Gatton before held of the king. He died possessed of them in the 23d year of it.
The heirs of his son Thomas de Dene alienated these manors, with their appurtenance, to Robert Corbie, whose son and heir Robert Corbie, of Boughton Malherb, leaving an only daughter and heir Joan, she carried them in marriage to Sir Nicholas Wotton, twice lord-mayor of London. His son Nicholas Wotton, esq. alienated this manor, together with the advowson of the church of Wormesell, to Thomas St. Nicholas, of Thorne, in Thanet, whose son and heir Roger St. Nicholas left an only daughter Elizabeth, who carried this estate in marriage to John Dingley, alias Dyneley, whose descendant Francis Dingley, esq. of Charlton, in Worcestershire, passed it away, at the latter end of the reign of queen Elizabeth, to William Sedley, esq. of the Friars, in Aylesford, created a baronet in 1611, in which name and family it continued down to Sir Charles Sedley, of St. Giles's in the Fields, London, great-grandson of Richard Sedley, younger brother of Sir Wm. Sedley, bart. of Aylesford, before-mentioned. He was created a baronet in 1702, and afterwards resided at the antient family seat of Scadbury, in Southfleet. He alienated this manor, with the advowson of the church, about the year 1712, to the president and governors of Christ's hospital, in London, for the benefit of that charity, part of the revenues of which it remains at this time. It still pays a castle-guard rent to Dover-castle. A court baron is still held for this manor.
BEDMANTION is a borough in this parish, which includes within its bounds the manor of that name, which has ever been esteemed as an appendage to the manor of Bobbing, with which it has been many years in the possession of the family of Tyndale, of North Cerney, in Gloucestershire, the present owner of it being lieutenant-colonel William Tyndale, esq. of that place.
Part of this borough is within the manor of Newington, near Sittingborne, as appears by the survey taken in 1650, of the late king's manors and revenues, the several freeholders of the borough of Bedmanton, in this parish, holding their lands in it, of that manor, in free socage tenure.
Charities.
A PERSON UNKNOWN gave land to be applied to the use of the poor, vested in Henry Bing, and of the annual produce of 2l. The poor constantly relieved are about ten; casually twelve.
WORMSELL is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Sutton.
¶The church is dedicated to St. Giles, and consists of two isles and two chancels, having a tower steeple at the west end of it. There are remains of good painted glass in the great east window. Several of the family of Tylden lie buried in it, they were for some time tenants of the manor here, where they resided till king James the Ist.'s reign, when they removed to Milsted. In the church yard are some tombs of the Thatcher's, and for the Woods who resided at Northwood, in this parish and Bicknor.
The patronage of this rectory has always been accounted an appendage to the manor, and as such has had the same owners, as has been already related, being now in the patronage of the president and governors of Christ's hospital.
The rectory is valued in the king's books at ten pounds, and the yearly tenths at one pound, and is of the yearly certified value of 69l. 4s.
In 1640 it was valued at seventy-six pounds. Communicants seventy-three. It is now worth about two, hundred guineas per annum.
Cosplayer(s): Akroma as Katara and her fantastic group we don't know the aliases of! =(
Series: Avatar the Last Airbender Nickelodeon animated series
Con: Youmacon 2010
Photographer: Hiyoko-chan and Rikku-chan of TotallyToasty.com
"No More Sugar For The Monkey" is a guerilla art exhibition curated by Jochen Kooper at the Stattbad Gallery in Berlin-Wedding.
With artworks by Anna Rzeznik, Christoph Steffner, iamenthé, David Johannson, David Nicholson, Dolk, El Bocho, Emess, Friedrich Gobbesso, Stephan Kurkowski, Gould & Various, Hannes Bend, Jakob Szymedera, John Isaacs, Just, Kaj Aune, Kenno Apatrida, Madeline Stillwell, Maren Geers, Maxime Ballesteros, Nick Dewar, Niels Trannois, Pete Wheeler, Ralf Gutsmann, Ryszard Grzyb, Stephanie Custance, Tiphaine Shipman, Tofa, Tra Bouscaren, Tulip Art Projects, Wolfgang Ganter, Zhivago Duncan & Ogaviz.
More infos at stattbad.net.
One of the great things about living in LA, you can recognize so many filming locations. This is the entrance to the "APO" headquarters (from Alias) -- or, should I say, the North Hollywood Metro Station. I will have to watch the first episode of this season again because I'm not sure if the door they go in is on west or east end of the subway platform -- anyway, this should give you an idea and at least look vaguely familiar if you've been watching this season. Oh, and security at APO is tough! There was a Metro staffer who wouldn't even let me get closer to the entrance for a better shot!
I only took the photo !! I have no claim to the artwork !!
alias exhib , gängeviertel 20.10. - 04.11.2012
Berlin based ALIAS belongs to the few omnipresent street art artists who have managed to create a unique style. When one passes by his numerous works, which can be found spread all over the city (especially in Berlin’s districts such as Friedrichshain or Kreuzberg) one immediately knows whose signature they bear. This is even more fascinating when you look at the diversity of his artwork.
Take a look at the limited organic ALIAS t-shirts: