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"naked / klotz" (2008) is minimal art randomly generated on demand. you can visit the project: www.querzone.de/enter/room2/
equipment i used: python, PIL, gnu / linux (debian), beer :)
Are the algorithms of living matter also useful for digital arts? Could they for instance be used in live visual performances? And how? Mediamatic and the Live Performers Meeting invite you for this nerd Biotalk with Federico Corradi, Gianluca Del Gobbo and Timo Dufner. They will give us a glimpse of the potential of nature’s algorithms for digital art and illustrate this with a live audio visual experimental act.
www.mediamatic.net/en/algorithms-from-nature
Photographer: Chiara Barraco
●The procedure takes hard work.
●But it’s not complicated.
●And it’s one of the fastest ways we’ve discovered to rapidly build a portfolio of algorithmic trading strategies
thetradingmasterclass.com/successful-algorithmic-trading-...
Do Algorithms Care? is a collaboration between artist Amanda Bennetts and data scientist Johanna Einsiedler. The project is realized in an installation that mimics a tech store, turning a critical lens on the commercialization of bio-data. Using the duo's open-source DIY smartwatches and interactive data interface, they explore the predictive potential of personal data and machine learning for well-being, inviting viewers to reconsider their relationship with data control and privacy.
Photo: martin doersch
Do Algorithms Care? is a collaboration between artist Amanda Bennetts and data scientist Johanna Einsiedler. The project is realized in an installation that mimics a tech store, turning a critical lens on the commercialization of bio-data. Using the duo's open-source DIY smartwatches and interactive data interface, they explore the predictive potential of personal data and machine learning for well-being, inviting viewers to reconsider their relationship with data control and privacy.
Photo: martin doersch
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Do Algorithms Care? is a collaboration between artist Amanda Bennetts and data scientist Johanna Einsiedler. The project is realized in an installation that mimics a tech store, turning a critical lens on the commercialization of bio-data. Using the duo's open-source DIY smartwatches and interactive data interface, they explore the predictive potential of personal data and machine learning for well-being, inviting viewers to reconsider their relationship with data control and privacy.
Photo: flap
file: test290_000
Flood fill algorithm used on pixel patterns generated by mapping an audio signal to a space-filling curve.
file: test290_000
New series, 2024
Flood fill algorithm used on pixel patterns generated by mapping an audio signal to a space-filling curve.
Are the algorithms of living matter also useful for digital arts? Could they for instance be used in live visual performances? And how? Mediamatic and the Live Performers Meeting invite you for this nerd Biotalk with Federico Corradi, Gianluca Del Gobbo and Timo Dufner. They will give us a glimpse of the potential of nature’s algorithms for digital art and illustrate this with a live audio visual experimental act.
www.mediamatic.net/en/algorithms-from-nature
Photographer: Chiara Barraco
first trials with juxtaposition
[not working properly]
technology
Xcode Environment
OpenFraweworks
with OpenCV
The Algorithm in the Room
MDP Design Dialogues Symposium + Exhibition with Tim Durfee, Ben Hooker, and Mimi Zeiger
The Algorithm in the Room: An Evening of the Post-Geographic brings together an interdisciplinary group of designers and thinkers to discuss relationships between algorithmic and spatial practices. The algorithm in the room is the unspoken technological subject that reorients our understanding of design outcomes, ethics/politics, and authorship. Yet to concretize the algorithm, to try to peg down its functional uses within design is to misunderstand its potentially slippery (and productive) role as a bad collaborator. Feral and unpredictable, it provokes human, systemic, and urbanistic response. Via conversations and through digital, video, and screen-based works, this symposium and exhibition looks to raise difficult questions regarding the politics of predictive/automatized software, its architectural and urban impacts, and the aftereffects of recalibrated design agency. Speakers include: Jeff Maki, urban strategist and Joanne McNeil, writer. Videos exhibited by John Szot Studio, Tim Durfee + Ben Hooker, Jenny Rodenhouse.