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Lovebytes 2008. Sylvester Space, Sheffield. 10 May

  

Broken plastic forks, CD-ROMs, and a nuked and cleaned CD-ROM placed on the flatbed scanner. The resulting image has had the contrast adaptively increased.

annealing a set of 250 points

The Algorithm in the Room

MDP Design Dialogues Symposium + Exhibition with Tim Durfee, Ben Hooker, and Mimi Zeiger

 

The Algorithm in the Room: An Evening of the Post-Geographic brings together an interdisciplinary group of designers and thinkers to discuss relationships between algorithmic and spatial practices. The algorithm in the room is the unspoken technological subject that reorients our understanding of design outcomes, ethics/politics, and authorship. Yet to concretize the algorithm, to try to peg down its functional uses within design is to misunderstand its potentially slippery (and productive) role as a bad collaborator. Feral and unpredictable, it provokes human, systemic, and urbanistic response. Via conversations and through digital, video, and screen-based works, this symposium and exhibition looks to raise difficult questions regarding the politics of predictive/automatized software, its architectural and urban impacts, and the aftereffects of recalibrated design agency. Speakers include: Jeff Maki, urban strategist and Joanne McNeil, writer. Videos exhibited by John Szot Studio, Tim Durfee + Ben Hooker, Jenny Rodenhouse.

The Algorithm (métal progressif / electro, France), festival Prog Frog, 31 mars 2017, KIFF, Aarau (Suisse).

 

Photo: Stéphane Gallay, sous licence Creative Commons (CC-BY)

VHS + audio magnetic tape on aluminium H 60cm. W 54cm.

Created with Ultra Fractal.

drawing on canvas with trear physics tendrils using texones creative computing framework which is based on processing

This picture have been generated by Julien Bayle's Electronic Cities art installation at the Gallery Karima Celestin during the UT0PIA exhibition in 2015

The Algorithm @ 170 Russell, Melbourne

April 4th, 2014

 

© Rebecca Houlden 2014

website | facebook | twitter

 

Shot for: Metal Obsession

 

Please do not publish, reproduce, modify or re-post without permission

Delegates learn about risks and opportunities of A.I. relating to the Convention and the OPCW during the Science for Diplomats side event, at the 29th Conference of the States Parties (CSP-29).

Can't really talk about what these are for, but I thought I'd share some new flics

algorithms and data structures...

any further questions?

A generative algorithm using maze generation algorithm.

The graceful bend of this sculpture is shaped by the precise hand of artificial intelligence, blending natural form with digital precision.

Algorithmic composition. A zoomable image can be found here. Unlike what you may think, this image is brightly colored, see this blog post.

 

Algorithmic worlds

Blog

 

Hemina / The Algorithm / Voyager.Voyager - Ghost Mile album launch.Oxford Art Factory, Sydney.2017.05.21

Brooklyn, NY

 

This model is ten times larger than the first aggregation. Abstract concept currently.

'Algorithm'

DP: Satsuki Murashige

Discover the best Data Structure, Algorithms & System Design Online Courses at LogicMojo. Crack the Interview with the best Data Structures, Algorithms and System Design interview questions.

 

www.logicmojo.com/

 

nitiated in 2004, PACT’S yearly interactive symposium impact brings together around 35 artists, practitioners, theoreticians and advanced students in the fields of dance, theatre, performance, visual arts, new media, film, music and architecture for a three day exchange engaging critically with the artistic strategies and working methods of three exceptional guest artists. Each day’s agenda during the exchange is devised and led by one of the guest artists and informed by all the participants.

 

On the evening of informal events the general public is warmly welcome to join us to get an inside view to the work of this year’s invited guests.

 

www.pact-zollverein.de/en/platforms/impact-an-interactive...

 

Pictures by Dirk rose

Glitch/remix of an image from the Prelinger Archives. Part of the series Datascapes: paulhertz.net/works/datascapez.html. In this series, glitch is used a a form of visualization of the image-as-data. Sometimes this obscures all but the essentials of the image, other times it reduces it to information about color distribution, and then sometimes it produces accidents.

An algorithmic image made with Ultrafractal.

 

Visit www.p-gallery.net

Do Algorithms Care? is a collaboration between artist Amanda Bennetts and data scientist Johanna Einsiedler. The project is realized in an installation that mimics a tech store, turning a critical lens on the commercialization of bio-data. Using the duo's open-source DIY smartwatches and interactive data interface, they explore the predictive potential of personal data and machine learning for well-being, inviting viewers to reconsider their relationship with data control and privacy.

 

Photo: Michaela Lamplmayr

"naked / klotz" (2008) is minimal art randomly generated on demand. you can visit the project: www.querzone.de/enter/room2/

 

equipment i used: python, PIL, gnu / linux (debian), beer :)

Are the algorithms of living matter also useful for digital arts? Could they for instance be used in live visual performances? And how? Mediamatic and the Live Performers Meeting invite you for this nerd Biotalk with Federico Corradi, Gianluca Del Gobbo and Timo Dufner. They will give us a glimpse of the potential of nature’s algorithms for digital art and illustrate this with a live audio visual experimental act.

 

www.mediamatic.net/en/algorithms-from-nature

 

Photographer: Chiara Barraco

 

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