View allAll Photos Tagged algorithmic
The Algorithm in the Room
MDP Design Dialogues Symposium + Exhibition with Tim Durfee, Ben Hooker, and Mimi Zeiger
The Algorithm in the Room: An Evening of the Post-Geographic brings together an interdisciplinary group of designers and thinkers to discuss relationships between algorithmic and spatial practices. The algorithm in the room is the unspoken technological subject that reorients our understanding of design outcomes, ethics/politics, and authorship. Yet to concretize the algorithm, to try to peg down its functional uses within design is to misunderstand its potentially slippery (and productive) role as a bad collaborator. Feral and unpredictable, it provokes human, systemic, and urbanistic response. Via conversations and through digital, video, and screen-based works, this symposium and exhibition looks to raise difficult questions regarding the politics of predictive/automatized software, its architectural and urban impacts, and the aftereffects of recalibrated design agency. Speakers include: Jeff Maki, urban strategist and Joanne McNeil, writer. Videos exhibited by John Szot Studio, Tim Durfee + Ben Hooker, Jenny Rodenhouse.
After Facebook's Algorithm Change Devastated Organic Reach, How Are Publishers Coping
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#AfterFacebook'SAlgorithmChangeDevastatedOrganicReachHowArePublishersCoping, #LatestTechnologyNews, #TechNewsWorld, #TechnologyNewsHeadlines, #TechnologyNewsToday, #TechnologyNewsUSA
After Facebook’s Algorithm Change Devastated Organic Reach, How Are Publishers Coping
When Facebook CEO Mark Zuckerberg announced in January that the site’s News Feed algorithm would further emphasize posts from friends and family, publishers that hadn’t diversified across many platforms fa...
drawing on canvas with trear physics tendrils using texones creative computing framework which is based on processing
Artificialisation de la pensée ... #intelligence #artificielle #chatGPT #ordinateur #éduquer #enfant #apprendre #algorithme #collage #visualyon
Audio visualization, image read and written on a Hilbert curve, processed in GlitchSort with FFT, quantization, median filter. Further processing with coloring algorithms.
drawing on canvas with trear physics tendrils using texones creative computing framework which is based on processing
Do Algorithms Care? is a collaboration between artist Amanda Bennetts and data scientist Johanna Einsiedler. The project, realized in an interactive installation that resembles a pristine tech store, offers a critical perspective on the commercialization of personal bio data harvested by devices such as smartwatches and in healthcare industries. Through the use of the duo’s DIY smartwatches and interactive data interface, they delve into the predictive potential of personal data and machine learning for well-being, inviting viewers to reconsider their relationship with data control and privacy.
Photo: martin doersch
drawing on canvas with trear physics tendrils using texones creative computing framework which is based on processing
Do Algorithms Care? is a collaboration between artist Amanda Bennetts and data scientist Johanna Einsiedler. The project, realized in an interactive installation that resembles a pristine tech store, offers a critical perspective on the commercialization of personal bio data harvested by devices such as smartwatches and in healthcare industries. Through the use of the duo’s DIY smartwatches and interactive data interface, they delve into the predictive potential of personal data and machine learning for well-being, inviting viewers to reconsider their relationship with data control and privacy.
Photo showing: Amanda Bennetts and Johanna Einsiedler (from left to right)
Photo: martin doersch
This is a clear plastic cup with heavily faceted sides, laid sideways on the scanner and backed with angled CD-ROMs. The CD-ROMs appear non-circular due to the distortion caused by the scanner horizontally compressing objects that are distant from the surface of the bed. The resulting image has been smoothed to remove dust specks, and had the contrast adaptively increased.
The Algorithm in the Room
MDP Design Dialogues Symposium + Exhibition with Tim Durfee, Ben Hooker, and Mimi Zeiger
The Algorithm in the Room: An Evening of the Post-Geographic brings together an interdisciplinary group of designers and thinkers to discuss relationships between algorithmic and spatial practices. The algorithm in the room is the unspoken technological subject that reorients our understanding of design outcomes, ethics/politics, and authorship. Yet to concretize the algorithm, to try to peg down its functional uses within design is to misunderstand its potentially slippery (and productive) role as a bad collaborator. Feral and unpredictable, it provokes human, systemic, and urbanistic response. Via conversations and through digital, video, and screen-based works, this symposium and exhibition looks to raise difficult questions regarding the politics of predictive/automatized software, its architectural and urban impacts, and the aftereffects of recalibrated design agency. Speakers include: Jeff Maki, urban strategist and Joanne McNeil, writer. Videos exhibited by John Szot Studio, Tim Durfee + Ben Hooker, Jenny Rodenhouse.
A classification is a spatial, temporal or spatio-temporal segmentation of the world. A ‘classification system’ is a set of boxes (metaphorical or literal) into which things can be put in order to then do some kind of work - bureaucratic or knowledge production. In an abstract, ideal sense, a classification system exhibits the following properties:
epl.scu.edu:16080/~gbowker/classification/
Statistical classification is a procedure in which individual items are placed into groups based on quantitative information on one or more characteristics inherent in the items (referred to as traits, variables, characters, etc) and based on a training set of previously labeled items.
Formally, the problem can be stated as follows: given training data produce a classifier which maps an object to its classification label . For example, if the problem is filtering spam, then is some representation of an email and y is either "Spam" or "Non-Spam".
The grenade-tossing toy soldier appears yet again, this time in a Curated article about content algorithms.
Appropriately enough, I used a content algorithm search to discover this image.
Source:
curated-digital.com/content-algorithms-versus-content-wri...