View allAll Photos Tagged algorithmic
How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
Participants at the Bodily Algorithms workshop, 4 April 2011, Ian Potter Sculpture Court.
Hosted by Tim Schork, Charles Anderson and Gideon Obarzanek.
applying wandering algorithm to geometrics piece. yields a nice pattern.
www.underground-flash.com/2012/06/exploring-some-neo-poin...
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More of my artwork can be found in my online portfolio
and some prints are available
Helena Nikonole is a new media artist, independent curator and educator living in Moscow. Her field of interests embraces hybrid art, the new aesthetics, the Internet of Things, and Artificial Intelligence. In her works she explores technology’s potential opportunities, but also potential risks and dangers which techno-evangelists and scientists are not able to realize.
In this way she also conceived her first ever solo exhibition, titled "Contagious Algorithms", presenting her works that use cracks in the system of IP cameras and the Internet of Things.
Using these cracks, Helena Nikonole employs algorithms to generate new meanings and functions of hacked systems, pointing out their shortcomings and revealing how they operate, especially in terms of the amount of data collected by digital devices about their users. These data may be just some digital trash, or maybe have a purpose beyond the usual narrative of the political and marketing manipulation, to us incomprehensible, or perhaps understandable only with the help of divine intervention.
Be sure to visit the exhibition which allows algorithms to show a range of their abilities, from reading and interpreting data to generating new meanings in the form of musical compositions and sacred books.
EXHIBITED WORKS
deus X mchn (media-installation, 2017)
f0rma.suprema (media-installation, 2017 – 2018)
The Other View (media-installation, 2018)
Faces2Voices (Online interactive installation, 2020)
More: drugo-more.hr/en/helena-nikonole/
Photos: Tanja Kanazir / Drugo more
The other ad said, "the algorithm killed Jeeves." so I'm sure it's from some search company... but which one is based in NJ?
I don't know much about algorithms and such, but I'm pretty sure Instagram have adjusted theirs to exclude me from ever again featuring on the 'Popular' page. Back in the day, it would only take 30–40 likes inside ten minutes then I'd be kicking it with Biebs quicker than you could say "Double-tap if you hate Mondays!" Not so nowadays, though. It seems that my constant mocking of the 'Popular' page made it all the way to IGHQ where the boffins blacklisted me. Which is a shame, actually. Because I really miss when random people would comment on my photos asking me to follow them back or check out their feed. Oh well. I suppose I'll just to have to settle for all the Flatterers and Likeaholics that keep stopping by fishing for a follow, instead. Anyway here's a red hot sunset over the beaches.
256 Likes on Instagram
57 Comments on Instagram:
sour_mash: Nice shot Lachlan. But is it as popular as a Starbucks logo? I don't get ig sometimes.
bundaberg: Popular page is a farce, only for kids. I don't even look at it anymore. Nice sunset.
lachlanpayne: @vespa76 Thanks Vespa.
lachlanpayne: Thanks @bundaberg. Agreed.
marcusx: Never cared much for the pop page anyway...I'm satisfied with the genuine followers and friends I attract with my work. Cuts out the bs! One would assume that the IGHQ would consider the insight from a valued user. Twisted.
yvan165: Wow blacklist... I'd never thought of that possibility. But I must disagree with you. If it were true, and assuming IG wants good pics on the Pop Page, all the crappy content posters would be blacklisted! Now THAT's an idea! #PopPageProtest
veehaws: Lol! Hilarious how rant, and live how you introduces the pic
lachlanpayne: #lachlanpayneawesomeamazingphotosbestinstagramereverfollowmenow
L’École de design et sa plateforme dédiée à la culture numérique READi Design Lab renouvelle son soutien à l’événement phare de l’économie numérique à Nantes (3-5 juin 2015) avec l’organisation de deux séries de conférences animées par ses anciens : Pierrick Thébault (Lead Designer AXA) sur la conception de services à l’ère des algorithmes prédictifs, Inès Le Bihan et Valentin Gauffre sur la French touch dans le design des objets connectés.
Une programmation de pointe pour une édition à vocation internationale.
Our son Adam Florin gave a fascinating talk about generative music at Algorithmic Art Assembly, hosted by Gray Area Art + Technology. He started with a quick demo of Patter, his music composition software, then took us on an illuminating journey through the many people and ideas which inspired him to create his cool freeform generative sequencer.
Brian Eno, who coined the phrase “generative music”, recently likened it to gardening -- but the material practice is just as much rooted in centuries of formal aesthetics, predictive statistics and industrial automation. How can we negotiate the tension between organic and and the mechanical in the algorithmic arts?
Adam has created some amazing digital tools and art exhibits in that space. It was great to hear what he's learned in this fascinating field, exploring the intersection of human and machine creativity. And to top it off, he gave this talk on his birthday, which was the best present of all!
Watch video highlights:
View more photos:
www.flickr.com/photos/fabola/albums/72157677379327027
Learn about Patter:
adamflorin.work/projects/patter/
Learn about Algorithmic Arts:
#AlgorithmicArtAssembly #GrayArea
Learning Automated and Algorithmic trading course with Python our courses are designed for traders, programmers and non programmers to train them into quantitative or algorithmic trading.
plot (0,&.>0.3+*:0.5+-:-:>:i:1j250) gnpdf&><i:3j100
NB. where
NB.* gnpdf: general normal probabililty distribution
gnpdf=: 13 : '(^-(+:*:1{x)%~*:y-0{x)%(1{x)*%:o. 2'
3:00 pm - 3:50 pm
Koch Tent
Seth Berkley, Lizzie Dorfman, Jay Komarneni
Moderator: Alan Weil
Property of the Aspen Institute / Photo Credit: Riccardo Savi
Algorithmic tiling pattern generated with an L-system in Processing, random pruning of branches. No editing beyond hiding some layers. Algorithmically-generated colors.
Helena Nikonole is a new media artist, independent curator and educator living in Moscow. Her field of interests embraces hybrid art, the new aesthetics, the Internet of Things, and Artificial Intelligence. In her works she explores technology’s potential opportunities, but also potential risks and dangers which techno-evangelists and scientists are not able to realize.
In this way she also conceived her first ever solo exhibition, titled "Contagious Algorithms", presenting her works that use cracks in the system of IP cameras and the Internet of Things.
Using these cracks, Helena Nikonole employs algorithms to generate new meanings and functions of hacked systems, pointing out their shortcomings and revealing how they operate, especially in terms of the amount of data collected by digital devices about their users. These data may be just some digital trash, or maybe have a purpose beyond the usual narrative of the political and marketing manipulation, to us incomprehensible, or perhaps understandable only with the help of divine intervention.
Be sure to visit the exhibition which allows algorithms to show a range of their abilities, from reading and interpreting data to generating new meanings in the form of musical compositions and sacred books.
EXHIBITED WORKS
deus X mchn (media-installation, 2017)
f0rma.suprema (media-installation, 2017 – 2018)
The Other View (media-installation, 2018)
Faces2Voices (Online interactive installation, 2020)
More: drugo-more.hr/en/helena-nikonole/
Photos: Tanja Kanazir / Drugo more