View allAll Photos Tagged algorithmic
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Algorithmically generated image created entirely from random numbers run through mathematical equations.
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Algorithmes Sérigraphiques
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Test image for the workshop. Three 'A''s generated in Processing with varying contour widths. From this we printed with different colours on a white and black T-Shirt to get an idea of the results. One of the main limitations of silkscreen printing is of course colour but also line width and therefore overall definition of the drawing.
More to come...
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A week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
Remix of a public domain image modified with interrupted pixel sorting, channel swapping, and degrading with low quality JPEG encoding.
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This is one of the eggs taking part in The Big Egg Hunt on the streets of London, 2012. Visit my Big Egg Hunt page for more details.
Do you need to know the location of this egg or the associated text code? Check out my Big Egg Hunt Map for details on where it is and what the code is.
A big number of audiences online nowadays is mainly algorithms. Algorithms are trained on the auditory information that is produced and uploaded by humans. In *Not allowed for algorithmic audiences*, a digital assistant situated in an Athenian apartment exhibits an odd behavior. They borrow an avatar and for seven consecutive days before they end up in an e-waste dump, they hold seven monologues introducing themselves and their skills, their ancestors, their anatomy and their origins, and talking about voice and its significance. They reveal data on the listening infrastructures as well as the bias inherent in their programming. Just before they reach the end of their monologues, in a final effort to reconcile humans and machines, they share tips with humans on how they can manage…not to be heard by algorithms.
Credits
This artwork was developed within the framework of the Ars Electronica ArtScience Residency enabled by Art Collection Deutsche Telekom in partnership with Johannes Kepler University Linz. Part of the Art Collection Telekom.
kyriakigoni.com/projects/not-allowed-for-algorithmic-audi...
How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
Find out the definition, examples and unlimited fun math problems related with Algorithm for kids at
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Algorithmes Sérigraphiques
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Test image for the workshop. Three 'A''s generated in Processing with varying contour widths. From this we printed with different colours on a white and black T-Shirt to get an idea of the results. One of the main limitations of silkscreen printing is of course colour but also line width and therefore overall definition of the drawing.
More to come...
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A week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
Our son Adam Florin gave a fascinating talk about generative music at Algorithmic Art Assembly, hosted by Gray Area Art + Technology. He started with a quick demo of Patter, his music composition software, then took us on an illuminating journey through the many people and ideas which inspired him to create his cool freeform generative sequencer.
Brian Eno, who coined the phrase “generative music”, recently likened it to gardening -- but the material practice is just as much rooted in centuries of formal aesthetics, predictive statistics and industrial automation. How can we negotiate the tension between organic and and the mechanical in the algorithmic arts?
Adam has created some amazing digital tools and art exhibits in that space. It was great to hear what he's learned in this fascinating field, exploring the intersection of human and machine creativity. And to top it off, he gave this talk on his birthday, which was the best present of all!
Watch video highlights:
View more photos:
www.flickr.com/photos/fabola/albums/72157677379327027
Learn about Patter:
adamflorin.work/projects/patter/
Learn about Algorithmic Arts:
#AlgorithmicArtAssembly #GrayArea
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
From an original image published by NASA, see eoimages.gsfc.nasa.gov/images/imagerecords/51000/51305/ST... and earthobservatory.nasa.gov/IOTD/view.php?id=51305. Pixel-sorted by saturation, hue and brightness, in that order, vertically.
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Algorithmes Sérigraphiques
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Test image for the workshop. Three 'A''s generated in Processing with varying contour widths. From this we printed with different colours on a white and black T-Shirt to get an idea of the results. One of the main limitations of silkscreen printing is of course colour but also line width and therefore overall definition of the drawing.
More to come...
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A week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
A collaboration with onformative.com. A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
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Algorithmes Sérigraphiques
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Day 4 and we have started printing, yeah !
Algorithmes Sérigraphiques is a week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
This is the end result of a drawing that orginated on a wall, transcribed to a notebook, shape shifted, recalculated and exported to canvas in acrylic.
You can read more about the construction of this here:
Ich hab nun mal meine iPhone-Tracking-Daten visualisiert und dabei einen neuen Algorithmus probiert, der die Multiskalen-Aspekte besser berücksichtigt.
Im Kern werden die einzelnen Punkte in einem 2D-Array aufakkumuliert und dann weichgezeichnet. Dabei wird aber kein Gaußscher Weichzeichner verwendet (exp(-r^2)), der lokale Eigenschaften verschmiert, sondern kleine "Singularitäten" der Form 1/(r^2). Damit Nullwerte kein Problem sind, verwende ich die Weiterentwicklung (r+1)^-2.
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Algorithmes Sérigraphiques
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Test image for the workshop. Three 'A''s generated in Processing with varying contour widths. From this we printed with different colours on a white and black T-Shirt to get an idea of the results. One of the main limitations of silkscreen printing is of course colour but also line width and therefore overall definition of the drawing.
More to come...
******************************
A week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
1988. Extracted from the Intellectual Capital Mines in Switzerland. On the way to the Raw Knowledge Distillery.
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Algorithmes Sérigraphiques
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Algorithmes Sérigraphiques is a week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
Keynote address by David Woodruff (Carnegie Mellon University): algo2017.ac.tuwien.ac.at/keynote-speakers/
ALGO 2017 hosted by Algorithms and Complexity Group of TU Wien, 4-8 September. Official photography: Nadja Meister. The photos have been released under CC0.
Our son Adam Florin gave a fascinating talk about generative music at Algorithmic Art Assembly, hosted by Gray Area Art + Technology. He started with a quick demo of Patter, his music composition software, then took us on an illuminating journey through the many people and ideas which inspired him to create his cool freeform generative sequencer.
Brian Eno, who coined the phrase “generative music”, recently likened it to gardening -- but the material practice is just as much rooted in centuries of formal aesthetics, predictive statistics and industrial automation. How can we negotiate the tension between organic and and the mechanical in the algorithmic arts?
Adam has created some amazing digital tools and art exhibits in that space. It was great to hear what he's learned in this fascinating field, exploring the intersection of human and machine creativity. And to top it off, he gave this talk on his birthday, which was the best present of all!
Watch video highlights:
View more photos:
www.flickr.com/photos/fabola/albums/72157677379327027
Learn about Patter:
adamflorin.work/projects/patter/
Learn about Algorithmic Arts:
#AlgorithmicArtAssembly #GrayArea
Pour éclairer ces questions, France Stratégie organise avec l’EHESS et Inria un cycle de débats mensuels Mutations technologiques, mutations sociales. La séance « Algorithmes, libertés et responsabilités », a été introduite par Daniel Le Métayer, directeur de recherche Inria, et Antoinette Rouvroy, chercheuse qualifiée du FNRS au Centre de recherche en information, droit et société (CRIDS), à l’Université de Namur.
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