This is the resulting mesh about 70% complete. You cannony see the back side of the polygons on the inside due to back-face culling.

Algorithmic trading là gì?Điểm mạnh và hạn chế của algorithmic trading là gì? chi tiết tại:

forexno1.net/algorithmic-trading-la-gi/

Hastag: #exness #sanexness #algorithmictradinglagi #algorithmictrading

Experiments in edge-finding

An HDR version of the previous image, albeit overdone to the point of absurdity.

Playing around with the Open Source Qtpfsgui tool.

Photo credits: Anneli Nygårds

Again, pdtam is applied to the result before to get the next picture: this convergence takes a little longer than the previous one but is rather abrupt for the odd-numbered variant of the pair. Picture pairs following the last one are very similar.

Experiments with repulsive and attractive entities

Coded Matter(s) #10: Algorithmic Wildlife. www.codedmatters.nl.

Algorithm

Coded Matter(s) #10: Algorithmic Wildlife. www.codedmatters.nl.

Algorithmic Missile Ensemble

Complex polynomial reflection symmetry x4 - 3D effect

The Algorithm in the Room

MDP Design Dialogues Symposium + Exhibition with Tim Durfee, Ben Hooker, and Mimi Zeiger

The Algorithm in the Room: An Evening of the Post-Geographic brings together an interdisciplinary group of designers and thinkers to discuss relationships between algorithmic and spatial practices. The algorithm in the room is the unspoken technological subject that reorients our understanding of design outcomes, ethics/politics, and authorship. Yet to concretize the algorithm, to try to peg down its functional uses within design is to misunderstand its potentially slippery (and productive) role as a bad collaborator. Feral and unpredictable, it provokes human, systemic, and urbanistic response. Via conversations and through digital, video, and screen-based works, this symposium and exhibition looks to raise difficult questions regarding the politics of predictive/automatized software, its architectural and urban impacts, and the aftereffects of recalibrated design agency. Speakers include: Jeff Maki, urban strategist and Joanne McNeil, writer. Videos exhibited by John Szot Studio, Tim Durfee + Ben Hooker, Jenny Rodenhouse.

drawing on canvas with trear physics tendrils using texones creative computing framework which is based on processing

Euroblast 2017

Day 1 // 29th Oktober

Essigfabrik // Cologne, Germany

After Facebook's Algorithm Change Devastated Organic Reach, How Are Publishers Coping

www.biphoo.com/bipnews/technology/facebooks-algorithm-cha...

www.biphoo.com/bipnews/wp-content/uploads/2018/03/faceboo...

#AfterFacebook'SAlgorithmChangeDevastatedOrganicReachHowArePublishersCoping, #LatestTechnologyNews, #TechNewsWorld, #TechnologyNewsHeadlines, #TechnologyNewsToday, #TechnologyNewsUSA

After Facebook’s Algorithm Change Devastated Organic Reach, How Are Publishers Coping

When Facebook CEO Mark Zuckerberg announced in January that the site’s News Feed algorithm would further emphasize posts from friends and family, publishers that hadn’t diversified across many platforms fa...

Image generated by mapping an audio signal to RGB channels along a space-filling curve. Three low-frequency signals produced by using an FFT as a bandpass filter were written to each channel. The ratios between the signals were those of a major triad in just intonation (1, 5:4, 3:2). The signals were stepped through a chromatic scale, yielding seven useful images (some did not yield the desired range of colors). The seven images were processed further using statistical functions.

Homage to the Square, 5471.75 Hz (3)

Leoncinho

Initial pattern folded four times.

Complex iterated polynomial, etc. gives 3-D effect and negative space.

drawing on canvas with trear physics tendrils using texones creative computing framework which is based on processing

Complex polynomial combos

Experiments with repulsive and attractive entities

Artificialisation de la pensée ... #intelligence #artificielle #chatGPT #ordinateur #éduquer #enfant #apprendre #algorithme #collage #visualyon

Audio visualization, image read and written on a Hilbert curve, processed in GlitchSort with FFT, quantization, median filter. Further processing with coloring algorithms.

Do Algorithms Care? is a collaboration between artist Amanda Bennetts and data scientist Johanna Einsiedler. The project, realized in an interactive installation that resembles a pristine tech store, offers a critical perspective on the commercialization of personal bio data harvested by devices such as smartwatches and in healthcare industries. Through the use of the duo’s DIY smartwatches and interactive data interface, they delve into the predictive potential of personal data and machine learning for well-being, inviting viewers to reconsider their relationship with data control and privacy.

Photo showing: Amanda Bennetts and Johanna Einsiedler (from left to right)

Photo: martin doersch

Coded Matter(s) #10: Algorithmic Wildlife. www.codedmatters.nl.

Do Algorithms Care? is a collaboration between artist Amanda Bennetts and data scientist Johanna Einsiedler. The project, realized in an interactive installation that resembles a pristine tech store, offers a critical perspective on the commercialization of personal bio data harvested by devices such as smartwatches and in healthcare industries. Through the use of the duo’s DIY smartwatches and interactive data interface, they delve into the predictive potential of personal data and machine learning for well-being, inviting viewers to reconsider their relationship with data control and privacy.

Photo: martin doersch