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From a suite of 128 transforms of a concentric circle pattern, following a space-filling curve (Hilbert curve).

Do Algorithms Care? is a collaboration between artist Amanda Bennetts and data scientist Johanna Einsiedler. The project, realized in an interactive installation that resembles a pristine tech store, offers a critical perspective on the commercialization of personal bio data harvested by devices such as smartwatches and in healthcare industries. Through the use of the duo’s DIY smartwatches and interactive data interface, they delve into the predictive potential of personal data and machine learning for well-being, inviting viewers to reconsider their relationship with data control and privacy.

 

Photo: martin doersch

Capture d’écran 2022-02-20 164304

Adapted from www.flickr.com/photos/alaig/2342592936/

 

High pass filtered image to generate the lines, combined with a low level threshold to create the shadows, and all colorized to a sepia tone, because it's G's image :)

Damage Festival - Cabaret Sauvage - Paris

Changing simple cartesian grid coordinates into polar representatiion, then adding the distance to the angle cubed.

Algorithmically generated art in CMYK color space. I finished this piece on Sep. 1, 2018.

Who associates the campaign with Google? A lot more people than you think.

drawing on canvas with trear physics tendrils using texones creative computing framework which is based on processing

From a suite of 128 transforms of a concentric circle pattern, following a space-filling curve (Hilbert curve).

file: arcos_test341_0a

Flood fill algorithm working on a fractal substrate created by mapping audio signals to a space-filling curve.

From a suite of 128 transforms of a concentric circle pattern, following a space-filling curve (Hilbert curve).

From a suite of 128 transforms of a concentric circle pattern, following a space-filling curve (Hilbert curve).

Celebrating by burning a tech paper of the class I despised in graduate school (Analysis of Algorithms). The professor would sit in front of the class, reading verbatim from his book. Ugh. Taken in 1997 right before I moved back to California, I believe...

drawing on canvas with trear physics tendrils using texones creative computing framework which is based on processing

drawing on canvas with trear physics tendrils using texones creative computing framework which is based on processing

drawing on canvas with trear physics tendrils using texones creative computing framework which is based on processing

caterpillar's traces

caterpillar's traces

Experiments with repulsive and attractive entities

file: improv_006n_32x32on2048_1

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