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Participants during the Session: "Algorithms Make the World Go Round ? or Wrong" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek
Participants at the Bodily Algorithms workshop, 4 April 2011, Ian Potter Sculpture Court.
Hosted by Tim Schork, Charles Anderson and Gideon Obarzanek.
Modular System
This is a part of generating process "point(0D)>branch(1D)>shape(2D)>piece(3D)" to 1,808 pieces.
"Open (Re)source Furniture"
From a suite of 128 transforms of a concentric circle pattern, following a space-filling curve (Hilbert curve).
One of the first rules of making your photos findable on the web and on Flickr in particular, they say, is tag them with as many descriptive terms as you can apply. One of my most seen pictures according to Flickr stats is this one, an old shot of a small boy losing it at a wedding. Aww, cute. Apparently a lot of people search for 'child crying' or even just 'crying'. Throughout the several years the photo has been on Flickr it has only had a couple of tags, 'child' and 'crying', a repetition of the title.
So I thought perhaps it was about time I enhanced its appeal by adding a few more tags. Toddler, boy, sad, emotion, wedding, tears, unhappy, curly, cute, all those kind of things. Surely that would boost views even further? People searching for things other than 'child crying' would find it - 'unhappy child', 'toddler crying', 'boy crying', 'curly haired boy', 'sad child', etc.
As you can see from the stats above, during the time it had multiple tags, between 11 and 21 May 2017 the views dropped off almost to nothing. As soon as I deleted the new tags the views shot up again. Go figure.
Dreamfishing: Abandon, Poppies, Lighthouse, Bedroom (version 2)
Tech Note: Fish for images from U.S. Govt public database using random terms from a dream book, do glitchy compositing using weighted difference masks, run statistical operations in post, colorize. #glitch #noise #chance #statistical #compost #composite #algorithmic #generative #creativecoding #codeart made w #Processing #Java #FFT #pixelsorting #JPEG artifacts
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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Algorithmes Sérigraphiques
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Day 4 and we have started printing, yeah !
Algorithmes Sérigraphiques is a week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
Note: This is the way i do it, i don't care if that's not the exact way to make the carbonara. It's my mom's way! :D
Call it "personalized carbonara"!
Ingredients:
2 uova
Panna da cucina (poca)
Un filo d'olio d'oliva
Pepe q.b.
Spaghetti
Pancetta (2 "confezioni" :P )
Making-of:
Pancetta a cubetti, soffriggi (in pentola senza olio lasciandola un po' indietro).
Metti olio in pancetta e dopo poco spegni.
A parte nella pirofila sbatti 2 uova intere possibilmente rosse, panna da cucina poca, grana grattuggiato.
Pepe a piacere (nella pirofila).
Cuoci spaghetti, a quasi fine cottura butta pasta nella pentola con la pancetta rosolata (la pancetta deve essere calda) e mescola per 1 min ca. la pasta nella pancetta in modo che la pasta prenda sapore mescolando sempre!
Infine butta pasta+pancetta nella pirofila e amalgama il tutto velocemente.
Le uova si cuoceranno da sole col caldo della pasta.
ALGO 2017 hosted by Algorithms and Complexity Group of TU Wien, 4-8 September. Official photography: Nadja Meister. The photos have been released under CC BY 4.0.
ALGO 2017 hosted by Algorithms and Complexity Group of TU Wien, 4-8 September. Official photography: Nadja Meister. The photos have been released under CC BY 4.0.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
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www.saatchiart.com/celestialart
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www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
This project is part of the Open Futurelab Exhibition 2020.
As Key Researcher on Algorithmic Apperception, Otto Naderer realises projects with an emphasis on enabling machines’ sense and interpreting their surroundings. In today’s Inside Futurelab segment, he will be speaking about his research and Algorithmic Apperception. Physical space is something merely exclusively entitled to humans. It is where we walk, explore, engage with others. How we utilize space, how we interact, where we stand transports a lot about feelings, mood, intimacy (s. Proxemics). Algorithmic Apperception investigates ways to admit artificial systems into this space. It is the ambition to enable machines to not only sense their environment but make sense of it.
For further information please visit:
ars.electronica.art/homedelivery/en/inside-futurelab-algo...
Credit: tom mesic
"The Algorithm and the Park" is the title of the Ars Electronica Garden in Athens by Onassis Stegi (GR).
Onassis Stegi participates in the digital Ars Electronica Festival for a second year, with the program “The Algorithm and the Park”, presenting highlights from the You and AI: Through the Algorithmic Lens festival, which took place from June 24 to July 25, 2021.
The You & AI festival centered on a physical exhibition at Pedion tou Areos park in Athens, which will be presented at Ars Electronica Garden Athens through a short documentary. The exhibition staged 25 international works, within an artificially natural public space, and was complemented by online conferences on AI, ethics and art.
Public spaces define a city’s psyche. They constitute the embodiment of collective experiences; they are reflections of a city’s polity and politics; they echo its socio-economic relationships; they contain our common dreams, feelings, and ambitions; they are the material the polis is made of. In an algorithmic era, the physical public space is increasingly intertwined with -when it is not devoured by- the algorithmic public space. It aims at bringing all these issues, lurking in the background of our urban lives, to the frontstage of civic life.
By bringing the Algorithm in the Park, we pose the question of what the boundaries of post-human subjectivity are: who are we and how do we position ourselves in an infinitely re-morphed-by-AI world? Is there a new deal, a new social contract that is being tacitly formed between humans and non-humans? Staged at Campus Martius (Pedion tou Areos), a metaphor for the constant conflict between different forms of identity, subjectivity, and collective experience, the “You and AI” exhibition poses and invites you to contemplate on fundamental existential questions for the post-human experience.
Credits: Stelios Tzetzias
ALGO 2017 hosted by Algorithms and Complexity Group of TU Wien, 4-8 September. Official photography: Nadja Meister. The photos have been released under CC BY 4.0.
Make a random cellular automaton with 8 states (r, g, and b on or off). Initialize everything to 7, except the left and right are 0. Watch the randomness roll in from the sides.
Participants during the Session: "Algorithms Make the World Go Round ? or Wrong" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
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Visit my portfolio sites:
www.saatchiart.com/celestialart
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www.etsy.com/shop/EasternAccentsArt
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Eric Schurenberg (Amplify Publishing Group), Angelika Sharygina (Techfugees), Michael Richards (U.S. Chamber of Commerce), Sean O hEigeartaigh (AI: Futures and Responsibility Programme)
Dave Small put way too much effort into this diagram for it to not be preserved. Cheers, Dave!
Rows are item IDs, columns are knapsack weights. Red lines signify that we have not improved on the previous weight/value combination, while green signifies the opposite.
Item A has weight 3 and value 14
Item B has weight 6 and value 30
Item C has weight 4 and value 17
Item D has weight 2 and value 9
For more information on the 0/1 Knapsack Problem and Dynamic Programming, look on Wikipedia, among other places.
ALGO 2017 hosted by Algorithms and Complexity Group of TU Wien, 4-8 September. Official photography: Nadja Meister. The photos have been released under CC BY 4.0.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr search results. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment.
My websites:
Visit my portfolio sites:
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
******************************
Algorithmes Sérigraphiques
******************************
Day 4 and we have started printing, yeah !
Algorithmes Sérigraphiques is a week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/