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This is what the surgical cart looks like after a hysterectomy surgery. Vaginal surgery is an intricate process, but it is not at all gentle.
Aftermath
09 February 2013 -- 40/365
North Providence, Rhode Island
There was still a light snow falling when I set out for some photos this morning. I walked a 2.5 mile loop from my house, capturing scenes along the way. Only 2 of the streets were plowed, so it was a challenging workout. Unofficially, we got about 20 inches of snow. It's hard to judge since there were some very deep drifts, but that was about the consistent depth I saw as folks shoveled their walks. We lost power at 8:09 PM last night, and it was finally restored at 6:10 tonight. The temperature was dropping fast, and the forecast was for single digits tonight, so the folks still without power are in for a very cold evening.
Today's photo shows someone on Smithfield Road using a snowblower to clear his driveway. The snow is almost up to his waist, so that should give you some idea as to what fell overnight. I was asked by several younger folks along the way if this storm was worse than the Blizzard of '78. My answer was a consistent "absolutely not." In '78, it snowed for 36 hours, dropping between 29 and 40 inches of snow throughout the state. Plus, it was HEAVY snow! It took me three days to clear my driveway in '78 because it was like shoveling concrete. The one difference, though, is that we never lost power in '78. Losing power in every storm is a new phenomenon here, and is directly tied to the acquisition of Narragansett Electric by National Grid. Service has declined and rates have continued to spiral upward to the point where we now have the second highest power costs in the nation. (Only Southern California has higher costs according to a properties study we recently completed.)
Post processing started with a classic filter in Topaz B&W FX. I adjusted color sensitivity sliders followed by adaptive exposure, regions, boost black, boost white, protect highlights, and contrast. A sepia photo filter was added in PSE.
A calm morning after the stormy weather of the previous few day's. Dawlish, South Devon, 5.33am, 8 July 2012.
My new LEGO Agents film has been released. Follow the link to see it! www.youtube.com/watch?v=1LRtErXAI2g
While considerably tamer than the other photos I recently uploaded, this photoshoot made me fall in love with these guys all over again.
Christmas Day aftermath :)
I typically upload in small sets - don't just look at the latest one in my photostream as you might be missing something you'll like more.... and your comments are ALWAYS welcome :)
© All rights reserved. John Krzesinski, 2009.
For High Quality (HQ) Option Go To:
www.youtube.com/watch?v=MnXjjG-un7E
The goal of this project was to to create one long shot showing the aftermath of a horror fight scene. Rather than shooting video I have created 28 cylindrical panoramics + 30 extra exposures from over 300 separate exposures and have blended the images together to create a movie using computer camera motion. The benefits to this technique are that I can affordably shoot the appearance of video at the quality of 10mega-pixles for every still while bringing cylindrical panoramics to motion, something that a video camera cannot do. Since the human eye is incapable of viewing all of what it is capable of capturing (while using the panning of the neck) in one singular image, this technique is able to bring the viewer something mirroring reality from an unexperienced perspective. For the actual story in this long continuous shot I took the exposures at Belchertown State School which is an abandoned mental institution in Western Massachusetts...a good set for a horror experimental film.
Camera: Canon Digital Rebel EOS XTi
Lens: EF-S18-55mm-f/3.5-5.6
"It doesn't matter what you do...so long as you change something
from the way it was before you touched it into something that's
like you after you take your hands away."
— Ray Bradbury
Art installation of mixed media by Nakhon Si Thammarat (Thailand) exhibit at the Singapore Art Museum during the Singapore Biennale 2016.
On our way home from work, my coworker and I spotted the removal of some of the debris from a train/semi accident just a couple blocks from our workplace.
AM-printed rounds like this one were fired from the 3-D printed launcher at indoor ranges and outdoor facilities. Fifteen test shots did not produce any signs of degradation, and the rounds’ muzzle velocities were within 5 percent of the velocities achieved by standard launchers. (U.S. Army photo by Sunny Burns, ARDEC)
My favorite shoes. And favorite skirt, actually.
Good concert on crispy cold October night in Philly. Good times.
Our living room on Christmas morning, after the paper-tearing was done.
Look in the windows, on the left, and you can tell how I shot this. One light is beind the tree pushing light onto the ceiling; another light is on-camera also pushing light into ceiling. This raises the ambient light of the room considerably and it's pretty easy to have a well-lit scene. Of course, the plentiful distortion comes from shooting with an ultrawide lens -- 15 mm (in 35 mm terms)!