View allAll Photos Tagged adoxsilvermax100
"Warning: this is protected by an attack cat"
Pentax K1000 -
Silvermax 100 -
Rodinal 1:50 -
Effet "boardwalk" [Aviary]
am Starnberger See.
Photo taken on ADOX SILVERMAX 100 with CONTAX ARIA and CARL ZEISS Lens DISTAGON 2,8/28 mm
186b_074 slide
Some people say I'm a bit "odd" because I take photos of mundane things. But somehow the everyday is interesting.
Nikon F6, Nikkor 20mm f2.8 using Adox Silvermax 100.
Taken with Praktica BC1 electronic with Prakticar 1:1,8 f=50mm lens on Adox Silvermax 100 (at 200).
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Developed in Adox SIlvermax Developer, 1+56 for 24 min.
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Scanner: Epson Perfection V3
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Taken in Brno, Czech Republic.
By the opening of a retrospective of Louise Bourgeois at the Museum of the "Garage" in Gorky Park was established in the form of a spider sculpture created by the artist. As part of a special program of the 6th Moscow Biennale of Contemporary Art Museum "Garage"
Nine-meter sculpture Maman (1999), depicting a giant spider, was created 88 years Bourgeois specifically for opening the Turbine Hall of Tate Modern; in 2001, one of the copies of the sculpture traveled to the Hermitage, where the lifetime retrospective of Bourgeois.
Variations on a theme «...with a film across Moscow»
Photo from series: «Just Moscow»
Camera: Kodak S1100 XL
Film: Adox Silvermax 100
Photo taken: 31/10/2015
Scanner: Epson Stylus Photo RX500
I almost didn't post this photo, but it shows off aspects of the car not visible in any of the other photographs I took of it.
2013-07 Adox SilverMax 100 i18
Camera: Pentax MX
Lens: SMC Takumar 55mm f/1.8
Film: Adox Silvermax 100
Developer: Kodak HC-110 Dilution B @ 21.0C for 6:15 minutes.
Scanner: Epson V850
Catalog ID: 2017-065
Fantasy on the theme of street art «Funeral repast on the Tarkovsky's House»
RIA Novosti: Street artist «Zoom» wanting to draw the attention of the authorities and citizens to the protracted reconstruction of the house of Andrei Tarkovsky, established in Moscow art installation on the place where the famous Director lived for 28 years.
House in the 1st Schipkovsky Lane was demolished in 2004, in its place, first dug and then filled pit. Now, the house - fenced vacant lot. Reconstruction work at the same time promised to finish in October 2015. Installing the «Funeral repast on the Tarkovsky's House» two-by-two meters installed in a vacant lot and is a group of the main characters of the film "Stalker", gathered at the bar table and carefully looking at passers-by.
Variations on a theme «...with a film across Moscow»
Photo from series: «Just Moscow»
Camera: Kodak S1100 XL
Film: Adox Silvermax 100
Photo taken: 21/11/2015
Scanner: Epson Stylus Photo RX500
Donauwörth.
Photo taken on ADOX SILVERMAX 100 with CONTAX ARIA and CARL ZEISS Lens DISTAGON 2,8/28 mm
187a_012 slide
Building Detail Abandoned Trading Post East of Albuquerque.
Nikon F2AS, Micro-Nikkor 55mm f3.5Ai, Adox Silvermax 100 @ ISO 125.
Processed in HC110/Rodinal 1:100, semi-stand.
Taken with Minolta Hi-Matic G (with blue filter) on Adox Silvermax 100 (at 200).
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Developed in Adox SIlvermax Developer, 1+29 for 11 min.
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Scanner: Epson Perfection V3
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Taken in Brno, Czech Republic.
Taken with Voigtländer Vitoret on Adox Silvermax 100 (at 200).
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Developed in Adox SIlvermax Developer, 1+29 for 11 min.
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Scanner: Epson Perfection V3
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Taken in Brno, Czech Republic.
"Albuquerque Auto Show" May 21, 2017.
Nikon F6, Nikkor 24-80mm f3.5-4.5G ED using Adox Silvermax 100. Developed in Rodinal, semi-stand.
I enjoy any event that features old cars, truck, and yes, motor cycles. And I was quite pleased how well the film handled the high contrast lighting that a cloudless New Mexico day provides.
Start of Roll 1 - Adox Silvermax 100 / Yashica Electro 35 GT
I always love the half start and end frames of my 35mm film strips - so much more we can do with it. don't throw them away.
"Albuquerque Auto Show" May 21, 2017.
Nikon F6, Nikkor 24-80mm f3.5-4.5G ED using Adox Silvermax 100. Developed in Rodinal, semi-stand.
I enjoy any event that features old cars, truck, and yes, motor cycles. And I was quite pleased how well the film handled the high contrast lighting that a cloudless New Mexico day provides.