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El adobe es una pieza para construcción hecha de una masa de barro (arcilla y arena) mezclada con paja, moldeada en forma de ladrillo compacto y secada al sol; con ellos se construyen paredes y muros de variadas, casas, palomares y edificaciones.
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These are the new icons of Adobe's CS3. Let's annotate and guess all the apps. Once we're done we'll get LOTS of christmas presents!
Adobe have released a new feature this week, AI Denoise, for Lightroom Classic. It's a one step feature for removing noise from images shot at at high ISO's. I was a a bit dubious at first, but after testing it out I'm blown away by the resulting image.
I shot the left hand image in total darkness at ISO Hi 2.0, which is ISO 102400. The right hand image is how AI Denoise processed the image, as you can see the results are incredible.
Film: Kodak Ektar 100
Camera: Nikon N80
Developed by Dwayne’s Photo
Scanned Epson V600 Edited in Adobe Elements 10
20150625CN-253
Takin' a group selfie.
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This one was tricky. The idea was to get a POV shot of someone taking a group selfie. Of course, keeping with my theme, that meant it was a group of all me.
This was shot both with the front-facing camera on my iPhoneX and with a 50mm lens on my Nikon D750.
The group selfie was 7 images (clear backdrop and 6 clones) shot with the iPhone's front-facing selfie cam, while the iPhone itself was mounted on a tripod. I had two LED panels in softboxes to provide reasonable light (and to help minimize the shadows I'd need to create in post.)
I then positioned the Nikon on another tripod, wide aperture, focused on the phone, with the Nikon positioned roughly where the head of the clone holding the phone would be and looking toward the phone. I shot the phone with just the camera app's overlays on a black background, a second shot with my arm holding the phone, then removed the phone and tripod from the shot to shoot a backplate with bathrobe guy ("Existential Crisis Dad", per my daughter.)
Composited the selfie shots into a group selfie in Photoshop first. The final composite started with the arm, phone, and backdrop. Inserted the first composite "behind" the controls and overlays on the phone, mirrored to match what you'd see on the phone, et voila!
Basic corrections in Lightroom Classic; compositing in Adobe Photoshop 2021, with a bit of help from Topaz Mask AI.
I was asked to illustrate several of CC's Learn tutorials. This one focuses on Creating a site in Adobe Muse. See and learn more here: tadcarpenter.com/2014/07/adobe-creative-cloud-learn/
I should have given the film a bit more speed or a bit longer in the second developer bath. But you know I'm okay with this dark moody look and feel. I took a bit of work in post processing to get some details out, but overall, it looks like Tech Pan!
Minolta Maxxum 9 - Minolta Maxxum AF 20mm 1:2.8 - Kodak Technical Pan @ ASA-80
Diafine (Stock) 3:00 + 0:45 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC