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Having just nailed this fish by the tail, this Caspian Tern adjusts it in mid-air for trasport to the nest.
We got a new machine at work this week. It is huge and loaded with cool gears, hoses and pinchy things. Cool.
This adjustable height desk can be used in the siitting or standing position. Find out more: www.simplifiedbuilding.com/blog/adjustable-height-sitting...
I dropped the saturation and vibrance on all the picture and used the local adjustment to let the lamps have light.
Grind: Extra Fine (Average Circles & Effect: Auto Adjust), Brew: Circles (No Pic & Full Blended Circles), Serve: Stirred (Clear Tone & Paper Cup Texture)
Seen at Melbourne GreazeFest 2014 Rockabilly Festival. Made from 3 RAW images (Exp -2, 0 +2), Photmatix and Topaz Adjust.
A home made fixture from the 80's helps position the mount in the appropriate place.
I built this frame a few years ago. It's in for a repaint and the owner wanted a braze on mount added.
The frame will be on the alignment table after this, then into the paint room.
This adjustable height desk can be used in the siitting or standing position. Find out more: www.simplifiedbuilding.com/blog/adjustable-height-sitting...
The bridesmaids help the bride adjust her veil.
Check out their blog post at: www.terradawnblog.com/?p=350
If you use my images for anything, please link back to my blog, website or flickr stream! And drop me a note as well!! I love seeing my work out there!
Website: www.terradawn.com
Blog: www.terradawnblog.com
Twitter: www.twitter.com/terradawn
The engineer and fireman for 475 appear to be adjusting the whistle during a lunch break at the Strasburg station. I say this because the pitch of the whistle on the run-bys for our charter definitely seemed to have change sharply after lunch. These two, as well as the other engineers and firemen were really great all day long.
After reading and practicing some new processing techniques, this image is a continuation of the theme of expanding dynamic range. In this case I used a combination of HDR and saturation, luminosity and layer blending to combine 2 exposures taken at 30s and 10s, f11 (2.5 stops). It was dark enough that I couldn't see any details in the rocks but could make out the general shape and thought they might provide a good lead into the frame. I used a combination of techniques taught in the books and tutorials by Vincent Versace, Tony Kuyper, and Zack Schnepf. Obviously they are all far more accomplished but at least I can try and it's all fun to learn. All comments and discussion are welcome and have a wonderful day.