The Ajanta Caves (Ajiṇṭhā leni; Marathi: अजिंठा लेणी) in Aurangabad district of Maharashtra, India are about 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 or 650 CE. The caves include paintings and sculptures described by the government Archaeological Survey of India as "the finest surviving examples of Indian art, particularly painting", which are masterpieces of Buddhist religious art, with figures of the Buddha and depictions of the Jataka tales. The caves were built in two phases starting around the 2nd century BCE, with the second group of caves built around 400–650 CE according to older accounts, or all in a brief period of 460 to 480 according to the recent proposals of Walter M. Spink. The site is a protected monument in the care of the Archaeological Survey of India, and since 1983, the Ajanta Caves have been a UNESCO World Heritage Site.

 

The caves are located in the Indian state of Maharashtra, near Jalgaon and just outside the village of Ajinṭhā 20°31′56″N 75°44′44″E), about 59 kilometres from Jalgaon railway station on the Delhi – Mumbai line and Howrah-Nagpur-Mumbai line of the Central Railway zone, and 104 kilometres from the city of Aurangabad. They are 100 kilometres from the Ellora Caves, which contain Hindu and Jain temples as well as Buddhist caves, the last dating from a period similar to Ajanta. The Ajanta caves are cut into the side of a cliff that is on the south side of a U-shaped gorge on the small river Waghur, and although they are now along and above a modern pathway running across the cliff they were originally reached by individual stairs or ladders from the side of the river 35 to 110 feet below.

 

The area was previously heavily forested, and after the site ceased to be used the caves were covered by jungle until accidentally rediscovered in 1819 by a British officer on a hunting party. They are Buddhist monastic buildings, apparently representing a number of distinct "monasteries" or colleges. The caves are numbered 1 to 28 according to their place along the path, beginning at the entrance. Several are unfinished and some barely begun and others are small shrines, included in the traditional numbering as e.g. "9A"; "Cave 15A" was still hidden under rubble when the numbering was done. Further round the gorge are a number of waterfalls, which when the river is high are audible from outside the caves.

 

The caves form the largest corpus of early Indian wall-painting; other survivals from the area of modern India are very few, though they are related to 5th-century paintings at Sigiriya in Sri Lanka. The elaborate architectural carving in many caves is also very rare, and the style of the many figure sculptures is highly local, found only at a few nearby contemporary sites, although the Ajanta tradition can be related to the later Hindu Ellora Caves and other sites.

 

HISTORY

Like the other ancient Buddhist monasteries, Ajanta had a large emphasis on teaching, and was divided into several different caves for living, education and worship, under a central direction. Monks were probably assigned to specific caves for living. The layout reflects this organizational structure, with most of the caves only connected through the exterior. The 7th-century travelling Chinese scholar Xuanzang informs us that Dignaga, a celebrated Buddhist philosopher and controversialist, author of well-known books on logic, lived at Ajanta in the 5th century. In its prime the settlement would have accommodated several hundred teachers and pupils. Many monks who had finished their first training may have returned to Ajanta during the monsoon season from an itinerant lifestyle.

 

The caves are generally agreed to have been made in two distinct periods, separated by several centuries.

 

CAVES OF THE FIRST (SATAVAHANA) PERIOD

The earliest group of caves consists of caves 9, 10, 12, 13 and 15A. According to Walter Spink, they were made during the period 100 BCE to 100 CE, probably under the patronage of the Satavahana dynasty (230 BCE – c. 220 CE) who ruled the region. Other datings prefer the period 300 BCE to 100 BCE, though the grouping of the earlier caves is generally agreed. More early caves may have vanished through later excavations. Of these, caves 9 and 10 are stupa halls of chaitya-griha form, and caves 12, 13, and 15A are vihāras (see the architecture section below for descriptions of these types). The first phase is still often called the Hinayāna phase, as it originated when, using traditional terminology, the Hinayāna or Lesser Vehicle tradition of Buddhism was dominant, when the Buddha was revered symbolically. However the use of the term Hinayana for this period of Buddhism is now deprecated by historians; equally the caves of the second period are now mostly dated too early to be properly called Mahayana, and do not yet show the full expanded cast of supernatural beings characteristic of that phase of Buddhist art. The first Satavahana period caves lacked figurative sculpture, emphasizing the stupa instead, and in the caves of the second period the overwhelming majority of images represent the Buddha alone, or narrative scenes of his lives.

 

Spink believes that some time after the Satavahana period caves were made the site was abandoned for a considerable period until the mid-5th century, probably because the region had turned mainly Hindu

 

CAVES OF THE LATER OR VAKATAKA PERIOD

The second phase began in the 5th century. For a long time it was thought that the later caves were made over a long period from the 4th to the 7th centuries CE, but in recent decades a series of studies by the leading expert on the caves, Walter M. Spink, have argued that most of the work took place over the very brief period from 460 to 480 CE, during the reign of Emperor Harishena of the Vakataka dynasty. This view has been criticized by some scholars, but is now broadly accepted by most authors of general books on Indian art, for example Huntington and Harle.

 

The second phase is still often called the Mahāyāna or Greater Vehicle phase, but scholars now tend to avoid this nomenclature because of the problems that have surfaced regarding our understanding of Mahāyāna.

 

Some 20 cave temples were simultaneously created, for the most part viharas with a sanctuary at the back. The most elaborate caves were produced in this period, which included some "modernization" of earlier caves. Spink claims that it is possible to establish dating for this period with a very high level of precision; a fuller account of his chronology is given below. Although debate continues, Spink's ideas are increasingly widely accepted, at least in their broad conclusions. The Archaeological Survey of India website still presents the traditional dating: "The second phase of paintings started around 5th – 6th centuries A.D. and continued for the next two centuries". Caves of the second period are 1–8, 11, 14–29, some possibly extensions of earlier caves. Caves 19, 26, and 29 are chaitya-grihas, the rest viharas.

 

According to Spink, the Ajanta Caves appear to have been abandoned by wealthy patrons shortly after the fall of Harishena, in about 480 CE. They were then gradually abandoned and forgotten. During the intervening centuries, the jungle grew back and the caves were hidden, unvisited and undisturbed, although the local population were aware of at least some of them.

 

REDISCOVERY

On 28 April 1819, a British officer for the Madras Presidency, John Smith, of the 28th Cavalry, while hunting tiger, accidentally discovered the entrance to Cave No. 10 deep within the tangled undergrowth. There were local people already using the caves for prayers with a small fire, when he arrived. Exploring that first cave, long since a home to nothing more than birds and bats and a lair for other larger animals, Captain Smith vandalized the wall by scratching his name and the date, April 1819. Since he stood on a five-foot high pile of rubble collected over the years, the inscription is well above the eye-level gaze of an adult today. A paper on the caves by William Erskine was read to the Bombay Literary Society in 1822. Within a few decades, the caves became famous for their exotic setting, impressive architecture, and above all their exceptional, all but unique paintings. A number of large projects to copy the paintings were made in the century after rediscovery, covered below. In 1848 the Royal Asiatic Society established the "Bombay Cave Temple Commission" to clear, tidy and record the most important rock-cut sites in the Bombay Presidency, with John Wilson, as president. In 1861 this became the nucleus of the new Archaeological Survey of India. Until the Nizam of Hyderabad built the modern path between the caves, among other efforts to make the site easy to visit, a trip to Ajanta was a considerable adventure, and contemporary accounts dwell with relish on the dangers from falls off narrow ledges, animals and the Bhil people, who were armed with bows and arrows and had a fearsome reputation.

 

Today, fairly easily combined with Ellora in a single trip, the caves are the most popular tourist destination in Mahrashtra, and are often crowded at holiday times, increasing the threat to the caves, especially the paintings. In 2012, the Maharashtra Tourism Development Corporation announced plans to add to the ASI visitor centre at the entrance complete replicas of caves 1, 2, 16 & 17 to reduce crowding in the originals, and enable visitors to receive a better visual idea of the paintings, which are dimly-lit and hard to read in the caves. Figures for the year to March 2010 showed a total of 390,000 visitors to the site, divided into 362,000 domestic and 27,000 foreign. The trends over the previous few years show a considerable growth in domestic visitors, but a decline in foreign ones; the year to 2010 was the first in which foreign visitors to Ellora exceeded those to Ajanta.

 

PAINTINGS

Mural paintings survive from both the earlier and later groups of caves. Several fragments of murals preserved from the earlier caves (Caves 9 and 11) are effectively unique survivals of court-led painting in India from this period, and "show that by Sātavāhana times, if not earlier, the Indian painter had mastered an easy and fluent naturalistic style, dealing with large groups of people in a manner comparable to the reliefs of the Sāñcī toraņa crossbars".

 

Four of the later caves have large and relatively well-preserved mural paintings which "have come to represent Indian mural painting to the non-specialist", and fall into two stylistic groups, with the most famous in Caves 16 and 17, and apparently later paintings in Caves 1 and 2. The latter group were thought to be a century or more later than the others, but the revised chronology proposed by Spink would place them much closer to the earlier group, perhaps contemporary with it in a more progressive style, or one reflecting a team from a different region. The paintings are in "dry fresco", painted on top of a dry plaster surface rather than into wet plaster.

 

All the paintings appear to be the work of painters at least as used to decorating palaces as temples, and show a familiarity with and interest in details of the life of a wealthy court. We know from literary sources that painting was widely practised and appreciated in the courts of the Gupta period. Unlike much Indian painting, compositions are not laid out in horizontal compartments like a frieze, but show large scenes spreading in all directions from a single figure or group at the centre. The ceilings are also painted with sophisticated and elaborate decorative motifs, many derived from sculpture. The paintings in cave 1, which according to Spink was commissioned by Harisena himself, concentrate on those Jataka tales which show previous lives of the Buddha as a king, rather than as an animal or human commoner, and so show settings from contemporary palace life.

 

In general the later caves seem to have been painted on finished areas as excavating work continued elsewhere in the cave, as shown in caves 2 and 16 in particular. According to Spink's account of the chronology of the caves, the abandonment of work in 478 after a brief busy period accounts for the absence of painting in caves such as 4 and 17, the later being plastered in preparation for paintings that were never done.

 

COPIES

The paintings have deteriorated significantly since they were rediscovered, and a number of 19th-century copies and drawings are important for a complete understanding of the works. However, the earliest projects to copy the paintings were plagued by bad fortune. In 1846, Major Robert Gill, an Army officer from Madras presidency and a painter, was appointed by the Royal Asiatic Society to replicate the frescoes on the cave walls to exhibit these paintings in England. Gill worked on his painting at the site from 1844 to 1863 (though he continued to be based there until his death in 1875, writing books and photographing) and made 27 copies of large sections of murals, but all but four were destroyed in a fire at the Crystal Palace in London in 1866, where they were on display.

 

Another attempt was made in 1872 when the Bombay Presidency commissioned John Griffiths, then principal of the Bombay School of Art, to work with his students to make new copies, again for shipping to England. They worked on this for thirteen years and some 300 canvases were produced, many of which were displayed at the Imperial Institute on Exhibition Road in London, one of the forerunners of the Victoria and Albert Museum. But in 1885 another fire destroyed over a hundred paintings that were in storage. The V&A still has 166 paintings surviving from both sets, though none have been on permanent display since 1955. The largest are some 3 × 6 metres. A conservation project was undertaken on about half of them in 2006, also involving the University of Northumbria. Griffith and his students had unfortunately painted many of the paintings with "cheap varnish" in order to make them easier to see, which has added to the deterioration of the originals, as has, according to Spink and others, recent cleaning by the ASI.

 

A further set of copies were made between 1909 and 1911 by Christiana Herringham (Lady Herringham) and a group of students from the Calcutta School of Art that included the future Indian Modernist painter Nandalal Bose. The copies were published in full colour as the first publication of London's fledgling India Society. More than the earlier copies, these aimed to fill in holes and damage to recreate the original condition rather than record the state of the paintings as she was seeing them. According to one writer, unlike the paintings created by her predecessors Griffiths and Gill, whose copies were influenced by British Victorian styles of painting, those of the Herringham expedition preferred an 'Indian Renascence' aesthetic of the type pioneered by Abanindranath Tagore.

 

Early photographic surveys were made by Robert Gill, who learnt to use a camera from about 1856, and whose photos, including some using stereoscopy, were used in books by him and Fergusson (many are available online from the British Library), then Victor Goloubew in 1911 and E.L. Vassey, who took the photos in the four volume study of the caves by Ghulam Yazdani (published 1930–1955).

 

ARCHITECTURE

The monasteries mostly consist of vihara halls for prayer and living, which are typically rectangular with small square dormitory cells cut into the walls, and by the second period a shrine or sanctuary at the rear centred on a large statue of the Buddha, also carved from the living rock. This change reflects the movement from Hinayana to Mahāyāna Buddhism. The other type of main hall is the narrower and higher chaitya hall with a stupa as the focus at the far end, and a narrow aisle around the walls, behind a range of pillars placed close together. Other plainer rooms were for sleeping and other activities. Some of the caves have elaborate carved entrances, some with large windows over the door to admit light. There is often a colonnaded porch or verandah, with another space inside the doors running the width of the cave.

 

The central square space of the interior of the viharas is defined by square columns forming a more or less square open area. Outside this are long rectangular aisles on each side, forming a kind of cloister. Along the side and rear walls are a number of small cells entered by a narrow doorway; these are roughly square, and have small niches on their back walls. Originally they had wooden doors. The centre of the rear wall has a larger shrine-room behind, containing a large Buddha statue. The viharas of the earlier period are much simpler, and lack shrines. Spink in fact places the change to a design with a shrine to the middle of the second period, with many caves being adapted to add a shrine in mid-excavation, or after the original phase.

 

The plan of Cave 1 shows one of the largest viharas, but is fairly typical of the later group. Many others, such as Cave 16, lack the vestibule to the shrine, which leads straight off the main hall. Cave 6 is two viharas, one above the other, connected by internal stairs, with sanctuaries on both levels.

 

The four completed chaitya halls are caves 9 and 10 from the early period, and caves 19 and 26 from the later period of construction. All follow the typical form found elsewhere, with high ceilings and a central "nave" leading to the stupa, which is near the back, but allows walking behind it, as walking around stupas was (and remains) a common element of Buddhist worship (pradakshina). The later two have high ribbed roofs, which reflect timber forms, and the earlier two are thought to have used actual timber ribs, which have now perished. The two later halls have a rather unusual arrangement (also found in Cave 10 at Ellora) where the stupa is fronted by a large relief sculpture of the Buddha, standing in Cave 19 and seated in Cave 26. Cave 29 is a late and very incomplete chaitya hall.

 

The form of columns in the work of the first period is very plain and un-embellished, with both chaitya halls using simple octagonal columns, which were painted with figures. In the second period columns were far more varied and inventive, often changing profile over their height, and with elaborate carved capitals, often spreading wide. Many columns are carved over all their surface, some fluted and others carved with decoration all over, as in cave 1.

 

The flood basalt rock of the cliff, part of the Deccan Traps formed by successive volcanic eruptions at the end of the Cretaceous, is layered horizontally, and somewhat variable in quality, so the excavators had to amend their plans in places, and in places there have been collapses in the intervening centuries, as with the lost portico to cave 1. Excavation began by cutting a narrow tunnel at roof level, which was expanded downwards and outwards; the half-built vihara cave 24 shows the method. Spink believes that for the first caves of the second period the excavators had to relearn skills and techniques that had been lost in the centuries since the first period, which were then transmitted to be used at later rock-cut sites in the region, such as Ellora, and the Elephanta, Bagh, Badami and Aurangabad Caves.

 

The caves from the first period seem to have been paid for by a number of different patrons, with several inscriptions recording the donation of particular portions of a single cave, but according to Spink the later caves were each commissioned as a complete unit by a single patron from the local rulers or their court elites. After the death of Harisena smaller donors got their chance to add small "shrinelets" between the caves or add statues to existing caves, and some two hundred of these "intrusive" additions were made in sculpture, with a further number of intrusive paintings, up to three hundred in cave 10 alone.

 

A grand gateway to the site, at the apex of the gorge's horsehoe between caves 15 and 16, was approached from the river, and is decorated with elephants on either side and a nāga, or protective snake deity.

 

ICONOGRAPHY OF THE CAVES

In the pre-Christian era, the Buddha was represented symbolically, in the form of the stupa. Thus, halls were made with stupas to venerate the Buddha. In later periods the images of the Buddha started to be made in coins, relic caskets, relief or loose sculptural forms, etc. However, it took a while for the human representation of the Buddha to appear in Buddhist art. One of the earliest evidences of the Buddha's human representations are found at Buddhist archaeological sites, such as Goli, Nagarjunakonda, and Amaravati. The monasteries of those sites were built in less durable media, such as wood, brick, and stone. As far as the genre of rock-cut architecture is concerned it took many centuries for the Buddha image to be depicted. Nobody knows for sure at which rock-cut cave site the first image of the Buddha was depicted. Current research indicates that Buddha images in a portable form, made of wood or stone, were introduced, for the first time, at Kanheri, to be followed soon at Ajanta Cave 8 (Dhavalikar, Jadhav, Spink, Singh). While the Kanheri example dates to 4th or 5th century CE, the Ajanta example has been dated to c. 462–478 CE (Spink). None of the rock-cut monasteries prior to these dates, and other than these examples, show any Buddha image although hundreds of rock-cut caves were made throughout India during the first few centuries CE. And, in those caves, it is the stupa that is the object of veneration, not the image. Images of the Buddha are not found in Buddhist sailagrhas (rock-cut complexes) until the times of the Kanheri (4th–5th century CE) and Ajanta examples (c. 462–478 CE).

 

The caves of the second period, now all dated to the 5th century, were typically described as "Mahayana", but do not show the features associated with later Mahayana Buddhism. Although the beginnings of Mahāyāna teachings go back to the 1st century there is little art and archaeological evidence to suggest that it became a mainstream cult for several centuries. In Mahayana it is not Gautama Buddha but the Bodhisattva who is important, including "deity" Bodhisattva like Manjushri and Tara, as well as aspects of the Buddha such as Aksobhya, and Amitabha. Except for a few Bodhisattva, these are not depicted at Ajanta, where the Buddha remains the dominant figure. Even the Bodhisattva images of Ajanta are never central objects of worship, but are always shown as attendants of the Buddha in the shrine. If a Bodhisattva is shown in isolation, as in the Astabhaya scenes, these were done in the very last years of activities at Ajanta, and are mostly 'intrusive' in nature, meaning that they were not planned by the original patrons, and were added by new donors after the original patrons had suddenly abandoned the region in the wake of Emperor Harisena's death.

 

The contrast between iconic and aniconic representations, that is, the stupa on one hand and the image of the Buddha on the other, is now being seen as a construct of the modern scholar rather than a reality of the past. The second phase of Ajanta shows that the stupa and image coincided together. If the entire corpus of the art of Ajanta including sculpture, iconography, architecture, epigraphy, and painting are analysed afresh it will become clear that there was no duality between the symbolic and human forms of the Buddha, as far as the 5th-century phase of Ajanta is concerned. That is why most current scholars tend to avoid the terms 'Hinayana' and 'Mahayana' in the context of Ajanta. They now prefer to call the second phase by the ruling dynasty, as the Vākāţaka phase.

 

CAVES

CAVE 1

Cave 1 was built on the eastern end of the horse-shoe shaped scarp, and is now the first cave the visitor encounters. This would when first made have been a less prominent position, right at the end of the row. According to Spink, it is one of the latest caves to have been excavated, when the best sites had been taken, and was never fully inaugurated for worship by the dedication of the Buddha image in the central shrine. This is shown by the absence of sooty deposits from butter lamps on the base of the shrine image, and the lack of damage to the paintings that would have been happened if the garland-hooks around the shrine had been in use for any period of time. Although there is no epigraphic evidence, Spink believes that the Vākāţaka Emperor Harishena was the benefactor of the work, and this is reflected in the emphasis on imagery of royalty in the cave, with those Jakata tales being selected that tell of those previous lives of the Buddha in which he was royal.

 

The cliff has a more steep slope here than at other caves, so to achieve a tall grand facade it was necessary to cut far back into the slope, giving a large courtyard in front of the facade. There was originally a columned portico in front of the present facade, which can be seen "half-intact in the 1880s" in pictures of the site, but this fell down completely and the remains, despite containing fine carving, were carelessly thrown down the slope into the river, from where they have been lost, presumably carried away in monsoon torrents.

 

This cave has one of the most elaborate carved façades, with relief sculptures on entablature and ridges, and most surfaces embellished with decorative carving. There are scenes carved from the life of the Buddha as well as a number of decorative motifs. A two pillared portico, visible in the 19th-century photographs, has since perished. The cave has a front-court with cells fronted by pillared vestibules on either side. These have a high plinth level. The cave has a porch with simple cells on both ends. The absence of pillared vestibules on the ends suggest that the porch was not excavated in the latest phase of Ajanta when pillared vestibules had become a necessity and norm. Most areas of the porch were once covered with murals, of which many fragments remain, especially on the ceiling. There are three doorways: a central doorway and two side doorways. Two square windows were carved between the doorways to brighten the interiors.

 

Each wall of the hall inside is nearly 12 m long and 6.1 m high. Twelve pillars make a square colonnade inside supporting the ceiling, and creating spacious aisles along the walls. There is a shrine carved on the rear wall to house an impressive seated image of the Buddha, his hands being in the dharmachakrapravartana mudra. There are four cells on each of the left, rear, and the right walls, though due to rock fault there are none at the ends of the rear aisle. The walls are covered with paintings in a fair state of preservation, though the full scheme was never completed. The scenes depicted are mostly didactic, devotional, and ornamental, with scenes from the Jataka stories of the Buddha's former existences as a bodhisattva), the life of the Gautama Buddha, and those of his veneration. The two most famous individual painted images at Ajanta are the two over-life size figures of the protective bodhisattvas Padmapani and Vajrapani on either side of the entrance to the Buddha shrine on the wall of the rear aisle (see illustrations above). According to Spink, the original dating of the paintings to about 625 arose largely or entirely because James Fegusson, a 19th-century architectural historian, had decided that a scene showing an ambassador being received, with figures in Persian dress, represented a recorded embassy to Persia (from a Hindu monarch at that) around that date.

 

CAVE 2

Cave 2, adjacent to Cave 1, is known for the paintings that have been preserved on its walls, ceilings, and pillars. It looks similar to Cave 1 and is in a better state of preservation.

 

Cave 2 has a porch quite different from Cave one. Even the façade carvings seem to be different. The cave is supported by robust pillars, ornamented with designs. The front porch consists of cells supported by pillared vestibules on both ends. The cells on the previously "wasted areas" were needed to meet the greater housing requirements in later years. Porch-end cells became a trend in all later Vakataka excavations. The simple single cells on porch-ends were converted into CPVs or were planned to provide more room, symmetry, and beauty.

 

The paintings on the ceilings and walls of this porch have been widely published. They depict the Jataka tales that are stories of the Buddha's life in former existences as Bodhisattva. Just as the stories illustrated in cave 1 emphasize kingship, those in cave 2 show many "noble and powerful" women in prominent roles, leading to suggestions that the patron was an unknown woman. The porch's rear wall has a doorway in the center, which allows entrance to the hall. On either side of the door is a square-shaped window to brighten the interior.

 

The hall has four colonnades which are supporting the ceiling and surrounding a square in the center of the hall. Each arm or colonnade of the square is parallel to the respective walls of the hall, making an aisle in between. The colonnades have rock-beams above and below them. The capitals are carved and painted with various decorative themes that include ornamental, human, animal, vegetative, and semi-divine forms.

 

Paintings appear on almost every surface of the cave except for the floor. At various places the art work has become eroded due to decay and human interference. Therefore, many areas of the painted walls, ceilings, and pillars are fragmentary. The painted narratives of the Jataka tales are depicted only on the walls, which demanded the special attention of the devotee. They are didactic in nature, meant to inform the community about the Buddha's teachings and life through successive rebirths. Their placement on the walls required the devotee to walk through the aisles and 'read' the narratives depicted in various episodes. The narrative episodes are depicted one after another although not in a linear order. Their identification has been a core area of research since the site's rediscovery in 1819. Dieter Schlingloff's identifications have updated our knowledge on the subject.

 

CAVE 4

The Archeological Survey of India board outside the caves gives the following detail about cave 4: "This is the largest monastery planned on a grandiose scale but was never finished. An inscription on the pedestal of the buddha's image mentions that it was a gift from a person named Mathura and paleographically belongs to 6th century A.D. It consists of a verandah, a hypostylar hall, sanctum with an antechamber and a series of unfinished cells. The rear wall of the verandah contains the panel of Litany of Avalokiteśvara".

 

The sanctuary houses a colossal image of the Buddha in preaching pose flanked by bodhisattvas and celestial nymphs hovering above.

 

CAVES 9-10

Caves 9 and 10 are the two chaitya halls from the first period of construction, though both were also undergoing an uncompleted reworking at the end of the second period. Cave 10 was perhaps originally of the 1st century BCE, and cave 9 about a hundred years later. The small "shrinelets" called caves 9A to 9D and 10A also date from the second period, and were commissioned by individuals.

 

The paintings in cave 10 include some surviving from the early period, many from an incomplete programme of modernization in the second period, and a very large number of smaller late intrusive images, nearly all Buddhas and many with donor inscriptions from individuals. These mostly avoided over-painting the "official" programme and after the best positions were used up are tucked away in less prominent positions not yet painted; the total of these (including those now lost) was probably over 300, and the hands of many different artists are visible.

 

OTHER CAVES

Cave 3 is merely a start of an excavation; according to Spink it was begun right at the end of the final period of work and soon abandoned. Caves 5 and 6 are viharas, the latter on two floors, that were late works of which only the lower floor of cave 6 was ever finished. The upper floor of cave 6 has many private votive sculptures, and a shrine Buddha, but is otherwise unfinished. Cave 7 has a grand facade with two porticos but, perhaps because of faults in the rock, which posed problems in many caves, was never taken very deep into the cliff, and consists only of the two porticos and a shrine room with antechamber, with no central hall. Some cells were fitted in.

 

Cave 8 was long thought to date to the first period of construction, but Spink sees it as perhaps the earliest cave from the second period, its shrine an "afterthought". The statue may have been loose rather than carved from the living rock, as it has now vanished. The cave was painted, but only traces remain.

 

SPINK´S DETAILED CHRONOLOGY

Walter M. Spink has over recent decades developed a very precise and circumstantial chronology for the second period of work on the site, which unlike earlier scholars, he places entirely in the 5th century. This is based on evidence such as the inscriptions and artistic style, combined with the many uncompleted elements of the caves. He believes the earlier group of caves, which like other scholars he dates only approximately, to the period "between 100 BCE – 100 CE", were at some later point completely abandoned and remained so "for over three centuries", as the local population had turned mainly Hindu. This changed with the accession of the Emperor Harishena of the Vakataka Dynasty, who reigned from 460 to his death in 477. Harisena extended the Central Indian Vakataka Empire to include a stretch of the east coast of India; the Gupta Empire ruled northern India at the same period, and the Pallava dynasty much of the south.

 

According to Spink, Harisena encouraged a group of associates, including his prime minister Varahadeva and Upendragupta, the sub-king in whose territory Ajanta was, to dig out new caves, which were individually commissioned, some containing inscriptions recording the donation. This activity began in 462 but was mostly suspended in 468 because of threats from the neighbouring Asmaka kings. Work continued on only caves 1, Harisena's own commission, and 17–20, commissioned by Upendragupta. In 472 the situation was such that work was suspended completely, in a period that Spink calls "the Hiatus", which lasted until about 475, by which time the Asmakas had replaced Upendragupta as the local rulers.

 

Work was then resumed, but again disrupted by Harisena's death in 477, soon after which major excavation ceased, except at cave 26, which the Asmakas were sponsoring themselves. The Asmakas launched a revolt against Harisena's son, which brought about the end of the Vakataka Dynasty. In the years 478–480 major excavation by important patrons was replaced by a rash of "intrusions" – statues added to existing caves, and small shrines dotted about where there was space between them. These were commissioned by less powerful individuals, some monks, who had not previously been able to make additions to the large excavations of the rulers and courtiers. They were added to the facades, the return sides of the entrances, and to walls inside the caves. According to Spink, "After 480, not a single image was ever made again at the site", and as Hinduism again dominated the region, the site was again abandoned, this time for over a millennium.

 

Spink does not use "circa" in his dates, but says that "one should allow a margin of error of one year or perhaps even two in all cases".

 

IMPACT ON MODERN INDIAN PAINTINGS

The Ajanta paintings, or more likely the general style they come from, influenced painting in Tibet and Sri Lanka.

 

The rediscovery of ancient Indian paintings at Ajanta provided Indian artists examples from ancient India to follow. Nandlal Bose experimented with techniques to follow the ancient style which allowed him to develop his unique style. Abanindranath Tagore also used the Ajanta paintings for inspiration.

 

WIKIPEDIA

. It is very important for you to converse and communicate with your customers on this platform. Today, Facebook accounts for sale can be got and hence you need not worry about building one. If you have delivered a good service and if the customer is happy about it, a simple post in the social media can boost your sales in an organic way.

www.pvafb.com/

Counting money GIF

We are a trusted valorant account seller. Rather than beginning without any preparation, why not buy a Valorant Immortal Account that has all the fancy odds and ends? Elite splashes, upscale standards, weapon skins—and so on! A wide range of Valorant represents deals can be found here at MyOwnRank, so act presently to buy a Valorant account. Enquiry at myownrank.com/52-valorant-accounts for more information about Buy Valorant Accounts.

   

GLG #Accounting #firm has several years of experience providing the best accounting services to clients from all over the USA. goo.gl/5kbxmJ

Felle, Lundgren & Associates, SC

7001 Washington Avenue, Racine, WI 53406

(262) 886-9640

 

www.fellelundgren.com

hey guys sorry, but i had to change my account, so here is the link : www.flickr.com/photos/victorwagner

 

Malz galera, mas tive que mudar meu usuário do flickr, aqui ta o link: www.flickr.com/photos/victorwagner

  

RE-ADD PLEASE

I'M SO THANKFULL

Don't use this image without my explicit permission. © All rights reserved

 

Please follow my Instagram account @amphotography

   

I am done with my game

Used in Attention! If you're changing your number on WhatsApp:

~~~~~

This applies only if you're changing your mobile number, for any reason.

 

Though WhatsApp the wonder app is designed for switching your mobile (upgrading to a new phone? Just plonk in your SIM card, reinstall WhatsApp, and you're good to go with all your connections on WhatsApp), it doesn't seem to be that hot if you're changing your mobile number.

 

As a recent article quoted:

| If you change your number and someone else takes it after a few months, all your contacts/messages are accessible by the next person who installs WhatsApp on the same phone number unless the account was deleted manually. I got a new phone number and can access the previous owner's contacts/messages (using my smartphone!) This is ridiculous!

 

So if you're on a number that might change (due to your posting in a foreign country or whatever), don't forget to delete your account, when you're surrendering the number.

 

To delete your WhatsApp account on the Android, do the following: (source)

 

* Open WhatsApp.

* Press the [Menu Button] > Settings > Account > [Delete My Account].

* Enter your phone number in the full international format and tap [Delete My Account].

 

This will: (source)

 

* Delete your account from WhatsApp.

* Delete you from your friends' Select contact lists.

* Delete you from all WhatsApp groups.

* Erase your message history on your phone.

* Delete your WhatsApp service payment information.

 

Here's the account deletion process for:

 

* BlackBerry

* iPhone

* Nokia

* Windows Phone.

~~~~~

at Sunny Servos

It am the weekend again, but after a week off, so one belnds smoothly into the other.

 

And next week I have a four day trip to the Isle of Wight for work, which will do me good too.

 

Not much planned for the day, once shopping was done. And I do that as Jools is still coughing and so did not want to go round the supermarket coughing like that.

 

So, I d the week's shop, though not much needed as I will be away four days, so I am back with three bags of shopping, and we have the usual Saturday breakfast of fruit followed by bacon sandwiches.

 

Posting shots on other social media showed me many churches had to be revisited. Just about the last one to be thus revisited was Minster-in-Thanet, as the album had 55 shots from two previous visits, and I thought such a large and imposing church deserved more.

 

So, it was a quiet drive over to Sandwich, taking the bypass round Stonar, then turning off at the delightfully named Sevenscore for the drive along the back lanes into Minster, passing by the Abbey, outside of which was an actual nun, all dressed in cowl and long black gown.

 

A little further on is St Mary, and parking is easy just outside the churchyard, and although it looked locked, the west door under the tower was unlocked, and inside there were no others inside, so I had it to myself.

 

I had hoped I had missed whole or fragments of glass, but there was none to be seen, some nice arts and crafts ones of Queen Bertha, which I record. I think I snap everything, so after half an hour we are done.

 

----------------------------------------------

 

Minster Abbey on the Isle of Thanet was founded in AD 669 by Domneva, niece of King Erconbert of Kent. The enormous parish church, built some distance to the south-west of the abbey, dates from two distinct periods. The nave is Norman, a magnificent piece of twelfth-century arcading with tall cylindrical pillars. The chancel and transepts are thirteenth century, with a three-light east window, each one double shafted inside. This end of the church has a simple stone vaulted ceiling which adds greatly to the grandeur. The glass is by Thomas Willement and dates from 1861. Ewan Christian restored the church in 1863 and added vaulted ceilings to the transepts. They had been intended by the medieval designers, but were never built. There is a set of eighteen fifteenth-century stalls with misericords and an excellent sixteenth-century font and cover.

 

kentchurches.info/church.asp?p=Minster+in+Thanet

 

------------------------------------------------------

 

MINSTER.

THE next parish to Monkton eastward is Minster, antiently written both Mynstre, and Menstre, being so named from the Saxon word Minstre, signifying a church or monastery. It is divided into two boroughs, viz. Way Borough and Street Borough; the former of which lies on the ascent on the northern side of the street; the latter contains the street and church, with the southern part of the parish.

 

THIS PARISH is about three miles and an half from east to west, and near as much from north to south. The farms in it are perhaps as large as in any other parish in this county; the occupiers of which are, in general, men of considerable ability. The west part of this parish is bounded by a lynch or balk, which goes quite across the island to Westgate, called St. Mildred's Lynch, an account of which has already been given before, and which is the bounds of this manor from that of Monkton, as well as of the parish. This lynch has formerly been much broader than it is now, many of the farmers, who occupy lands bounding on or near it, having through a coveteous humour, not only dug up the mould or top of it, to lay on their land, but in some places have ploughed upon it. Too many instances of this kind are practised in other places, not only of this island, but of the county in general, so that there is scarce a remembrance left where those balks or lynches have been; such has the greedy avarice of the occupiers been, and this is one instance of the ill consequence of the neglect of the courts leet and baron. The village of Minster lies nearly in the centre of it, on low ground at the foot of the high lands, having the church on the south side of it; northward of the village it rises to high land, being a fine open champion country of uninclosed corn land, on which are situated Minster mill, Allan Grange, and Powcies, the latter at the extremity of the parish, close to which was, till lately, a small grove of oaks, the only one in this island. Lower down, about a mile southward, is Thorne manor, and beyond that Sevenscore farm. At the south-eastern extremity of the parish, and partly in St. Laurence, is Cliffsend, or Clyvesend, so called from its being at the end of the cliff, which extends from Ramsgate; it was antieutly a part of the estate of St. Augustine's monastery, and is called by Thorne in his Chronicle, the manor of Clyvesend. Here are now two considerable farms besides cottages.

 

About a mile and an half south-east from Minster church, is Ebbsfleet, formerly called by the various names of Hipwines, Ippeds, and Wipped's fleet; this seems to have been a usual place of landing from the ocean in this island; here it is said Hengist and Horsa, the two Saxon generals, first landed with their forces, about the year 449. Here St. Augustine, often called the Apostle of the English, first landed, in the year 596; and here too St. Mildred, of whom mention has been made likewise before, first landed from France, where she had been for instruction in the monastic life; and not many years ago there was a small rock at this place, called St. Mildred's rock, where, on a great stone, her footstep was said, by the monkish writers, to have remained impressed. (fn. 1) Below the church of Minster, southward, is the large level of marshes, called Minster level, at the southern extremity of which runs the river Stour, formerly the Wantsume, which, as has already been noticed before, was antiently of a much greater depth and width than it is at present, flowing up over the whole space of this level, most probably almost to the church-yard fence, being near a mile and an half distance; but the inning of the salts by the landholders, which had been in some measure deserted by the waters of the Wantsume at different places, so far lessened the force of the tide, and of the river waters mixing with it, that it occasioned the sands to increase greatly near this place, where it was at length entirely choaked up, so that a wall of earth was made by the abbot of St. Augustine, since called the Abbot's wall, to prevent the sea at high water overslowing the lands, which now comprehend this great level of marshes, at present under the direction and management of the commissioners of sewers for the district of East Kent. A part of these marsh lands have been much improved by means of shortening the course of the river Stour to the sea, by the cut at Stonar, which lets off the superfluous water in wet seasons with greater expedition, and a very valuable tract of near two hundred acres has been lately inclosed by a strong wall from the sea near Ebbs-fleet. Between the above-mentioned wall and the river Stour lie a great many acres of land, which the inhabitants call the salts, from their being left without the wall, and subject to the overflowing of the tide, so long as it continued to flow all around this island. Over against the church is a little creek, which seems to have been the place antiently called Mynstrefleet, into which the ships or vessels came, which were bound for this place. As a proof of this, there was found some years ago in a dyke bounding on this place, in digging it somewhat deeper than usual, some fresh coals, which very probably had fallen aside some lighter or boat in taking them out of it. (fn. 2)

 

I ought not to omit mentioning, that on the downs on the north part of this parish, where the old and present windmills were placed, is a prospect, which perhaps is hardly exceeded in this part of the kingdom. From this place may be seen, not only this island and the several churches in it, one only excepted; but there is a view at a distance, of the two spires of Reculver, the island of Sheppy, the Nore, or mouth of the river Thames, the coast of Essex, the Swale, and the British channel; the cliffs of Calais, and the kingdom of France; the Downs, and the town of Deal, the bay and town of Sandwich, the fine champion country of East Kent, the spires of Woodnesborough and Ash, the ruins of Richborough castle, the beautiful green levels of Minister, Ash, &c. with the river Stour winding between them; the fine and stately tower of the cathedral of Canterbury, and a compass of hills of more than one hundred miles in extent, which terminate the sight.

 

In the marshes on the south of this parish, there was found in 1723, an antique gold ring; on the place of the seal, which seemed to represent an open book, was engraved on one side an angel, seemingly kneeling, and on the other side a woman standing with a glory round her head; on the woman's side was engraved in old English characters, bone; on that of the angel, letters of the same character, but illegible. A fair is kept in this village on a Good Friday for pedlary and toys.

 

By the return made to the council's letter, by archbishop Parker's order, in the year 1563, there were then computed to be in this parish fifty-three housholds. By an exact account taken of Minster in 1774, there were found to be in this parish one hundred and forty-nine houses, and six hundred and ninety-six inhabitants; of the houses, sixteen were farm-houses, and one hundred and thirty three were inhabited by tradesmen, labourers, and widows.

 

THE MANOR and ABBEY OF MINSTER was antiently called Thaket manor, and continued so till, from the foundation of the abbey or minster within it, it acquired the name of the manor of Minster, though in the survey of Domesday, taken in the year 1080, it is still called Tanet manor, Kar exoxnv; but I have met with it no where else so late by that name.

 

This manor was in the year 670 in the possession of Egbert, king of Kent, whose two nephews Ethelred and Ethelbright, sons of his father's elder brother Ermenfride, deceased, (who left likewise two daughters, Ermenburga, called also Domneva, married to Merwald, son of Penda, king of Mercia, and Ermengitha, were left to his care, under promise of their succeeding to the kingdom. These princes were kept under the inspection of one Thunnor, a flattering courtier, who persuaded the king to have them murdered, left they should disturb him in the possession of the throne; which Thunnor undertook and perpetrated. To expiate this crime, the king, by the advice of archbishop Theodore, and Adrian, abbot of St. Augustine's, sent to Domneva, who had taken the vow of chastity on her, to offer her any satisfaction for this crime, when, as an atonement, she requested of the king, according to the custom of those times, to grant her a place in Tenet, where she might build a monastery to their memory, with a sufficient maintenance, in which she, with her nuns, might continually pray for the king's forgiveness, who immediately by his charter, which concludes with a singular curse on the infringers of it, (fn. 3) granted her for the endowment of it full one half of this island, being the eastern part of it, comprehended within the bounds of this manor, and since separated from the western part of the island and manor of Monkton, by a broad bank or lynch, made quite across the island, since called St. Mildred's Lynch, and remaining at this day.

 

The story of this grant, as told by Thorn, a native of this parish, and a monk of St. Augustine's monastery, in his chronicle of that abbey, is, that Egbert granting Domneva's petition, demanded of her how much land she desired; who replied, as much as her deer could run over at one course; this being granted, the deer was let loose at Westgate, in Birchington, in the presence of the king, his nobles, and a great concourse of people. Among them was Thunnor, the petrator of the murder, who, ridiculing the king for the lavishness of his gift and the method of its decision, endeavoured by every means to obstruct the deer's course, both by riding across and meeting it; but Heaven, continues the chronicler, being offended at his impiety, whilst he was in the midst of his career, the earth opened and swallowed him up, leaving the name of Tunnor's-leap, or Thunor's hyslepe, to the ground and place where he fell, to perpetuate the memory of his punishment, though it was afterwards called Heghigdale. Meanwhile the deer having made a small circle eastward, directed its course almost in a strait line south-westward across the island from one side to the other, running over in length and breadth forty-eight plough-lands; and the king, immediately afterwards delivered up to Domneva the whole tract of land which the deer had run over.

 

This tract or course of the deer, which included above ten thousand acres of some of the best lands in Kent, is said to have been marked out by the broad bank, or lynch, across the island, since called St. Mildred's Lynch, thrown up in remembrance of it; (fn. 4) but notwithstanding this well-invented story of Thorn, it is more probable that this lynch was made to divide the two capital manors of Minster and Monkton, before this gift to Domneva.

 

Puteus Thunor, (or Thunor's leap) says the annalist of St. Augustine's monastery, apparet prope Cursum Cervi juxta Aldelond; and the place where the king stood to see this course is represented to be by it, where formerly was a beacon, it being some of the highest land hereabouts, where the king might see the course. This Puteus Thunor, or Thunorslep, is very plainly the old chalk pit, called Minster chalk-pit, which its not unlikely was first sunk when the abbey and church here were built, and the bottom of it in process of time, being overgrown with grass, gave occasion for the invention of this sable of Thunor's being swallowed up by the earth at this place. The name of Thunorslep has been long since obliterated, and even the more modern one of Heghigdate has been long forgotten. Weever says, he lieth buried under an heap of stones, which to that day was called Thunniclam.

 

Domneva being thus furnished with wealth and all things necessary, founded, in honor of the B.V. Mary, a monastery, or cloyster of nuns, afterwards called ST. MILDRED'S ABBEY, on part of this land, on the south side of the island near the water, in the same placewhere the present parochial church stands. Archbishop Theodore, at the instance of Domneva, consecrated the church of it, and she afterwards appointed the number of nuns to be seventy, and was appointed by the archbishop, the first abbess of it; she died here and was buried on the glebe of the new monastery. Ermengitha, her sister, was after her death sainted, and lived with Domneva, in the abbey here, where she died, and was buried in a place about a mile eastward of it, where the inhabitants have found numbers of bones, and where it is probable, she built some chapel or oratory. In a field or marsh called the twenty acres, a little more than a quarter of a mile eastward of the church of Minster, are several foundations, as if some chapel or oratory had been built there. (fn. 5)

 

Domneva was succeeded as abbess by her daughter Mildred, who was afterwards sainted. She is said to have been buried in this church. On her death Edburga succeeded in the government of this monastery, who finding it insufficient for so great a number of nuns, built another just by, larger and more stately, which was consecrated by archbishop Cuthbert, and dedicated to St. Peter and St. Paul; and to this church she, about the year 750, removed the body of St. Mildred, at whose tomb many miracles were said to be wrought afterwards. Edburga was buried at Minster in her own new church, and was afterwards sainted. She was succeeded as abbess of this monastery by Sigeburga. In her time was the first depredation of the Danes in Thanet; who sell upon the people, laid every thing waste, and pludered the religious in this monastery; from this time they continued their ravages throughout this island almost every year; hence by degrees, this monastery fell to decay, and the nuns decreased in number, being vexed with grief and worn down with poverty, by the continual insults of these merciless pirates, who landed in this island in 978, and entirely destroyed by fire this monastery of St. Mildred, in which the clergy and many of the people were shut up, having fled thither for sanctuary; but they were, together with the nuns, all burnt to death, excepting Leofrune the abbess, who is said to have been carried away prisoner.

 

The Danes, however, spared the two chapels of St. Mary, and of St. Peter and St. Paul, in one of which divine service was afterwards performed, for the inhabitants of this parish and the adjoining neighbourhood. The antient scite of the monastery, together with this manor, and all the rest of the possessions of it remained in the king's hands, and they continued so till king Cnute, in the year 1027, gave the body of St. Mildred, together with the antient scite of the monastery, this manor and all its land within this island and without, and all customs belonging to this church, to the abbot and convent of St. Augustine, which gift was confirmed by king Edward the Confessor. (fn. 6)

 

The abbot and convent of St. Augustine becoming thus possessed of this manor, fitted up the remains of the abbey to serve as the court-lodge of it; accordingly it has ever since borne the name of Minstercourt. In the survey of Domesday, taken in the 15th year of the Conqueror's reign, anno 1080, this manor is thus described, under the general title of Terra æcclæ Sci Augustini, the land of the church of St. Augustine.

 

In Tanet hundred. St. Mildred's.

 

The abbot himself holds Tanet manor, which was taxed at forty-eight sulings. The arable land is sixty-two carucates. In demesne there are two, and one hundred and fifty villeins, with fifty borderers having sixty-three carucates. There is a church and one priest, who gives twenty shillings per annum. There is one salt-pit and two fisheries of three pence, and one mill.

 

In the time of king Edward the Confessor it was worth four times twenty pounds, when the abbot received it forty pounds, now one hundred pounds.

 

Of this manor three knights hold so much of the land of the villeins as is worth nine pounds, when there is peace in the land, and there they have three carucates.

 

After which king Henry I. granted to the monastery of St. Augustine, about the 4th of his reign, a market, to be yearly held within this their manor of Minster, with all customs, forseitures, and pleas; which was confirmed among other liberties by Edward III. in his 36th year, by inspeximus.

 

King Henry III. in his 54th year, anno 1270, granted to the abbot and convent of St. Augustine, free-warren in all their demesne lands of Minster. (fn. 7) King Edward II. in his 6th year, confirmed to the abbot free-warren in this manor among others, and next year anno 1313, in the iter of H. de Stanton and his sociates, justices itinerant, the abbot, upon a quo warranto, claimed and was allowed sundry liberties therein mentioned, in this manor, among others, and likewise free-warren in all his demesne lands of it, view of frank pledge, and wreck of the sea; one market weekly on a Friday, and one fair yearly on the eve and day of St. Mildred the Virgin, and other liberties therein mentioned; as having been granted and confirmed by divers of the king's predecessors, and allowed in the last iter of J. de Berewick and his sociates, justices itinerant; and that king Edward II. by his charter in his 6th year had sully confirmed all of them, and by the register of this monastery, of about this time, it appears that this manor had within its court the same liberties as those of Chistlet and Sturry. King Edward III. in his 5th year, exempted the abbot's homagers and tenants of this, among other of their manors, from their attendance at the sheriff's tourne, and afterwards by his charter of inspeximus in his 36th year, confirmed to this abbey all the manors and possessions given to it by former kings; and by another charter, the several grants of liberties and confirmations made by his predecessors, among which were those abovementioned; and king Henry VI. afterwards confirmed the same.

 

Next year the abbot and his servants taking distresses on their tenants of this manor, the tenants, to the number of six hundred, met and continued together for the space of five weeks, having got with them a greater number of people, who coming armed with bows and arrows, swords and staves, to the court of this manor and that of Salmanstone, belonging likewise to the abbot, laid siege to them, and after several attacks set fire to the gates of them. For fear of these violences, the monks and their servants at Salmanstone kept themselves confined there for fifteen days, so that the people enraged at not being able to encompass their ends in setting fire to the houses, destroyed the abbot's ploughs and husbandry utensils, which were in the fields; and cut down and carried away the trees on both these manors.

 

At the same time they entered into a confederacy and raised money here by tallages and assessments, by means of which they drew to them no small number of others of the cinque ports, who had nothing to lose, so that the abbot dared not sue for justice in the king's courts; but a method it seems was found to punish these rioters, or at least the principal of them, who were fined to the abbot for these damages six hundred pounds, a vast sum in those days, and were imprisoned at Canterbury till the fine was paid. The uneasiness of the tenants under such respective suits and services, seems to have occasioned the abbot and convent to have compounded with them, which they did in the year 1441, anno 20 Henry VI. By this composition the abbot and convent agreed, that the tenants should not in future be distrained for the rents and services they used to pay; but instead of them should pay compositions for every acre of the land called Cornegavel and Pennygavel, (fn. 8) which composition for the Cornegavel and Pennygavel land, continues in force at this time, being sixpence an acre now paid for the Cornegavel land.

 

In the time of king Richard II. this manor, with its rents and other appurtenances, was valued among the temporalities of the abbot and convent, at 232l. 4s. 3d. per annum; and the quantity of land belonging to it was by admeasurement 2149 acres and one rood.

 

In which state this manor continued till the final dissolution of the abbey of St. Augustine, which happened in the 30th year of Henry VIII. when it was surrendered, together with the rest of the possessions of the monastery, into the king's hands; at which time the manor and rents were of the value of 276l. yearly. (fn. 9) After which, the see of this manor, with the antient court-lodge of it, formerly the monastery, and then called Minster-court, with all the lands and appurtenances belonging to it, continued in the crown, till king James I. in his 9th year, by his letters patent, granted to Sir Philip Cary, William Pitt, esq. afterwards knighted; and John Williams, citizen and goldsmith of London, this lordship and manor of Menstre, with its rights, members, and appurtenances, late parcel of St. Augustine's monastery, except and reserved to the king's use, all advowsons and patronages of churches, chapels, &c. belonging to this manor; and he granted likewise all the rents of assize called Cornegavel land, in the parish of St. John, parcel of this manor; and the rents of assize of free tenement called Pennygavel land, in the parishes of St. Peter and St. Laurence, (fn. 10) to hold the manor, with its right, members and appurtenances, of the king, as of his manor of East Greenwich, by sealty only, in free and common socage, and not in capite, nor by knight's service; and to hold the rents of assize of the king in capite, by the service of one knight's fee; which grant and letters patent were conconfirmed by an act specially passed for the purpose, that year.

 

Some years after which, the heirs of the beforementioned Sir Philip Carey and John Williams, then Sir John Williams, bart. of Carmarthenshire, divided this estate; in which division, the manor itself with the court-lodge, part of the demesne lands, royalties, and appurtenances, was allotted to Sir John Williams, bart. (who died in 1668, and was buried in the Temple church, London); whose descendant of the same name, bart. of Carmarthenshire, dying without male issue, his daughter and sole heir, then the widow of the earl of Shelburne, carried it in marriage, at the latter end of king Charles II.'s reign, to Col. Henry Conyngham, afterwards a major-general in king William's reign, who died possessed of it in 1705. He left two sons, William and Henry, and a daughter Mary, married to Francis Burton, esq. of Clare, in Ireland. William, the eldest son of the general, succeeded him in this manor and estate in Minster, but died without surviving issue, upon which this estate descended to Henry Conyngham, esq. his younger brother, second son of the general, who was in 1753, anno 27 George II. created baron Conyngham, of Mount Charles, in Donegall, in Ireland; and afterwards by further letters patent, in 1756, viscount Conyngham, of the same kingdom; and again in 1780, earl Conyngham, and likewise baron Conyngham, of the same kingdom, with remainder of the latter title to his sister's sons. He married Ellen, only daughter of Solomon Merret, esq. of London, by whom he had no issue. He died s.p. in 1781, and was succeeded in his title of baron Conyngham by his nephew Francis Pierpoint Burton Conyngham, eldest son of his sister Mary, by her husband Francis Burton, esq. above-mentioned, which Francis, lord Conyngham, died in 1787, leaving by his wife Elizabeth, eldest daughter of Nathaniel Clements, esq. and sister of Robert, lord Leitrim, (who survived him) two sons, Henry, who succeeded him in title, and Nathaniel, and three daughters, Catherine married to the Rev. John Shirley Fermor, of Sevenoke; Ellen, to Stewart Weldon, esq. and Henrietta.

 

Henry, so succeeding his father as lord Conyngham, was created in December 1789, viscount Conyngham and baron Conyngham, of Mount Charles, in Donegall, to whom the inheritance of this manor and estate now belongs; but the possession of it for life is vested in the right hon. Ellen, countess dowager Conyngham; widow of Henry, earl Conyngham, above-mentioned. The arms of lord viscount Conyngham are, Argent, a shake-sork, between three mullets, sable. Supporters. The dexter—An horse charged on the breast with an eagle, displayed, or, maned and hoofed of the last. The sinister—A buck proper, charged on the breast with a griffin's head, erased, or, attired and unguled of the last. Crest—Anunicorn's head erased, argent, armed and maned, or. Motto—Over fork over.

 

A court leet and court baron is held for this manor, by the stile of the courtleet, and view of frank pledge, for the manor of Minster, in the hundred of Ringslow, alias Tenet, and the court baron for the said manor.

 

The court-lodge, formerly a part of the nunnery, was, after the dissolution of it, made use of as a farmhouse, in which some of the monks of St. Augustine resided, to manage the estate of it, which they kept in their own hands. On the north side of it, which seems to have been the front or entrance, is a handsome stone portal, on the top of which, in the middle, within a circle, are the arms of the abbey of St. Augustine, viz. Sable, a cross, argent. At a small distance from it stood antiently a very large barn, sufficient to hold the corn growing on all the demesnes, being in length 352 feet, and in breadth 47 feet, and the height of the walls 12 feet, with a roof of chesnut. When the estate was divided, 154 feet in length of this building was carried to Sevenscore farm, where it was burnt, by an accident unknown in 1700, and the remaining part here was burnt by lightning afterwards. On the south side of the house stood a chapel, said to have been built by St. Eadburga, the third abbess here. In it the body of St. Mildred is said to have been placed by her, or rather translated from the other monastery. Some of the walls and foundations of this chapel were remaining within the memory of some not long since deceased, but it is now so entirely demolished, that there is nothing to be seen of it, excepting a small part of the tower, and of the stairs leading up into it. Just by these ruins of the tower is a small piece of ground, in which lately in digging for mould, several human bones were dug up. There is a view of the remains of this nunnery in Lewis's Thanet.

 

THE OTHER PART of this estate, the scite of which lies about a mile eastward from Minster-court, since known by the name of SEVENSCORE, on which is built a substantial farm-house, with large barns and other necessary buildings, was allotted to —Carey, in whose successors viscounts Falkland, this estate continued down to Lucius Ferdinand, viscount Falkland, who not many years since alienated it to Josiah Wordsworth, esq. of London, whose son of the same name died possessed of it about the year 1784, leaving two sisters his coheirs, one of whom married Sir Charles Kent, bart. and the other, Anne, married Henry Verelst, esq. who afterwards, in right of their respective wives, became possessed of this estate in undivided moieties; in which state it still continues, Sir Charles Kent being at this time entitled to one moiety, and Mrs. Verelst, the widow of Henry Verelst, esq. above-mentioned, who died in 1785, and lies buried in this church, being entitled to the other moiety of it.

 

WASCHESTER is an estate lying at a small distance westward from Minster church, part of which was formerly parcel of the demesnes of the manor of Minster, and was included in king James's grant to Sir Philip Carey, William Pitt, esq. and John Williams, goldsmith, as has been mentioned before in the account of that manor; they in the year 1620, joined in the sale of them to Jeffry Sandwell, gent. of Monkton, who purchased other lands of different persons in this parish, Monkton and Birchington, the whole of which he sold in 1658, to John Peters, M. D. Philip le Keuse, and Samuel Vincent, which two latter alienated their shares soon afterwards to Dr. Peters; at which time all these lands together, not only comprehended Waschester farm, but likewise part, if not the whole of another called Acol. From Dr. Peters this estate descended to Peter Peters, M. D. of Canterbury, who died in 1697, upon which the inheritance of it descended to his sole daughter and heir Elizabeth, who in 1722 carried it in marriage to Thomas Barrett, esq. of Lee, whose second wife she was; he died possessed of it in 1757, upon which it descended to their only daughter and heir Elizabeth, who entitled her husband, the Rev. William Dejovas Byrche, to the fee of it. He died in 1792, leaving an only daughter Elizabeth, married to Samuel Egerton Brydges, esq. of the Middle Temple, barrister-atlaw, but now of Denton-court, who in her right possessed it, and afterwards sold it to Mr. Ambrose Maud, who now owns it.

 

SHERIFFS COURT is an estate lying somewhat less than a mile westward from Waschester, in the hamlet of Hoo in this parish; it was formerly called Sheriffs Hope, from the hope, or place of anchorage for ships, which sailed in the river Wantsume, which once ran close by this place. It is said by some to have taken its name from its having been part of the possessions of Reginald de Cornhill, who was so long sheriff of this county that he lost his own name and took that of Le Sheriff, from whence this place gained the name of Sheriffs hope, or court. He was sheriff from the 4th to the 9th years of king Richard I. in the last year of that reign and during the whole reign of king John. His arms are on the stone roof of the cloysters at Canterbury, being Two lions passant, debruised of a bendlet, impaling three piles. After this name was extinct here, the family of Corbie became possessed of this estate; one of whom, Robert de Corbie, died possessed of it in the 39th year of king Edward III. whose son Robert Corbie, esq. of Boughton Malherb, leaving a sole daughter and heir Joane, she carried it in marriage to Sir Nicholas Wotton, who, anno 3 Henry V. was lord mayor of London. His descendant Sir Edward Wotton procured his lands in this county to be disgavelled by the acts both of 31 Henry VIII. and 2 and 3 Edward VI. and from him this manor descended to Thomas, lord Wotton, who dying anno 6 Charles I. without male issue, his four daughters became his coheirs, of whom Catherine the eldest carried this estate in marriage to Henry, lord Stanhope, son and heir of Philip, earl of Chesterfield, whose widow Catherine, lady Stanhope, sold it to Henry Paramor. He was the tenant and occupier of Sheriff's court, being the eldest son of John Paramor, of Preston, the grandson of Thomas Paramor, of Paramor-street, in Ash, near Sandwich. They bore for their arms, Azure, a fess embattled, counter embairled, between three etoils of six points, or. (fn. 11) . He left it to his brother Thomas Paramor, whose grandson of the same name died possessed of it in 1652, and was buried with his ancestors in this church; from his heirs this estate was alienated to Thatcher, in which name it continued, till at length it was sold by one of them, to Mr. Robert Wilkins, gent. of St. Margaret's, Rochester, who possessed it for many years. He died without issue, and it has since become the property of Mrs. Terry, the present owner of it.

 

TO THIS MANOR is appurtenant the small MANOR OF PEGWELL, or COURT STAIRS, in the parish of St. Laurence.

 

ALDELOND GRANGE, usually called Allen Grange, situated about a mile northwardfrom Minster church, on the open high land, was so called in opposition to Newland Grange, in St. Laurence parish. It was antiently part of the possessions of the abbey of St. Augustine, and was in the year 1197, assigned by Roger, the abbot of it, to the sacristy of the abbey, for the purpose of upholding and maintaining the abbey church, as well in the fabric as ornaments, but on the condition that the sacrist for the time being, should perform all such services to the court of Minster as were due, and had been accustomed to be done for the land of it. (fn. 12)

 

The measurement of this land, according to Thorne, amounted to sixty-two acres; and to this Grange belong all the tithes of corn and grain, within the limits of the borough of Wayborough, excepting those which are received by the vicar. On the dissolution of the abbey of St. Augustine, in the 30th year of Henry VIII. this estate, then amounting to six score acres, came, with the rest of the possessions of the monastery, into the king's hands, where it did not continue long, for he settled it in his 33d year, by his dotation charter, on his new founded dean and chapter of Canterbury, with whom the inheritance of it continues at this time.

 

It has been demised by the dean and chapter, on a beneficial lease, the rack rent of it being 413l. per annum, for twenty one years, to Mr. Edward Pett, of Cleve-court, the present lessee of it. Messrs. Jessard and Paramor are the under lessees and occupiers of it.

 

POWCIES, which stands about half a mile northeastward from Allan grange, was formerly a gentleman's mansion, a large handsome building standing on much more ground than it does at present, with a gate house at the entrance into the court before it; all which being pulled down, a modern farm-house of brick has been built on the antient scite of it.

 

This seat was once in the possession of the family of Goshall, of Goshall, in Ash, where Sir John Goshall resided in king Edward III.'s reign, and in his descendants it continued till about the reign of king Henry IV. when it was carried in marriage by a female heir to one of the family of St. Nicholas, owners likewise of the adjoining manor of Thorne, in whom it continued down to Roger St. Nicholas, who died in 1484, leaving a sole daughter and heir Elizabeth, who entitled her husband John Dynley, of Charlton, in Worcestershire, to the possession of it. By her he had two sons, Henry and Edward, the eldest of whom succeeded to this estate, which he afterwards alienated, about the middle of queen Elizabeth's reign, to John Roper, esq. of Linsted, afterwards knighted, and anno 14 James I. created baron of Teynham; whose great grandson Christopher, lord Teynham, in king Charles I.'s reign, conveyed it to Sir Edward Monins, bart. of Waldershare, who died possessed of it in 1663, leaving Elizabeth his widow surviving, who held it in jointure at her death in 1703; upon which it devolved to the heirs and trustees of Susan, his eldest daughter and coheir, late wife of Peregrine Bertie, deceased, second son of Montague, earl of Lindsey; and they, in the reign of king William and queen Mary, joined in the sale of it to Sir Henry Furnese, bart. of Waldershare, who died possessed of it in 1712, as did his son Sir Robert in 1733. After which it became, with his other estates, vested in his three daughters and coheirs, and on a partition of them, anno 9 George II. this estate of Powcies was wholly allotted, among others, to Anne the eldest sister, wife of John, viscount St. John, which partition was confirmed by an act passed next year; after which it descended down to their grandson George, viscount Bolingbroke, who in 1790 alienated it to Mr. Henry and John Harnett, the present possessors of it.

 

THORNE, or as it is vulgarly called, Thourne, is a manor in this parish, situated about a mile southward from Powcies above mentioned, being so named from the quantity of thorny bushes growing on and about it. This manor was antiently the seat of a family which took their name from it, one of them, Henry de Thorne, was owner of it in the year 1300, anno 29 Edward I. and resided here; against whom it seems complaint was made to the abbot of St. Augustine, that he caused mass to be publicly said in his private oratory, or chapel, (the remains of which are still so entire as to be made use of as a granary, &c.) at this his manor of Thorne, (apud spinam) to the prejudice of the mother church, and the ill example of others; and he accordingly was inhibited from so doing in future, by the archbishop's letters to the vicar of Minster, dated that year. And under the cross in this church, in the north wall of it, is an antient tomb or coffin of solid stone, let into the wall under an arch of antient Saxon ornaments. On the stone which covers the tomb is a cross flory, on each side of which are two blank shields, and round the edge of the stone these words in old French letters: Ici gift Edile de Thorne, que fust Dna del Espine. This seems probable to have been one of the family, owners of this manor.

 

After this family of Thorne were become extinct here, that of Goshall, of Goshall, in Ash, appear to have been possessors of this manor; in whom it continued till about the reign of king Henry IV. when it went by marriage by a female heir to one of the family of St. Nicholas, in whose descendants it continued down to Roger St. Nicholas, who died in 1474, and as appears by his will, was buried before the image of St. Nicholas, in the chancel of Thorne, at Minster. Roger St. Nicholas, his son and heir, left an only daughter Elizabeth, who entitled her husband John Dynley, esq. of Charlton, in Worcestershire, to the possession of it. After which it continued down in the same owners as Powcies last above-described, till it came into the possession of George, viscount Bolingbroke, who in 1790 alienated it to Mr. Henry Wooton, the present owner of it.

 

See a custom for the demise of tenements by will within the borough of Menstre, secundum consuetudinem manerii, anno 55 Henry III. Itin. Kanc. rot. 18, in Robinson's Gavelkind, p. 236.

 

Charities.

THE OCCUPIER of Salmeston Grange, in St. John's parish, is bound by his lease to distribute to six poor inhabitants of the parish of Minster, to be nominated by the minister and churchwardens, in the first week, and on the middle Monday of Lent, to each of them, nine loaves and eighteen herrings; and to three poor people of the same, to each of them, two yards of blanket; and every Monday and Friday in each week, from the Invention of the Holy Cross to the feast of the Nativity of St. John the Baptist, to every poor person coming to Salmeston Grange, one dishfull of peas dressed.

 

THOMAS APPLETON, of Eastry, yeoman, by his will in 1593, gave to the relief of the poor of this parish, the sum of 5l. to be paid to the churchwardens yearly, for the use of the poor people, inhabitants there, fourteen days before Christmas day, the same to be paid out of certain lands belonging to him, called Hardiles, in the parish of Woodnesborough.

 

RICHARD CLERK, D. D. vicar of Minster, partly by deed in 1625, and partly by will on Nov 6, 1634, gave 120l. to be lent unto four parishioners, born in Minster, whose fathers were deceased, and they not sufficiently stocked, for the term of one, two, or three years, but not exceeding that; the interest arising from it to be divided among the poor of the parish. With this money the trustees purchased houses, which are at present divided into four tenements, besides the parish work-house, called the seoffees houses; and seven other tenements, called Cheap Row, the rent of which is annually distributed in clothing to the poor persons of the parish. They are all at present let to the churchwardens and overseers for the time being, by a lease of 99 years, from 1729, at the rent of 6l. This trust is now vested in Mr. William Fuller, of Doctors Commons, as heir of the last trustee; the trust not having been filled up since the year 1696.

 

JOHN CAREY, esq of Stanwell, in Middlesex, by will in 1685, gave 10l. per annum to be paid yearly to the churchwardens, out of his farm of Sevenscore; to be disposed of to the poor yearly, on St. Thomas's day.

 

THIS PARISH is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Westbere.

 

The church, which is dedicated to St. Mary, is a very handsome structure, consisting of a nave and two side isles, a cross sept, and east chancel; the nave is of Saxon, the transept and chancel of gothic architecture; the last is curiously vaulted with stone, and provision was made for the same in the transept, but it was never completed. In it are eighteen collegiate stalis, in good preservation. At the west end of the church is a tall spire steeple, in which is a clock and five bells.

 

When the Danes plundered and burnt the abbey of Minster, they seem to have spared the two chapels of St. Mary, and of St. Peter and St. Paul, or however the stone work of them was preserved, and not burnt with the roof and other works of timber. The former of these was afterwards made into the present parish church, and has since been considerably enlarged.—The nave or body of the church seems to have been the old building; the pillars of which are thick and short, and the arches all circular, and a low roof was probably upon them, according to the simplicity and plainness of those times; but since the wall has been built higher, as appears by the distance there is, betwixt the top of the arches and the wall plate across; and an handsome chancel added at the east end, and a square tower on the west, with a high spire covered with lead placed on it. The chancel or choir and the middle of the cross are vaulted, and by the footings which are left, it was certainly intended that the whole cross should have been finished in the same manner. The eighteen stalls mentioned before, have very handsome wainscot behind, according to the mode of those times; in these the monks, vicars, and priests used to sit during the performance of divine service. Besides the high altar in this church, there were before the reformation other altars in it, dedicated to the Holy Trinity, St. James, and St. Anne. At these, as likewise before the Holy Cross, were lights constantly burning; for the maintenance of which, there were societies or fellowships, who contributed towards the maintenance of them, and those who died left in their last wills constantly small sums of money for that purpose. Under the middle of the cross was the rood-lost, the going up to which out of the chancel is yet to be seen, as are the mortice holes in which the timbers were put, on which the lost was built. On the north wall of it is the antient tomb of Edile de Thorne. On the pavement, as well as in the church porch, are several large flat gravestones, the inscriptions, if any on them, entirely worn away; they seem very antient, and are not improbably, memorials of some of the religious of this place, but they do not seem always to have lain where they do now. On the front of the tower of the steeple is a shield, carved in the stone work, viz. A fess, between three lion's passant. Among other memorials in this church, in the chancel, is one for Francis, son and heir to Edward Saunders, gent. of Norbourne-court, which Edward married the female heir of Francis Pendrick, esq. by his wife, who was nurse to queen Elizabeth. He died anno 1643; arms, A chevron, between three elephants heads, impaling a saltier, ermine, between three leopards faces. In the middle isle a monument for Bartholomew Sanders, gent. and Mary his wife, daughter of Henry Oxenden, esq. of Wingham; arms, Per chevron, sable and argent, three elephants heads, counterchanged, impaling Oxenden. On a mural monument are the effigies of a man and woman. kneeling at a desk, for Thomas Paramor, esq. sometime mayor of Canterbury, and Anne his first wife; arms, Azure, a fess embattled, between three stars of six points, or, impaling or, on a chevron, three stars of six points, sable, between as many dragons heads, quartered. In the north isle are several memorials for the Paramors. On a wooden frame, near the altar, a memorial for Col. James Pettit, obt. 1730. On the south side of the chancel, a mural monument for Mary, youngest daughter of Robert Knowler, gent. of Herne, wife of John Lewis, vicar of this church, obt. 1719. A memorial for John Lewis, formerly vicar of this church, obt. 1746, æt. 72. A memorial for Elizabeth Blome, daughter and coheir of John Blome, gent. of Sevenoke, obt. 1731; arms, in a lozenge, A cross fitchee, and cinquefoil, quartered with a greybound, current. A mural monument for Harry Verelst, esq. of Aston, in Yorkshire, formerly governor of Bengal, obt. 1785; he married Anne, coheir of Josiah Wordsworth, esq. of Wadworth, in Yorkshire, and of Sevenscore, in this parish, and left by her four sons and five daughters. In the south isle memorials for the Harnetts, Kennetts, and Colemans. In the middle isle are memorials for several of the Jenking's. Leland, in his Itinerary, vol. vii. p. 130 says, S. Florentius jacet in Cemiterio S. Mariæ in Thanet, cujus Tumba Crescit signis. (fn. 13)

 

On the top of the spire was formerly a globe, and upon that a great wooden cross, covered with lead, over which was a vane, and above that, an iron cross; but about the year 1647, the noted fanatic Richard Culmer, having got the sequestration of this vicarage, took it into his fancy that these were monuments of superstition and idolatry, and got these crosses demolished by two persons of the parish, whom he had hired, after he had himself before day, by moon light, fixed ladders for them to go up and down, from the square of the tower to the top of the spire. But if all the figures of a cross are monuments of idolatry, and to be removed, the poor caitiff has done his work but by halves, or rather not all, when he took down these from the spire and left the church standing, which is itself built in the form of a cross.

 

The church of Minster was antiently appendant to the manor, and as such was granted with it, first to Domneva, and afterwards became part of the possessions of the abbey founded by her here; and after the destruction of it came with the manor, by king Cnute's grant, to the abbot and convent of St. Augustine, to which it became appropriated in the year 1128, anno 29 Henry I. and was at that time assigned, with the chapels of St. John, St. Peter, and St. Laurence, with all rents, tithes, and other things, belonging to them, to the sacristy of that monastery; which regulation was confirmed by archbishop Theobald, and afterwards, in 1168, by pope Alexander, who consigned it to the reparation of the church of the monastery, which had been but just before burnt down. (fn. 14)

 

In the year 1176, anno 23 Henry II. the tenants of the Halimot, or manor court of Minster, agreed, that from thenceforth they would all cop their corn; and that they and their heirs, then and for ever afterwards, should pay all their tithes lawfully by cops, and all other matters of tithes, which they were accustomed to pay, as amply as they had ever paid them from the time of the dedication of the church of St. Mary of Menstre.

 

By an agreement entered into in 1182, between the archbishop and the abbot of St. Augustine's, this church was exempted from the payments of all dues and procurations to the archdeacon; and that year the archbishop confirmed this church to the monastery; which agreement was renewed in 1237, by archbishop Edmund; and further, that the abbot and convent should present to the archbishop, in the chapels of St. Peter, St. John, and St. Laurence, fit perpetual chaplains to the altarages in them, provided those altarages were worth ten marcs, with which the chaplains should be content, on pain of forfeiting the same; the vicar of the mother church of Menstre, having a sufficient vicarage taxed from antient time in the same, taking and receiving in right of his vicarage, the tenths of small tithes, viz. of lambs and pigs, and the obventions arising from marriages and churchings, which were forbid at the chapels, and were solemnized, &c. at the mother church only, and the burials of certain corpses, being those of the tenants or occupiers of lands in these chapelries, who were to be buried at Minster, unless the vicar gave leave to the contrary. At the same time the archbishop, with the consent of the archdeacon, confirmed this church to the abbot and convent, together with the several archiepiscopal confirmations of it, and those of the several kings of England. This part above-mentioned of the revenue of the vicarage of Minster, arising from these chapelries, has long since been lost, except that out of Salmestone Grange, amounting to 10s. a year; which, perhaps, might be a composition for the tenths of the small tithes, &c. in them. The altarages above-mentioned were the customary and voluntary offerings at the altar, for some religious office or service of the priest. To augment these, the regular and secular priests invented many things. For it is to be observed, that only a portion of these offerings, to the value of ten marcs, or 6l. 13s. 4d. was what the chaplains of these three chapels were presented to, and that they were accountable for the residue to the abbot and convent, and that if they presumed to detain any more of these offerings beyond that sum, they were to be deprived even of that. For this reason, they were to swear to the abbot and convent, to give a true account of the offerings made at their several altars, on their respective offering days, and in no shape to detriment their parish of Menstre, as to legacies or obventions, personal or predial, but to conserve all the parochial rights of the same, entire and untouched, to the utmost of their power. Then marcs appear now but a small sum for the maintenance of a parish minster; but when the value of money at the time when this composition was made is considered, it will be found to be a handsome and generous allowance to a chaplain, especially as their stipends were then paid by authority; ten marcs were then equal to more than sixty pounds now, and in a council held at Oxford but fifteen years before, it was decreed, that where the churches had a revenue as far as five marcs per annum, they should be conferred on none but such as should constantly reside in person, on the place, as being a sufficient maintenance. In 1348 H. Kinghton informs us, a chaplain's usual stipend was no more than four or five marcs, or two and his board; as for the chaplains of these three chapels, though they were to receive no more than ten marcs of these altarages, they were not excluded the enjoyment of the manses and glebes, given to these chapels when they were first consecrated, which made some addition to their income, and perhaps enabled them to keep a deacon to assist them. (fn. 15)

 

On the great and principal festivals, the inhabitants of these three chapelries, preceded by their priests and other officers, with their banners, tapers, &c. were used to go in procession to Minster, their mother church, there to join at the solemn mass and other divine service then performed, to make their offerings and pay their accustomed dues, in token of their subjection to their parochial or mother church.

 

The appropriation of the church of Minster, together with the advowson of the vicarage, continued, in manner as has been already mentioned, with the abbot and convent till the dissolution of their monastery in the 30th year of king Henry VIII. when it was surrendered, together with the rest of the possessions of the monastery, into the king's hands. After the dissolution of the monastery, there could not be said to be any parsonage or appropriation of this church, for the demesne lands of the manor of Minster, which are very extensive in this parish, were subject, as to the tithes of corn, to only a small modus or composition to the vicar, of eighteen shocks or cops of wheat, and eighteen shocks or cops of barley, or thereabouts; and the vicar was intitled, in right of his vicarage, to the corn tithes of the lands in the remaining part of the parish, as will be further noticed hereafter.

 

When the vicarage of this church was endowed and a vicar instituted, is no where found; but certainly it was before the year 1275; for in the act of consecration of the church or chapel-yard of St. Laurence that year, when that chapel was made parochial, mention is made of the vicar of Menstre, &c. and in the year 1384, anno 8 Richard II. this vicarage was valued at thirty marcs. After the dissolution of the abbey of St. Augustine, the advowson of this vicarage continued in the hands of the crown, till king Edward VI. in his first year, granted it, among other premises, to the archbishop, since which it has continued parcel of the pos sessions of that fee, the archbishop being the present patron of it.

 

This vicarage is valued in the king's books at 33l. 3s. 4d. and the yearly tenths at 3l. 6s. 8d. In 1588 here were three hundred communicants, and it was valued at 1501. It is endowed with a manse and glebe of about twenty-four acres of land, upland and marsh; all the corn tithes, and other tithes of that part of the parish called Street-borough; and of about one hundred acres in the other borough, called Weyborough, except the corn tithes of the demesnes of the manor of Minster, for which the modus or composition above-mentioned is paid.

 

¶The land in Minster level, which is pasture, paying but four-pence an acre for tithes, Dr. Richard Clarke, vicar here in 1597, made a composition with his parishioners, by which they obliged themselves to pay him at the vicarage house, within three days after every quarter, after the rate of twelve-pence an acre for their marsh land, or else to lose the benefit of the composition. (fn. 16) Dr. Meric Casaubon, who succeeded Dr. Clarke, would not abide by this composition, but afterwards compounded with the occupiers, at the rate of twelve-pence an acre for the worst of the land, and of fourteen pence and sixteen pence for that which is better; and in the year 1638 he demanded his tithes of the marsh land in kind, or eighteen pence per acre, which was agreed to by the parishioners, and paid by them till the year 1643; when the civil wars being begun, and this county in the power of the parliament, Dr. Casaubon, being continually threatened to be turned out of his vicarage, was content to receive one shilling per acre for the marsh land; in which manner he received it till the end of the year 1644, when this vicarage was sequestered, and one Richard Culmer was put into possession of this vicarage, (fn. 17) who to ingratiate himself with the parishioners, agreed to take no more than twelve pence an acre of them, as did Dr. Casaubon in 1660, on his being restored to this vicarage; at which rate the tithes were afterwards uniformly taken, till the time of the present vicar; the several vicars not being disposed to quarrel with their neighbours, though the land now lets for as much again as it did in Dr. Casaubon's time, viz. at 28s. an acre and upwards. There have been several litigations and issues at law tried between the present vicar, Mr. Dodsworth, and his parishioners, on account of this modus for the marsh land, all which have been decided in the vicar's favor, who set aside the modus of one shilling per acre by the verdict in his favor, and now takes from 1s. 6d. to 2s. 6d. for the grass land, according to its goodness; yet there are ten acres of grass land late in the possession of Josias Fuller Farrer, esq. which never having paid more than four-pence per acre, remain at that composition. The present value of it is about 350l. per annum.

 

www.british-history.ac.uk/survey-kent/vol10/pp264-294

new account: www.flickr.com/photos/71817921@N03/

I had to make a new account, only because I filled up the hole 200 photos! so pleas feel free to check out me new page!

 

Kartikeya, also known as Skanda, Murugan and Subramaniyan, is the Hindu god of war. He is the commander-in-chief of the army of the devas (gods) and the son of Shiva and Parvati.

 

Murugan is often referred to as "Tamil Kadavul" (meaning "God of Tamils") and is worshiped primarily in areas with Tamil influences, especially South India, Sri Lanka, Mauritius, Malaysia, Singapore and Reunion Island. His six most important shrines in India are the Arupadaiveedu temples, located in Tamil Nadu. In Sri Lanka, Hindus as well as Buddhists revere the sacred historical Nallur Kandaswamy temple in Jaffna and Katirkāmam Temple situated deep south.[1] Hindus in Malaysia also pray to Lord Murugan at the Batu Caves and various temples where Thaipusam is celebrated with grandeur.

 

In Karnataka and Andhra Pradesh, Kartikeya is known as Subrahmanya with a temple at Kukke Subramanya known for Sarpa shanti rites dedicated to Him and another famous temple at Ghati Subramanya also in Karnataka. In Bengal and Odisha, he is popularly known as Kartikeya (meaning 'son of Krittika').[2]

Other names[edit]

Like most Hindu deities, Subrahmanya is known by many other names, including Senthil, Vēlaṇ, Kumāran (meaning 'prince or child or young one'), Swaminatha (meaning 'smart' or 'clever'), Saravaṇa, Arumugam or Shanmuga (meaning 'one with six faces'), Dhandapani (meaning God with a Club), Guhan or Guruguha (meaning 'cave-dweller'), Subrahmanya, Kartikeya and Skanda (meaning 'that which is spilled or oozed).[3][4] He was also known as Mahasena and the Kadamba Dynasty kings worshiped him by this name.[5]

Vedas[edit]

The Atharva Veda describes Kumaran as 'Agnibhuh' because he is form of 'Agni' (Fire God) & Agni hold in his hand when kumaran born. The Satapatha Brahmana refers to him as the son of Rudra and the six faces of Rudra. The Taittiriya Aranyaka contains the Gayatri mantra for Shanmukha. The Chandogya Upanishad refers to Skanda as the "way that leads to wisdom". The Baudhayana Dharmasutra mentions Skanda as 'Mahasena' and 'Subrahmanya.' The Aranya Parva canto of the Mahabharata relates the legend of Kartikeya Skanda in considerable detail. The Skanda Purana is devoted to the narrative of Kartikeya.[6] The Upanishads also constantly make a reference to a Supreme Being called Guha, the indweller.

The first elaborate account of Kartikeya's origin occurs in the Mahabharata. In a complicated story, he is said to have been born from Agni and Svaha, after the latter impersonated the six of the seven wives of the Saptarishi (Seven Sages). The actual wives then become the Pleiades. Kartikeya is said to have been born to destroy the Asura Mahisha.[7] (In later mythology, Mahisha became the adversary of Durga.) Indra attacks Kartikeya as he sees the latter as a threat, until Shiva intervenes and makes Kartikeya the commander-in-chief of the army of the Devas. He is also married to Devasena, Indra's daughter. The origin of this marriage lies probably in the punning of 'Deva-sena-pati'. It can mean either lord of Devasena or Lord of the army (sena) of Devas. But according to Shrii Shrii Anandamurti, in his master work on Shiva[8] and other works, Kartikeya was married to Devasenā and that is on the ground of his name as Devasena's husband, Devasenāpati, misinterpreted as Deva-senāpati (Deva's general) that he was granted the title general and made the Deva's army general.[9]

 

The Ramayana version is closer to the stories told in the Puranas discussed below.

Tolkappiyam, possibly the most ancient of the extant Sangam works, dated between the 3rd century BCE and 5th century CE glorified Murugan, "the red god seated on the blue peacock, who is ever young and resplendent," as "the favoured god of the Tamils."[10] The Sangam poetry divided space and Tamil land into five allegorical areas (tinai) and according to the Tirumurugarruppatai ( c. 400–450 AD) attributed to the great Sangam poet Nakkiirar, Murugan was the presiding deity the Kurinci region (hilly area). (Tirumurugaruppatai is a deeply devotional poem included in the ten idylls (Pattupattu) of the age of the third Sangam). The other Sangam era works in Tamil that refer to Murugan in detail include the Paripaatal, the Akananuru and the Purananuru. One poem in the Paripaatal describes the veneration of Murugan thus:

 

"We implore thee not for boons of enjoyment or wealth,

But for thy grace beatific, love and virtuous deeds."

 

According to the Tamil devotional work, Thiruppugazh, "Murugan never hesitates to come to the aid of a devotee when called upon in piety or distress". In another work, Thirumurukkarrupatai, he is described as a god of eternal youth;

 

His face shines a myriad rays light and removes the darkness from this world.[11]

The references to Murugan can be traced back to the first millennium BCE. There are references to Murugan in Kautilya's Arthashastra, in the works of Patanjali, in Kalidasa's epic poem the Kumarasambhavam. The Kushanas, who governed from what is today Peshawar, and the Yaudheyas, a republican clan in the Punjab, struck coins bearing the image of Skanda. The deity was venerated also by the Ikshvakus, an Andhra dynasty, and the Guptas.[6] The worship of Kumāra was one of the six principal sects of Hinduism at the time of Adi Shankara. The Shanmata system propagated by him included this sect. In many Shiva and Devi temples of Tamil Nadu, Murugan is installed on the left of the main deity. The story of His birth goes as follows:

 

Sati immolated herself in a pyre as her father King Daksha had insulted Shiva, her Lord. She was reborn as Parvathi or Uma, daughter of the King of Himalayas, Himavan. She then married her Lord Shiva. The Devas were under onslaught from the Asuras whose leader was Soorapadman. He had been granted boons that only Lord Shiva or his seed could kill him. Fearless he vanquished the Devas and made them his slaves. The Devas ran to Vishnu for help who told them that it was merely their fault for attending Daksha's yagna, without the presence of Lord Shiva. After this, they ran to Shiva for help. Shiva decided to take action against Soorapadman's increasing conceit. He frowned and his third eye- the eye of knowledge- started releasing sparks. These were six sparks in total. Agni had the responsibility to take them to Saravana Lake. As he was carrying them, the sparks were growing hotter and hotter that even the Lord of Fire could not withstand the heat. Soon after Murugan was born on a lotus in the Saravana Lake with six faces, giving him the name Arumukhan. Lord Shiva and Parvati visited and tears of joy started flowing as they witnessed the most handsome child. Shiva and Parvathi gave the responsibility of taking care of Muruga to the six Krittika sisters. Muruga grew up to be a handsome, intelligent, powerful, clever youth. All the Devas applauded at their saviour, who had finally come to release them from their woes. Murugan became the supreme general of the demi-gods, then escorted the devas and led the army of the devas to victory against the asuras.

Legends[edit]

Given that legends related to Murugan are recounted separately in several Hindu epics, some differences between the various versions are observed. Some Sanskrit epics and puranas indicate that he was the elder son of Shiva. This is suggested by the legend connected to his birth; the wedding of Shiva and Parvati being necessary for the birth of a child who would vanquish the asura named Taraka. Also, Kartikeya is seen helping Shiva fight the newborn Ganesha, Shiva's other son, in the Shiva Purana. In the Ganapati Khandam of the Brahma Vaivarta Purana, he is seen as the elder son of Shiva and Ganesha as the younger. In South India, it is believed that he is the younger of the two. A Puranic story has Ganesha obtain a divine fruit of knowledge from Narada winning a contest with Murugan. While Murugan speeds around the world thrice to win the contest for the fruit, Ganesha circumambulates Shiva and Parvati thrice as an equivalent and is given the fruit. After winning it, he offers to give the fruit to his upset brother. After this event, Ganesha was considered the elder brother owing as a tribute to his wisdom. Many of the major events in Murugan's life take place during his youth, and legends surrounding his birth are popular. This has encouraged the worship of Murugan as a child-God, very similar to the worship of the child Krishna in north India. He is married to two wives, Valli and Devasena. This lead to a very interesting name : Devasenapati viz. Pati (husband) of Devsena and/or Senapati (commander in chief) of Dev (gods)

Kartikeya symbols are based on the weapons – Vel, the Divine Spear or Lance that he carries and his mount the peacock. He is sometimes depicted with many weapons including: a sword, a javelin, a mace, a discus and a bow although more usually he is depicted wielding a sakti or spear. This symbolizes his purification of human ills. His javelin is used to symbolize his far reaching protection, his discus symbolizes his knowledge of the truth, his mace represents his strength and his bow shows his ability to defeat all ills. His peacock mount symbolizes his destruction of the ego.

 

His six heads represent the six siddhis bestowed upon yogis over the course of their spiritual development. This corresponds to his role as the bestower of siddhis.

In Tamil Nadu, Murugan has continued to be popular with all classes of society right since the Sangam age. This has led to more elaborate accounts of his mythology in the Tamil language, culminating in the Tamil version of Skanda Purana, called Kandha Purānam, written by Kacchiappa Sivachariyar (1350–1420 AD.) of Kumara Kottam in the city of Kanchipuram. (He was a scholar in Tamil literature, and a votary of the Shaiva Siddhanta philosophy.)

 

He is married to two deities, Valli, a daughter of a tribal chief and Deivayanai (also called Devasena), the daughter of Indhra. During His bachelorhood, Lord Murugan is also regarded as Kumaraswami (or Bachelor God), Kumara meaning a bachelor and Swami meaning God. Muruga rides a peacock and wields a bow in battle. The lance called Vel in Tamil is a weapon closely associated with him. The Vel was given to him by his mother, Parvati, and embodies her energy and power. His army's standard depicts a rooster. In the war, Surapadman was split into two, and each half was granted a boon by Murugan. The halves, thus turned into the peacock (his mount) and the rooster his flag, which also "refers to the sun".[12]

 

As Muruga is worshipped predominantly in Tamil Nadu, many of his names are of Tamil origin. These include Senthil, the red or formidable one; Arumugam, the six-faced one; Guhan and Maal-Marugan, the son-in-law of Vishnu. Murugan is venerated throughout the Tamil year. There is a six-day period of fast and prayer in the Tamil month of Aippasi known as the Skanda Shasti. He is worshipped at Thaipusam, celebrated by Tamil communities worldwide near the full moon of the Tamil month Thai. This commemorates the day he was given a Vel or lance by his mother in order to vanquish the asuras. Thirukarthigai or the full moon of the Tamil month of Karthigai signifies his birth. Each Tuesday of the Tamil month of Adi is also dedicated to the worship of Murugan. Tuesday in the Hindu tradition connotes Mangala, the god of planet Mars and war.

 

Other parts of India[edit]

Historically, God Kartikeya was immensely popular in the Indian subcontinent. One of the major Puranas, the Skanda Purana is dedicated to him. In the Bhagavad-Gita (Ch.10, Verse 24), Krishna, while explaining his omnipresence, names the most perfect being, mortal or divine, in each of several categories. While doing so, he says: "Among generals, I am Skanda, the lord of war."

 

Kartikeya's presence in the religious and cultural sphere can be seen at least from the Gupta age. Two of the Gupta kings, Kumaragupta and Skandagupta, were named after him. He is seen in the Gupta sculptures and in the temples of Ellora and Elephanta. As the commander of the divine armies, he became the patron of the ruling classes. His youth, beauty and bravery was much celebrated in Sanskrit works like the Kathasaritsagara. Kalidasa made the birth of Kumara the subject of a lyrical epic, the Kumaarasambhavam. In ancient India, Kartikeya was also regarded as the patron deity of thieves, as may be inferred from the Mrichchakatikam, a Sanskrit play by Shudraka, and in the Vetala-panchvimshati, a medieval collection of tales. This association is linked to the fact that Kartikeya had dug through the Krauncha mountain to kill Taraka and his brothers (in the Mrichchakatikam, Sarivilaka prays to him before tunnelling into the hero's house).

 

However, Kartikeya's popularity in North India receded from the Middle Ages onwards, and his worship is today virtually unknown except in parts of Haryana. There is a very famous temple dedicated to Him in the town of Pehowa in Haryana and this temple is very well known in the adjoining areas, especially because women are not allowed anywhere close to it. Women stay away from this temple in Pehowa town of Haryana because this shrine celebrates the Brahmachari form of Kartikeya. Reminders of former devotions to him include a temple at Achaleshwar, near Batala in Punjab, and another temple of Skanda atop the Parvati hill in Pune, Maharashtra. Another vestige of his former popularity can be seen in Bengal and Odisha, where he is worshipped during the Durga Puja festivities alongside Durga. Lord Subramanya is the major deity among the Hindus of northern Kerala. Lord Subramanya is worshipped with utmost devotion in districts of Dakshina Kannada and Udupi in the state of Karnataka. Rituals like nagaradhane are unique to this region.

Kartikeya also known as Kartik or Kartika is also worshipped in West Bengal, and Bangladesh on the last day of the Hindu month of 'Kartik'. However, the popularity of Kartik Puja (worshipping Kartik) is decreasing now, and Lord Kartik is primarily worshipped among those who intend to have a son. In Bengal, traditionally, many people drop images of Kartik inside the boundaries of different households, who all are either newly married, or else, intend to get a son to carry on with their ancestry. Lord Kartik is also associated to the Babu Culture prevailed in historic Kolkata, and hence, many traditional old Bengali paintings still show Kartik dressed in traditional Bengali style. Also, in some parts of West Bengal, Kartik is traditionally worshipped by the ancestors of the past royal families too, as in the district of Malda. Kartik Puja is also popular among the prostitutes. This can probably be linked to the fact that, the prostitutes mostly got clients from the upper class babu-s in old Kolkata, who all, in turn, had been associated to the image of Kartik (as discussed above). In Bansberia (Hooghly district) Kartik Puja festival is celebrated like Durga puja of Kolkata, Jagadhatri puja in Chandannagar for consecutive four days. The festival starts on 17 November every year and on 16 November in case of Leap year.[13] Some of the must see Puja committees are Bansberia Kundugoli Nataraj, Khamarapara Milan Samity RadhaKrishna, Kishor Bahini, Mitali Sangha, Yuva Sangha, Bansberia Pratap Sangha and many more.

 

In Durga Puja in Bengal, Kartikeya is considered to be a son of Parvati or Durga and Shiva along with his brother Ganesha and sisters Lakshmi and Saraswati.[14]

Kartikeya is worshiped during Durga Puja in Odisha as well as in various Shiva temples throughout the year. Kartik puja is celebrated in Cuttack along with various other parts of the state during the last phases of Hindu month of Kartik. Kartik purnima is celebrated with much joy and in a grand fashion in Cuttack and other parts in the state.

Murugan is adored by both Tamil Hindus and Sinhalese Buddhists in Sri Lanka. Numerous temples exist throughout the island. He is a favorite deity of the common folk everywhere and it is said he never hesitates to come to the aid of a devotee when called upon. In the deeply Sinhalese south of Sri Lanka, Murugan is worshipped at the temple in Katirkāmam, where he is known as Kathiravel or Katragama Deviyo (Lord of Katragama) . This temple is next to an old Buddhist place of worship. Local legend holds that Lord Murugan alighted in Kataragama and was smitten by Valli, one of the local aboriginal lasses. After a courtship, they were married. This event is taken to signify that Lord Murugan is accessible to all who worship and love him, regardless of their birth or heritage. The Nallur Kandaswamy temple, the Maviddapuram Kandaswamy Temple and the Sella Channithy Temple near Valvettiturai are the three foremost Murugan temples in Jaffna. The Chitravelayutha temple in Verukal on the border between Trincomalee and Batticaloa is also noteworthy as is the Mandur Kandaswamy temple in Batticaloa. The late medieval-era temple of the tooth in Kandy, dedicated to the tooth relic of the Buddha, has a Kataragama deiyo shrine adjacent to it dedicated to the veneration of Skanda in the Sinhalese tradition. Almost all buddhist temples house a shrine room for Kataragama deviyo(Murugan)reflecting the significance of Murugan in Sinhala Buddhism,

 

Based on archeological evidence found, it is believed that the Kiri Vehera was either renovated to build during the 1st century BCE. There are number of others inscriptions and ruins.[15]

 

By the 16th century the Kathiravel shrine at Katirkāmam had become synonymous with Skanda-Kumara who was a guardian deity of Sinhala Buddhism.[16] The town was popular as a place of pilgrimage for Hindus from India and Sri Lanka by the 15 the century. The popularity of the deity at the Kataragama temple was also recorded by the Pali chronicles of Thailand such as Jinkalmali in the 16th century. There are number of legends both Buddhist and Hindu that attribute supernatural events to the very locality.[16] Scholars such as Paul Younger and Heinz Bechert speculate that rituals practiced by the native priests of Kataragama temple betray Vedda ideals of propitiation. Hence they believe the area was of Vedda veneration that was taken over by the Buddhist and Hindus in the medieval period.[17]

Lord Murugan is one of the most important deities worshipped by Tamil people in Malaysia and other South-East Asian countries such as Singapore and Indonesia. Thai Poosam is one of the important festivals celebrated. Sri Subramanyar Temple at Batu Caves temple complex in Malaysia is dedicated to Lord Murugan.

The main temples of Murugan are located in Tamil Nadu and other parts of south India. They include the Aru Padaiveedu (six abodes) — Thiruchendur, Swamimalai, Pazhamudircholai, Thirupparangunram, Palani (Pazhani), Thiruthani and other important shrines like Mayilam, Sikkal, Marudamalai, Kundrathur, Vadapalani, Kandakottam, Thiruporur, Vallakottai, Vayalur, Thirumalaikoil, Pachaimalai and Pavalamalai near Gobichettipalayam. Malai Mandir, a prominent and popular temple complex in Delhi, is one of the few dedicated to Murugan in all of North India apart from the Pehowa temple in Haryana.

There are many temples dedicated to Lord Subramanya in Kerala. Amongst them are Atiyambur Sri Subramanya Temple in Kanhangad Kasaragod, Payyannur Subramanya Swamy temple in Payyanur, Panmana Subramanya Swamy temple in Panmana and the Subramanya temple in Haripad. There is a temple in Skandagiri, Secunderabad and one in Bikkavolu, East Godavari district in the state of Andhra Pradesh. In Karnataka there is the Kukke Subramanya Temple where Lord Murugan is worshiped as the Lord of the serpents. Aaslesha Bali, Sarpa Samskara with nagapathista samarpa are major prayers here. There is a temple called Malai Mandir in South Delhi. Malai means hill in Tamil. Mandir means temple in Hindi.

 

The key temples in Sri Lanka include the sylvan shrine in Kataragama / (Kadirgamam) or Kathirkamam in the deep south, the temple in Tirukovil in the east, the shrine in Embekke in the Kandyan region and the famed Nallur Kandaswamy temple in Jaffna. There are several temples dedicated to Lord Murugan in Malaysia, the most famous being the Batu Caves near Kuala Lumpur. There is a 42.7-m-high statue of Lord Murugan at the entrance to the Batu Caves, which is the largest Lord Murugan statue in the world. Sri Thandayuthapani Temple in Tank Road, Singapore is a major Hindu temple where each year the Thaipusam festival takes place with devotees of Lord Muruga carrying Kavadis seeking penance and blessings of the Lord.

 

In the United Kingdom, Highgate Hill Murugan temple is one of the oldest and most famous. In London, Sri Murugan Temple in Manor park is a well-known temple. In Midlands, Leicester Shri Siva Murugan Temple is gaining popularity recently. Skanda Vale in West Wales was founded by Guruji, a Tamil devotee of Subramaniam, and its primary deity is Lord Murugan. In Australia, Sydney Murugan temple in Parramatta (Mays Hill), Perth Bala Muruguan temple in Mandogalup and Kundrathu Kumaran temple in Rockbank, Melbourne are major Hindu temples for all Australian Hindus and Murugan devotees. In New Zealand, there is a Thirumurugan Temple in Auckland and a Kurinji Kumaran Temple in Wellington, both dedicated to Lord Murugan. In the USA, Shiva Murugan Temple in Concord, Northern California and Murugan Temple of North America[18] in Maryland, Washington DC region are popular. In Toronto, Canada, Canada Kanthasamy Temple is known amongst many Hindus in Canada. In Dollard-des-Ormeaux, a suburb of the city of Montreal in Canada, there is a monumental temple of Murugan. The Sri Sivasubramaniar Temple, located in the Sihl Valley in Adliswil, is the most famous and largest Hindu temple in Switzerland.[19]

Caedwalla of Wessex

 

In 685 it was invaded by Caedwalla of Wessex. The Jutish king of the Isle of Wight, Arwald, died in action and his nephews were betrayed to Caedwalla, who subsequently died of wounds received in the battle. The two boys were converted to Christianity and immediately executed. Their names are unknown, but are called collectively "St.Arwald"- after their pagan uncle (who died fighting Christianity).

 

The West Saxon invasion was by all accounts prolonged and bloody.

 

St.Bede states that "...After Caedwalla had obtained possession of the kingdom of the Gewissae, he took also the Isle of Wight, which till then was entirely given over to idolatry, and by merciless slaughter, endeavoured to destroy all the inhabitants thereof, and to place their stead people from his own province; binding himself by a vow, though it is said that he was not yet regenerated in Christ, to give the fourth part of the land and of the spoil to the Lord, if he took the Island. He fulfilled this vow by giving the same for the service of the Lord to Bishop Wilfrid..."

 

It is reported in the Anglo Saxon Chronicle that during Caedwalla's attempts to subdue the population he was gravely wounded - wounds from which he would die within a couple of years. Before final subjugation most of the Jutish population of the island were killed and the remnant forced to accept Christianity as their religion and the West Saxon dialect as their language. Bede states that Caedwalla endeavoured to "mercilessly" destroy the population, but that 300 "hides" were given to the Church in the person of St Wilfrid. A "hide" was the amount of land required to support a family, and the Island was rated at 1200 hides. Caedwalla was a Christian sympathiser under the tutelage of St Wilfrid and St Aldhelm and had promised Wilfrid a quarter of the land in return for his assistance in claiming the Wessex throne. Unfortunately for them, the Jutish Islanders were not only heathens, but apostates, and the mass conversion of the Island probably did not occur as smoothly as had been planned.

 

From 685 therefore the island can be considered to have become part of Wessex and following the accession of West Saxon kings as kings of all England then part of England. The island became part of the shire of Hampshire and was divided into hundreds as was the norm.

[edit] The Saxons

 

The Anglo Saxon Chronicle tells how Wiht-land suffered particularly from Viking predations. Alfred the Great's navy defeated the Danes in 871 after they had "ravaged Devon and the Isle of Wight". During the second wave of Viking attacks in the reign of Ethelred the Unready (975-1014) the Isle of Wight was taken over by the Danes as a base to harry Southern England, referred to as their "frith-stool". The inlet on the west of the River Medina at Werrar Copse seems to have been their main base. In 1002 Ethelred ordered the killing of all the Danes in England in the St. Brice's Day Massacre but the Danish Army remained intact, based on the Isle of Wight. In 1012 Sweyn Forkbeard revenged the Danish defeat. Ethelred was forced to flee England: he spent Christmas on the Isle of Wight en route to refuge in Normandy.

 

The Island again played a critical role in English history as the base for Harold Godwinson and his brothers in their revolt against Edward the Confessor and yet again in 1066, when Tostig Godwinson arrived to collect supplies - but very little other support - en route to his defeat by Harold at the Battle of Stamford Bridge. Both men had manors on the Isle of Wight - Harold at Kern and Tostig at Nunwell.

[edit] The Norman Conquest

 

In the Domesday book (1086) the Island's name is Wit. The Norman Conquest of 1066 transferred the overall manorial rights of the Island to William FitzOsbern as Lord of the Isle of Wight. Carisbrooke Priory and the fort of Carisbrooke Castle were founded. The Island did not come under full control of the Crown until it was sold by the dying last Norman Lord, Lady Isabella de Fortibus, to Edward I in 1293.

 

The Lordship thereafter became a Royal appointment, with a brief interruption when Henry de Beauchamp, 1st Duke of Warwick was crowned King of the Isle of Wight, King Henry VI assisting in person at the ceremony, placing the crown on his head. He died in 1445, aged 22. With no male heir, his regal title expired with him.

[edit] Medieval

 

After the Norman Conquest, the title of Lord of the Isle of Wight was created and William Fitz-Osborne who subsequently founded Carisbrooke Priory and the fortifications on what was to become Carisbrooke Castle became the first to hold the title. (It is possible that the site of Carisbrooke Castle had previously been fortified originally by Romans and subsequently by Jutes or Saxons; there still remains a late Saxon burgh, or defensive wall, built to defend the site from Viking raiders.) The Island did not come under the full control of the crown until the Countess Isabella De Fortibus sold it to Edward I in 1293 for six thousand marks.

 

The Lordship thereafter became a Royal appointment with a brief interruption when Henry de Beauchamp, 1st Duke of Warwick, was crowned King of the Isle of Wight, King Henry VI assisting in person at the ceremony, placing the crown on his head. He died in 1445, aged 22. With no male heir, his regal title expired with him. The title of Lord of the Isle of Wight expired in the reign of Henry VII with the title of Governor or Captain being used for sometime thereafter. During the English Civil War King Charles fled to the Isle of Wight believing he would receive sympathy from the governor Robert Hammond. Hammond was appalled, and incarcerated the king in Carisbrooke Castle. Charles was later tried and executed in London.

 

Henry VIII who developed the Royal Navy and its permanent base at Portsmouth, fortifications at Yarmouth, East & West Cowes and Sandown, sometimes re-using stone from dissolved monasteries as building material. Sir Richard Worsley, Captain of the Island at this time, successfully commanded the resistance to the last of the French attacks in 1545. In July 1545; French troops had landed on the southern coast of the Isle of Wight. Their aim was to seize important areas of the island; allowing the French to gain overall control of the Isle of Wight; giving the French a valuable jumping-off point for further operations against the mainland. However, the French advance was decisively defeated, when the local Isle of Wight militia defeated the French troops in the Battle of Bonchurch. Much later on after the Spanish Armada in 1588 the threat of Spanish attacks remained, and the outer fortifications of Carisbrooke Castle were built between 1597 and 1602.

 

In 1587 two Roman Catholic missionaries Anderton and Marsden, originally from Lancashire, but trained in France, were returned to England in disguise on the ferry to Dover, but due to a severe gale landed in Cowes in the Isle of Wight. Unfortunately for them, such was the danger they were in that they loudly prayed to God to "save the first of your seminarians to returm=n to England" which was overheard by fellow passengers who reported them to Governor Carey. They were taken to London for trial, but executed by hanging, drawing and quartering in Cowes, although the exact site is unknown. They were declared "Venerable" by Pope Pius XI.

[edit] Early Modern and Modern

 

Charles I evaded custody under the Army at Hampton Court by riding to Southampton in order to escape to Jersey. However,he and his companion became lost in the New Forest and missed their intended ship, and fled to the Isle of Wight instead. The Governor Colonel Robert Hammond had declared for Parliament and Charles was imprisoned in Carisbrooke Castle. Since an extensive bowling green was built for his use this was initially in some comfort, but this was made closer after an abortive escape attempt, when he failed to get through the window to where Royalist sympathisers under John Oglander were waiting with a horse.

 

Charles was approached by the Presbyterian faction of Parliament and concluded the Treaty of Newport, offering him a constitutional monarchy. However Charles had no intention of accepting its restrictions upon Royal power and also concluded the Engagement with the Scots to invade on his behalf. As a result of his perceived faithlessness, the moderate faction at Parliament were discredited and Charles was moved to more prison-like conditions at Hurst Castle and thence to execution on 30 January 1649.

 

Later Cromwell was to use Carisbrooke Castle as a place of imprisonment for Fifth Monarchists opposed to his Protectorate including Thomas Harrison and Christopher Feake.

 

Queen Victoria made the Isle of Wight her home for many years, and as a result it become a major holiday resort for members of European royalty, whose many houses could later claim descent from her through the widely flung marriages of her offspring. During her reign in 1897 the World's first radio station was set up by Marconi at the Needles battery at the western tip of the Island.

 

The famous boat-building firm of J. Samuel White was established on the Island in 1802. Other noteworthy marine manufacturers followed over the nineteenth and twentieth centuries including Saunders-Roe a key manufacturer of the Flying-boats and the world's first hovercraft. The tradition of maritime industry continues on the Island today.

 

In the mid- to late-nineteenth century, a sizeable network of railways was built on the island, notable for its punishing gradients and numerous tunnels, particularly to reach the town of Ventnor. Since the early twentieth century, these lines were often linked to plans for a tunnel under the Solent, an idea still talked of today. Most of the rail network closed between 1956 and 1966, and is now a series of cyclepaths.

 

The first Governor to hold the crown representative title used now of Lord-Lieutenant was Lord Mountbatten of Burma until his murder in 1979. Lord Mottistone was the last Lord Lieutenant to also hold the title Governor (from 1992 to 1995). Since 1995 there has been no Governor appointed and Mr Christopher Bland has been the Lord Lieutenant.

[edit] Caulkheads and other Island terms

 

Historically, inhabitants of the Isle of Wight have been known as Vectensians or Vectians (pronounced Vec-tee-ans). These terms derive from the Latin name for the Island, Vectis. Vectian is a word used more formally to describe certain geological features which are typical of the Island. As with many other small island communities the term Islander has long been used, and is commonly heard today. The term Overner is used for people originating from mainland Great Britain. This is an abbreviated form of Overlander; which is an archaic English term for an outsider still found in a few other places such as parts of Australia.[5]

 

People born on the island are colloquially known as Caulkheads (sometimes erroneously written as it is spoken, Corkheads), a word comparable with the name Cockney for those born in the East End of London. Some argue that the term should only apply those who can also claim they are of established Isle of Wight stock either by proven historical roots or, for example, being third generation inhabitants from both parents' lineage.[6]

 

One theory about the term 'caulkhead' is that it comes from the once prevalent local industry of caulking boats; a process of sealing the seams of wooden boats with oakum. It is said that the shipyard at Bucklers Hard in the New Forest employed labourers from the Isle of Wight , mainly as caulkers, in the building of early warships. Islanders may have been called "Caulkheads" during this time either because they were indeed so employed, or merely as a derisory term for perceived unintelligent labourers from another place. Another more fanciful story is that a group of armoured Island horsemen were chased into the sea by the marauding French, and took refuge on a sandbank when the tide came in, thus appearing to float in the sea despite their heavy armour, hence the name Cork- i.e. Caulk-, -heads When this supposed event happened is not clear, since the Island was frequently attacked in the Middle Ages, however in the last instance in 1546 Sandown Castle was under construction some way offshore and a battle was fought on site, resulting in the French being driven off and this could fit this particular tale.[7] In local folklore it is said that a test can be conducted on a baby by throwing it into the sea from the end of Ryde Pier whereupon a true caulkhead baby will float unharmed. Thankfully there is no record of the test ever being carried out.

[edit] Political History

 

The island's most ancient borough was Newtown on the large natural harbour on the island's north-western coast. A French raid in 1377, that destroyed much of the town as well as other Island settlements, sealed its permanent decline. By the middle of the sixteenth century it was a small settlement long eclipsed by the more easily defended town of Newport. Elizabeth I breathed some life into the town by awarding two parliamentary seats but this ultimately made it one of the most notorious of the Rotten Boroughs. By the time of the Great Reform Act that abolished the seats, it had just fourteen houses and twenty-three voters. The Act also disenfranchised the borough of Yarmouth and replaced the four lost seats with the first MP for the whole Isle of Wight; Newport also retained its two MPs, though these were reduced to one in 1868 and eventually abolished completely in 1885.

 

Often thought of as part of Hampshire, the Isle of Wight was briefly included in that county when the first county councils were created in 1888. However, a "Home Rule" campaign led to a separate county council being established for the Isle of Wight in 1890, and it has remained separate ever since. Like inhabitants of many islands, Islanders are fiercely jealous of their real (or perceived) independence, and confusion over the Island's separate status is a perennial source of friction.

 

It was planned to merge the county back into Hampshire as a district in the 1974 local government reform, but a last minute change led to it retaining its county council. However, since there was no provision made in the Local Government Act 1972 for unitary authorities, the Island had to retain a two-tier structure, with a county council and two boroughs, Medina and South Wight.

 

The borough councils were merged with the county council on April 1, 1995, to form a single unitary authority, the Isle of Wight Council. The only significant present-day administrative link with Hampshire is the police service, the Hampshire Constabulary, which is joint between Hampshire and the Isle of Wight.

 

From the closing decades of the 20th century onwards, there has been considerable debate on the Island over whether or not a bridge or tunnel should connect the island with mainland England. The Isle of Wight Party campaigned from a positive position, although extensive public debate on the subject revealed a strong body of opinion amongst islanders against such a proposal. In 2002 the Isle of Wight Council debated the issue and made a policy statement against the proposal.

[edit] Autonomy and Political Recognition

 

A number of discussions about the status of the island have taken place over many years, with standpoints from the extreme of wanting full sovereignty for the Isle of Wight, to perhaps the opposite extreme of merging with Hampshire. The pro-independence lobby had a formal voice in the early 1970s with the Vectis National Party. Their main claim was that the sale of the island to the Crown in 1293 was unconstitutional. However, this movement now has little serious support. Since the 1990s the debate has largely taken the form of a campaign to have the Isle of Wight recognized as a distinct region by organizations such as the EU, due to its relative poverty within the south-east of England. One argument in favour of special treatment is that this poverty is not acknowledged by such organizations as it is distorted statistically by retired and wealthy (but less economically active) immigrants from the mainland.

 

In more recent times, the regionalist movement has been represented by the Isle of Wight Party.

[edit] Isle of Wight Disease

 

In 1904 a mysterious illness began to kill honeybee colonies on the island, and had nearly wiped out all hives by 1907 when the disease jumped to the mainland, and decimated beekeeping in the British Isles. Called the Isle of Wight Disease, the cause of the mystery ailment was not identified until 1921 when a tiny parasitic mite, Acarapis woodi was first described by J. Rennie. The mite inhabited the tracheae of individual bees, and greatly shortened their lifespan, causing eventual death of the colony. The disease (now called Acarine Disease) frightened many other nations because of the importance of bees in pollination. Laws against importation of honeybees were passed, but this merely delayed the eventual spread of the parasite to the rest of the world.

[edit] The Isle of Wight Festival

Main article: Isle of Wight Festival

 

A large rock festival took place near Tennyson Down, West Wight in 1970, following two smaller concerts in 1968 and 1969. The 1970 show was notable for being the last public performance by Jimi Hendrix before his death. The festival was revived in 2002 and is now an annual event,[8] with other, smaller musical events of many different genres across the Island becoming associated with it.

 

The first of the modern festivals was a one day affair termed Rock Island,[9] which expanded to two days in 2003,[9] then three days by 2004.[10]

 

Accounting for any business is one of the most important and expansive procedures. Whether it is a small, medium or a large firm, all types need qualified people to maintain the important financial records.An online accounting service has become a necessity for smooth functioning and convenient monitoring of any professional business. Online services have grown to become absolutely vital for everyone. We cannot do without online services, because they make things so much easier! Bank account online is a convenience which is meant to make your transaction as simple as possible.Visit our site jaymv.com/ for more information on Online Account

Her account likedools.blogspot.com/2020/05/blog-post.html

Newspaper account of the wreck www.flickr.com/photos/photolibrarian/43090735651/in/datep...

04753

AccountingTutor.org is our online tutoring and homework help office! I am a CPA and an MBA and along with a team of CPAs and MBAs provide accounting tutoring and homework help services online. We cover the entire range of accounting topics from introductory accounting to advanced accounting. We also assist with the analysis of accounting statements and in preparing accounting reports. We also have a team of accountants who share the work load and offer specialized assistance.

 

www.accountingtutor.org

 

Accounting for any business is one of the most important and expansive procedures. Whether it is a small, medium or a large firm, all types need qualified people to maintain the important financial records.An online accounting service has become a necessity for smooth functioning and convenient monitoring of any professional business. Online services have grown to become absolutely vital for everyone. We cannot do without online services, because they make things so much easier! Bank account online is a convenience which is meant to make your transaction as simple as possible.Visit our site jaymv.com/ for more information on Online Account

#Accounting #firm- Our mission is to help you free up time without sacrificing the power of a professional accounting solution. goo.gl/5kbxmJ

Well, since I've not my made this account a pro yet, I thought I'd make a second one so I could still keep on posting some of my pieces. I'd appreciate for those who've been my contacts to add my second account, if not, it's alright- no worries at all.

G'day all :D

 

www.flickr.com/photos/21325906@N06/

WICKHAM BREAUS

LIES adjoining to Littleborne north-eastward, being usally called Wickham Brook. It is likewise called Wickham by Wingham, to distinguish it from the two other parishes of the same name in this county. In Domesday it is written Wicheham, a name derived from its situation near the banks of the river, which runs close to it. There is only one borough in it, viz. the borough of Wickham, which comprehends the whole parish.

 

Wickham is a low, flat, and unpleasant situation, and lying so near the marshes cannot but be unhealthy, the land throughout it is in general good and sertile, especially near the village, where the fields are very large and level ground. The village, in number about twenty houses, stands at the south-east boundary of the parish, built round a green, over which the road leads to Ickham, having the church and court-lodge on one side, and the parsonage, a handsome brick house, on the other. At the further end of the green, the Lesser Stour crosses the road, and turns a corn-mill belonging to the manor, beyond it is only one house, called the Stone-house, being built of squared stones and slints in chequers, and by the arched windows and door-ways seems of some antiquity. The parish stretches a good distance northward, as far as Groveferry, the house of which is within it, and the greater Stour river, over a level of about 500 acres of marsh land, which extend from the river into a sinus, with a ridge of upland on each side, to within a quarter of a mile of the village. North eastward from which is the Saperton, formerly the property of the Beakes's, who resided here as early as king Henry the VIIIth.'s reign; it was sold by them to the Furneses, whence it came by marriage, with Copthall, in this parish, to the St. John's, viscounts Bolingbroke, who have lately sold it, but one of the family of Beake, many of whom lie buried in this church, now occupies it. A little beyond this is Newnham, once accounted a manor, formerly belonging to the Ropers, lords Teynham, afterwards to the Bartholomews, then to Joseph Brooke, esq. of Rochester, and now to his devisee the Rev. John Kenward Shaw Brooke, of Town-Malling.—Hence among the marshes is the hamlet of Grove, through which the road leads across them to the right over the lesser Stour, to Wingham, Ash, and the eastern parts of Kent, and to the left by Grove-ferry over the Greater Stour, to the northern part of the country and the Isle of Thanet. There is no other wood in the parish excepting Trendley park. There is no fair.

 

At the time of taking the survey of Domesday, in the year 1080, this place was part of those possessions with which that king had enriched his half-brother Odo, the great bishop of Baieux. Accordingly it is thus entered in that record, under the general title of his lands:

 

In Donamesford hundred, the bishop himself holds in demesne Wicheham. It was taxed at four sulings. The arable land is eleven carucates. In demesne there are two carucates, and thirty-six villeins, with thirty-two cottagers having nine carucates. There is a church, and one priest who gives forty shillings per annum. There is one park, and two mills of fifty shillings, and two saltpits of thirtytwo pence, and three fisheries of four shillings, and thirtytwo acres of meadow. Pasture for three hundred sheep and for thirty-one beasts. Wood for the pannage of eighty bogs. In the time of king Edward the Confessor it was worth twenty-five pounds, when he received it twenty pounds, now thirty pounds. There belong to this manor in Canterbury three plats of land paying six shillings and eight pence. Alured Biga held it of king Edward. Moreover there belongs to this manor half a suling of free land, which Sired held of Alured Biga, and Goisfrid, son of Badland, now holds it of the bishop of Baieux, and it is and was worth separately sixty shillings.

 

Four years afterwards the bishop was disgraced, and all his possessions were consiscated to the crown, of which this manor appears afterwards to have been held by the Cliffords. Walter, son of Walter de Clifford, possessed it in the reign of king John, and with Agnes de Cundy, his wife, was a good benefactor to St. Augustine's abbey, and that of St. Radigund. (fn. 1) By the marriage of Margaret, daughter and heir of Walter Clifford, with John de Brewse, it passed into that name, and William de Brewse, or de Braiosa, as they were written in Latin, was possessed of it in the 42d year of king Henry III. His descendant William de Brewse, lord of the honour of Brembre, in Sussex, and of Gower, in Wales, as he stiled himself, whose ancestor came into England with the Conqueror, who gave him the castle of Brember, and whose descendant afterwards, by the marriage with Bertha, daughter and one of the coheirs of Milo, earl of Hereford, became possessed of the castles of Brecknock and Gower likewife, and bore for his arms, Azure, a lion rampant, between twelve cross-croslets, or; though I find by the pedigrees of this family, that his ancestors bore Azure, three bars vaire, argent, and gules. He was several times summoned to parliament in king Edward I.'s reign, as was his son of the same name, both in that and Edward II.'s reign, and died possessed of this manor in the 19th year of the latter. Very soon after which it appears, with the church appendant to it, to have come into the possession of Edmund of Woodstock, earl of Kent, half brother to king Edward II. (fn. 2) After which it descended to his brother John Plantagenet, likewife earl of Kent, it being then held of the king in sergeantry. He died anno 26 Edward III. upon which Joane his sister, commonly called the Fair Maid of Kent, wife of Sir Thomas Holand, became his heir, who in her right not only possessed this manor, but became earl of Kent likewise. She afterwards married Edward the black prince, and died in the 9th year of king Richard II. being succeeded in this manor then held in capite, by Thomas Holand, earl of Kent, her son by her first husband, whose two sons, Thomas and Edward, both earls of Kent, and the former created Duke of Surry, in turn succeeded to it, and the latter dying anno 9 Henry IV. his five sisters became his coheirs, and on a partition made between them, Edmund, earl of March, son of Eleanor, late countess of March, the eldest of them became entitled to this manor in his mother's right, being the last earl of March of this family, for he died s. p. in the 3d year of king Henry VI. being then possessed of it. The year after which, Joane, wife of Sir John Gray, appears by the escheat rolls to have been entitled to it; not long after which it became the property of the family of Tibetot, or Tiptoft, as they were usually called, in whom it continued down to John Tiptost, earl of Worcester, who was attainted and beheaded in 1471, anno 10 Edward IV. king Henry being then restored to the crown. He lest an infant son Edward, who, though he was afterwards restored in blood by king Edward IV. yet I do not find that he was ever reinstated in the possession of this manor, which remained in the crown till the reign of king Henry VIII. who granted it, with the advowson of the church, to Sir Matthew Browne, of Beechworth-castle, who in the 22d year of it, passed it away to Lucy, widow of his uncle Sir Anthony Browne, standard-bearer of England, whose grandson Anthony was, anno I and 2 of Philip and Mary, created viscount Montague, and died possessed of this manor anno 34 Elizabeth, and by his will devised it to his eldest son by his second wife, Sir George Browne, who was of Wickham Breaus, and his grandson Sir George Browne, K. B. leaving two daughters his coheirs, Winifrid, married to Basil Brooks, esq. of Salop, and Eleanor, to Henry Farmer, esq. of Oxfordshire, they joined in the sale of it, at the latter end of Charles II.'s reign, to Sir H. Palmer, bart. of Wingham, who died possessed of it in 1706, s. p. and by his will devised it to his nephew Sir Thomas Palmer, bart. who died in 1723, and by his will gave it to his natural son Herbert Palmer, esq. who married Bethia, one of the daughters of Sir Thomas D'Aeth, bart. of Knowlton, who died in 1760, s. p., having devised this manor, with the advowson of the church appendant, to his widow. She afterwards married John Cosnan, esq. who in her right became possessed of it, and died in 1778, s. p. leaving her furviving, upon which she again became entitled to the possession of it, and continued owner of it till her death in 1797, on which it came to her nephew Sir Narborough D'Aeth, bart. of Knowlton, the present owner of it. A court leet and court baron is held for this manor.

 

Trendley park, now accounted a manor of itself, is situated at the north-west boundary of this parish, being entirely separated from the rest of it by that of Littleborne intervening. It was part of the possessions of Odo, bishop of Baieux, and is noticed in the survey of Domesday, in the description of the manor of Wickham above recited, in which it is mentioned as being then a park; and it should seem that at least part of it was then accounted as appurtenant to that manor; though in the description of the manor of Littleborne, in the same survey, which then belonged to the abbey of St. Augustine, it appears that the bishop had lands belonging to that manor too lying within his park here. Of this manor the bishop of Baieux has in his park as much land as is worth sixty shillings, says the record. In part of the recompence for which, the bishop seems to have given the abbot the manor of Garwinton, in Littleborne, and other land within the manor of Leeds, as may be seen by the entries of both these manors in the same record. Soon after which there was another exchange of land made between the bishop and archbishop Lanfranc, for some which lay within his park of Wikeham. What is remarkable in this instrument is, that it is given in two languages, in Saxon and Latin, but neither is a translation of the other, for both are originals, as was a frequent custom of that time. Appendant to it is the bishop's seal in wax, representing him on one side on horseback, with his sword and spurs, as an earl, and on the other habited as a bishop, with his pastoral staff; being perhaps the only seal of Odo at this time extant. (fn. 3) By all which it appears, that this park is much more antient than that of Woodstock, which has been accounted the first inclosed park in England. How long it continued an inclosed park, I have no where found; but in the beginning of king Henry VI.'s reign it was not so, as appears by the escheat-rolls of the 3d year of it, after the death of Edmund, earl of March, at which time there were two hundred acres of wood in it. He was lord of the manor of Wickham, and Trendley park was chiefly at that time certainly appurtenant to it, and continued so whilst in the possession of the same owners, which it did most probably till the attainder of John Tiptost, earl of Worcester, in the 10th year of king Edward IV. when they both came into the hands of the crown, and though king Henry VIII. afterwards granted the manor of Wickham to Sir Matthew Browne, yet I do not find that Trendley park was granted with it. From which time it has had separate owners. For some time it has been the property of the family of Denne, who continue at this time the owners of it. It lies in an unpleasant, lonely part of the parish, facing Westbere, and consists of three hundred acres of woodland, and a house called the Park-house. There is a high road through the middle of it from Stodmarsh to Canterbury market, which in king Edward II.'s reign, was attempted to be shut up, but the sheriff, with the posse comitatus, was ordered to open it again, as being an antient and allowed high road.

 

Charities.

Andrew Holness, of Seton, in Ickham, by will in 1554, gave to the poor 2s. in money and bread, to be distributed yearly; the churchwardens to take so much yearly out of his lands in Ickham and Wickham, except his house and garden at Seton, in case his executors did not give the same yearly.

 

Henry Sloyden, of Wickham Breaus, by will in 1568, gave for the use of the poor and Littleborne, in equal portions, a piece of land containing six acres and a half in the latter parish, called Church-close, which is distributed twice a year by the respective minister and churchwardens, and is of the annual produce of 4l.

 

John Smith, rector of this parish, by deed in 1656, gave a school-room, and a house and garden for a schoolmaster, in this parish, for teaching the children of it. The master to be chosen from one of his relations in preference, if any such could be found, is vested in the rector and churchwardens of this parish.

 

Sir Henry Palmer, of Bekesborne, by his will in 1611, gave the sum of 10s. to each of the several parishes of Wickham, Stodmarsh, Littleborne, and five others therein mentioned, to be paid into the hands of the minister and churchwardens yearly, out of his manor and lands of Well-court, at Michaelmas, towards the relief of the poor of each of them.

 

Thomas Belke, D. D. rector of this parish, by will in 1712, gave 501. for the putting out of five poor children of this parish apprentices.

 

There are about thirty poor constantly relieved, and casually seventy.

 

This parish is within the ecclesiastical jurisdiction of the diocese of Canterbury, and deanry of Bridge.

 

¶The church, which is dedicated to St. Andrew, consists of three isles and one chancel, having at the west end a square tower, in which hang six bells. The church is not large, but is handsome and neat. In the middle isle are several memorials for the Beakes, of Saperton. In the south isle for the Larkins, who lived at Grove, in this parish. In the east window are remains of good painted glass, viz. the arms of Edward the black price and of Mortimer, quartered with Burgh, and a representation of Herod's daughter beheading John the Baptist. In the chancel, on the pavement, is the figure of a priest in brass, and inscription, for Henry Welde, rector, obt. 1420. A gravestone, and monument for Alexander Young, B D. rector of this parish, who rebuilt this parsonage-house, and repaired that of Eastchurch, of which he was vicar likewife, at the expence of 2000l. obt. March 21, 1755. A memorial for John Smith, rector, obt. Oct. 28, 1658. In the church-yard are many headstones, and a tombstone for the family of Beake. In the windows of this church there were formerly many different shields of arms, long since demolished.

 

This church was always an appendage to the manor, and continues so at this time, Sir Narborough D' Aeth, bart. owner of the manor of Wickham, being the present patron of it.

 

There was antiently both a rectory and vicarage in this church, which continued till the year 1322, when on a vacancy of the latter, Richard de Newcastle, the rector, petitioned archbishop Walter Reynolds, that they might be consolidated, which was granted, and they have continued in that state to the present time. (fn. 4)

 

This rectory is valued in the king's books at 29l. 12s. 6d. and the yearly tenths at 2l. 19s. 3d. In 1588 it was valued at 250l. communicants one hundred and sixty-three. In 1640 the same. There are eighteen acres of glebe-land.

 

The marsh-lands in this parish, within Wickham and Preston valleys, pay a modus of two-pence an acre, and those within Newnham 1½d. only, in lieu of all tithes.

 

www.british-history.ac.uk/survey-kent/vol9/pp158-166

#GLG #Accounting #firm has several years of experience providing the best accounting services to clients from all over the USA. goo.gl/5kbxmJ

account twitter figurella

Blonde and brunette babes

Accounting trifold

Accounting

哇！都pro四年了。

Flickr made tonnes of unwanted, unwelcome and unnecessary changes one day during my trip in Ireland back in May 2013. I can still very vividly remember the panics it's caused. I actually can tell you the exact day it happened... I was visiting my Irish friend Neill up north in Templetown/ Carlingford/ Newry, and he told me about it. The following day, my Dutch friend Michiel, who was on a pan-British-Isles roadtrip at the time, told me the same thing. Meanwhile, another Dutch friend Chris, with whom I was communicating via mobile phone texts between Ireland and the Netherlands, also alerted me of the confusion.

 

It took a few weeks but I did get used to the new flickr, even though I'd say about 10% to 20% of my closest flickr friends moved to Ipernity.

 

In any case, I did open an Ipernity account back in May, just to stake my claim on the account name.

www.ipernity.com/home/314095

 

So far, I'm OK with the current flickr, but it looks like they're introducing this New Photo Experience, which is absolulely crappy. Don't be surprised if I also move to Ipernity for good.

 

Sorry to my many flickr friends. I promise I won't shut my flickr account for good, and will visit flickr still regularly.

 

But no final decision yet, moving account is a major deal and I don't want to make a rushed decision until I'm 100% sure.

2 October, 2014

Description This is a postcard of Berwick-upon-Tweed, taken from the War Diary of Captain John Evelyn Carr - a sentimental reminder of home.

 

Date 1914-1919

 

The War Diary of Captain John Evelyn Carr is an extensive, dramatic and personal account of The First World War. It follows the Journey of John Evelyn Carr. Carr was a mining engineer, farmer and sheep and horse breeder. Born in Gosforth, Newcastle upon Tyne, Carr spent much of his adult life in Scremerston, a mining and agricultural village near Berwick-upon-Tweed on the English Scottish Border.

 

The extensive war diary comprising four volumes, 1914-1919, documents Carr's journey from the trenches as a humble Private of the First Battalion London Scottish, to a respected Captain of the Eleventh Battalion Sherwood Foresters, serving in France and Italy.

 

The four volumes consist of a powerful and moving written account, accompanies by an extensive and invaluable array of colourful visual content. This ranges from personal photographs taken by Carr to postcards and souvenirs of towns and villages he passed through. Many of these were taken from German prisoners and raided trenches. There are also countless personal letters, memorial and greetings cards, official documents and excerpts from trench magazines.

 

A selection of the visual content has been made available here.

 

This image is from the collections of Northumberland Archives. Feel free to share it within the spirit of the Commons.

Wir haben die 2,5 Millionen geknackt!

Vielen Dank nochmals an alle Besucher! :-)

 

aggregate views on our account: 2.5 million

Thanks a lot for visiting our pages. :-)

Photo: Valerie Parrish

GLG #Accounting #firm has several years of experience providing the best accounting services to clients from all over the USA. goo.gl/5kbxmJ

twitterhelp.blogspot.com/2008/08/suspended-accounts.html

account twitter personalizzato Euronics

Tahoe--Metue--Visa

An Eyewitness Account, ©1989, 3 x 5.75 x .5 inches (open) Cover: fabricated brass, found object. Pages: watercolor paper, acrylics, collage.

Accounting Diversity Consortium