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Sharon and Ann, the very first employees of Blinds.com (15 years and counting!) share their memories. Like what you see? We're always hiring great people: www.Blinds.com/careers

chunky lace sweater

quilt bag

 

not finishing

watching the chaos and scraps come together into something (hopefully) coherent

Prove spettacoli - marzo 2014

"Water Lilies" Work in progress.

 

Sketch with opal in 22 karat bezel

The solo one is Bosh. He's half man half rabbit. The one in triplicate is either named Bildge or Bill or Bill G. Haven't decided yet. We're not sure what he is yet. I'm not sure if I'm going to be running this comic on screamingtongue.com or on a new domain yet...

 

I just added the orange around them for this photo. This is the initial character design in Sketchbook Pro. Next I'll move them over to Photoshop and start putting them in scenes, refining them, etc.

copper shapes with red enamel. 1 inch long.

MIRANDOLA - CHIESA DI SAN FRANCESCO - VETRATA

Dallo stretto corridoio che si è venuto a creare grazie alle misure di messa in sicurezza, tra la fiancata meridionale della chiesa e la casa vicina, si intravvede la prima delle vetrate superstiti che illeggiadrivano la navata, ora parzialmente crollata.

Perdute le prime quattro, sbriciolate , polverizzate dallla furia del sisma, rimane, danneggiata sì, ma rimane, la quinta vetrata che ha per soggetto Giovanni Pico.

La metà superiore è pressochè intatta (Arco acuto, fenice sulla testa del filosofo, busto di Giovanni che si staglia sul castello "all'antica). La metà inferiore è infranta, ma grandi frammenti dei vetri istoriati sono rimasti imbrigliati nella rete metallica che proteggeva il manufatto dall'esterno. E' quindi probabile che, una volta recuperati, possano ricomporre il disegno antico e noto ai cultori della storia della Chiesa di San Francesco.

Tutte le rimanenti vetrate (navata, abside ed oculo della facciata) sono, per fortuna, integre.

I am right at the part where I need a little extra help. oh, that thumb!!

this book is like a really good friend to help me.

india st. mural

Painting progress: next layer with Prussian Blue, Burnt Umber, Burnt Sienna, Naples Yellow Light and Naples Yellow. #wip #ontheeasel

Here is the winter set that I am giving to my mother-in-law. Right now I just have the scarf done.

 

I used Peruvian Wonders Fine Alpaca yarn on size 5 needles. I can't find a color indicator on the packaging. :( It is a vibrant spring green.

 

I used a single 1x1 rib for the edges. The interior is a twin rib.

 

Watch out for a matching hat & wrist warmers!

...I had a teacher at Cal State Long Beach who started in me the

practice of making small thumbnail sketches of ideas, or compositions...

I use it all the time to this day...sometimes I love the sketch and almost feel no

need to improve on it...almost... (it really forces you to distill ideas down to their

most basic elements...you can play with the compositions without investing too much

time into the work until you know what it is you really want to do with it...)

 

I love how this turned out...it's a sketch for a paper cut I am getting ready to do...the composition's been in my head for some time and only now am I getting it out

onto paper....

 

(It actually only measures 3.5" x 2")

this is going to take longer than i thought.

I've been working on a charcoal grey winter set for my s.o. Nathaniel. Right now I've completed the scarf. The panda is wearing what I have done for the hat so far.

 

The yarn I am using is to die for. It's Classic Elite Inca Alpaca color #1177 lot #3033. It is insanely soft and almost oily... it feels like silk even though it's 100% alpaca from Peru. It comes in a number of good colors too... definately going to a repeat customer.

 

Anyway... after the hat comes the wrist warmers. Look out for those.

Création de typographies génératives pour les titres et de la couverture du Catalogue ArchiLab 2013 aux Editions HYX.

 

Générateur graphique made with Processing+Géomérative

La nuova imponente opera di Giorgio Palli, che sta nascendo nel Parco Tassinari, nel centro di Faenza.

closeup - copy of watercolor poppy cut out and added, intense pencils to color in stamped images

Prove spettacoli - marzo 2014

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