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These hang around the studio, getting in the way and looking more and more bedraggled.
I have taken the bull by the horns and made a hanging display book so that they are now all in one place and out of the way.
This is the first stage.
As I wanted the pages to be easily removable I have safety pinned these to individual pieces of dyed blanket which will act as the book hinges.
(snapshot directly from inworld, Caliah Lyon's windlight settings, no postwork)
Since the release of Sayuri I've been working on a softer skin again, a softer version of Eva if you will. Though I try to make my skins look "real", I find my personal preference fighting that all the way, and I want to stick to the handdrawn/pastel look.
For the interested: The bikini is from Artilleri and the hair is from Fri.day
I am re-visiting stumpwork and I have unearthed some old pictures from a time when I used to teach this subject.
I have put aside my womens' suffrage studies to ready myself for the General Election which should be in the early part of this year.
I have always made a piece for the Election, and this year I thought that I would revisit stumpwork and in particular the padded faces I used to embroider. These would be interesting made into political jewellery.
Watch this space!
Grease Alley, an industrial backwater neighborhood in a blade-runner/fifth-element genre. These shops back onto a trash and old parts-strewn gully, where the junk skiff comes by to pick up broken components, industrial leftovers, and the occasional "borrowed" part.
Arrivano i primi frutti della raccolta delle sedie per l'installazione
presso il Giardino Nascosto, in occasione della mostra "Landing on Earth"
nell'ambito #GreenCityMilano, grazie per la collaborazione.
From the kids bedroom.
This work by Anette Snarby is licensed under a Creative Commons Attribution 3.0 Unported License.