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Since this is my work laptop I keep it simple. (Now that I think about it, I keep it simple all the time.)
Wallpaper is a modified version of an illustration in Thomas Edison's patent for the light bulb (public domain).
Original version can be found here:
Erin McManus in motion capture suit
Junior Erin McManus, a computer science and mathematics major, was a finalist in the 2011 Computing Research Association’s Outstanding Undergraduate Researcher Award competition. McManus was honored for research she conducted on avatars (computer users’ representations of themselves in a computer game or other electronic environment) at the Max Planck Institute for Biological Cybernetics (MPI) in Tübingen, Germany. She used MPI’s state-of-the-art facilities to design and run an experiment that looked at the effects of avatars on human performance in virtual environments. The research was in collaboration with MPI and the Learning in Virtual Environments lab in VUSE’s Department of Electrical Engineering and Computer Science.
The CRA award program recognizes undergraduate students in North American universities who show outstanding potential in an area of computing research.
my desk and the wall above it.
the desk wall is getting as messy as my desk is. it's no wonder I don't get things done with all those colors and distractions.
it's pretty easy to pretend you're at the beach when there actually IS a beach at work.
(this is almost sooc, except for a gray hair that i had to clone out [eeps!]. the lens vignette is there because i have too many filters on my lens, and they're visible when it's zoomed out to 18mm.)
for 365 days.
We did a set of photos at work last year. One photo each was serious, one silly.
I couldn't think of what to do but, as I happened to be wearing my Welsh rugby shirt that day, figured I'd grab the flags from my desk. And the colleague taking the photo suggested the cans, as that's how everyone at work perceives me — they're radio-headphones, so I wear them walking around lots :o)
My buddy just picked these up for his Nissan 350z. These wheels are beautiful! Will have a shoot of them on the car around spring stay tuned!
Info:Wescott Strobelite plus x2 camera left and right. White reflector camera left for reflections. Triggered by RPS
The AT5 in the Tram Museum Bremen.
This tram was once a "Ackerwagen" tram, when those were taken out of service in 1977 this one was turned into a work tram. It got the rear section and joint removed and a second cab added, so it could head in both directions without using a track loop. Also it got two headlights of a Wegmann tram added instead of the original single one.
© Dennis Matthies
My photographs are copyrighted and may not be altered, printed, published in any media and/or format, or re-posted in other websites/blogs.
First wash after winter, will get few more over weekend to get all the grime off it. New grill needs painted as does other bits but still solid for a 17 year old car so can't complain, will look like new once its painted
Well it looks like the boots have done a lot of work:) And also looks like the person is done working so they rolled up their blue jeans and put their feet in the water to relax.
DAVOS/SWITZERLAND, 22JAN15 - graphics captured during the session Work, Plan, Live in the congress centre at the Annual Meeting 2015 of the World Economic Forum in Davos, January 22, 2015.
WORLD ECONOMIC FORUM/Benedikt von Loebell
This commissioned piece was a lot more work than expected (like 99% of my projects)
The customer had a sentimental bond with Overlord, as it was one of the first Transformer figures.
Overlord, Giga and Mega were built using a variety of many other figures, models, scratch-built parts and more. Overlord has 2 red LEDs in his eyes, 1 red LED in the tank (Gigatank) cannon, 2 orange-yellow LEDs in the Jet (Megajet) exhausts.
In robot mode, Overlord's chest opens to reveal pilots Giga and Mega. Both detailed and added articulation. Although the Jet usually sits on Overlord's left arm, I built the figure so that it can fit on either arm. I wanted the tank turret to attach to Overlord's left leg and putting the Jet on the Right arm seemed a little more balanced overall.
From robot mode, Overlord Transforms into Jet and Tank and base. I explored several different alternate forms for each.
1 - Tank Mode.
2 - Jet Mode.
3 - Megajet mode
4 - Mobile Attack mode
5 - Base Mode 1
6 - Base Mode 2
That's my desk. My fabbo dual proc G5 mac sits under it. I use the boxes because I am tall and my screens are way to low otherwise. Most of the photos stuck to the wall above my screens are printouts from my iPhoto library. Many of them are in flikr somewhere.
Most people keep pictures of family at work, I have a photo of William S. Burroughs wielding a knife.
It keeps my clients civil.
🔹️[세계 최초의 가상화폐, 넘버머니 Number Money=Cryptocurrency, Digital Currency, and Virtual Currency]🔹️
ㅡ 가상화폐(비트코인 포함) 창시자, 저작권자 Copyright holder : T.H. Kwon
[Number Money copyright 1969. T.H. Kwon All Rights Reserved.]
넘버머니(HH card/YK card)
HH card/YK card=Number Money
HH card/YK card=NUMBER MONEY=330 Beans+Bottle
💰❌❌❌ All cryptocurrencies and digital currencies were created by illegally plagiarizing Number Money. All cryptocurrencies and digital currencies are number money. Do not create any cryptocurrency or digital currency without the permission of the Number Money copyright holder!
모든 암호화폐와 디지털 화폐는 넘버머니를 불법적으로 표절하여 만들어졌다. 모든 암호화폐와 디지털화폐는 넘버머니이다. 넘버머니 저작권자의 허락없이 모든 암호화폐와 디지털화폐를 만들지 마라!
ㅡ Copyright holder : T.H. Kwon
💰❌❌❌ Unauthorized theft of Number Money, don't illegally distribute virtual currency created by plagiarism(including exchanges).
Anyone is responsible for copyright infringement of Number Money.
넘버머니 무단도용, 표절로 생성된 가상 화폐를 불법 유통하지 마라(교환 포함).
넘버머니의 저작권 침해에 대한 책임은 누구에게나 있다.
✒ Number Money is the source of Digital currency, Virtual Currency, and Cryptocurrency.
ㅡ 넘버머니는 디지털화폐, 가상화폐와 암호화폐의 원천이다.
ㅡ Number Money is the first Digital Currency, Virtual Currency, and Cryptocurrency.
ㅡ 넘버머니는 최초의 디지털화폐, 가상화폐와 암호화폐이다.
ㅡ 가상화폐(비트코인 포함) 창시자, 저작권자 Copyright holder : T.H. Kwon
[Number Money copyright 1969. T.H. Kwon All Rights Reserved.]
💰❌❌❌
National, enterprise, individual ~
Don't infringe on the Number Money copyright!
ㅡ Digital Currency/Virtual Currency
It is the work of Number Money.
국가, 기업, 개인 ~
넘버머니 저작권 침해하지 마라!
ㅡ 디지털화폐/가상화폐는 넘버머니의 저작물이다.
In "Digital Currency, Virtual Currency"
ㅡ Plagiarists can't avoid all responsibility until the end.
ㅡ No one shall infringe on the Number Money copyright.
ㅡ "디지털화폐, 가상화폐"에서
ㅡ 표절자는 끝까지 모든 책임을 회피 할 수 없다.
ㅡ 누구도 넘버머니 저작권 침해하지 마라!
Number Money(Digital Currency, Virtual Currency, and Cryptocurrency)
ㅡ Number Money is the first work of mankind.
넘버머니(디지털화폐, 가상화폐, 암호화폐)
ㅡ 넘버머니는 인류 최초의 작품이다.
ㅡ When creating the Number Money, there was no Digital Currency, Virtual Currency, and Cryptocurrency in the world(1969).
넘버머니를 창작할 때 세상에는 디지털화폐, 가상화폐와 암호화페는 없었다(1969).
ㅡ Mankind couldn't even imagine Number Money.
ㅡ 인류는 넘버머니를 상상조차 할 수 없었다.
ㅡ 가상화폐(비트코인 포함) 창시자, 저작권자 Copyright holder : T.H. Kwon
[Number Money copyright 1969. T.H. Kwon All Rights Reserved.]
💰❌❌❌
Number Money
최초의 가상화폐, 넘버머니 ~
Don't use without the permission of the copyright holder.
저작권자의 허락없이 사용하지 마라.
[Number Money copyright 1969. T.H. Kwon All Rights Reserved.]
TIMEnasa
🎼🎼🎼 ✒+.×.÷/=!
※※※ (×=Multiplication sign)
🔸🔹🔸
000t0=Time Language, AI Language, Common Language, Computer Language, Digital Language, Future Language, Global Language, ICT Language, International Language, Internet Language, IoT Language, Link Language, Number Language, Program Language, SNS Language, Thinking Language, TNS Language, Universal Language, and World Language
🔸🔹🔸
We're introducing Time Language all over the world. Time Language is the world's language consisting of numbers that anyone in the world can easily use. Time Language frees us from foreign languages. Now, there is no need for interpretation and translation. Time Language is pronounced in the language of each country and the meaning is the same. [000t0=Time Language, Copyright 1974. T.H. Kwon All Rights Reserved.] Looking forward to our interactions. Thank you. Huibok Choe, Ph.D., MBA, and CMO
🎓 Ph.D. in Business Administration
💼 CMO at TIMEnasa
최희복 경영학박사
🔸🔹[000t0 Service Site]🔹🔸
● www.facebook.com/TIMEnasaGroup
● www.facebook.com/huibokchoe.3
● www.facebook.com/huibok.choe.311
● www.linkedin.com/in/huibok-choe-ph-d-cmo-649298a7/
● www.linkedin.com/pub/th-kwon/105/106/105
● www.pinterest.com/Timelanguage
● www.facebook.com/profile.php?id=100005183118164
● www.facebook.com/huibok.choe.39
● www.flickr.com/photos/136914266@N05/
••• You should google 000t0. •••
🔸🔹[POCKETBOX COPYRIGHT INFRINGEMENT : The World's First Smartphone, PocketBox=Smartphone, App]🔹🔸
■ The smartphone infringed the copyright of the PocketBox.
■ I've created a PocketBox inspired by looking at the ceiling in 1978.
■ PocketBox is a creation work composed of application as well as a book composed of operating system.
■ By ignoring the copyright protection of Pocket Box works and by recklessly infringing on Author’s works, many smartphone and smart device related companies(manufacturers as well as other developers and users) have indulged in illegal use of PocketBox works without obtaining the author's permission.
☆ Do not infringe PocketBox Copyright.
☆ Do not use the same work similar to PocketBox.
☆ If you want to use it, use it after you pay a royalty.
ㅡ Copyright 1978. T.H. Kwon All Rights Reserved.
🌏 TIMEnasa Creations (Books & Works) 🌏
1. TIMEnasa 🌐
2. 000t0=Time Language, World Language, and Number Language 🌍
Copyright 1974. T.H. Kwon All Rights Reserved.
3. Nti2000=IoT, Metaverse, Smart City, and Smart Systems 🌎
Copyright 1978. T.H. Kwon All Rights Reserved.
4. Number Money=Cryptocurrency, Digital Currency, and Virtual Currency 💰
Copyright 1969. T.H. Kwon All Rights Reserved.
5. PocketBox=The World's First Smartphone, Copyright of the App 📱
Copyright 1978. T.H. Kwon All Rights Reserved.
6. M+W=People Language 📖
7. ~ 14. TIME theory 📕
15. etc. 📡
🔊 Don't use without the permission of the copyright holder.
ㅡ Copyright holder, Author : T.H. Kwon
■ TIMEnasa
□ TIMELANGUAGE Inc.
□ TIMEmilk Inc.
□ TIMEnasa university Inc.
■ TIMEnasa Site
my earlier version this work is superior: www.flickr.com/photos/15961489@N00/3547928217/in/photolis...
George Boxall by his son Arthur d'auvergne (1895-1944), artist, was born on 19 June 1895 at Port Elliot, South Australia, son of George Albert Boxall, carpenter and builder, and his wife Ellen, née Pratt. Arthur was educated at Victor Harbor High School.
This painting is on display at the Port Elliot Institute, The Strand, Port Elliot, S.A.
BOXALL, ARTHUR d'AUVERGNE (1895-1944), artist, was born on 19 June 1895 at Port Elliot, South Australia, son of George Albert Boxall, carpenter and builder, and his wife Ellen, née Pratt. He was educated at Victor Harbor High School and studied architecture on a scholarship at the South Australian School of Mines and Industries. After being awarded the diploma of the South Australian Institute of Architects, he was articled for seven years to the firm of Woods, (W. H.) Bagot, Jory & Laybourne-Smith. He also studied drawing at the Adelaide School of Art under Will Ashton and at the School of Fine Arts, North Adelaide.
When a appointed art master at the Collegiate School of St Peter he gave up architecture, although evidence of this training remained in his drawing. A fellow of the South Australia Society of Arts, he won its Melrose Prize for portraiture in 1923 and 1925 and the landscape award in the latter year. At this time he shared a studio with Horace Trenerry, and their work, regularly seen at the society's exhibitions, was often compared; both were influenced by Elioth Gruner. Boxall's first one-man exhibition, from which all the works were reportedly sold, was in Adelaide in 1925. Next year a successful 'Farewell Exhibition' was held at the Dunster Galleries.
Boxall then spent three years in England and, as an honorary commissioner, reported to the South Australian government on art. He studied under Henry Tonks and Wilson Steer at the Slade School of Fine Art, University of London, where he gained an honours diploma in fine art, prizes for composition, figure study and landscape, and a scholarship which enabled him to travel widely in Europe. In 1928-29 he exhibited with the Royal Academy of Arts, London, the Paris Salon, the Royal Institute of Painters in Water Colours, the Royal Institute of Oil Painters and the less conventional New English Art Club. While returning to Australia he studied and sketched temples and tombs in Egypt and visited Fiji. He arrived home in 1930 but, disheartened at the prospects in Adelaide, went to stay with a friend in New Zealand and exhibited with art societies there.
In 1932 Boxall was appointed to the East Sydney Technical College as teacher of life-drawing. He became head teacher of art and remained there until he resigned owing to ill health in 1940. His successor Douglas Dundas described him as 'having a cheerful disposition' and as an 'enthusiastic teacher', with a 'profound knowledge of the history of art', who often discoursed to artists and students at his home on the qualities of his numerous reproductions of master works. Boxall believed that 'a pupil must teach himself and the work which counts most is that which is done away from class'. His own draftsmanship was meticulous, confident and sensitive, mirroring his quiet, studious nature. His many small landscapes in oils, which were painted directly and briskly with an apparent ease of style, were carefully thought out initially, as some of his sketches show.
Boxall died, unmarried, of tuberculosis at his father's home at Rose Park, South Australia, on 7 January 1944 and was buried in North Road cemetery. His estate was sworn for probate at £3454. From a bequest of his sister Ella a trust was established for the National Gallery of South Australia known as the d'Auvergne Boxall Bequest which took effect from 1954. This added many paintings, drawings and prints by Boxall to the collection, and a room was renamed the d'Auvergne Boxall Gallery. That year a memorial exhibition of his works was held at the Royal Society of Arts, Adelaide.
Well, kind of...this is the building I've worked in for just over nine years, in November we moved just over the road to a fab old terraced house.
73/80 Hard Work.
This man was cutting branches as we were about to see some seals at sea. There were some really lovely views
-
Este señor estaba cortando ramas mientras nos disponíamos a visitar unas focas en el mar. Había unas vistas realmente preciosas.
If you like my work, you can follow me on: Facebook DeviantART 500px Instargram
RUSPA SCRAPER nelle Cave estrazione Porfido ad Albiano Tn negli anni ' 80 Porphyry quarries extracting Albiano Tn Italy years' 80
Foto destinata al macero da un quotidiano locale , peccato che di quelle salvate la quantità è davvero piccola !
Taken for ODC - WORK
Pulling weeds is tedious work but at least it's outdoors and a good stress reliever.
Seen better days. A goody though. Even has the lamplighter's ladder rests, although one is now missing.
MOZAÏK Neck Work the concept of this new artistic project, which will also serve as a fundraiser for the Ottawa Arts Court in collaboration with the Downtown Rideau BIA is quite simple, it consists in the creation of artistic and funky necklaces created by the MOZAÏK artists, that grace the neck of models photographed semi-nude.
The ultimate goal: ---to create a new type of mozaïk that can be described as a «photographic necklace» for a building. This event is part of the Ottawa Fringe Festival. To be among the first to discover this amazing new concept, please visit our Website at : www.artmozaik.com/Neck_Work.html
Model-modèle: Gaveen
Artist-artiste: Jocelyne Sabourin
The Human Mozaïk