View allAll Photos Tagged VueScan
Digitized with Negative Lab Pro v2.1.0
Hasselblad 500CM
Carl Zeiss 80mm F2.8
Fujifilm PRO400H
Vuescan/Nikon Super Coolscan 9000 ED
A view down the lower lawn.
When we paid a visit to Chirk Castle in April, I took along a new (to me) 35mm film SLR, a Canon EOS 50E, which I used alongside my normal digital camera. Unfortunately, as it was the first film I had run through the camera, I hadn't got the settings to my liking and all of the photos were overexposed, to one degree or another (see below), so I decided to photograph one of the negatives and process it using VueScan. The above image is the result of this after a quick "tweek" in PS. See the "untouched" version from VueScan below.
Best viewed on black (click on image or press "L").
More examples of this shot and a comparison shot taken with my Nikon D90 can be seen below.
More on Chirk Castle can be found here.
More images from our visit to Chirk Castle can be found here.
Click on the images below to open them in the photostream.
Scanner - Epson Perfection 4490
Left - Epson Scan, Auto Exposure
Middle - Vuescan, Auto Level
Right - Lab, Fuji Frontier
I like the Vuescan output but it's a pain to batch scan vs Epson Scan
Nikon FE
Nikon 28mm f/2.8 ais @ f/8
Nikon MD-12
Kodak TMAX 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Test Hypercat 1+200 con Parte B Potassio Carbonato
Kentmere 100
Pentax MX
Scansione diretta da negativo (VueScan)
Olympus Trip 35
Agfa VistaPlus 200
Canon CanoScan 8600F
VueScan
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Camera // HOLGA 120N
Film // Kodak Portra 160
Developer // Tetenal C-41
Scan // Epson V850 (Vuescan and ColourPerfect)
in "the middle of nowhere", maar wel op een prachtig plekje, staat deze mooie koremolen, De Zwaluw", uit 1837.
Bronica ETRS met 50mm Zenzanon. Portra NC (neg-pos conversion with Vuescan)
There are times I have to battle analog Portra NC-film, but this is one of those moments when everything is OK, and the colours come out great! It was winter, and then there is this special light...
Lavinio - Lazio - Italy
Zenza Bronica EC-TL
Zenzanon 50mm f/2,8
Fujifilm Pro400H @200ISO
Vuescan + Gimp
Hasselblad SWC Delta400 ID11 stock
Delta400, Self-developed ID11 (stock), self-scanned with vuescan (linux)
21-09-2024
Also die Kratzer und Risse in der Mauer werden doch hervorragend entfernt.
Erstaunlicherweise trat dieser Effekt nur bei einigen Bilder der gleichen Serie (König Drosselbart) auf.
Offenbar wurde bunt gemischt mit SW und Farbfilm gearbeitet.
Having a heatwave, a tropical heatwave as the Irving Berlin song goes. It's highly unusual for Seattle in May to be in the 80s with glorious sunshine and not a cloud in the sky. I tell people that Al Gore was right all along, and this is all to do with global warming and it is going to come with a major earthquake.
But Seattleites, who are still overdosing on Vitamin D, and more accustomed to having grey skies and rain, are wondering what that big yellow thing in the now bright blue sky is - and why they have had so many continuous days of it. And some, like in this picture, just merrily dress up for the usual Seattle elements expecting a downpour.
Leica MP & 50mm Summicron
B&W Yellow Filter
Kodak TMax 100 (80)
Xtol & Adonal (9:30min)
Plustek 7600i & Vuescan
Test Hypercat 1+200 con Parte B Potassio Carbonato
Kentmere 100
Pentax MX
Scansione diretta da negativo (VueScan)
Sunderland
Ilford FP4+ film shot at 50 ASA developed in Caffenol-C-L for 42 mins at 20'C.
Recepie used: Anhydrous Washing Soda - 8.5g, Vitamin C powder - 5g, Potassium Bromide - 2.5g, Maxwell House Instant Coffee Powder - 19g, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.
Taken with home-built panoramic pinhole camera w/ curved film plane
>> Fuji Super 200
>> Epson V500 and Vuescan
>> CF Systems Colorperfect and Photoshop
Visited gardens near my town, it's a beautiful place for people to relax and enjoy nature. Lot's to be seen including art, statues etc.
Nikon F90x
Kiron 28-210mm 1:3.8-5.6
Fuji Superia X-tra asa 400
Nikon Coolscan IV
Vuescan
Photos shot with a Pentax ME with a 28mm Travenar on AgfaFoto APX 400 @400 during a pure analog photo tour from Bardowick to Lüneburg on February 12, 2017. This time (semi) stand developed with Adonal (Rodinal) 1+100 for 60 minutes, with 10 inversions on start and one inversion after 30 minutes. Fixed with Adofix 1+9 for 5 Minutes. Scanned with VueScan on a CanoScan 9000f Mark II. Post-processing in Lightroom including sharpening for prints with Nik Sharpener Pro. Self-developed AgfaPhoto APX 400 #2
Nikon FE
Nikon 28mm f/2.8 ais @ f/4
Nikon MD-12
Kodak TMAX 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
My first successful Nikon Coolscan V ED scan using Vuescan
While I did a decent scan of this earlier on my Epson, it needed more tweaking and I ended up with an image that has significant post processing. I still like the results, but wanted to get back to less manipulation and more straight shooting, as it were.
Here's the previous: www.flickr.com/photos/januaryman/2295380052/
Nikon FE
Nikon 28mm f/2.8 ais @ f/4
Nikon MD-12
Kodak TMAX 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Cute little dog that sat by a flower stand in Copenhagen.
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Leica M3
Voightländer 35 Ultron 1.7
Ilford Delta 100
Scanned in Vuescan
Since I got my half plate camera and Fujinar 210mm f/4.5 lens (flic.kr/p/22En6zv), I've been taking photographs on photo paper because the original film size (4 3/4 x 6 1/2 inch or 120 x 165 mm) is no longer available. Then a few days ago I took delivery of some Fomapan 400 5 x 7 inch (127 x 178 mm) film which I cut down to half plate size. This shot was taken at EI 320 and exposed at f/45 for 4 seconds. The negatives were processed taco style in a Paterson 3 tank and developed in Adox Rodinal (1+50) @ 20C for 11 minutes. Post processing was done by scanning the image to a raw file in Vuescan @ 1,200 dpi and then inverting and scaling it in Photoshop. Finally, the image was sharpened for the screen and a vignette was added in Lightroom.
I must say that I was blown away by the level of detail in the shot, especially considering it was taken using an uncoated barrel lens that must be about 70 years old.
Photos shot with a Pentax ME with a 28mm Travenar on AgfaFoto APX 400 @400 during a pure analog photo tour from Bardowick to Lüneburg on February 12, 2017. This time (semi) stand developed with Adonal (Rodinal) 1+100 for 60 minutes, with 10 inversions on start and one inversion after 30 minutes. Fixed with Adofix 1+9 for 5 Minutes. Scanned with VueScan on a CanoScan 9000f Mark II. Post-processing in Lightroom including sharpening for prints with Nik Sharpener Pro. Self-developed AgfaPhoto APX 400 #2
Nikon FE
Nikon 85mm f/1.4 D @ f/2.8
Nikon MD-12
Kodak TMAX 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Test Hypercat 1+200 con Parte B Potassio Carbonato
Kentmere 100
Pentax MX
Scansione diretta da negativo (VueScan)
Camera: Mamiya RB67
Lens: Mamiya-Sekor 65mm f/4.5
Film: Ilford FP4 PLUS
Developer: ID-11 (1+0) at n+1, 1st min. cont. ag., then 3 tilts every minute
Fixer: Ilford Rapid Fixer
Scanner: Epson 4490
Software: Vuescan & PS CS4 & PTLens
errata corrige
Zeiss Ikon S310 Tessar 40mm f/2,8 VueScan CanoScan 2700F Konica Super XG100 - Betulle a Villar Sampeyre
p.s. qualsiasi appassionato di fotografia, quando vede un bel boschetto di betulle, si monta la testa e fa venire fuori l'"Ansel Adams" che è in lui... (anche se i risultati sono lontani mille miglia..., ma perlomeno si intuisce che la luce radente proveniente da sinistra dà tridimensionalità alla scena, e il contrasto accentuato - indispensabile nel b/n - separa le piante dalla corteccia bianca dallo sfondo)
The MKE Art Museum taken on a clear (and very cold) day in November 2013.
--Hasselblad 503cx w/ Kodak Tri-X
--Rodinal 1+100 stand for 50 min
--Vuescan and Photoshop
Nikon FM3A
Nikon 85mm f/1.4 D @ f/2.8
Ilford HP5 Plus 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Maximal mögliche Schattenaufhellung –
In der Praxis wird man einen Teil der möglichen Aufhellung gegen besseren Kontrast eintauschen.
My sons favourite christmas gift this year, a retro styled metal space ship.
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Camera: Leica M3
Lens: Leica Summicron 50 DR
Film: Ilford delta 400
Developer: Kodak D76 Stock 20*c
Filter: None
Software: Scanned as raw i vuescan, Converted with Colorperfect
Very odd picture. Looks like something weird happened with the emulsion after 30+ years. No other pic on the roll has anything remotely like this.
Film might not be dead, but i believe this roll was dying. ;) or maybe something went wrong with scanning? weird stuff.
Camera: Olympus mju
Film: Ilford HP5 (probably expired 30 years ago)
Developer: Adox Atomal 49
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan