View allAll Photos Tagged VueScan
"martin & michi" performing at the christmas market on the "kohlenmarkt" in regensburg/germany.
Contax T2
Kodak Portra 400 @800 (without push process)
Scan from negative film,
Reflecta RPS7200, VueScan RAW
converted with ColorNeg
© Thomas Seidl Photography 2015
Homepage: thomasseidl-photography.smugmug.com
Facebook: www.facebook.com/pages/Thomas-Seidl/157771240957091
Zeiss Ikon Rangefinder
Zeiss Biogon T* 2/35 ZM
Kodak Tri-X 400 @800
Scan from negative film,
Reflecta RPS7200, VueScan
self developed,
Adox Adonal (1+50), 18 Min @20 C
© Thomas Seidl Photography 2015
Homepage: thomasseidl-photography.smugmug.com
Facebook: www.facebook.com/pages/Thomas-Seidl/157771240957091
I've published this pic before, or rather a pic of the same scene. The old pics were taken with a Canon S90 digital pocket camera, while this version was taken at the same time using a Mamiya 6 medium format rangefinder with its wonderful 50mm wide angle lens on Kodak Portra 160NC film. Developed in a pro lab, but scanned by myself using an Epson V700 and VueScan. Slight post processing using GIMP.
Eastleigh Works open day in 1962 (I think) the year that this loco was built. Now it is the sole survivor of its type and was, the last I heard, on loan to the Great Central Railway at Loughborough.
Scanned from 35mm slide by Minolta Dimage Scan Elite 5400 and VueScan.
Leica M3 + Leitz Wetzlar Summicron 50mm f/2 DR + B+W ND 4x + Kodak Portra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
"Bessemer" "AL"
"Canon 7"
"CV 35/2.5 Color-Skopar"
"Kodak" "TX400"
"Thorntons Two Bath"
"Plustek 8100"
"Vuescan"
"Gimp"
Shot box speed, despite being 23 years expired and having an unknown storage history.
Physical slides are very dark, and even with a high exposure setting in VueScan they were each pulled up another 1.5 to 2 stops in processing.
Color balance for mids and highs lead to significant magenta hue in shadows which was corrected for in some but not all of these.
Cinestill Cs6 3-bath kit with D9 DynamicChrome first dev (1+2 dilution, 11min)
Rolling stock waiting on the quieter part of marshalling yard in the southern part of Zagreb, Croatia.
Taken with Honeywell Pentax Spotmatic F and Super-Multi-Coated Takumar 300mm F4 lens, on modern version of Agfa APX 400 film. Developed in Fomadon R09, 1+50 @ 21°C. Scanned with my usual CanoScan 8800F scanner using VueScan 9.
The lower part of this scan has some scanner artefacts, unfortunately.
Braun Paxette Super II B + Carl Zeiss Tessar 50mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Grand Trianon at the Palace of Versailles.
Technical details: Canon AE-1, 35mm 2.0, Fuji Provia400X pro-lab developed. Self-scanned with Nikon LS5000 using vuescan(linux) and darktable (linux) for decorations.
Olympus XA + F-Zuiko 35mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Kodak Retina IIF + Schneider-Kreuznach Retina-Xenar f:2.8 45mm + yellow filter + Kodak Tmax 400
Digitised using Plustek 120 + Vuescan
Kodak ColorPlus 200 cross processed in Kodak D76 1:1
Scanned as redscale
Olympus MJU-V
Epson V500 (VueScan)
Corn Exchange, Leeds (West Yorkshire)
UK
at the corner of the park, he seemed to have found his meal - I was watching him with my camera held, but he did not stop to eat his meal for more than 10min.
- Ihagee EXA Ib + CZJ Sonnar 135mmF3.5 / Solaris 100
scanned by Epson GT-X970 + vuescan
Zeiss Ikon ZM
Zeiss Biogon 35/2
Kodak Portra 400
Scan from negative film,
Reflecta RPS7200, VueScan
© Thomas Seidl Photography 2014
Homepage: thomasseidl-photography.smugmug.com
Facebook: www.facebook.com/pages/Thomas-Seidl/157771240957091
Reggio Emilia San Pietro
Taken with my Leica M7, 35mm Summicron on Fuji Provia100F, pro-lab developed.
Sanned with a Nikon LS5000, vuescan (linux) and processes for flickr with darktable (linux)
Ricoh GR1 + Fujifilm Superia X-tra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Leica M3 + Leica Summicron 50mm f/2 DR + Kodak Portra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Ricoh GR1 + Fujifilm Superia X-tra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
"ICCD 2016"
"Lunch Walk"
"Birmingham, AL"
"Kiev IIa"
"Jupiter 12 35/2.8"
"Kodak" "TX400"
"Thorntons Two Bath"
"Plustek 8100"
"Vuescan"
"Gimp"
Olympus XA + F-Zuiko 35mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
A line up of classic Amtrak power, so which one was the success story? Well the P30CH's were never repeated, and the SDP's were returned early, so the winner is the E9A in about every category, especially aesthetics!
Chicago IL / 18th St
AMT engine facilities
AMT 706 P30CH
AMT 400 E9A
AMT 630 SDP40F
Makina 670 + Nikkor 80mm f/2.8 + Kodak Portra 160
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Leica M3 + Leica Summicron 50mm f/2 DR + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
"Bessemer" "AL"
"Canon 7"
"CV 35/2.5 Color-Skopar"
"Fuji" "Acros"
"Thorntons Two Bath"
"Plustek 8100"
"Vuescan"
"Gimp"
Minolta 7s rangefinder
Ilford Pan 100 B&W film
Developed in Bellini Hydrofen
Scanned with a Plustek 7500i using Vuescan and processed using grain2pixel PS plugin.
Braun Paxette Super II B + Carl Zeiss Tessar 50mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Namdaemun Market, Seoul, South Korea
Nikon F3
Nikkor 50mm F1.2 AiS
Fujifilm Provia 100F
Nikon Super Coolscan 9000 ED
Vuescan
First image from this wonderful little camera. Ilford XP2 Super 400, developed by The Darkroom UK Ltd and scanned via Plustek 8100 using Vuescan and finalised in ON1 photo RAW 2021
Bibai Snowland, Hokkaido. The same place as www.flickr.com/photos/threepinner/53540037171
Canon AV-1, Tefnon 70-210mm F3.5, negative ISO 100 from Fuji, developed with reversal processing ( 1st: Korectol 30 Deg.C 130 seconds, 2nd BAN ) , scanned with Plustek OpticFilm8100 + VueScan, edited with GIMP. The difference are film, development, and scanning. Image quality is better in this one.
Leica M3 + Leitz Wetzlar Summicron 50mm f/2 DR + B+W ND 4x + Kodak Portra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
From the archives: In the forest shadow, somewhere near my parent's house, Jastrebarsko, Croatia. Summer 2011.
Taken with Yashica FR II camera and Yashica ML 28mm F2.8 lens, on Efke Gekko MW 100 film. Self-developed in Agfa Rodinal R09. Scanned with Plustek OpticFilm 8100 using VueScan 9.
Braun Paxette Super II B + Carl Zeiss Tessar 50mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Asda dev
Selfscan Epson V500 (VueScan)
50mm 1.8
First attempt using fully manual instead of auto levels on VueScan
It has passed 1 year since I got my 1st DSLR - and now I use film camera...... Yes, I found the photography is so addictive for me within a year.
デジタル一眼を手に入れて写真の世界に目覚めてから一年が経ちました。気がついたらフィルムカメラを振り回している自分が信じられません。見事にどっぶりです。
- Flexaret IV / Fomapan400
- self developing D-76(1:1) 19C 14min.
- scanned by Epson GT-X970 + vuescan
Bleach Bypass with FILM (not digital filters).
Even better alley shot. I went deeper in and tried to capture some of the feeling. I think it worked with the fall off and the subdued lighting.
Eastman Kodak expired Vision2 250D. Shot at 250 with Bessa T and toy M mount body cap pancake lens with fixed focus F/10. There seems to be a sweet spot around 10 to 20 feet with the lens. "pre developed" (still looking for a good term). in PA Rodinal 1:100 for 10 minutes and then cross processed in Kodak Flexicolor C-41 for 3:15 minutes, skip bleach / bypass 2 minute wash, then fixed for 8 minutes continuous agitation in Ilford Hypam rapid fix 1:4.
The raw scan comes up very bronze with some rich earth tone colors, definitely not monochrome. Obviously, the color can be rebalanced in post processing to bring back the original, or better colors. This is fairly easy to do in photoshop and I learned to just let VueScan do it's job and adjust the raw scan image.
The images may be a bit flatter but I find a VERY wide range of saturation to play with when a normal color negative would tip over of blow out. There are some unique "looks" to be had here. The shadows don't bunch up so quickly and it is possible that running it through a B&W developer automatically pushes the film a bit. I usually shoot this film at 125 or so and here it is doing well at 250 for a 20 odd year old roll. My other posts of just bleach bypass have a thinner look and the shadows are lost pretty quick. More to explore.
Fujifilm TX-1, Fomapan 100, Ilfosol 3.
Epson Perfection V850 with Vuescan, SmartConvert and Lightroom.
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I was in a part of the city I don’t usually wander through, and something about the window caught me immediately. The repetition of those lips, each pierced in its own way, felt like a visual rhythm I couldn’t pass up. I shot it handheld through the glass with the TX-1, trying to line up the horizon with the display shelf. The panoramic frame was perfect—it gave me the space to let each mannequin breathe while still keeping them in this almost clinical procession.
What I love most is how the photo sits between documentary and something more sculptural. It’s a storefront, sure—but the composition abstracts it just enough to feel like an art installation. The Fomapan 100, with its slightly old-world tonality and classic grain structure, gave it that faintly timeless feeling I was chasing. The contrast came out a little harsher than expected, but I like that bite—it suits the subject. There’s a kind of silent scream in these faceless mouths, and I think the film carried that emotion just right.
It’s strange—there’s no blood, no skin, no voice—yet somehow, it feels alive. Like a choir of expressions that are all quietly daring you to look a little longer.
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